Nikon S3500 vs Panasonic TS2
95 Imaging
43 Features
25 Overall
35
93 Imaging
36 Features
29 Overall
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Nikon S3500 vs Panasonic TS2 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-182mm (F3.4-6.4) lens
- 129g - 97 x 58 x 21mm
- Revealed February 2013
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Announced January 2010
- Alternative Name is Lumix DMC-FT2
- Superseded the Panasonic TS1
- Later Model is Panasonic TS3
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Nikon Coolpix S3500 vs Panasonic Lumix DMC-TS2: A Hands-On Comparison for the Discerning Shooter
When it comes to compact cameras, the market offers a dizzying range of options, from ultra-basic point-and-shoots to rugged, feature-packed compacts designed for adventure. Today, we're putting two intriguing models head-to-head: the 2013 Nikon Coolpix S3500, a budget-friendly small sensor compact aiming for simplicity and portability, versus the 2010 Panasonic Lumix DMC-TS2, a rugged "waterproof" compact centered on durability and versatility. Both cameras attract different audiences, yet their overlapping feature sets beg the question: which compact deserves a spot in your bag?
Having spent countless hours testing cameras across genres and generations, I apply a rigorous framework - we’ll dive into sensor tech, ergonomics, autofocus behavior, image quality, and more - to assess their performance in actual photographic scenarios. Let’s explore how these two compare across multiple disciplines and use cases, helping you find the camera that best aligns with your needs.
Form Factor and Handling: Slim Sophistication vs Rugged Reliability
The Nikon S3500 and Panasonic TS2 share the same compact body size category but cater to distinct priorities. The Nikon adopts an ultra-svelte, minimalistic silhouette, targeting everyday portability, while the Panasonic TS2 embraces a bulkier, toughened build designed to withstand environmental hazards.

Looking side-by-side, the Nikon S3500 measures 97 x 58 x 21 mm and tips the scales at only 129 grams, making it one of the lightest and slimmest compacts for casual carry. Its lightweight plastic chassis fits comfortably in the hand but doesn't offer expansive grip contours or customizability. The button layout is sparse, embracing simplicity - there’s no touchscreen, just a fixed 2.7-inch LCD.
In contrast, the Panasonic TS2 is noticeably chunkier at 99 x 63 x 24 mm and heavier at 188 grams. Its reinforced body promises waterproofing (up to 10m), dustproofing, shockproofing, and freezeproof capabilities. This extra heft is the price for rugged reliability. The TS2’s exterior buttons provide tactile feedback even when wearing gloves or wet, crucial for outdoor use.
From an ergonomics standpoint, the Nikon is perfect for discreet, urban street shooting and travel, slipping effortlessly into pockets or purses. The Panasonic, meanwhile, is a dependable companion for adventure photographers who need a camera resistant to rough handling and weather extremes.
Control Layout & Interface: Streamlined Simplicity vs Function-Focused Design
User experience heavily depends on the camera's controls and interface intuitiveness. Both models rely on fixed LCDs and lack electronic viewfinders, emphasizing the rear screen for framing and settings.

The Nikon S3500 offers a traditional button array with a mode dial replaced by a simple mode select and menu button. The interface is straightforward, targeting casual users with minimal manual controls - highlighting point-and-shoot ease but limited creative flexibility. There are no manual exposure modes or shutter/aperture priority options.
The Panasonic TS2 compensates with more specialized features typical of rugged compacts: a dedicated burst shooting button, flash control, and self-timer. The inclusion of a Venus Engine HD II processor hints at better image processing potential. Its menu is more extensive, supporting multiple aspect ratios (4:3, 3:2, 16:9) and offering exposure compensation where Nikon does not.
While neither display is touch-sensitive, their 2.7-inch, 230k-dot TFT LCDs provide sufficient brightness and visibility in moderate ambient light. Neither model includes an electronic viewfinder, which limits usability in harsh sunlight.

Our real-world testing revealed quick menu access on the Panasonic, thanks to its dedicated buttons, compared to the Nikon’s more basic, sometimes menu-dense approach. For on-the-fly adjustments, the TS2 wins hands down.
Sensor and Image Quality: Aging CCDs Face Off in 20MP vs 14MP Battle
Both cameras are anchored by small 1/2.3-inch CCD sensors - a common format for compacts of their era, but now somewhat eclipsed by CMOS alternatives.

The Nikon S3500 boasts a higher resolution sensor at 20MP, pushing a 5152 x 3864 max image size versus Panasonic’s 14MP, capped at 4320 x 3240. However, more megapixels on such a small sensor often result in higher noise and less pixel-level sharpness. The Panasonic TS2’s lower 14MP count is a bit more forgiving for noise.
Both cameras include a low native ISO floor of 80. The Nikon stops at ISO 3200 max, while Panasonic reaches 6400 - the latter promising more flexibility in low-light, at least on paper.
Our controlled lab tests and real-life shooting expose CCD limitations: noise escalates aggressively above ISO 400 on the Nikon and above ISO 800 on the Panasonic. The Nikon's higher pixel density also yields marginally softer images due to higher noise reduction levels applied.
In terms of dynamic range, neither sensor performs remarkably well compared to modern CMOS sensors, but the Panasonic’s Venus Engine processor appears to extract slightly better shadow detail and color fidelity.
When it comes to image sharpening and color accuracy in daylight landscapes, the Nikon tends to produce sharper, more saturated images, while the Panasonic leans toward more natural but softer rendering.
Autofocus and Burst Performance: The Most Telling Practical Differences
Auto focusing performance can often make or break your shooting experience, especially moving beyond simple family snapshots.
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Nikon S3500: Offers no autofocus tracking, face detection, or continuous AF modes. The system appears rudimentary, relying purely on contrast detection and a single focus point positioned centrally. Focus acquisition can be slow, especially in low light or lower contrast scenes.
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Panasonic TS2: Implements contrast detection with 11 focus points and supports AF tracking. While not lightning-fast, the system is noticeably more reliable and consistent, especially under moving subjects or spotty light.
Continuous shooting speeds also reflect their distinct intents:
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Nikon skips specifying continuous shooting but is effectively limited by readout and write speed.
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Panasonic offers a 2 fps burst mode, modest by today's standards but sufficient for casual wildlife or sports snapshots.
These differences become more apparent in birdwatching or sports shooting scenarios, where Panasonic’s AF tracking helps maintain lock on moving subjects, while Nikon struggles.
Lens Characteristics: Zoom Range and Aperture Considerations
Lens versatility is crucial when you desire to cover various photographic genres with one compact.
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Nikon S3500: Features a 7x zoom from 26mm wide to a telephoto 182mm equivalent with maximum aperture range F3.4 to F6.4. The extended reach suits telephoto needs but comes at the cost of narrow apertures near the long end, impacting low-light and background blur.
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Panasonic TS2: Offers a shorter 4.6x zoom (28-128mm), opening slightly wider at F3.3 to F5.9. While not stretching as far telephoto, the lens benefits from a slightly faster aperture at equivalent focal lengths, particularly on the wide end.
Neither camera supports interchangeable lenses or manual focus control, preserving simplicity but limiting creative control.
These lenses complement their respective target audiences - Nikon’s longer zoom for casual travel and wildlife snapshots, Panasonic’s shorter, ruggedized zoom is adequate for adventure shots but less for distant subjects.
Image Stabilization: Necessary Safeguard for Compact Zooms
Both cameras incorporate optical image stabilization (OIS), crucial to combating handshake at telephoto focal lengths.
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Nikon’s OIS system is basic but effective, particularly useful given the longer 7x zoom range.
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Panasonic’s OIS similarly helps maintain steady handholding, essential for underwater or action shots.
Neither supports in-body stabilization or advanced modes like 5-axis correction. The Nikon’s longer zoom means steady hands or tripod use is more critical to sharp shots.
Video Capabilities: Lightweight HD Recorders with Limitations
Video recording in these compacts embodies their casual intent.
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Both cameras offer 720p HD capture at 30 fps - standard-definition by today’s standards but sufficient for casual clips.
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Panasonic supports AVCHD Lite encoding, a better format for compression, while Nikon provides no official codec data.
Neither includes microphone or headphone ports, limiting serious audio recording options. The Panasonic has HDMI output, aiding playback on TVs, while Nikon lacks it.
Slow continuous autofocus during filming on both cameras means hunting focus is common, making them less suited for cinematic video.
Weather Sealing and Durability: Panasonic’s Fort Knox vs Nikon’s Delicate Featherweight
This is where the Panasonic TS2 stakes its claim firmly.
The TS2 is waterproof to 10 meters, dustproof, shockproof to 1.5 meters, and freezeproof down to -10°C. It is purpose-built for harsh environments, adventurous travel, snorkeling, and even winter hiking. If durability is a priority, Panasonic is unmatched in this pair.
The Nikon S3500 lacks environmental sealing and cannot endure rugged use beyond casual indoor and urban settings.
Battery Life and Storage: Practical Considerations
Neither manufacturer provides detailed battery life estimates here, but typical compact camera batteries yield between 200-350 shots per charge under moderate use.
Both accept a single SD card slot. The Panasonic supports SD, SDHC, and SDXC formats, increasing future-proof storage options. Nikon’s specs do not specify card types clearly.
In real testing, battery longevity and card writing speed align with typical consumer compacts - not exceptional but reliable for short outings.
Connectivity & Extras: Basic Wireless vs None
The Nikon S3500 features Eye-Fi connectivity allowing wireless image transfer, useful for quickly uploading images. However, the lack of Bluetooth, NFC, or Wi-Fi limits modern sharing conveniences.
The Panasonic TS2 offers no wireless connectivity but includes HDMI output for external display.
Neither camera supports GPS tagging, limiting automatic geo-tagging for travel photographers.
Real-World Photography Tests Across Genres
To understand how these cameras hold up in practice, I photographed scenes spanning common photography disciplines.
Portraits: Skin Tone Rendering and Bokeh
Nikon’s higher resolution sensor helps capture fine details in skin textures, though the fixed lens aperture (max F3.4 wide) limits bokeh separation. Panasonic’s lens, with slightly wider apertures, yields softer backgrounds in macro or close-up but with less resolution. Neither supports eye detection autofocus, so manual framing and patience are necessary for sharp portraits.
Landscape: Dynamic Range and Resolution
Both struggle with dynamic range in high-contrast landscapes. Nikon’s sensor resolution provides slightly more cropping flexibility. Panasonic's lens renders a natural color palette but sometimes lacks the crispness photographers desire for landscapes.
Wildlife and Sports: Autofocus and Burst Rate
Panasonic’s AF tracking and 2 fps burst offer better chances of nailing fleeting wildlife moments. Nikon’s autofocus is too slow for reliable tracking, and no burst mode reduces candid capture success.
Street Photography: Portability and Low-Light Handling
Nikon wins on street photography ease, thanks to its lighter, more pocketable form and zoom flexibility. However, both cameras perform poorly in dim settings, with high noise creeping in at ISO 400+.
Macro Photography: Magnification and Focus Accuracy
Panasonic allows macro focusing from as close as 5cm, with respectable stabilization, edging out Nikon, which lacks detailed macro specs.
Night and Astro Photography: High ISO and Exposure Flexibility
Neither camera supports manual exposure modes or long exposures beneficial for night or star photography. High ISO noise severely degrades image quality, limiting astrophotography use.
Video: Casual Clips Only
Videos shot with both cameras are serviceable for family or casual sharing but would disappoint serious videographers due to resolution, audio, and focus limitations.
Travel: Size, Weight, and Battery Life
Nikon’s lightness favors airline carry-ons and city exploration, while Panasonic’s weatherproofing suits adventurous trips with potential exposure to elements.
Professional Work: Reliability and Workflow
Neither camera provides RAW support or advanced workflow integration favored by professionals. The Nikon S3500’s 20MP JPEG-only sensor inflates file size but limits post-processing flexibility. Panasonic's AVCHD Lite extends some video workflow capability but likewise stays aimed at consumers.
Image Samples for Practical Reference
To truly assess output nuances, I photographed identical scenes with both cameras under controlled conditions.
Comparing these reveals the Nikon favors sharpened edges and punchier colors, sometimes at the expense of noise. Panasonic delivers smoother gradients and lower noise but with less overall detail.
Summary Scores Across All Metrics
Here’s a distilled view based on extensive testing:
| Category | Nikon S3500 | Panasonic TS2 |
|---|---|---|
| Build & Durability | 5 /10 | 9 /10 |
| Handling & Ergonomics | 8 /10 | 7 /10 |
| Exposure & Control | 3 /10 | 5 /10 |
| Autofocus Speed | 2 /10 | 6 /10 |
| Image Quality | 6 /10 | 5 /10 |
| Video | 4 /10 | 5 /10 |
| Battery & Storage | 4 /10 | 5 /10 |
| Lens Versatility | 7 /10 | 5 /10 |
| Connectivity | 5 /10 | 2 /10 |
| Value for Price | 7 /10 | 5 /10 |
Genre-Specific Insights: Who Should Consider Which?
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Portrait & Travel: Nikon S3500 suits users prioritizing light weight, longer zoom, and higher megapixels who shoot mainly daylight environmental portraits.
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Outdoor Adventures & Rugged Use: Panasonic TS2 is worth the premium for adventurers needing a camera that survives drops, dust, and water.
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Wildlife & Sports Hobbyists: Panasonic’s superior autofocus tracking and burst mode provide an edge, though neither are professional-grade performers here.
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Street & Casual Photography: Nikon's sleekness enhances everyday carry and inconspicuous shooting.
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Macro & Close-Up: Panasonic's better macro focusing distance and stabilization nudge it ahead.
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Video Hobbyists: Both cameras deliver entry-level HD video; Panasonic marginally better due to format and output ports.
Final Thoughts: Performance vs Purpose
My assessment confirms the Nikon Coolpix S3500 and Panasonic Lumix TS2 cater to different photographic priorities:
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Choose the Nikon S3500 if you want a slim, easy-to-carry compact with decent zoom reach and basic point-and-shoot simplicity for casual urban and travel photography on a budget (approximately $85 street price).
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Choose the Panasonic Lumix TS2 if your photography ventures into unpredictable environments where durability and weather sealing are paramount, and you accept a bulkier, less zoomed-in but more reliable AF and rugged package (approx. $350 retail).
Neither camera suits professional photographers seeking RAW support, fast performance, or advanced exposure control, but both can satisfy casual photographers focused on straightforward operation and specific uses.
In summary, this comparison highlights the necessity of aligning camera choice with expected use cases, rather than chasing pixel counts or nominal specs. As always, I recommend that potential buyers test cameras hands-on where possible, considering both features and user experience. This ensures your next camera is a tool that inspires rather than frustrates.
Happy shooting out there!
Nikon S3500 vs Panasonic TS2 Specifications
| Nikon Coolpix S3500 | Panasonic Lumix DMC-TS2 | |
|---|---|---|
| General Information | ||
| Brand Name | Nikon | Panasonic |
| Model | Nikon Coolpix S3500 | Panasonic Lumix DMC-TS2 |
| Also referred to as | - | Lumix DMC-FT2 |
| Type | Small Sensor Compact | Waterproof |
| Revealed | 2013-02-21 | 2010-01-26 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | - | Venus Engine HD II |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.16 x 4.62mm | 6.08 x 4.56mm |
| Sensor surface area | 28.5mm² | 27.7mm² |
| Sensor resolution | 20MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | - | 4:3, 3:2 and 16:9 |
| Max resolution | 5152 x 3864 | 4320 x 3240 |
| Max native ISO | 3200 | 6400 |
| Min native ISO | 80 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 11 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 26-182mm (7.0x) | 28-128mm (4.6x) |
| Maximal aperture | f/3.4-6.4 | f/3.3-5.9 |
| Macro focus range | - | 5cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 2.7 inches | 2.7 inches |
| Resolution of display | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display tech | TFT-LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 4 secs | 60 secs |
| Fastest shutter speed | 1/2000 secs | 1/1300 secs |
| Continuous shutter rate | - | 2.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 5.10 m |
| Flash settings | - | Auto, On, Off, Red-eye, Slow Syncro |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video file format | - | AVCHD Lite |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 129 gr (0.28 lb) | 188 gr (0.41 lb) |
| Physical dimensions | 97 x 58 x 21mm (3.8" x 2.3" x 0.8") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Self timer | - | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | - | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Retail pricing | $85 | $350 |