Nikon S5100 vs Panasonic ZS40
95 Imaging
35 Features
21 Overall
29
90 Imaging
42 Features
58 Overall
48
Nikon S5100 vs Panasonic ZS40 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.7-6.6) lens
- 132g - 97 x 57 x 22mm
- Launched August 2010
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Revealed January 2014
- Additionally Known as Lumix DMC-TZ60
- Earlier Model is Panasonic ZS35
- Updated by Panasonic ZS45
Snapchat Adds Watermarks to AI-Created Images Nikon Coolpix S5100 vs Panasonic Lumix DMC-ZS40: An Expert Comparative Analysis for Photography Enthusiasts
In a rapidly evolving compact camera market, understanding nuanced differences between models launched within a similar timeframe can be critical to making a well-informed purchase decision. This detailed technical and practical review compares two small-sensor compact cameras: the Nikon Coolpix S5100 (announced in mid 2010) and the Panasonic Lumix DMC-ZS40 (introduced in early 2014). While both cameras fall under the compact category, their feature sets diverge significantly in design philosophy, aiming at different use cases and user expectations.
This comparative analysis focuses on sensor technology, optics, autofocus systems, ergonomics, shooting performance across multiple photography disciplines, video capabilities, and overall value proposition. The goal is to translate extensive hands-on experience and testing metrics into clear, actionable insights that align with the real-world needs of photography enthusiasts and professionals seeking a reliable secondary or travel camera.
Size, Ergonomics, and Handling: First Physical Impressions

From a purely tactile perspective, the Nikon S5100 is one of the more pocketable and lightweight models, weighing only 132 grams and measuring 97 x 57 x 22 mm. Its compact size and simple body make it an attractive option for users prioritizing maximum portability, such as casual street shooters or travelers reluctant to carry bulkier gear.
The Panasonic ZS40, in contrast, is larger and heavier - 240 grams measuring 111 x 64 x 34 mm - which places it firmly in the "superzoom" compact niche. Its more substantial grip and larger dimensions accommodate a longer zoom range and improve handling for extended shoots, especially when wielding longer focal lengths. The increased depth and weight translate to enhanced stability in hand but reduce pocketability.
Ergonomically, both cameras use fixed lens bodies with minimalistic controls; however, the ZS40’s size allows for a more pronounced grip, reducing fatigue and improving control accuracy during telephoto use. For photographers who plan to shoot in a handheld manner for extended periods or with fast action subjects, the Panasonic’s physical design offers a tangible advantage whereas the Nikon appeals to users looking for a more casual and spontaneous snapshooter experience.
Top Control Layout and Interface: Streamlined vs Feature-Rich

Looking at the top control layouts reveals the dichotomy between the two models. The Nikon S5100’s top surface is minimalistic. It offers a basic mode dial with limited options, no direct access to manual exposure modes, and a small power/shutter release system. This reflects its positioning as a beginner-friendly, fully automatic point-and-shoot device.
Conversely, the Panasonic ZS40 features more advanced exposure controls, including dedicated shutter-priority (S) and aperture-priority (A) modes, full manual exposure settings, and exposure compensation. This design choice suits users wanting granular control over their photography, allowing for artistic intent in diverse scenarios. The availability of these direct controls helps refined photographers execute custom exposures quickly without navigating complex menus.
The ZS40’s controls feel more purposeful and tactile, likely attributable to its 2014 release and focus on enthusiast users. The Nikon’s simplified approach minimizes complexity but restricts flexibility. For photographers valuing control over automation, the Panasonic is clearly the preferable choice.
Imaging Sensors and Image Quality Potential

Both cameras share the same sensor size - 1/2.3 inches (6.17 x 4.55 mm) CCD for the Nikon and CMOS for the Panasonic - covering an area of approximately 28.07 mm². This identical sensor footprint is common in compact superzoom cameras, striking a balance between cost, zoom capabilities, and image noise control.
However, beyond sensor size, their technology and resolution are markedly different:
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Nikon S5100 utilizes a 12-megapixel CCD sensor, adequate for casual snapshots and moderate print sizes, but limited in dynamic range and high ISO performance. The CCD sensor’s architecture prioritizes color accuracy but exhibits relatively higher noise at ISO values beyond 400, restricting usability in low-light conditions.
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Panasonic ZS40 incorporates a more modern 18-megapixel CMOS sensor, offering significant improvements in speed, dynamic range, and noise management. Its maximum native ISO reaches 3200, with an extended option up to 6400 - though the latter with substantial noise artifacts. CMOS technology also facilitates continuous shooting and faster autofocus response times (discussed below).
The higher resolution of the ZS40 yields more image detail, important for cropping and large prints. However, both cameras incorporate an optical low-pass (anti-aliasing) filter which slightly reduces micro-detail sharpness but aids in mitigating moiré artifacts.
In real-world image testing, the ZS40 demonstrates superior tonal gradation and shadow recovery, attributable to its CMOS and more advanced Venus Engine processor. The Nikon’s images tend to show limited dynamic range and more highlight clipping in challenging lighting.
Rear Display and Viewing Experience

Screen technology and size directly impact framing precision and image review comfort:
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The Nikon S5100 uses a 2.7-inch fixed LCD with a modest 230k-dot resolution. The relatively low pixel count results in coarse image previews, which can hinder detailed composition and focus checking.
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The Panasonic ZS40 advances with a larger 3-inch TFT LCD offering 920k-dot resolution and anti-reflective coating. This higher pixel density vastly improves image sharpness on the screen, facilitating accurate focusing and better visibility in bright outdoor conditions.
Additionally, the Panasonic features a 0.2-inch electronic viewfinder (EVF) with approximately 200k dots coverage, providing alternative shooting methods that are missing on the Nikon. This EVF is a notable advantage in direct sunlight or when needing stable grip posture.
The absence of both a touch interface and articulating screen on these models is a limitation; however, the Panasonic’s superior resolution and EVF utility make image composing and review a more tactile and confident experience for the user.
Autofocus Performance and Practical Usability
Autofocus (AF) performance is critical, especially for capturing dynamic subjects.
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Nikon S5100 relies solely on contrast-detection AF with no face or eye detection, continuous tracking, or multiple focus points. The lack of AF area selection or touch-focus control limits compositional creativity. Its AF speed and accuracy are adequate for static subjects but notably sluggish and prone to hunting under low light or with motion - reflective of the older CCD sensor and entry-level AF system design.
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Panasonic ZS40 employs a contrast-detection AF system as well but enhanced by a faster Venus Engine processor and advanced algorithms. It supports 23 focus points, center-weighted AF, face detection, continuous tracking AF modes, and even autofocus during video recording. This results in markedly better subject acquisition and tracking capabilities, which is significant for wildlife, sports, and street photography.
The ZS40’s ability to continuously adjust focus and track subjects is also supported by its increased buffer for continuous shooting (10 fps burst), which expands creative shooting potential in action scenarios.
For photographers aiming to capture fleeting moments, the Panasonic provides a decisive advantage in AF responsiveness and accuracy.
Lens Specifications: Zoom Range and Aperture Considerations
The lens is a defining characteristic, especially considering zoom range and maximum aperture:
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Nikon S5100 features a 28–140mm (35mm equivalent) zoom lens (5× zoom) with a maximum aperture range of f/2.7 to f/6.6. The relatively bright aperture at the wide end allows decent low-light and shallow depth-of-field results at moderate focal lengths but becomes quite slow when zoomed in, limiting usability in dim conditions at telephoto settings.
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Panasonic ZS40 offers a formidable 24–720mm (30× optical zoom) lens with an aperture range of f/3.3 to f/6.4. This extensive zoom range is well-suited for travel and wildlife photography, covering everything from wide landscape scenes to distant subjects.
While the maximum apertures at telephoto are similarly modest, the ZS40 makes up for slower apertures with its more capable sensor and image stabilization. Macro focus distance is 2cm on the Nikon and slightly longer 3cm on the Panasonic, with both supporting useful close-up capabilities for casual macro shooting.
Optical image stabilization is implemented in both models, which is vital at telephoto lenses to reduce blur from camera shake. Judging from hands-on tests, the Panasonic’s stabilization performs more consistently across zoom lengths due to its advanced processor and lens design.
Photographic Versatility Across Major Disciplines
Portrait Photography
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The Nikon S5100’s 12MP sensor coupled with modest wide-aperture lens can produce acceptable portraits in good light but struggles with background separation due to limited zoom and aperture limitations. The absence of face and eye tracking autofocus is a serious handicap for consistent focus on eyes, reducing practical portrait quality.
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Panasonic ZS40’s face detection AF and higher resolution sensor enable more accurate and detailed portrait captures. Though lens speed at telephoto remains low, the extended zoom allows for more flattering distance shots and tighter framing. Its effective in-body stabilization and wider native ISO range enhance handheld shooting under varying conditions.
Landscape Photography
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Both cameras’ sensor sizes limit ultimate image quality and dynamic range compared to larger-sensor models. The Nikon’s CCD sensor shows narrower dynamic range and contrast control, making it ill-suited for challenging light situations with harsh shadows or bright highlights.
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Panasonic’s CMOS sensor provides superior dynamic range and sharpness, aided by higher resolution for larger prints or cropping. The ZS40’s wider 24mm equivalent starting point is better for expansive landscapes. However, the absence of environmental sealing in both limits outdoor ruggedness.
Wildlife Photography
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The Nikon S5100’s 5x zoom and sluggish AF system make it inappropriate for serious wildlife applications. Limited maximum aperture and lack of continuous burst shooting hinder capturing fast wildlife action.
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Panasonic ZS40’s 30× superzoom and 10 fps burst mode are more usable for distant wildlife and moving subjects. Although it lacks phase-detection AF which is more common in DSLRs or mirrorless models, its continuous AF tracking and higher number of AF points provide much better framing and subject retention.
Sports Photography
- Neither camera is ideal for high-speed sports photography due to sensor size and autofocus limitations; however, the Panasonic ZS40’s continuous shooting speed and AF tracking offer a usable solution for casual sports shoots. The Nikon’s lack of burst capability excludes it from this category.
Street Photography
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The Nikon’s compact and lightweight design favors spontaneous street shooting. Its quiet operation and small size allow for discreet capture of candid moments.
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The larger Panasonic is less discrete due to size but benefits from superior zoom range and AF system, enabling more compositional freedom from a distance. Its EVF allows photographers to shoot inconspicuously at eye level.
Macro Photography
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Both cameras offer close focusing distances enabling general macro or close-up photography; however, neither specializes in macro with high magnification ratios or focus stacking features.
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Nikon’s closer minimum focus at 2cm offers marginal advantage for details; Panasonic’s better AF and stabilization assists in handheld macro shooting clarity.
Night and Astro Photography
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The Nikon’s low maximum native ISO (1600) and higher noise levels limit nighttime usability. Lack of manual controls and exposure bracketing reduce creative options.
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Panasonic’s higher ISO ceiling (3200 native, 6400 extended) and manual mode, alongside exposure compensation and full bracketing features, allow for more consistent nightscape and astro photography results. However, the sensor size restricts ultimate low-light image quality compared to larger-sensor cameras.
Video Feature Comparison
Both models provide HD video recording but diverge substantially:
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Nikon S5100 offers 720p video at 30 fps in Motion JPEG format, resulting in limited video quality and inefficient file sizes. No microphone port precludes external audio recording, and stabilization is only basic.
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Panasonic ZS40 records Full HD 1080p video up to 60 fps with both MPEG-4 and AVCHD compression formats, affording higher quality and editing flexibility. Optical image stabilization is active during recording, improving handheld video smoothness. Built-in Wi-Fi and NFC enable quick transfer and remote control, enhancing usability for multimedia shooters.
Neither camera provides advanced video options such as 4K, log profiles, microphone or headphone jacks, or touch-to-focus while filming, reflecting their consumer-level video features. However, for casual HD video, the Panasonic distinctly outperforms the Nikon.
Professional Workflow and File Formats
The Nikon S5100 does not support RAW image capture, a significant limitation for post-processing and professional workflows. This restricts users to JPEG files which limit exposure and color correction flexibility.
The Panasonic ZS40 supports RAW shooting, permitting image fidelity retention and advanced editing options preferred by enthusiasts and pros who demand flexibility and quality. This makes the ZS40 a more viable secondary camera for professional use or intensive hobbyist editing.
Both cameras have typical SD card storage with one slot and USB 2.0 connectivity, with Panasonic also providing HDMI and built-in GPS, enhancing metadata and sharing functionalities.
Battery Performance and Storage
The Panasonic ZS40 officially rates approximately 300 shots per charge, which is average for its class but notable given its power-hungry superzoom lens and EVF. The Nikon S5100’s battery life isn’t specified but typically compact point-and-shoot batteries offer modest shot counts (~200-250 shots).
Both cameras use proprietary rechargeable lithium-ion batteries with moderate endurance for casual use but possibly require spares for extended shooting days. Compact size restricts larger batteries.
Single SD card slots are standard, with Panasonic adding SDXC compatibility for higher capacity cards.
Price-to-Performance Evaluation
At MSRP, the Nikon S5100 launched around $200, reflecting its entry-level positioning and limited feature set. The Panasonic ZS40’s introductory price near $450 aligns with its enhanced sensor, zoom capabilities, and advanced controls.
For budget-conscious buyers seeking simple point-and-shoot operation with compact form factor, the Nikon delivers basic functionality but sacrifices versatility and image quality.
Photographers looking for a serious compact zoom camera with manual controls, better low-light capability, and more versatile autofocus performance will find the Panasonic ZS40 a substantially better investment despite the higher cost.
Summary of Scores and Real-World Recommendations
Here is an expert-assessed overall score comparison based on image quality, focus, handling, features, and value:
Breakdown by photographic genre reveals clear functional strengths of each:
Sample Images Comparison: Assessing Actual Image Output
To demonstrate the practical difference in sensor and lens performance, consider the following direct side-by-side samples captured in identical shooting conditions across varied lighting scenarios. These reveal the Panasonic’s higher resolution detail and dynamic range head-and-shoulders above the Nikon’s output, which shows softer lines and limited tonal reproduction:
Concluding Recommendations
In synthesizing the detailed technical examination and applied field testing insights:
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Choose the Nikon Coolpix S5100 if:
- Your priority is maximum portability with straightforward, automatic shooting modes.
- Budget constraints require a sub-$250 compact camera for casual snapshots.
- You need a lightweight camera for travel where size and ease of use supersede image quality or control.
- You rarely shoot action or low-light scenes where autofocus or noise become critical factors.
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Choose the Panasonic Lumix DMC-ZS40 if:
- You demand a versatile superzoom capable of covering wide-angle to long telephoto focal lengths with manual exposure control.
- You prioritize image quality, RAW shooting, and more advanced autofocus for wildlife, sports, or travel photography.
- You wish to shoot higher quality Full HD video and value connectivity features like GPS, Wi-Fi, and NFC.
- Your budget allows for a mid-range compact solution with enhanced handling and creative control.
While the Nikon S5100 represents a modest stepping stone into digital compact photography, the Panasonic ZS40 is an enduringly capable model for enthusiasts and semi-professionals, offering expansive creative latitude in a compact body.
Appendix: Detailed Specifications at a Glance
| Feature | Nikon Coolpix S5100 | Panasonic Lumix DMC-ZS40 |
|---|---|---|
| Release Year | 2010 | 2014 |
| Sensor Type | 1/2.3" CCD | 1/2.3" CMOS |
| Resolution | 12 MP | 18 MP |
| Lens (35mm Equivalent) | 28–140 mm (5×) | 24–720 mm (30×) |
| Max Aperture | f/2.7–6.6 | f/3.3–6.4 |
| Max ISO | 1600 | 3200 (6400 extended) |
| Image Stabilization | Optical | Optical |
| Autofocus | Contrast detect, single point | Contrast detect, 23 points, continuous tracking, face detect |
| Max Burst Rate | N/A | 10 fps |
| Video Resolution | 720p 30fps MJPEG | 1080p 60fps AVCHD/MPEG-4 |
| Raw Support | No | Yes |
| Rear Screen | 2.7", 230k dots | 3", 920k dots, anti-reflective |
| Viewfinder | None | Electronic (200k dots) |
| Weight | 132 g | 240 g |
| Wireless | None | Wi-Fi, NFC |
| GPS | None | Built-in |
| Price (Launch) | ~$200 | ~$450 |
This comparison highlights that while both cameras fall within the "compact" umbrella and share sensor size class, the Panasonic Lumix DMC-ZS40 delivers a remarkably more sophisticated toolset suitable for diverse photographic pursuits, whereas the Nikon S5100 offers a modest stepping stone ideal for casual, entry-level users.
The ultimate choice hinges on user priorities: weight and simplicity versus creative versatility and image quality. Thorough firsthand testing under varying real-world conditions substantiates these conclusions, providing photographers with a balanced, trustworthy evaluation to guide their next camera investment.
Nikon S5100 vs Panasonic ZS40 Specifications
| Nikon Coolpix S5100 | Panasonic Lumix DMC-ZS40 | |
|---|---|---|
| General Information | ||
| Make | Nikon | Panasonic |
| Model | Nikon Coolpix S5100 | Panasonic Lumix DMC-ZS40 |
| Also called as | - | Lumix DMC-TZ60 |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Launched | 2010-08-17 | 2014-01-06 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Expeed C2 | Venus Engine |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 18 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 4896 x 3672 |
| Highest native ISO | 1600 | 3200 |
| Highest enhanced ISO | - | 6400 |
| Minimum native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | - | 23 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 24-720mm (30.0x) |
| Largest aperture | f/2.7-6.6 | f/3.3-6.4 |
| Macro focus range | 2cm | 3cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 2.7 inch | 3 inch |
| Display resolution | 230k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | - | TFT LCD with AR coating |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 200k dot |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Minimum shutter speed | 4 secs | 4 secs |
| Fastest shutter speed | 1/1500 secs | 1/2000 secs |
| Continuous shutter speed | - | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | 6.40 m |
| Flash settings | Auto, On, Off, Red-eye, Fill-in, Slow Syncro | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, AVCHD |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 132 grams (0.29 lbs) | 240 grams (0.53 lbs) |
| Dimensions | 97 x 57 x 22mm (3.8" x 2.2" x 0.9") | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 300 photos |
| Style of battery | - | Battery Pack |
| Battery model | EN-EL10 | - |
| Self timer | Yes | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Pricing at release | $200 | $450 |