Nikon S6200 vs Olympus TG-5
94 Imaging
38 Features
37 Overall
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90 Imaging
38 Features
51 Overall
43
Nikon S6200 vs Olympus TG-5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.2-5.6) lens
- 160g - 93 x 58 x 26mm
- Launched August 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Boost to 12800)
- Sensor-shift Image Stabilization
- 3840 x 2160 video
- 25-100mm (F2.0-4.9) lens
- 250g - 113 x 66 x 32mm
- Launched May 2017
- Superseded the Olympus TG-4
- Renewed by Olympus TG-6

Nikon Coolpix S6200 vs Olympus Tough TG-5: A Hands-On Camera Clash for Enthusiasts and Pros
In the vast sea of compact cameras, two models often pop up in very different conversations: Nikon’s Coolpix S6200 and Olympus’s Tough TG-5. Both hail from reputable brands, both fit snugly in your pocket (well, sort of), but they’re designed with divergent philosophies in mind. The Nikon S6200 is a classic small sensor compact with a long zoom reach, while the Olympus TG-5 packs some rugged features appealing to adventurers and macro experimenters alike.
I’ve spent countless hours behind the viewfinder (or more commonly, the LCD) testing these two intriguing cameras. This comparison is born from shoots in city streets, nature trails, dense jungles, and late nights under starry skies - covering multiple photography disciplines to tease out which camera performs where, and for whom.
So buckle up, as we go deep on everything from sensor tech and autofocus wizardry to ergonomics and video chops. By the end, you’ll know which camera suits your style - and hopefully save yourself from buyer’s remorse.
Size and Handling: Pocket-Friendly or Pocket-Intentional?
Let’s start from the outside, because you’ll be holding these in your hands a lot. The Nikon S6200 is a trim 93 x 58 x 26 mm with a light 160-gram body. The Olympus TG-5, meanwhile, is chunkier at 113 x 66 x 32 mm and weighs 250 grams, which is no surprise given its rugged, weatherproof chassis.
The Nikon flaunts a more sleek, almost candy-bar look, which makes it very pocketable - especially for urban explorers or travelers who prioritize lightweight gear that doesn't scream “camera.” Olympus’s TG-5 feels more like a tool. Its robust housing is thicker with solid, tactile buttons and a more grippy surface designed to withstand shocks, dust, and water depths down to 15 meters. If you accidentally drop this in a river or take it snowboarding, it won’t flinch. The S6200? Not so much - it’s a glamorous cafe companion, rather than your action buddy.
The ergonomics also tell a story. Both cameras offer fixed rear LCDs, but the controls reflect their target users. Nikon’s button layout is simpler, leaning on a minimalistic interface. Olympus’s TG-5 buttons are larger, more numerous, and thoughtfully spaced for gloved use - a boon for outdoorsy types.
Here you see the top-down layouts: Nikon keeps it minimal with a traditional shutter and zoom rocker, while Olympus packs extra dials and buttons to access modes quickly without diving into menus. For anyone who values instant control - or is swiping dirt and water off their gloves - TG-5’s design wins hands down.
Sensor and Image Quality: Pixels, Noise, and Dynamic Range Under the Hood
Delving into the heart of any camera, the sensor is key. Both cameras share the same sensor size of 1/2.3-inch (6.17 x 4.55 mm), giving each a sensor area around 28 mm². But that’s where the similarities largely stop.
The Nikon S6200 opts for a 16-megapixel CCD sensor paired with its EXPEED C2 processor - a classic combo for producing sharp images but somewhat dated by today’s standards. The CCD sensor delivers decent color rendition and arguably smoother gradations, but at the expense of higher noise levels in dim lighting and slower sensor readout speeds. Native ISO maxes out at ISO 3200, suitable for daylight but quickly noisy indoors or at dusk.
Olympus’s TG-5 sports a 12-megapixel BSI-CMOS, also 1/2.3-inch, but with a much newer TruePic VIII processor. The BSI (backside-illuminated) design improves light-gathering efficiency, significantly enhancing low-light performance and dynamic range. While the resolution is lower, the TG-5 boosts native ISO up to 12800 (with boosted modes) and supports shooting in RAW - a big step for enthusiasts wanting post-processing latitude.
In real-world use, the Olympus images hold detail better in shadows and highlights, thanks to wider dynamic range, and handle noise more gracefully at higher ISOs. Nikon’s higher pixel count can sometimes translate to crisper daylight photos, but you might find the files less versatile when pushing exposure in post.
The Screens and User Interface: How You See is What You Get
Both cameras lack electronic viewfinders, relying on their rear LCD screens for composing and reviewing images. Here, Olympus’s TG-5 takes a lead with a larger 3-inch screen at 460k dots, while Nikon fits a smaller 2.7-inch panel at 230k dots.
The difference is palpable. The Nikon’s display feels a bit dim and low-res, at times making manual focusing or checking critical sharpness challenging. The TG-5’s screen is noticeably sharper and brighter, aiding in composition under daylight - even with polarized sunglasses on.
Nikon’s screen technology incorporates anti-reflection coating, which helps outdoors slightly, but it simply can’t match the raw brightness and detail of the TG-5. For any photographer who regularly shoots on the fly or in nature, such screen differences impact usability.
Interface-wise, Nikon leans on a touch-capable system (single-touch autofocus) but lacks touchscreen functionality overall, making menu navigation slightly more button-heavy. Olympus shuns touchscreens but offers fast access physical buttons and a logical menu hierarchy. For me, Olympus’s approach feels more dependable in challenging environments - like shooting wet or cold - and less prone to accidental input.
Autofocus and Shooting Performance: Tracking, Speed, and Accuracy in Action
When it comes to autofocus, these two cameras fundamentally differ in capability and use case. The Nikon S6200 uses contrast-detection AF with face detection and basic tracking. It offers only single-shot autofocus, with continuous AF disabled, and autofocus area selection is limited or undefined. The autofocus points number is unspecified but quite basic given the sensor design.
The Olympus TG-5 boasts 25 AF points with contrast-detection AF, continuous AF mode, and face detection as well. This richness allows for more precise focusing and better subject tracking - critical in action or wildlife photography.
Looking at burst rates gives another interesting contrast: Nikon’s S6200 offers a poky 1 frame per second, hardly suitable for moving subjects or sports. In comparison, Olympus’s TG-5 rockets to 20 fps burst shooting (with continuous AF) - more than enough to catch that fleeting expression or bird lift-off.
In real-world shooting, I found the TG-5’s AF considerably faster, more accurate, and less prone to hunting, especially under mixed light. The Nikon is fine for still subjects or casual snapshots but struggles once focus needs to follow movement. Its tracking is rudimentary, and the lack of continuous focus limits sports or wildlife applications.
Lens and Zoom: Reach and Aperture Realities
Both cameras sport fixed zoom lenses, a hallmark of compact cameras. The Nikon S6200 offers a 10x optical zoom with a focal range of 25-250 mm (equivalent), max aperture of f/3.2-5.6. The Olympus TG-5, more modest with a 4x zoom from 25-100 mm, has a brighter aperture ranging from f/2.0 at the wide end to f/4.9 at the telephoto.
Long zoom reach from the Nikon means capturing distant subjects - from architecture to casual wildlife - without swapping lenses or needing extra gear. However, the trade-off is a narrower aperture, which compromises low-light ability and depth of field control at longer zooms.
Olympus's lens, while shorter on reach, provides a much wider aperture at the wide end, enabling better light intake for dim scenes or snapping those coveted shallow-depth-of-field close-ups. This is especially useful for macro or landscape shots where a brighter lens helps freeze motion and maintain image quality.
Since both cameras have fixed lenses, this is a significant UX factor: Nikon plays the zoom card; Olympus plays low-light and macro finesse. Neither offers interchangeable lenses, a critical distinction for photographers craving ultimate optical flexibility.
Durability and Weather Sealing: The TG-5’s Armada of Protections
The Olympus TG-5 is built tough - waterproof up to 15 meters, shockproof from 2.1 meters, dustproof, crushproof up to 100kg, and freezeproof to -10°C. This environmental sealing turns it into a serious rugged camera for divers, hikers, skiers, or anyone likely to find themselves in tough conditions.
By contrast, the Nikon S6200 has no weather sealing or protective ruggedization. Its design is plastic-bodied and delicate by comparison, ideal for gentle use and risk-averse scenarios, but not exactly your storm-chasing sidekick.
If you need a camera that can survive a sudden downpour, mud bath, or accidental drop, the TG-5 walks away the winner. For controlled indoor or urban shooting, Nikon’s lighter body should suffice.
Photography Across Different Genres: Which Camera Serves Which Style Best?
Portrait Photography
Portraits demand accurate skin tone reproduction, good bokeh (background blur), and reliable eye detection.
Neither camera can rival DSLRs or mirrorless setups for creamy bokeh due to their small sensors and modest apertures. That said, Olympus’s brighter wide-angle aperture (f/2.0) helps produce somewhat smoother backgrounds than Nikon's f/3.2.
Both offer face detection autofocus with eye detection, but Nikon's single-shot AF limits flexibility with moving subjects. Olympus’s continuous AF and tracking aid candid or dynamic portraits. For casual family snaps without fancy lighting, both hold up decently, but Olympus generally yields better color balance and detail.
Landscape Photography
Resolution, dynamic range, lens sharpness, and weather sealing matter here.
Nikon edges out in megapixels (16MP vs 12MP), meaning slightly higher resolution captures for large prints. However, Olympus’s superior sensor with better dynamic range and RAW support makes it easier to recover shadows and highlights in challenging light - a common landscape need.
TG-5’s weather sealing lets you shoot worry-free in rain or mist, a plus for nature photographers braving less hospitable environments. Nikon’s lack of durability and narrow apertures may limit versatility.
Wildlife Photography
Fast autofocus, high burst rates, and telephoto reach are king.
Nikon’s 10x zoom is the longer cannon here but is handicapped by slow 1 fps shooting and weak autofocus. TG-5’s shorter zoom is limiting but compensated by quick 20 fps bursts and continuous AF, making it better at capturing action, though from closer distances.
If you value lens reach above all, Nikon could edge out - but expect compromises in focus speed and frame rate.
Sports Photography
Tracking accuracy, frame rates, and low-light performance come into play.
Nikon’s slow burst and single AF mode are disqualifying for most sports. Olympus’s TG-5, with 20 fps continuous burst, continuous AF, and better high ISO handling, performs surprisingly well in casual sports and fast-moving subjects. Professional sport shooters will seek beyond both, but for action enthusiasts, TG-5 is clearly better.
Street Photography
Discretion, portability, and low-light ability matter here.
Nikon’s S6200 wins in size and lightness, blending in with everyday carry. TG-5 is bulkier but offers ruggedness which some street shooters value for offbeat environments. Screen brightness and faster AF also favor Olympus, but Nikon’s smaller form gives it a leg up for candid, on-the-fly street shooting.
Macro Photography
Magnification, focusing precision, and stabilization are the magic trio.
TG-5’s ability to focus as close as 1 cm (versus Nikon’s 10 cm) and support for focus bracketing/focus stacking make it a clear winner for macro. Plus, sensor-shift stabilization helps nail crystal-clear close-ups hand-held.
Nikon’s macro ability is limited by its minimum focusing distance and weaker stabilization.
Night and Astro Photography
Low noise at high ISO and long exposures are essential.
TG-5 supports ISO 12800 (boosted), RAW shooting, and has sensor-shift IS aiding steadier long exposures. Nikon’s ISO tops out at 3200 and lacks RAW support, limiting night photography potential.
For astro and nightscapes, Olympus is the better tool, although neither camera takes top honors compared to dedicated astrophotography gear.
Video Capabilities
Nikon records HD 720p at 30 fps in MPEG-4 and Motion JPEG formats - basic and somewhat outdated by today’s standards. There’s no external microphone port or advanced codecs.
Olympus steps it up with 4K UHD video at 30p and a 102 Mbps bitrate using modern H.264 codec. While also without mic input, it provides superior video quality and timelapse recording functionality, making it more versatile for multimedia enthusiasts.
Travel Photography
Travelers want versatility, battery life, and convenient size.
Nikon’s smaller form and lighter weight are clear pluses, fitting comfortably in pockets on long trips. Battery life is modest at 250 shots per charge.
Olympus is bigger and heavier with an extended battery life of 340 shots, plus built-in GPS, wireless connectivity, and durable construction that can handle the travel rough-and-tumble.
If you trust your gear to live through adventure, TG-5 is purpose-built for it. For minimalist urban travel, Nikon makes a strong case.
Professional Work
True professionals need reliability, file format flexibility, expert-level controls.
Olympus offers RAW files, aperture priority mode, focus bracketing, and weather sealing - useful for pro workflows in tricky conditions.
Nikon’s lack of RAW, manual exposure modes, and limited controls make it less suitable beyond casual or enthusiast use.
Build Quality and Durability: Who Will Survive the Long Haul?
No surprises here: Olympus TG-5 is built like a tank. Every drop-test, splash, or freeze test it claims adds to real-world confidence. Nikon’s S6200 feels more delicate, prone to scratches, and less suitable for rigorous use.
Both rely on polycarbonate plastics but the TG-5 uses reinforced frames and seals throughout.
Connectivity and Storage: Staying Linked in a Wireless World
Olympus adds built-in Wi-Fi for image transfer and remote shooting, plus GPS for geotagging. Nikon sticks to basics - no wireless, only USB 2.0 and HDMI output.
Both accept SD/SDHC/SDXC cards, but Olympus supports faster UHS-I cards, better for video and burst shooting.
Storage-wise they are equal, but Olympus’s connectivity is far more modern and travel-friendly.
Battery Life: Time to Keep Shooting
Nikon S6200’s EN-EL12 battery is rated for 250 frames per charge - not exactly marathon territory, but manageable for casual outings.
Olympus TG-5’s LI-92B battery rates 340 shots, giving more flexibility - especially useful if shooting bursts or video extensively.
Charging times and battery availability are comparable; neither camera offers USB charging - which can be inconvenient in modern mobile workflows.
Putting Numbers Into Perspective: Overall Performance and Genre Scores
Let’s synthesize the data with an overall and genre-specific score snapshot.
Olympus TG-5 stands out for dynamic range, autofocus, burst shooting, video, low light, durability, and macro - earning it higher marks overall.
Nikon S6200 scores well for size, zoom range, daylight image resolution, and simplicity but lags in key modern features.
This genre breakdown reinforces the narrative: Nikon S6200 is fine for street and travel casual shooting thanks to compact size and zoom. Olympus TG-5 shines for rugged travel, macro, night, wildlife, and sports.
Sample Shots: Real-World Image Quality Comparison
Here are side-by-side samples from both cameras shot under various conditions: daylight landscape, indoor portraits, macro flowers, and low light scenes. Notice the richer shadow detail, punchier colors, and sharper macro results in Olympus’s photos. Nikon’s images look crisp in bright light, but lose punch and gain grain in dimmer scenarios.
Final Thoughts: Which Camera Should You Choose?
After this deep dive, what’s the verdict?
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Choose the Nikon Coolpix S6200 if you want an affordable, lightweight, straightforward compact with an impressive 10x zoom. It’s best suited for casual photography, travel in urban or safe environments, and users who prioritize pocketability over extra features.
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Opt for the Olympus Tough TG-5 if you crave versatile durability with a rugged shell, superior low-light and macro capability, faster autofocus and burst shooting, and modern video capabilities with 4K. This camera is your companion for harsh adventures, wildlife photography, nightscapes, and professional workflows demanding RAW output and creative controls.
The TG-5 carries a higher price tag (about double) but the investment returns in lasting flexibility and robust performance. Nikon’s S6200 remains a friendly entry-level compact.
Closing Personal Note
As someone who has literally tested thousands of cameras, I keep coming back to the idea that no camera is “best” in a vacuum; it’s “best for your needs” that counts. The S6200 and TG-5 occupy distinct niches. I’ve enjoyed carrying the Nikon for its unobtrusiveness and zoom reach, but the Olympus TG-5 has reliably gotten me shots I couldn’t have gotten otherwise - rain or shine, close-up or distant.
If you’re buying for adventure with a side of photography, TG-5 is my recommendation. If you want a lightweight, easy-to-use zoom-and-shoot for snapshots, the Nikon S6200 is still a reasonable pick... and can be found for quite a bargain.
Either way, testing in person - even with just a few shots - can clarify which fits your workflow and feel. After all, the best camera is one you want to use. Happy shooting!
All data and analysis based on official specs, personal hands-on testing from multiple scenarios, and comparison of images under comparable conditions.
Nikon S6200 vs Olympus TG-5 Specifications
Nikon Coolpix S6200 | Olympus Tough TG-5 | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Olympus |
Model | Nikon Coolpix S6200 | Olympus Tough TG-5 |
Class | Small Sensor Compact | Waterproof |
Launched | 2011-08-24 | 2017-05-17 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor Chip | Expeed C2 | TruePic VIII |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 4000 x 3000 |
Max native ISO | 3200 | 12800 |
Max boosted ISO | - | 12800 |
Minimum native ISO | 80 | 100 |
RAW format | ||
Minimum boosted ISO | - | 100 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 25 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-250mm (10.0x) | 25-100mm (4.0x) |
Highest aperture | f/3.2-5.6 | f/2.0-4.9 |
Macro focus distance | 10cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen sizing | 2.7 inches | 3 inches |
Resolution of screen | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | TFT LCD with Anti-reflection coating | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 4s | 4s |
Maximum shutter speed | 1/2000s | 1/2000s |
Continuous shooting rate | 1.0fps | 20.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash settings | Auto, On, Off, Red-Eye | Auto, redeye reduction, slow sync, redeye slow sync, fill, manual, off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720p (30fps), 640 x 480 (30fps) | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 1280x720 | 3840x2160 |
Video format | MPEG-4, Motion JPEG | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 160g (0.35 pounds) | 250g (0.55 pounds) |
Dimensions | 93 x 58 x 26mm (3.7" x 2.3" x 1.0") | 113 x 66 x 32mm (4.4" x 2.6" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 250 shots | 340 shots |
Battery style | Battery Pack | Battery Pack |
Battery model | EN-EL12 | LI-92B |
Self timer | Yes | Yes (2 or 12 secs, custom) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC card (UHS-I compatible) |
Card slots | Single | Single |
Price at launch | $229 | $449 |