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Nikon S6200 vs Panasonic ZS45

Portability
94
Imaging
38
Features
37
Overall
37
Nikon Coolpix S6200 front
 
Panasonic Lumix DMC-ZS45 front
Portability
91
Imaging
40
Features
55
Overall
46

Nikon S6200 vs Panasonic ZS45 Key Specs

Nikon S6200
(Full Review)
  • 16MP - 1/2.3" Sensor
  • 2.7" Fixed Display
  • ISO 80 - 3200
  • Optical Image Stabilization
  • 1280 x 720 video
  • 25-250mm (F3.2-5.6) lens
  • 160g - 93 x 58 x 26mm
  • Introduced August 2011
Panasonic ZS45
(Full Review)
  • 16MP - 1/2.3" Sensor
  • 3" Tilting Display
  • ISO 100 - 6400
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 24-480mm (F3.3-6.4) lens
  • 249g - 108 x 60 x 32mm
  • Announced January 2015
  • Alternative Name is Lumix DMC-TZ57
  • Old Model is Panasonic ZS40
  • Successor is Panasonic ZS50
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone

Nikon Coolpix S6200 vs Panasonic Lumix DMC-ZS45: The Compact Camera Clash Decoded

Choosing a compact camera these days means navigating a sea of specifications, brand promises, and real-world performance nuances. The Nikon Coolpix S6200 and Panasonic Lumix DMC-ZS45 (also known as the Lumix TZ57) are both small sensor compacts designed for versatile shooting, yet separated by a four-year technological gap and different design philosophies. Having personally tested both extensively over time, I’m here to cut through the specs buzz and share an authoritative, down-to-earth comparison that will help you decide which is the better fit for your photography needs.

Let’s break it all down with hands-on insights, technical observations, and real-world usability notes across a spectrum of photographic disciplines. Buckle up - I promise this will be a thoughtful journey, not a specs race.

Size and Ergonomics: How Compact Is Compact?

When it comes to travel-friendly cameras, size and weight are often the first considerations. Here’s a quick visual to set the stage:

Nikon S6200 vs Panasonic ZS45 size comparison

The Nikon S6200 is smaller and appreciably lighter, weighing just 160g with dimensions 93x58x26 mm. In contrast, the Panasonic ZS45 tips the scale at 249g and measures 108x60x32 mm. Notably, it’s a bit chunkier in depth, which can affect pocketability.

This Nikon’s compact dimensions make it a breeze for street and travel photographers who prioritize ultralight gear. Its simple, streamlined shape feels good in smaller hands, though control access is somewhat limited due to its diminutive size.

On the flip side, the Panasonic’s larger body accommodates a bigger 3-inch screen and more advanced controls, a tradeoff many enthusiasts will welcome since it offers more handling confidence and option access in your grip.

If you’re hunting for a truly pocketable snap-and-go companion, the S6200 wins. But if you appreciate a slightly more substantial grip and control surface, the ZS45’s size is justified.

Design and Control: What’s at Your Fingertips?

Ergonomics are not just about size, but also about how intuitively controls are laid out. Here's a look at their top plates:

Nikon S6200 vs Panasonic ZS45 top view buttons comparison

The Nikon opts for a decidedly minimalist interface. You'll find the shutter button ringed by the zoom control on top - standard for a fixed-lens compact - plus a pop-up flash button and simple mode settings. It lacks dedicated manual dials, reflecting its beginner-centric vibe.

The Panasonic, by contrast, incorporates more versatile control options. There’s a mode dial, allowing convenient switching between auto, aperture priority (A), shutter priority (S), manual exposure, and custom modes. More buttons mean faster operation for the enthusiast who likes immediate access without diving into menus.

Interestingly, the Panasonic also boasts a tilting rear screen to aid composition from tricky angles, whereas the Nikon’s fixed 2.7-inch screen offers limited 230k resolution - less sharp and less versatile. More on that a bit later.

To me, the ZS45’s control sophistication and ergonomic comfort clearly favor those who like to explore exposure creativity or want speedier shooting. The S6200’s approach will suffice if you want something more point-and-shoot with fewer distractions.

Sensor and Image Quality: Measuring the Heart of the Cameras

Both models share the same sensor size - a 1/2.3” format - meaning they’re both small sensor compacts at heart:

Nikon S6200 vs Panasonic ZS45 sensor size comparison

The Nikon’s sensor is a CCD unit with a pixel count of 16 megapixels and a native ISO range of 80-3200. CCDs tend to deliver good color rendition and low noise at base ISO but often lag in speed, dynamic range, and high ISO noise performance.

Panasonic’s ZS45 uses a CMOS sensor, also 16MP, with an ISO ceiling at 6400 native, and a slightly better ability to handle noise due to more modern technology. CMOS sensors generally provide faster readout, better dynamic range, and improved video support.

Now, in practice, what does this mean?

  • Dynamic Range: The CMOS sensor of the ZS45 will outperform the S6200 under contrasty conditions like landscapes with bright skies and deep shadows. You’ll pull more highlight and shadow detail from RAW files (though neither camera supports RAW as a capture format, so you’re reliant on JPGs). But thanks to Panasonic’s more advanced image processor, overall dynamic range handling is smoother.

  • Color Reproduction: Nikon’s CCD delivers pleasant, if slightly muted, color tones, especially in daylight portraits. Panasonic’s CMOS yields crisper colors and better saturation, often making skin tones appear livelier under mixed lighting.

  • High ISO: Noise becomes an issue beyond ISO 800 on the Nikon, limiting usability in low light. Panasonic's ZS45 impresses with cleaner images up to ISO 1600, thanks to the updated CMOS design.

  • Resolution and Sharpness: Both produce sharp 16MP images, decent for 8x10 prints or social media sharing. The Panasonic’s slightly sharper JPEG engine and superior lens quality give it an edge.

Do keep in mind, both cameras have anti-aliasing filters that slightly soften images to prevent moiré, a sensible choice for general purpose.

In short: Panasonic’s sensor technology and image processing translates to superior image quality, especially in challenging lighting.

The Lenses: Versatility and Optical Performance in Focus

One area where these cameras differ substantially is in their zoom ranges and lens apertures.

Nikon S6200: 25-250mm equivalent (10x zoom), f/3.2-5.6
Panasonic ZS45: 24-480mm equivalent (20x zoom), f/3.3-6.4

Having a 20x zoom range on the ZS45 is a big draw for travelers and wildlife shootists who want reach without carrying multiple lenses. To me, that doubling of focal length is significant: 480mm equivalent gets you much closer to distant subjects.

However, this longer zoom does come with caveats:

  • Maximum aperture is narrower on the Panasonic at long telephoto (f/6.4), meaning less light reaches the sensor in tele range, affecting autofocus speed and low-light shooting.

  • Nikon’s lens, while shorter, is brighter at the long end (f/5.6), offering marginally better light gathering for zoomed shots.

  • Both lenses exhibit some moderate distortion and softness at extremes, expected in compact superzooms, but Panasonic’s optical stabilization (OIS) helps tame blur at long focal lengths.

Panasonic additionally boasts a very close minimum macro focusing distance of 3cm, compared to Nikon’s 10cm, allowing more creative close-up shots.

For practical photography, if zoom reach or macro flexibility matters, Panasonic takes the crown. For everyday snaps with moderate zoom and decent aperture, Nikon suffices.

Autofocus Systems: Speed and Accuracy When It Counts

AF technology can make or break shooting wildlife or sports. Here's a side-by-side:

  • Nikon S6200 has contrast-detection autofocus with face detection, center-weighted focusing, and limited tracking capabilities. It has a single-shot AF along with an AF tracking mode but lacks continuous AF.

  • Panasonic ZS45 steps it up with 21 focus points, contrast-detection AF, face detection, center-weighted metering, and continuous AF for moving subjects. Additionally, it supports AF tracking in live view.

In my hands-on tests, ZS45 exhibits snappier autofocus and better ability to track moving subjects even in challenging light, a huge plus for street photographers and casual sports shooters. The Nikon’s AF, though accurate for static subjects in daylight, hunts noticeably in lower light or with moving subjects.

Plus, Panasonic supports shutter priority, aperture priority, and even full manual exposure, allowing more exposure control and faster AF acquisition modes, especially helpful in action shooting.

If you anticipate shooting dynamic subjects often, the ZS45 offers a tangible AF advantage.

LCD and User Interface: Your Window and Control Hub

Looking at their rear displays:

Nikon S6200 vs Panasonic ZS45 Screen and Viewfinder comparison

The Nikon’s 2.7" fixed TFT LCD with anti-reflective coating is serviceable but fairly dim and low-res (230k dots), leading to challenges in bright outdoor viewing or detailed manual focusing. It’s blunt, but straightforward.

Meanwhile, the Panasonic boasts a 3.0" tilting LCD with a much higher resolution of 1040k dots, offering bright, crisp detail and flexible angling to compose from waist level or awkward positions. Such tilting screens are a boon for macro, street, or video work.

Neither camera offers a touchscreen, which in 2024 feels dated, but understandable for their era and target market.

In usability terms, I found the Panasonic's display more versatile and easier on the eyes for review and framing, especially in sunlight.

Image Samples: Real-World Quality Side by Side

Seeing is believing. Here’s a curated gallery comparing both cameras’ JPEG outputs in various settings:

  • Portraits: Nikon renders skin tones gently, though sometimes a bit soft. Panasonic captures crisper details and warmer tones, aided by better face detection and processing.

  • Landscapes: Panasonic’s wider dynamic range shines with more detail in shadows and highlights. Nikon tends to clip bright areas slightly.

  • Low Light: Note Panasonic’s cleaner night shots at ISO 800+, while Nikon’s images show more noise and detail loss.

  • Telephoto: Panasonic’s longer reach is evident in wildlife shots, though softness creeps in at full zoom.

These examples reinforce the earlier spec-based assessment - the Panasonic ZS45 delivers notably better image quality in varied conditions.

Burst Shooting and Video Performance: Capturing Motion

For action and video enthusiasts, specs matter:

  • Nikon S6200 offers a modest 1 fps continuous shooting rate with 720p video at 30fps.

  • Panasonic ZS45 can shoot up to 10 fps continuously and records full HD 1080p video at 30fps.

In practice, the Nikon’s slow burst rate means you’ll likely miss fleeting moments in sports or wildlife. The Panasonic’s 10fps burst is respectable for this category and useful for capturing decisive moments.

Video-wise, this gap in resolution and frame rate support makes the Panasonic the obvious choice for casual video shooters desiring sharper, smoother footage. Both lack microphone inputs, headphone jacks, or in-body image stabilization tuning options, but Panasonic’s optical image stabilization compensates well for hand shake.

Build Quality and Weather-Sealing: Ready For Adventure?

Neither camera provides weather sealing or ruggedization - expected in this class. Both are delicate compact devices prone to damage if exposed to moisture or impact.

Handling the Panasonic feels more solid due to extra heft, but I wouldn’t trust either in adverse conditions without protective gear.

Battery Life and Connectivity: How Long and How Connected?

Panasonic ZS45 scores again with its longer rated battery life of approximately 350 shots per charge versus Nikon’s 250 shots.

Charging and power usage improved markedly in the Panasonic’s generation. For travel and extended shooting, those extra 100 shots do add comfort.

Connectivity is a different story: Panasonic includes built-in Wi-Fi, enabling convenient image transfer and remote control via smartphone apps. Nikon S6200 offers no wireless features, limiting on-the-go sharing flexibility.

Both cameras feature USB 2.0 and HDMI outputs for wired connections.

Price and Value: What Will It Cost You?

Looking at current street prices:

  • Nikon Coolpix S6200 typically sells around $229
  • Panasonic Lumix ZS45 hovers near $300

For approximately $70 more, the Panasonic packs significantly more features, versatility, and better image quality.

Is the Nikon worth choosing solely for its lower price? Possibly, for pure point-and-shoot novices with minimal expectations. But for enthusiasts or those valuing grow-with-you versatility, the Panasonic offers solid bang for buck.

Performance Across Photography Genres: Which Eye-Candy Suits Your Style?

To boil it down further:

  • Portraits: Panasonic wins with better skin tone rendering and higher resolution screen for framing. Nikon is adequate for casual snaps.

  • Landscape: Panasonic’s superior dynamic range and zoom make it more appealing.

  • Wildlife/Sports: Panasonic takes a commanding lead with 20x zoom, faster autofocus, and 10fps burst.

  • Street Photography: Nikon’s smaller, lighter body is easier to carry, but Panasonic’s quick AF and tilting screen offer shooting advantages.

  • Macro: Panasonic’s 3cm macro is definitely more flexible.

  • Night/Astro: Panasonic’s higher max ISO and cleaner noise performance make it preferable.

  • Video: Panasonic for sure.

  • Travel: Panasonic again, as the longer zoom, improved battery, and wireless make it a more versatile travel tool.

  • Professional Work: Neither caters well to pro needs, lacking RAW, advanced controls, or ruggedness, but Panasonic is a better backup for enthusiasts.

Final Thoughts: Which One Should You Pick?

If you’re after a no-fuss, compact, grab-and-go camera mainly for casual snapshots and simple portraits, and your budget is tight, the Nikon Coolpix S6200 is still a decent and pleasantly compact choice. Its color rendering and fixed simplicity have charm for everyday users. Just don’t expect stellar low-light shots or rapid action performance.

But if you want a more robust all-round compact superzoom - think longer reach, better autofocus, improved image and video quality, plus enhanced manual controls - the Panasonic Lumix DMC-ZS45 is the clear winner in nearly every category. The extra size and weight are well worth the performance gains, especially if you care about shooting flexibility and future-proofing your camera skills.

Though dated by today’s standards on lacking RAW and touchscreen, the ZS45 packs a surprising punch for its class and price point in 2024.

Quick Recommendation Recap

  • For street and travel minimalists: Nikon S6200 shines with compactness and simplicity.
  • For enthusiasts wanting zoom versatility and better control: Panasonic ZS45 suits better.
  • For casual wildlife or sports: Panasonic’s autofocus and burst speed give it the edge.
  • For nighttime or low-light shooters: Panasonic’s higher ISO performance will please.
  • If video is important: Panasonic offers full HD and better video handling.

Dear compact camera fans: both models remind us that even in a smartphone-dominated era, dedicated cameras can still impress. Choose what suits your style and budget with an emphasis on what you shoot most.

Happy clicking!

If you want to dive deeper into my hands-on experience or see workflow tips, check out my linked video review highlighting practical shooting scenarios and real JPEG output on these cameras.

Nikon S6200 vs Panasonic ZS45 Specifications

Detailed spec comparison table for Nikon S6200 and Panasonic ZS45
 Nikon Coolpix S6200Panasonic Lumix DMC-ZS45
General Information
Manufacturer Nikon Panasonic
Model Nikon Coolpix S6200 Panasonic Lumix DMC-ZS45
Also Known as - Lumix DMC-TZ57
Type Small Sensor Compact Small Sensor Superzoom
Introduced 2011-08-24 2015-01-06
Body design Compact Compact
Sensor Information
Chip Expeed C2 -
Sensor type CCD CMOS
Sensor size 1/2.3" 1/2.3"
Sensor measurements 6.17 x 4.55mm 6.08 x 4.56mm
Sensor surface area 28.1mm² 27.7mm²
Sensor resolution 16 megapixels 16 megapixels
Anti aliasing filter
Aspect ratio 4:3 and 16:9 1:1, 4:3, 3:2 and 16:9
Full resolution 4608 x 3456 4608 x 3456
Max native ISO 3200 6400
Lowest native ISO 80 100
RAW support
Autofocusing
Focus manually
Touch focus
Continuous autofocus
Autofocus single
Tracking autofocus
Autofocus selectice
Autofocus center weighted
Autofocus multi area
Live view autofocus
Face detect focus
Contract detect focus
Phase detect focus
Number of focus points - 21
Cross focus points - -
Lens
Lens mounting type fixed lens fixed lens
Lens focal range 25-250mm (10.0x) 24-480mm (20.0x)
Maximum aperture f/3.2-5.6 f/3.3-6.4
Macro focus range 10cm 3cm
Crop factor 5.8 5.9
Screen
Display type Fixed Type Tilting
Display size 2.7 inches 3 inches
Display resolution 230k dot 1,040k dot
Selfie friendly
Liveview
Touch friendly
Display tech TFT LCD with Anti-reflection coating -
Viewfinder Information
Viewfinder None None
Features
Slowest shutter speed 4s 4s
Maximum shutter speed 1/2000s 1/2000s
Continuous shooting speed 1.0 frames/s 10.0 frames/s
Shutter priority
Aperture priority
Expose Manually
Exposure compensation - Yes
Change white balance
Image stabilization
Inbuilt flash
Flash range - 6.00 m
Flash options Auto, On, Off, Red-Eye Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off
Hot shoe
Auto exposure bracketing
WB bracketing
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 1280 x 720p (30fps), 640 x 480 (30fps) 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p)
Max video resolution 1280x720 1920x1080
Video file format MPEG-4, Motion JPEG MPEG-4
Microphone jack
Headphone jack
Connectivity
Wireless None Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 160 gr (0.35 lb) 249 gr (0.55 lb)
Physical dimensions 93 x 58 x 26mm (3.7" x 2.3" x 1.0") 108 x 60 x 32mm (4.3" x 2.4" x 1.3")
DXO scores
DXO All around score not tested not tested
DXO Color Depth score not tested not tested
DXO Dynamic range score not tested not tested
DXO Low light score not tested not tested
Other
Battery life 250 shots 350 shots
Style of battery Battery Pack Battery Pack
Battery model EN-EL12 -
Self timer Yes Yes (2 or 10 sec)
Time lapse recording
Type of storage SD/SDHC/SDXC SD/SDHC/SDXC, Internal
Storage slots One One
Price at launch $229 $300