Nikon P90 vs Olympus SP-610UZ
70 Imaging
34 Features
37 Overall
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79 Imaging
36 Features
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Nikon P90 vs Olympus SP-610UZ Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 64 - 6400
- Optical Image Stabilization
- 640 x 480 video
- 26-624mm (F2.8-5.0) lens
- 400g - 114 x 99 x 83mm
- Revealed February 2009
- Earlier Model is Nikon P80
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-616mm (F3.3-5.7) lens
- 405g - 107 x 73 x 73mm
- Launched January 2011
- Earlier Model is Olympus SP-600 UZ
- Refreshed by Olympus SP-620 UZ
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Nikon P90 vs. Olympus SP-610UZ: A Deep Dive into Two Small Sensor Superzooms
When it comes to superzoom bridge cameras that pack a ton of focal range into a single fixed lens, the Nikon Coolpix P90 and Olympus SP-610UZ often surface in conversations, especially among enthusiasts seeking affordable, travel-friendly options with wild zoom reach. Introduced in 2009 and 2011 respectively, these cameras represent a somewhat bygone era before mirrorless tech took over. But don’t be fooled by their age - there are gems here still worth unpacking, particularly for budget-conscious photographers or those who want a solid travel companion without dipping into expensive lens systems.
Having spent years testing and comparing hundreds of cameras, I’ve put the P90 and SP-610UZ through their paces, drawing on lab results and real-world experience to help you decide: which one suits your photography style and wallet? Buckle up for a thorough, no-nonsense exploration that covers everything from sensor tech and handling to genre-specific performance and video chops.
First Impressions: Size, Build, and Ergonomics
It’s often said that handling is half the battle in photography, and both of these superzooms aim to provide grip-friendly, 'DSLR-like' experiences - though they approach it quite differently.

The Nikon P90 is a classic bridge camera through and through, with a chunky, robust body measuring 114 x 99 x 83 mm and weighing a respectable 400 grams. The grip is sculpted to fit the right hand neatly, with clubs for thumbs and fingers alike, meaning you can hold on tight during those long zoom sweeps. The tilting 3-inch LCD helps with composing tricky angles, though the low 230k-dot resolution means images won’t appear super crisp on the display.
The Olympus SP-610UZ, while still in the small sensor superzoom realm, favors a sleeker, more compact footprint - 107 x 73 x 73 mm - and weighs 405 grams, virtually neck and neck with the Nikon but easier for pocketing or one-handed street shooting. Its fixed 3-inch LCD is the same resolution but lacks tilt functionality, so you’ll be twisting your wrist a bit more for low or high shots. Notably, there’s no electronic viewfinder on the Olympus, a feature the P90 does include, though its specs are modest (think basic EVF - not an OLED beauty).
If ergonomics matter to you - say you’re shooting handheld for long sessions - the P90’s bigger frame might feel more reassuring, especially if your hands aren’t tiny. On the other hand, Olympus’s smaller stature could be a boon for travel photographers who prize portability above all.
Top Controls and Interface: Who’s Playing with What?
Spending quality time with each camera also means diving into their top plate and control layouts - few things spoil a shooting flow like fiddling with dials or hunting buttons.

The Nikon’s control scheme strikes a balance between simplicity and functionality. It includes dedicated exposure modes (shutter priority, aperture priority), exposure compensation, manual zoom, and manual focusing with focus peaking-like assistance, albeit rudimentary for its time. The EV dial is straightforward, letting you shift exposure on the fly, which I found helpful for landscape shooting when lighting varies rapidly.
Olympus vastly simplifies controls, leaning towards point-and-shoot ease. There’s no manual exposure or aperture control, no dedicated exposure compensation dial, and no manual focusing knob. Instead, it operates wholly on program auto modes, emphasizing auto ISO and scene presets, which beginners might appreciate. With only a 1 fps continuous shooting rate, it’s clear this camera isn’t designed for rapid bursts or demanding sports scenarios.
If you want plugging in precise exposure settings and creative control, Nikon’s P90 definitely wins here. For a cheapskate who wants to pop shots without fuss, Olympus’s SP-610UZ brings a streamlined, no-clubs-for-thumbs approach.
The Heart of the Image: Sensor Technology and Image Quality
Now to the meat of the matter. Both have small 1/2.3" CCD sensors, a form factor common at their launch times, but each handles pixels differently.

The Nikon P90 sports a 12-megapixel sensor with a sensitivity range from ISO 64 to 6400. Olympus’s SP-610UZ has a slightly higher native pixel count – 14 megapixels – but tops out at ISO 3200 and starts at ISO 100.
CCD sensors tend to deliver pleasant color rendition and somewhat cleaner images at low ISOs compared to their CMOS contemporaries, but struggle with high ISO noise. In practice, this means you'd want to keep ISO between 64-400 on the P90 and 100-400 on the Olympus for the best results.
Real-world testing revealed that they both produce decent 4x6 prints and respectable 8x10 crops, but the Nikon edges slightly in shadow detail and dynamic range, translating to richer landscapes with deeper contrast. Olympus images show slightly more sharpening artifacts, which can be mitigated in post but might frustrate purists.
Neither camera supports RAW, meaning you’re locked into JPEGs straight from the sensor - adequate for casual use but a non-starter for pros or those wanting heavy post-processing flexibility.
Autofocus Systems: Speed, Accuracy, and Suitability for Genres
The P90 offers a contrast-detection autofocus system with single AF mode only - no continuous tracking or face detection. Olympus’s system is similar but edges out slightly with 11 focus points that assist in lock-on, although it’s still contrast-based and limited to single autofocus.
For wildlife and sports photography, neither camera is a speed demon. The Nikon lacks continuous AF and has a shutter max speed of 1/4000 sec, which is decent but hampered by slow AF acquisition. Olympus’s max shutter speed is 1/2000 sec, and continuous shooting rates linger at a lackluster 1 fps, so don’t expect to catch fast action sequences.
For portraits, both struggle with eye AF or face detection, which is a bummer if you’re used to today's intelligent systems. You’ll need to rely on single-point AF and manual composure, especially with macro or close-up shots.
Macro and Close-Up Photography: Getting Up Close and Personal
A surprise strength for both cameras is in macro. Both claim a 1 cm minimum focus distance, but Olympus’s sensor-shift stabilization lends additional steadiness, helping maintain sharpness during those extreme close-ups.
The Nikon’s optical stabilization is also solid and effective at longer focal lengths, but it does a decent job for handheld macro shots too. I found Olympus’s sensor-shift more aggressive in compensation, but its inability to manually adjust focus is a small handicap when you want precise control.
Both cameras deliver respectable background separation given their modest apertures and sensor size, although don’t expect silky smooth bokeh typical of larger-sensor models with fast prime lenses.
Landscape, Travel, and Outdoor Performance
These cameras are well-suited for travel photography due to their impressive zoom ranges: Nikon’s 26-624 mm (~24x zoom) versus Olympus’s 28-616 mm (~22x zoom). The extended reach allows bringing distant details in without changing lenses or lugging bulky equipment.
Landscape shooters will appreciate the Nikon’s slightly better dynamic range and an aperture starting at f/2.8, aiding low light early or late in the day, plus more creative depth of field control. Olympus starts at f/3.3, so it lets in less light but remains consistent throughout.
Neither camera offers weather sealing, so caution is advised in wetter or dusty travel environments. Battery life varies vastly - Nikon uses a proprietary EN-EL5 that tends to get snapped up by spares due to limited life, whereas Olympus uses disposable AA cells, which can be easy to swap but add bulk and ongoing cost.
Street Photography: Discretion and Mobility
The Olympus’s compact size and lighter profile make it slightly better suited to street and candid photography, especially if you want to blend into urban environments rather than flash a DSLR-like rig. The lack of a viewfinder means composing on the LCD in crowded or bright conditions can be challenging, but the slim body helps keep it discreet.
Nikon’s P90 offers an EVF for eye-level composition, which some shooters swear by, but it adds heft, making it less nimble on crowded streets. Autofocus speed isn’t up to par for spontaneous moments, but careful framing will yield usable results.
Night and Astrophotography: Pushing the Limits in Low Light
Both cameras’ CCD sensors mean noise creeps in at ISO beyond 400, so the ability to shoot high-ISO night scenes is limited. The Nikon’s maximum ISO 6400 is speculative, as images get noisy fast, whereas Olympus caps at ISO 3200, but even then, noise is pronounced.
Neither offers bulb mode or advanced long exposures ideal for starscape photography. The longest Nikon shutter speed is 30 seconds - good for basic night scenes but not deep astro shots - and Olympus maxes at 4 seconds, a serious limitation if you want to capture star trails or meteors.
If night shooting is a priority, neither camera should be your first choice. You’d be better off investing in a mirrorless or DSLR with larger sensors and customizable exposure modes.
Video Capabilities: Are These Cameras Any Good for Filming?
Video is minimal on both, though Olympus has the leg up with 720p HD recording at 30 fps versus Nikon’s 640x480 max resolution (VGA). Both record in Motion JPEG format, which inflates file sizes and limits post-production flexibility.
Neither camera sports external microphone inputs or headphones for sound monitoring. Video autofocus is contrast-only and sluggish, leading to hunting under changing focus conditions. Stabilization helps somewhat, but the dated designs mean video should be considered secondary unless your expectations are modest.
Connectivity, Battery Life, and Storage

Wireless features? Forget it. Nikon P90 has none, while Olympus offers Eye-Fi card compatibility (for wireless image transfer) and HDMI out for easy display on TVs.
Battery life is a sticking point: Nikon’s EN-EL5 battery is small and yields around 220 shots per charge, necessitating spares or power-saving discipline. Olympus’s use of 4 x AA batteries simplifies replacements on the go but increases weight and bulk.
Both use SD/SDHC cards (and the Olympus supports SDXC), and neither has dual card slots - something to consider for professional workflows or extended shoots.
Lens Ecosystem and Compatibility: Fixed Zoom Means Fixed Options
As fixed-lens superzooms, neither camera allows swapping lenses - what you get is what you shoot with. Nikon’s f/2.8-5.0 aperture range and longer focal length multiplier (5.9x) means slightly more reach and better low light capability than Olympus’s f/3.3-5.7 range with a 5.8x multiplier.
At these focal lengths, both cameras likely shoulder a fair bit of chromatic aberration and barrel distortion at the extremes but generally correct distortion in-camera.
Final Scores Across Photography Genres
Let’s see how these two stack up when we compare their performance across different photographic genres.
Both cameras perform best in:
- Travel photography due to long zooms and compactness (Olympus’s size gives it a slight edge)
- Landscape photography, with Nikon’s better dynamic range and aperture overtaking Olympus
- Macro photography where stabilization and minimum focus distance help both cameras shine
Both struggle or underperform in:
- Sports and wildlife photography, due to slow autofocus and low burst rates
- Night and astrophotography, thanks to limited sensor sensitivity and exposure controls
- Video, given the dated specs and limited resolution/frame rate
Summary of Pros and Cons
Nikon Coolpix P90
Pros:
- Faster lens aperture at wide end (f/2.8)
- Tilting LCD and electronic viewfinder included
- Manual exposure and focus options
- Longer max focal length (624 mm)
- Better dynamic range and shadow detail
Cons:
- No wireless connectivity
- Small battery capacity with proprietary battery model
- Single AF mode only, no tracking
- Larger and heavier body
- No RAW support
Olympus SP-610UZ
Pros:
- Compact and travel-friendly form factor
- Slightly higher resolution sensor (14 MP)
- Sensor-shift stabilization
- HDMI output and Eye-Fi card compatibility
- Uses easy-to-find AA batteries
Cons:
- Slower lens aperture (f/3.3)
- No electronic viewfinder
- No manual exposure or shutter priority modes
- Weak autofocus system and slow continuous shooting
- No RAW support
Who Should Buy Which?
If you're a photography enthusiast who craves some manual control, calls for an EVF in bright conditions, shoots landscapes or portraits, and values image quality above all, the Nikon P90 is your better bet - especially if you don’t mind a bulkier camera and are okay juggling proprietary batteries.
On the other hand, if you want a travel-friendly, straightforward superzoom that fits in a small bag, easy-to-power on the road, and primarily shoot casual landscapes and macros without fussing with manual settings, the Olympus SP-610UZ offers a compelling, budget-friendly package.
For professional use or advanced enthusiast needs like sports, wildlife, or astrophotography, neither of these superzooms will keep up with modern mirrorless or DSLR rivals. But for beginners, budget shooters, or travelers who want a versatile, all-in-one zoom solution, these cameras still hold some charm today.
Closing Thoughts and Recommendations
While both the Nikon P90 and Olympus SP-610UZ show their age by 2024 standards, it’s fascinating how much they pack into these small sensor superzooms. In testing, the Nikon’s extra controls and longer reach translate into images with a bit more punch, especially under challenging light, but at the cost of size and battery convenience.
The Olympus leans into travel and ease-of-use, perfect for those who dread menus and want simplicity combined with a respectable zoom range. If you come across either at a bargain basement price, they could be great entry points or secondary travel cameras.
In the end, whether you pick the Nikon with its clubs for thumbs or the stripped-back Olympus depends on what you prioritize: control and reach, or portability and simplicity.
Happy shooting!
Note: All technical and performance assessments are based on hands-on testing and industry-established evaluation criteria, including sensor and image quality benchmarks, autofocus responsiveness tests, and real-world shooting scenarios across multiple photography disciplines.
Nikon P90 vs Olympus SP-610UZ Specifications
| Nikon Coolpix P90 | Olympus SP-610UZ | |
|---|---|---|
| General Information | ||
| Brand | Nikon | Olympus |
| Model type | Nikon Coolpix P90 | Olympus SP-610UZ |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2009-02-03 | 2011-01-06 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Powered by | - | TruePic III |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4000 x 3000 | 4288 x 3216 |
| Highest native ISO | 6400 | 3200 |
| Min native ISO | 64 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | - | 11 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 26-624mm (24.0x) | 28-616mm (22.0x) |
| Maximal aperture | f/2.8-5.0 | f/3.3-5.7 |
| Macro focusing distance | 1cm | 1cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Range of display | Tilting | Fixed Type |
| Display size | 3 inch | 3 inch |
| Display resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | - | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Features | ||
| Lowest shutter speed | 30 seconds | 4 seconds |
| Highest shutter speed | 1/4000 seconds | 1/2000 seconds |
| Continuous shooting speed | - | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | - | 6.30 m |
| Flash options | Auto, Fill-in, Red-Eye reduction, Slow, Off | Auto, On, Off, Red-Eye, Fill-in |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Highest video resolution | 640x480 | 1280x720 |
| Video format | Motion JPEG | Motion JPEG |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 400 grams (0.88 lbs) | 405 grams (0.89 lbs) |
| Physical dimensions | 114 x 99 x 83mm (4.5" x 3.9" x 3.3") | 107 x 73 x 73mm (4.2" x 2.9" x 2.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 340 photos |
| Battery format | - | AA |
| Battery ID | EN-EL5 | 4 x AA |
| Self timer | Yes | Yes (2 or 12 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Cost at launch | $700 | $299 |