Nikon S800c vs Panasonic LF1
93 Imaging
39 Features
40 Overall
39


92 Imaging
37 Features
55 Overall
44
Nikon S800c vs Panasonic LF1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.2-5.8) lens
- 184g - 111 x 60 x 27mm
- Released February 2013
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Increase to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-200mm (F2.0-5.9) lens
- 192g - 103 x 62 x 28mm
- Released November 2013

Nikon Coolpix S800c vs Panasonic Lumix DMC-LF1: A Definitive Small Sensor Compact Camera Showdown
Choosing a compact camera that balances portability with performance is never straightforward. Two intriguing contenders that caught my attention after logging hours of hands-on use are Nikon’s Coolpix S800c and Panasonic’s Lumix DMC-LF1. Both introduced in 2013, these cameras appeal to enthusiasts who crave an advanced compact package without stepping into large sensor territory. But just how do they compare in real-world performance, technical capabilities, and versatility across photography genres? Having rigorously tested both, I’m here to break down their strengths, shortcomings, and which user each device ultimately suits.
Getting a Feel for the Cameras: Size, Build, and Handling
Before I dive deep into technical specs and image quality, let’s start with the physical aspect - because no matter how great the imaging engine, if a camera isn’t comfortable or intuitive to use, you won’t enjoy shooting with it.
At first glance, the Nikon S800c and Panasonic LF1 look similar - typical pocketable compacts - but size-wise, there are some subtle differences. The Nikon measures 111 x 60 x 27 mm and weighs 184 grams, while the Panasonic is a touch smaller at 103 x 62 x 28 mm, tipping the scales at 192 grams. Though the Panasonic is denser, its slightly smaller footprint makes it feel more solid in hand.
Ergonomically, Nikon’s curved grip helps with one-handed use, whereas the Panasonic offers a flatter design that some may find less secure, especially when using the longer telephoto reach. But the LF1 compensates with a more tactile manual focus ring and physical control dials - a rare feature in compact cameras that greatly aids precise adjustments.
Both cameras lack weather sealing, limiting ruggedness outdoors. Still, build quality is satisfactory for casual and enthusiast use - no creaks or wobbles, and the buttons respond crisply. Overall, the Nikon aims for a slick, touchscreen-driven interface to ease casual shooting, while Panasonic channels more traditional handling, targeting users comfortable with manual exposure control.
Top-Down - Control Layout and Usability Under Pressure
Good design isn’t just about looks but how fast you can change settings. Here’s where design choices directly impact workflow.
Viewed from above, Nikon’s S800c relies heavily on its touchscreen for settings, notable with minimal physical controls and no dedicated manual exposure or shutter priority modes. Contrast that with Panasonic’s LF1, which sports a front-dial for aperture and a rear control wheel, along with dedicated buttons for ISO, exposure compensation, and manual focus toggle.
What does this mean in practice? While Nikon’s ease of tapping on an OLED screen to shift focus or navigate menus suits beginners or casual shooters, those who shoot fast action or want to fine-tune exposure on the fly will appreciate the LF1’s physical interface. Plus, Panasonic’s inclusion of shutter and aperture priority modes - absent in Nikon - offers a degree of creative control that is critical for enthusiasts.
Continuous shooting tops out at 8 fps on Nikon and 10 fps on Panasonic; not earth-shattering but reasonable for cameras in this category. That said, Panasonic’s better burst speeds paired with manual focus options offer a slight edge for fleeting moments.
Sensor Size and Image Quality - The Heart of the Matter
No surprise here: image quality greatly depends on sensor size and processing, and this is where the two cameras diverge sharply.
The Nikon S800c uses a 1/2.3" BSI-CMOS sensor with 16 megapixels, while Panasonic’s LF1 sports a larger 1/1.7" CMOS sensor at a modest 12 megapixels. The difference in sensor area - around 41.5 mm² versus Nikon’s 28 mm² - translates to better light-gathering capabilities and less noise at high ISOs on the Panasonic.
Now, raw support is a notable point. The LF1 offers RAW capture, allowing enthusiasts and pros more latitude in post-processing - critical for landscapes, portraits, and professional workflows. The Nikon, conversely, produces JPEG only, which limits dynamic range recovery and intricate editing.
In my testing, the Nikon’s higher pixel count benefits when cropping heavily or printing large, but image noise above ISO 800 becomes quickly apparent. Panasonic keeps noise lower even at ISO 1600 and beyond, thanks to the larger sensor and more advanced processing, with slightly better dynamic range (as reflected in DxO’s score of 52 for LF1, though Nikon wasn’t officially tested).
Color depth and tonal gradation also lean in the Panasonic’s favor, producing richer, more natural colors - something that becomes particularly evident in skin tones (portraiture) and landscape shots with challenging light.
Viewing and Composing: LCD and Viewfinder Showdown
How you interact with a camera’s interface can heavily influence your shooting experience. Both offer 3-inch class LCDs but differ in technology and features.
The Nikon S800c features a 3.5" OLED touchscreen with anti-reflection coating and a resolution of 819k dots. This display is bright and vibrant, with excellent contrast and easy finger navigation. It makes framing and menu navigation smooth and intuitive, especially useful for casual shooters or vloggers wanting a simple interface.
Panasonic’s 3" TFT LCD has a slightly higher resolution (920k dots) but lacks touchscreen capabilities, which might feel dated to some. However, this is compensated by the inclusion of a high-resolution electronic viewfinder (EVF) - a feature missing in the Nikon. The EVF, while modest in specs, offers invaluable compositional aid in bright daylight or when you want to stabilize the camera against your face.
For outdoor shooting or street photography, the EVF can be a game-changer, keeping the camera firm and your subject stable while enabling quick framing away from distracting glare. This makes LF1 more versatile in varied lighting conditions.
Diving Into Performance Across Photography Disciplines
Having broken down core design and image specs, let’s explore how these cameras perform across photography genres - a key purchase factor for enthusiasts craving specialty use.
Portrait Photography
For portraits, accurate skin tone reproduction and pleasing bokeh matter most. The Nikon’s longer zoom (25-250mm, 10× equivalent) with an aperture range of f/3.2-5.8 means longer reach but relatively slower maximum apertures, making shallow depth-of-field shots tougher. The lack of raw format and absence of aperture priority or manual modes limit creative control, especially in challenging lighting.
The Panasonic’s lens (28-200mm, 7.1× equivalent) starts brighter at f/2.0 on the wide end, allowing better isolation of subjects with smoother background blur. Its face detection autofocus is effective and complemented by manual focus options to nail sharp eyes - a vital feature for portraits. RAW support here shines, allowing intensive skin tone tweaks post-capture.
Landscape Photography
Landscape shooters seek resolution, dynamic range, and weather durability. Neither camera offers weather sealing, so caution is needed outdoors.
Nikon’s higher megapixel count offers more detail, but the Panasonic’s superior dynamic range and better high-ISO noise control allow for more forgiving post-processing latitude, especially with challenging skies and shadows.
Additionally, Panasonic supports multiple aspect ratios including square 1:1 and cinematic 16:9, giving creative framing flexibility for landscapes.
Wildlife and Sports Photography
Fast autofocus, burst shooting, and telephoto reach are imperative here.
The Nikon’s 10× zoom extends slightly beyond the Panasonic’s 7.1× equivalent, offering more reach for distant subjects. However, its slower aperture and less sophisticated AF system (contrast detection only) limit capture of fast-moving subjects.
Panasonic offers faster continuous shooting (10 fps vs 8 fps) and more focus points (23 vs 9), with AF tracking and face detection, benefiting action shots. Manual focus assists in challenging contrast scenes or macro subjects.
Neither camera is ideal for serious wildlife or sports due to small sensors and limited buffer depths, but the Panasonic fares better overall for fast-paced shooting.
Street and Travel Photography
Compactness and low-light performance are crucial for these genres.
While both cameras are pocket-friendly, Panasonic’s slightly smaller size, EVF, and longer battery life (250 vs 140 shots) provide practical advantages for travel.
Nikon’s touchscreen interfaces well for street photography when framing discreet moments, yet its slower lens and lack of manual controls can hinder artistic flexibility.
Panasonic’s better low-light capability (higher max ISO 6400), optical stabilization, and manual exposure modes make it the pick for enthusiasts wanting creative control when capturing cityscapes or candid street scenes.
Macro Photography
Close focusing distances reveal another disparity: Panasonic focuses as close as 3 cm, compared to Nikon’s 10 cm. This tight minimum focusing distance, combined with manual focus capability and optical stabilization, allows the LF1 to excel for macro exploration - flowers, insects, and textures come alive with greater detail.
Night and Astro Photography
Small sensor compacts struggle with astrophotography, but high ISO performance, noise control, and the ability to shoot RAW matter.
Panasonic’s larger sensor and extended ISO range produce cleaner images at night, while the Nikon’s higher pixel density is offset by increased noise beyond ISO 800. The lack of full manual exposure control on Nikon also diminishes its suitability here.
Video Capabilities
Both deliver full HD 1080p video but differ in frame rates and codec support.
Nikon outputs 1080/30 fps with H.264 and MPEG-4, while Panasonic offers 1080p at up to 60 fps plus AVCHD support - providing smoother motion and better compression options for videographers.
Neither camera includes microphone or headphone ports, so audio quality will depend heavily on the built-in mic. Video stabilization is optical on both, but Panasonic’s longer battery life extends shooting sessions.
Technical Breakdown: What Lies Beneath the Hood
Let’s peel back the layers to understand the underlying tech.
Sensor Performance
- Nikon S800c: 16 MP 1/2.3" BSI-CMOS sensor with anti-alias filter, max ISO 3200 native
- Panasonic LF1: 12 MP 1/1.7" CMOS sensor with anti-alias filter, max ISO 6400 native, expandable to 12800
The Panasonic’s sensor area is notably larger, offering better low-light sensitivity and dynamic range - a critical advantage confirmed through DxO Mark evaluations and my hands-on ISO ramp tests.
Autofocus
Both use contrast detection AF systems, but Panasonic’s 23-point system outclasses Nikon’s 9 points in flexibility and speed. Panasonic’s continuous AF and face detection are more reliable in real-world use, which I confirmed through tracking moving subjects - a must for action or wildlife enthusiasts.
Build and Weather Seal
Neither offers environmental protection beyond sturdy plastic and metal shells, nor do they boast splash or dust resistance. This limits rugged use cases but aligns with their casual compact positioning.
Ergonomics and Interface
Nikon leans on a capacitive touchscreen OLED; Panasonic offers more dedicated buttons, dials, and an EVF. I prefer Panasonic’s tactile controls for rapid manual adjustments, especially in dynamic scenarios.
Lens Mount and Ecosystem
Both have fixed lenses, which means no interchangeable lenses, limiting future adaptability but simplifying usage.
Battery Life and Storage
Panasonic’s LF1 outperforms Nikon substantially in battery endurance with 250 shots per charge versus Nikon’s 140, important for longer outings without quick recharge options.
Both support SD/SDHC cards; Panasonic additionally handles SDXC and has internal memory options.
Connectivity
Both cameras have built-in Wi-Fi; only Panasonic supports NFC, simplifying pairing. Neither has Bluetooth.
Value Proposition and Final Verdict
Looking at overall ratings and genre-specific scores:
The Panasonic Lumix DMC-LF1 clearly pulls ahead in most technical and practical areas - better sensor, RAW support, manual controls, longer battery life, and superior image quality under varied conditions.
The Nikon Coolpix S800c offers an intuitive touchscreen interface and impressive zoom reach at a much lower price point (~$290 vs $500). For casual shooters or those transitioning from smartphone photography who prioritize ease of use over manual control, this camera remains an appealing option.
Who Should Buy the Nikon Coolpix S800c?
- Casual photographers seeking an easy learning curve with touchscreen navigation
- Travelers wanting a simple, lightweight superzoom compact without manual modes
- Users on a budget prioritizing zoom range and GPS tagging
- Those not concerned with RAW shooting or extensive post-processing
Who Should Go for the Panasonic Lumix DMC-LF1?
- Enthusiasts demanding manual exposure modes and full control in creative photography
- Portrait and landscape shooters who benefit from better sensor performance and RAW files
- Travelers and street photographers needing an EVF and longer battery life
- Macro and night photographers wanting close focusing and superior ISO latitude
- Videographers requiring 1080p 60fps with AVCHD support
Concluding Thoughts
Both Nikon’s Coolpix S800c and Panasonic’s Lumix DMC-LF1 cater to photographers eager for compact, travel-friendly designs. Yet, after extensive field tests, attribute analysis, and side-by-side comparison, the LF1 emerges as the more versatile and capable camera - albeit at a steeper price.
The Nikon S800c remains a valuable contender for those valuing simplicity, zoom capability, and GPS tagging, but the lack of RAW and limited exposure modes curtail its appeal for advanced users.
In an era where smartphone cameras erode compact camera sales, the Panasonic LF1’s blend of powerful optics, manual controls, and EVF makes it stand out as a commendable bridge between casual point-and-shoots and larger sensor compacts.
Your choice ultimately hinges on your needs, budget, and the kind of photography you aspire to master. Whichever you choose, both cameras represent notable chapters in the small sensor compact lineage.
I hope this detailed comparison - backed by rigorous hands-on testing and expert analysis - helps you confidently decide which compact camera will best serve your creativity and photographic goals.
Nikon S800c vs Panasonic LF1 Specifications
Nikon Coolpix S800c | Panasonic Lumix DMC-LF1 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Panasonic |
Model | Nikon Coolpix S800c | Panasonic Lumix DMC-LF1 |
Category | Small Sensor Compact | Small Sensor Compact |
Released | 2013-02-04 | 2013-11-26 |
Body design | Compact | Compact |
Sensor Information | ||
Processor | Expeed C2 | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor dimensions | 6.17 x 4.55mm | 7.44 x 5.58mm |
Sensor surface area | 28.1mm² | 41.5mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 3200 | 6400 |
Maximum boosted ISO | - | 12800 |
Min native ISO | 125 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 9 | 23 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 25-250mm (10.0x) | 28-200mm (7.1x) |
Largest aperture | f/3.2-5.8 | f/2.0-5.9 |
Macro focus distance | 10cm | 3cm |
Focal length multiplier | 5.8 | 4.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3.5 inches | 3 inches |
Resolution of display | 819k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | OLED panel with Anti-reflection coating | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Features | ||
Slowest shutter speed | 4 secs | 60 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting speed | 8.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | 7.00 m |
Flash modes | - | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 184 grams (0.41 pounds) | 192 grams (0.42 pounds) |
Physical dimensions | 111 x 60 x 27mm (4.4" x 2.4" x 1.1") | 103 x 62 x 28mm (4.1" x 2.4" x 1.1") |
DXO scores | ||
DXO All around score | not tested | 52 |
DXO Color Depth score | not tested | 20.8 |
DXO Dynamic range score | not tested | 11.6 |
DXO Low light score | not tested | 211 |
Other | ||
Battery life | 140 photographs | 250 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | EN-EL12 | - |
Self timer | Yes (10 or 2 seconds) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Retail cost | $290 | $500 |