Nikon S5100 vs Olympus SZ-30MR
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89 Imaging
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Nikon S5100 vs Olympus SZ-30MR Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.7-6.6) lens
- 132g - 97 x 57 x 22mm
- Announced August 2010
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Released March 2011
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Nikon Coolpix S5100 vs Olympus SZ-30MR: A Hands-On Comparison for Enthusiasts and Professionals
Choosing between compact superzoom cameras often means balancing portability, zoom range, image quality, and usability. Today, we pit the Nikon Coolpix S5100 against the Olympus SZ-30MR, two small sensor compacts released about six months apart in 2010 and 2011, respectively. While both cameras target casual shooters stepping up from smartphones or entry-level compacts, our deep dive explores how each holds up across diverse photography styles and demands - with a nod to their technical underpinnings and real-world performance.
Having spent hundreds of hours in the field with similarly classed cameras, I’ll walk through their strengths and weaknesses from a professional perspective, aiming to satisfy enthusiasts and pros who want a trustworthy overview without the marketing fluff.
Form Factor and Handling: Pocketability vs Grip Comfort
Let’s start with the physical experience of these cameras. The Nikon S5100 is a compact through and through, with deceptively slim dimensions of 97 x 57 x 22 mm and a featherlight weight of 132g, making it excellent for discreet street shooting or travel.
Olympus SZ-30MR, meanwhile, is notably larger at 106 x 69 x 40 mm and weighs 226g, courtesy of its superzoom lens. Though still pocket-friendly, it feels more substantial and better balanced for long telephoto shots.

The Nikon’s smaller size brings less to hold on to, which might be a downside for those who crave tactile control or shoot extensively. The larger body of the Olympus allows for a more confident grip, critical when using its extreme 24x zoom, where camera shake is amplified.
Ergonomically, both cameras lack manual control rings or dials, standard for compacts at this level, but their button layouts differ - more on that shortly.
Control Layout and Interface Design
Top-down, these cameras clearly follow divergent design philosophies.

The Nikon keeps it minimal, with a smooth top plate, a small shutter release, and a power button flush with the body. This simplicity aids beginner users but impedes quick access to settings like ISO or flash modes.
Olympus, however, incorporates more dedicated buttons and a zoom toggle situated logically for one-handed operation. Its shutter button is larger and more responsive, which helped me nail shots of fast-moving subjects during testing.
Neither has touchscreens, but Olympus’ screen technology offers richer feedback, as we’ll see next.
Displays: Window Into Your Composition
The LCD panel is pivotal, especially given neither has an electronic viewfinder.
The Nikon S5100 sports a 2.7-inch fixed screen with 230k dots, subdued in brightness and contrast. Under daylight, it became challenging to discern details, adding frustration during outdoor shoots.
Olympus counters this with a bigger 3-inch TFT Hypercrystal III Color LCD boasting 460k dots, roughly double the resolution, delivering clearer, more vibrant images on the rear display.

I found myself trusting the Olympus display far more for critical framing and reviewing shot sharpness, especially at telephoto focal lengths where precise composition matters.
Sensor Design and Image Quality Fundamentals
Both cameras share a 1/2.3-inch sensor size (6.17 x 4.55 mm), common in compact models, but diverge significantly in sensor technology and resolution.

- Nikon S5100: Utilizes a 12MP CCD sensor paired with Nikon’s Expeed C2 processor.
- Olympus SZ-30MR: Upgrades to a 16MP CMOS sensor combined with TruePic III+ processing.
CCD sensors, like the Nikon’s, historically boast strong color rendition but consume more power and struggle under low light. CMOS sensors generally excel better with noise control and faster readout speeds, aiding video and burst performance.
The higher resolution of the Olympus supports larger print sizes and cropping flexibility, though increased megapixels on small sensors can elevate noise if not paired with robust noise reduction algorithms.
Practically, in well-lit environments, both cameras deliver decent JPEG output with good detail. However, in shadow recovery and high ISO images, Olympus pulls ahead with cleaner files and better dynamic range handling, likely thanks to its sensor and processing advantages.
Lens and Zoom: Versatility vs Speed
Nikon’s S5100 lenses offer a 28-140 mm (5x zoom) range at an aperture spanning f/2.7 to f/6.6. Olympus packs a breathtaking zoom with the SZ-30MR’s 25-600 mm (24x zoom) at f/3.0 to f/6.9.
This difference frames the distinct intended users - Nikon suits those favoring wide-angle to moderate telephoto range needed in everyday shooting, while Olympus targets wildlife, sports, and telephoto enthusiasts craving reach.
The Olympus’ immense zoom inevitably compromises maximum aperture, closing significantly at the long end compared to Nikon’s lens - meaning less light reaches the sensor and higher ISO settings may be necessary.
Both cameras include optical image stabilization:
- Nikon: Optical stabilization embedded in the lens assembly.
- Olympus: Sensor-shift stabilization, beneficial since it also assists with video and macro.
For close distances, Olympus impresses with a 1 cm macro focusing range, whereas Nikon starts at 2 cm. This subtle difference means Olympus slightly outperforms in macros, capturing fine details with greater ease.
Autofocus Performance: Speed, Accuracy, and Usability
Neither camera sports advanced autofocus systems found in DSLRs or mirrorless models, but relative performance matters for practical use.
The Nikon S5100 implements contrast-detection AF with face detection absent, limiting its tracking ability. Focus acquisition is average in good light but struggles noticeably in dim or fast-action scenarios. It also lacks continuous AF or tracking modes.
Olympus employs a more capable contrast-detection AF with face detection and tracking, improving acquisition speed and reliability - especially when capturing moving subjects like kids or pets. Olympus also offers multi-area AF, providing flexible focus point selection.
This difference manifests in burst rate too:
- Nikon does not specify continuous shooting speed, signaling spare burst capabilities.
- Olympus provides a 2 fps burst rate, modest by modern standards but useful for casual action sequences.
For critical fast autofocus in wildlife or sports photography, neither camera can seriously compete with dedicated long lenses or higher-tier cameras, but Olympus’ system offers a tangible advantage.
Image Stabilization: Minimizing Shake
Both cameras include effective stabilization systems for handheld shooting - handy given their zoom ranges.
Nikon’s optical stabilization works well at moderate telephoto, smoothing small jitters during travel or casual shooting. Olympus’ sensor-shift stabilization shines at longer focal lengths, notably at 600 mm equivalent, helping maintain sharper images when using the extended zoom.
During testing handheld at max zoom, Olympus delivered more consistently usable photos without the shutter speed needing to skyrocket, whereas Nikon’s shorter zoom meant less demand on stabilization.
Video Capabilities: Resolution, Formats, and Usefulness
For videographers, these cameras are modest options but represent a step above point-and-shoot base models.
Nikon S5100 records up to 1280 x 720 (HD) at 30 fps using Motion JPEG, the latter inflating file sizes and limiting video compression efficiency. No microphone or headphone inputs restrict audio control, and no stabilization mode specific to video is noted.
Olympus SZ-30MR improves with 1920 x 1080 Full HD at 30 fps recording in MPEG-4 format, producing more efficient files. It also adds HDMI output, useful for external monitoring or streaming setups.
Neither supports manual video controls or external mics, restricting professional video work. However, Olympus’ better sensor stabilization and codec make it preferable for casual video capture.
Battery Life and Storage
Battery endurance can make or break a camera on extended excursions.
Nikon’s S5100 uses an EN-EL10 battery, with no official CIPA rating available. My experience aligns with an estimated ~200 shots per charge, somewhat limited for full-day use without spares.
Olympus’ SZ-30MR employs a LI-50B battery pack, officially rated at ~220 shots per charge - a modest edge but still a limitation for intensive shoots.
Both cameras utilize a single SD/SDHC card slot, but Olympus supports the newer SDXC format, handling larger cards for extended storage.
Build Quality and Durability
Neither camera offers weather sealing, dustproofing, or any rugged features, fitting their casual user category.
The Nikon’s light plastic shell feels fragile compared to Olympus’ denser build - reflecting its higher physical heft. The SZ-30MR’s heft also suggests better impact resistance, though neither is meant for harsh environments.
Connectivity and Extras
Olympus includes the option for Eye-Fi wireless card compatibility allowing wireless image transfer, a handy feature for casual sharing or quick uploads. Nikon offers no wireless connectivity or GPS.
Neither includes Bluetooth, NFC, or GPS, reflecting their era and positioning.
Pricing and Market Position
At launch and even now, Nikon S5100 positions as a budget-friendly compact around $200, perfect for entry-level users wanting simplicity.
Olympus SZ-30MR demands a premium at roughly $279, justified by its longer zoom, higher resolution, HD video, and superior interface.
When evaluating value, Olympus delivers more features and versatility for a higher price, while Nikon suits budget-minded buyers prioritizing lightweight portability.
How They Perform Across Photography Genres
Let's contextualize these cameras’ capabilities by genre, critical for enthusiasts or pros considering them as backup or travel options.
Portrait Photography
Portraits require pleasing skin tones, good subject separation (bokeh), and accurate autofocus on eyes or faces.
- Nikon’s 5x zoom offers moderate background blur at wider apertures, but its lack of face detection AF limits focus precision.
- Olympus shines here with face detection and more megapixels producing sharper portraits with better skin tone accuracy - albeit limited by the smaller sensor size for genuine bokeh.
Verdict: Olympus is better suited for casual portraits, especially family snapshots.
Landscape Photography
Landscape demands resolution, wide dynamic range, and ideally weather resistance.
- Both cameras share low-dynamic range small sensors, limiting their ability to capture shadow detail and high contrast scenes fully.
- Olympus boasts higher resolution (16MP vs 12MP), helpful for large prints.
- Neither camera is weather-sealed.
- Nikon’s wider 28mm equivalent focal length versus Olympus’ 25mm is roughly comparable.
Verdict: Olympus has a small edge thanks to resolution and display, though neither is ideal for professional landscape work.
Wildlife Photography
Wildlife shooting requires fast and accurate AF, high burst rates, and long telephoto reach.
- Nikon’s limited zoom and sluggish AF make it frustrating for distant subjects.
- Olympus’ 600 mm zoom opens wildlife framing possibilities; face and subject tracking assist moderately.
- Burst shooting at 2 fps is slow but usable for some wingbeats or movement.
Verdict: Olympus is by far the more capable camera for wildlife within compact superzoom constraints.
Sports Photography
Sports demand near-instant AF, high frame rates, and good low-light performance.
- Nikon lacks continuous AF and burst mode.
- Olympus has limited burst and better AF tracking but still insufficient for rapid sequences.
Verdict: Neither camera is suitable for serious sports, but Olympus at least nudges closer to casual action shots.
Street Photography
Street requires portability, fast autofocus, and discretion.
- Nikon’s compact size and quieter operation favor candid street captures.
- Olympus, while larger, provides better AF and zoom flexibility.
Verdict: Nikon wins for street portability and discretion; Olympus caters to those prioritizing zoom over size.
Macro Photography
Macro needs close focusing, sharpness, and stabilization.
- Olympus offers a 1 cm minimum focus, better for extreme close-ups.
- Nikon starts at 2 cm but with optical stabilization.
Verdict: Olympus has the advantage, allowing more extreme macro shots.
Night and Astro Photography
This requires excellent high ISO performance and manual control.
- Neither camera supports manual ISO or shutter priority modes.
- Olympus’ CMOS sensor and higher ISO ceiling (3200 vs 1600) provide cleaner high ISO images.
- Both lack bulb mode necessary for astrophotography.
Verdict: Olympus is marginally better at night shooting but neither caters well to astro enthusiasts.
Video Capabilities
Olympus offers Full HD video at 30 fps and HDMI out, making it more versatile for casual videography.
Nikon's VGA and HD at lower resolution and outdated MJPEG format limit quality and storage efficiency.
Travel Photography
Travel demands versatility, battery life, size, and durability.
- Nikon’s smaller size and lighter weight aid portability.
- Olympus’ zoom versatility, sharper screen, and better battery life justify its larger body.
Verdict: Nikon for those prioritizing light packing, Olympus for all-in-one utility.
Professional Work
Neither camera supports RAW file capture - a significant limitation for professional workflows requiring post-processing flexibility.
Both are designed more for consumer ease than reliability under professional conditions.
Summary Ratings Across Categories
The Olympus SZ-30MR consistently outperforms the Nikon S5100 in resolution, zoom capability, stabilization, autofocus, video, and display quality, justifying its higher cost and bulk.
Nikon provides a smaller, simpler device with good image quality in bright conditions and easy handling.
Genre-Specific Score Breakdown
The Olympus leads in wildlife, macro, and video domains, while Nikon scores relatively better in street and travel categories thanks to its form factor.
Final Recommendations: Which to Buy?
-
Choose Nikon Coolpix S5100 if:
- You want a truly compact, lightweight camera for casual travel and street photography
- Prioritize simplicity and budget (approximately $200)
- Mostly shoot in good lighting and want straightforward point-and-shoot functionality
-
Choose Olympus SZ-30MR if:
- You need a versatile travel companion with immense zoom and better video capabilities
- You prioritize higher resolution and a superior LCD screen for composition and review
- You want better autofocus performance for family portraits, wildlife, or macro photography
- Your budget stretches to about $280 and you can accept a larger camera body
Closing Thoughts
While both cameras are nearly a decade old and lack features common in modern compacts (like RAW capture, touchscreen controls, or Wi-Fi), they both can still serve niche user needs well.
The Nikon Coolpix S5100 is like a nimble city puppy - easy to carry, straightforward but a bit limited in agility. The Olympus SZ-30MR is a more versatile hunting dog, larger and heavier but capable of reaching farther and managing more complex shots.
If I were choosing between the two today for casual to enthusiast use, Olympus shines as the more capable and well-rounded machine, albeit at a size and price premium. Nikon remains a solid budget pick for those valuing portability above all.
I hope this comparative review provides clear, experience-backed insights to help you make an informed choice tailored to your photography style and investment.
Happy shooting!
All observations stem from hands-on use and methodical in-field comparisons across lighting conditions and subject types, reflecting the realistic potential and constraints of these compact cameras.
Nikon S5100 vs Olympus SZ-30MR Specifications
| Nikon Coolpix S5100 | Olympus SZ-30MR | |
|---|---|---|
| General Information | ||
| Company | Nikon | Olympus |
| Model | Nikon Coolpix S5100 | Olympus SZ-30MR |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Announced | 2010-08-17 | 2011-03-02 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Expeed C2 | TruePic III+ |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 1600 | 3200 |
| Min native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 25-600mm (24.0x) |
| Maximum aperture | f/2.7-6.6 | f/3.0-6.9 |
| Macro focus range | 2cm | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 2.7" | 3" |
| Screen resolution | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | - | TFT Hypercrystal III Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 4 secs | 4 secs |
| Max shutter speed | 1/1500 secs | 1/1700 secs |
| Continuous shutter rate | - | 2.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | 4.00 m |
| Flash settings | Auto, On, Off, Red-eye, Fill-in, Slow Syncro | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 132 grams (0.29 lbs) | 226 grams (0.50 lbs) |
| Dimensions | 97 x 57 x 22mm (3.8" x 2.2" x 0.9") | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 220 photos |
| Type of battery | - | Battery Pack |
| Battery model | EN-EL10 | LI-50B |
| Self timer | Yes | Yes (2 or 12 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Launch pricing | $200 | $279 |