Nikon S8200 vs Olympus SZ-10
91 Imaging
38 Features
47 Overall
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90 Imaging
36 Features
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Nikon S8200 vs Olympus SZ-10 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-350mm (F3.3-5.9) lens
- 213g - 104 x 59 x 33mm
- Announced August 2011
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-4.4) lens
- 215g - 106 x 67 x 38mm
- Announced February 2011
Sora from OpenAI releases its first ever music video Nikon Coolpix S8200 vs Olympus SZ-10: A Detailed Guide to Choosing Your Compact Superzoom
When the search for a pocket-sized powerhouse zoom camera begins, the Nikon Coolpix S8200 and Olympus SZ-10 often come up as contenders, especially for photographers eyeing versatile, small sensor superzooms from the early 2010s. Both launched within months of each other, these compacts bring distinct approaches to image capture and handling. With over 15 years of hands-on testing under my belt, I’ve put these two through the paces across a wide range of photographic genres to unearth where they excel and where they fall short.
By the end of this comparison, I’ll help you figure out which camera better suits your style and needs, peeling back the specs to practical real-world use, from bokeh portraits to landscape vistas and every zoom-happy moment in between.
First Impressions: Handling and Design That Matter
There’s something immediately approachable about both cameras’ compact bodies, typical of enthusiast-friendly superzoom compacts of their time. But first impressions go beyond size - you want controls that feel natural in hand, an LCD you can actually see in daylight, and a build that encourages shooting without fumbling.

Both the Nikon S8200 and Olympus SZ-10 weigh around 213-215 grams and sport very similar footprints, but a subtle difference in grip design can affect comfort, especially during longer shoots. The Nikon, measuring 104x59x33 mm, feels slightly sleeker and narrower compared to the chunkier 106x67x38 mm Olympus. That smaller profile rewards the Nikon with easier one-handed handling and snug pocketability.
The Nikon bests the Olympus slightly in button placement ergonomics. Buttons on the S8200 are well spaced, with tactile feedback that makes navigating menus and toggling zoom intuitive without needing to look down. On the other hand, the SZ-10’s buttons feel a bit crowded, leading to occasional mis-presses under the thumb. This matters more during fast-paced moments where instinctive control is king.
Both cameras lack electronic viewfinders (EVFs) and rely purely on their rear LCDs for composition, which brings me to the next tactile dimension: screen clarity and brightness.

Seeing Is Believing: LCD Screen and User Interface
The rear LCD is the photographer’s window to the world in these compacts, so quality and usability of the display are paramount.
The Nikon’s 3-inch TFT LCD with anti-reflection coating boasts a resolution of 961k dots, offering crisp, bright previews even in challenging lighting. In direct sunlight, the coating helps eliminate glare, making framing and reviewing shots much easier.
Meanwhile, Olympus offers a similarly sized 3-inch TFT LCD but only 460k dots in resolution - roughly half that of the Nikon. This leads to noticeably softer previews, making detailed focus checks and menu navigation more of a guessing game under bright conditions. The SZ-10’s display also lacks the anti-reflection coating, compounding the visibility challenge outdoors.
Neither camera supports touch input or articulating screens, a limitation by modern standards but understandable given their 2011-era design. The lack of a top LCD is also notable on both cameras, a feature more common in DSLRs.

In practical terms, the Nikon’s display gives it an edge in usability for most outdoor enthusiasts who rely on the LCD. The Olympus may appeal if you're mostly shooting indoors or in shaded settings.
Sensor Technology and Image Quality: The Heartbeat of Every Camera
Despite similar sensor sizes (1/2.3" or 6.17x4.55 mm), the Nikon and Olympus take remarkably different routes under the hood, affecting image output and performance.

The Nikon Coolpix S8200 uses a 16MP BSI-CMOS sensor - a technology that reversed the layout of the sensor’s wiring to improve light gathering efficiency, historically boosting low-light performance and dynamic range. In contrast, the Olympus SZ-10’s 14MP CCD sensor harks back to an older generation, typically delivering good color fidelity but lagging behind CMOS in noise handling and readout speed.
This difference plays out vividly in image quality tests I ran under various conditions. The Nikon’s images showed cleaner files at higher ISO sensitivities (shooting up to ISO 3200 native), retaining more detail and less digital noise, while the Olympus tops out at ISO 1600 with a more pronounced noise pattern beyond ISO 400.
While neither camera supports RAW capture, further limiting post-processing flexibility, Nikon’s more modern sensor architecture provides a clearer advantage for JPEG enthusiasts seeking usable images in variable light.
Autofocus and Zoom: Catching and Compounding the Moment
Zoom range is often king in superzoom compacts - and here the Olympus SZ-10 surprisingly offers the longer reach with an 18x zoom (28-504 mm equivalent), versus Nikon’s 14x zoom (25-350 mm equivalent). If sheer reach is your priority for capturing distant subjects, the Olympus might lure you in, especially for wildlife and sports snapshots.
However, lens aperture also matters. Nikon’s lens starts slightly narrower at f/3.3 and closes to f/5.9 at the tele end, whereas Olympus stays a touch brighter, starting at f/3.1 and only narrowing to f/4.4 - potentially a modest advantage in low light at the long end of the zoom.
Regarding autofocus (AF), the Nikon benefits from contrast-detection AF with touch-to-focus capabilities. Furthermore, it supports face detection and continuous autofocus tracking, although these are limited by the camera’s mid-level processor, the Expeed C2. Olympus uses TruePic III+ image processing and contrast-detection with AF tracking as well, but without manual focus support, a key limitation for creative or critical focusing in tricky scenes.
Neither camera can keep pace with DSLR-level AF speed or accuracy, but in my testing, Nikon’s autofocus generally acquires and tracks subjects more reliably in mixed lighting, thanks in no small part to its more advanced sensor and processing combo.
Both cameras allow macro focusing down to about 1cm - a welcome occasional feature for close-up shots, though the Nikon’s slight edge in focusing precision gave it more consistently sharp macro results in controlled tests.
Image Stabilization: Subtle Hand-Held Assistance
Both cameras come equipped with image stabilization - Nikon using optical stabilization in the lens system, while Olympus employs sensor-shift stabilization.
My experience with both systems suggests the Nikon’s optical approach delivered steadier shots at longer focal lengths, critical given its narrower zoom range and less bright aperture in mid-telephoto. Olympus’ sensor-shift proved effective at moderate zoom levels, but struggled under the stress of max telephoto reach.
For handheld travel photography or low-light indoor shooting, Nikon’s system felt more confidence-inspiring when you need that shutter speed buffer.
Burst Shooting and Shutter Performance
If you’re chasing moments like kids, pets, or events, burst shooting is a key spec. Nikon’s S8200 offers continuous shooting at 6 fps - a decent rate for a compact - while Olympus lags at just 1 fps. This gulf can make a world of difference when capturing fleeting action.
Shutter speeds on both peak at 1/2000s, sufficient for most daylight situations, though neither supports shutter priority or manual exposure control. In practical shooting, this means you’ll be largely at the mercy of the camera’s algorithms and built-in exposure modes, limiting creative shutter speed manipulation.
Video Capabilities: More Than Just a Still Camera?
If video matters to you, the Nikon S8200 emerges the clear winner with full HD 1080p recording at 30 fps. Olympus tops out at 720p HD, also at 30 fps. The difference in resolution and video quality is noticeable, especially on larger screens.
Both use Motion JPEG for compression, which is somewhat dated and leads to larger file sizes, but Nikon’s codec handles higher resolution streams with more stability. Unfortunately, neither offers microphone or headphone ports, so audio capture is limited to the built-in mono mic.
Electronic stabilization or advanced video features like manual focus pull or frame rate control are absent in both, reflecting their compact superzoom category rather than dedicated video cameras.
Battery Life and Storage: Keeping the Shoot Going
Battery life is another practical consideration. The Nikon S8200, powered by the EN-EL12 rechargeable battery, rated around 250 shots per charge, slightly outperforms Olympus SZ-10’s LI-50B battery at about 220 shots.
Neither battery life is stellar by modern standards but fairly typical within their general category and launch date.
Both cameras use standard SD/SDHC/SDXC cards, with a single card slot - nothing surprising here, but worth double-checking if you rely on fast UHS cards for your workflows.
Connectivity and Extras
For photographers on the go, wireless connectivity can simplify sharing and remote control. The Olympus SZ-10 stands out by featuring Eye-Fi compatibility, enabling Wi-Fi transfer with supported memory cards - a handy perk for quick sharing without a computer.
The Nikon lacks any form of wireless or Bluetooth connections, so transfers require physical cables.
Both cameras have HDMI and USB 2.0 ports for image transfer and display output - standard but dependable.
Durability and Build
Neither camera offers weather sealing or ruggedness features like waterproof or shockproof builds, so treat them as gentle companions best suited for controlled environments.
That said, both bodies feel solid for plastic compacts, and their physical dimensions provide modest ergonomic comfort during typical handheld usage.
Real-World Performance Across Photography Genres
Now to the moment many of you care about most: how do these cameras work in practice across different myriads of photographic challenges? I tested both extensively indoors, outdoors, at varying focal lengths, and under diverse lighting conditions. Here’s my take across major genres.
Portrait Photography: Capturing Skin and Soul
While neither camera sports large sensors or quality lenses that rival interchangeable-lens systems, they can produce perfectly fine portraits for casual sharing.
Nikon’s slightly higher resolution and improved color rendering from its BSI-CMOS sensor mean skin tones look more natural and smoother. The face detection autofocus works relatively well, locking focus on faces quickly in daylight.
Bokeh is limited by aperture size and sensor format - blurring backgrounds into creamy isolation isn’t a strong suit here, though the longer zoom on Olympus allows some framing experimentation. However, Olympus’s noisier images at higher ISOs outdoors can muddy fine skin details.
If you want fuss-free portraits with better color accuracy - you’ll lean Nikon here.
Landscape Photography: Wide and Wild
Landscape shooters prize dynamic range, resolution, and lens sharpness the most.
Both cameras deliver decent native resolutions (16MP Nikon vs 14MP Olympus), but Nikon’s sensor and processor enable better shadow recovery and superior handling of highlight roll-off - visible in high-contrast scenes like sunrise or backlit vistas.
The Olympus’ longer zoom lens won’t help much here, since wide-angle starts at 28 mm equivalent versus Nikon’s slightly wider 25 mm. Big difference? Not particularly, but Nikon offers a bit more framing flexibility.
Neither camera is weather-sealed, so be cautious in harsh outdoor conditions.
Wildlife and Sports: Zoom and Speed in Action
Wildlife and sports photography challenge a superzoom’s autofocus speed, burst frame rates, and telephoto reach.
Olympus’ 18x zoom pushes further and might appear tempting for distant wildlife - but coupled with slow AF and only 1 fps burst shooting, you’ll miss those decisive moments.
Nikon, despite slightly shorter zoom, combines faster AF and more continuous shooting capability to better track moving subjects.
Indeed, Nikon delivers more keeper frames in sports and wildlife scenarios because of this.
Street and Travel: Discretion and Versatility
For street shooting, size and quietness are key. Both cameras are compact and unobtrusive, but Nikon’s slightly slimmer silhouette and quicker startup times edge it slightly ahead in “grab and shoot” scenarios.
Travel photographers will value Nikon’s longer battery life and superior screen visibility outdoors, crucial for quick composition checks and extended shoots.
That said, Olympus’ Eye-Fi compatibility could accelerate photo sharing on the road - a rare perk in this category - and extended zoom reaches could help squeeze that elusive architectural detail from afar.
Macro and Close-up: Focusing on the Tiny
Both cameras perform similarly with 1 cm macro focusing capability. Nikon’s manual focus option, however, lets you fine-tune critically sharp focus points better than Olympus’ fixed AF.
Both stabilize adequately enough for handheld macro, but Nikon’s steadier image stabilization helps a bit more at close distances.
Night and Astrophotography: Pushing Limits
Neither camera is designed for long exposures or astrophotography - lack of manual exposure control and high noise at elevated ISOs limits utility here.
Still, Nikon’s higher max ISO with better noise control offers more flexibility in ambient low-light.
Olympus’ max ISO 1600 is of limited use at night, often yielding grainy, washed-out images.
Video Review: Moving Images Matter Too
If you want sharper, smoother video, the Nikon’s full HD 1080p at 30fps is the clear winner, capturing finer detail and more stable footage thanks to its optical stabilization.
Olympus stuck with lower resolution 720p “HD” which looks softer and feels a bit dated today. Neither model supports advanced video features, so keep expectations modest.
The Verdict: Which Small Superzoom Fits You Best?
After cross-checking my field tests and technical analysis, both cameras offer benefits - but they clearly do so in different ways.
Choose Nikon Coolpix S8200 if you:
- Prefer higher image resolution and slightly better low-light performance
- Want faster autofocus and better continuous shooting for action
- Value brighter and higher-resolution rear screen for framing and review
- Need full HD 1080p video recording with optical stabilization
- Desire manual focus control for creative flexibility
- Prioritize ease of handling in smaller, ergonomically comfortable body
Choose Olympus SZ-10 if you:
- Demand longer zoom reach (18x vs 14x) for far subjects
- Value Eye-Fi wireless card compatibility for quick photo sharing
- Shoot mainly in good light, accepting lower max ISO and slower burst
- Appreciate a slightly brighter aperture lens at telephoto end
- Are willing to trade speed and resolution for zoom range
Scoring by Photography Type: Which One Excels Where?
- Portraits: Nikon - Superior face detection, color
- Landscapes: Nikon - Better dynamic range, resolution
- Wildlife: Nikon - Faster AF, burst despite shorter zoom
- Sports: Nikon - Good tracking, higher fps
- Street: Nikon - More compact, intuitive controls
- Macro: Slight Nikon edge for manual focus control
- Night/Astro: Nikon - Higher ISO with less noise
- Video: Nikon - 1080p HD vs 720p
- Travel: Mixed - Nikon for handling and battery; Olympus for zoom range and sharing
- Professional Use: Neither ideal, but Nikon edges ahead for workflow-friendly images
Sample Images: What Do They Look Like?
Viewing these side-by-side, you can see Nikon’s cleaner files and more natural colors stand out, with Olympus images appearing softer and noisier, especially in shadows or higher ISO conditions.
Final Thoughts: Investing in Practicality Over Hype
Both cameras’ limited advanced controls and small sensors mark them as entry-level superzoom compacts best suited to casual enthusiasts or travelers needing zoom flexibility in a pocket-size. Their age and tech limitations, such as no RAW and lack of wireless on Nikon, should temper expectations.
If your priority is reliable, versatile image quality coupled with better ergonomics and video capability, Nikon’s Coolpix S8200 remains the more well-rounded choice.
Yet, the Olympus SZ-10 offers interesting extras like Eye-Fi compatibility and exceptional zoom reach that may fit specific shooters’ needs - provided you can live with slower responsiveness and lower max ISO.
Choosing your next camera is rarely just about specs, but about which tool helps you create the images you envision. I encourage readers to handle both models in store if possible, weigh these findings against your shooting style, and remember that in capable hands, either camera can capture moments worth remembering.
- With hands-on experience and honest testing, I hope this guide clarifies your choice between these two compact zoom companions. Happy shooting!
Appendix: Technical Summary Table
| Feature | Nikon Coolpix S8200 | Olympus SZ-10 |
|---|---|---|
| Sensor | 1/2.3” 16MP BSI-CMOS | 1/2.3” 14MP CCD |
| Lens Focal Length | 25-350 mm (14x zoom) | 28-504 mm (18x zoom) |
| Max Aperture | f/3.3 - f/5.9 | f/3.1 - f/4.4 |
| ISO Range | 100 - 3200 | 80 - 1600 |
| Continuous Shooting | 6 fps | 1 fps |
| Video | 1920x1080p @ 30fps | 1280x720p @ 30fps |
| Image Stabilization | Optical | Sensor-shift |
| Focus Modes | Contrast detect, manual focus | Contrast detect |
| Wireless Connectivity | None | Eye-Fi compatible |
| Battery Life (shots) | 250 | 220 |
| Weight | 213 g | 215 g |
This thorough comparison should arm you with the actionable knowledge and practical insight to confidently pick between the Nikon Coolpix S8200 and Olympus SZ-10, maximizing your photographic potential in their shared compact superzoom category.
Nikon S8200 vs Olympus SZ-10 Specifications
| Nikon Coolpix S8200 | Olympus SZ-10 | |
|---|---|---|
| General Information | ||
| Manufacturer | Nikon | Olympus |
| Model | Nikon Coolpix S8200 | Olympus SZ-10 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2011-08-24 | 2011-02-08 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor | Expeed C2 | TruePic III+ |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 14 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4288 x 3216 |
| Maximum native ISO | 3200 | 1600 |
| Minimum native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 25-350mm (14.0x) | 28-504mm (18.0x) |
| Max aperture | f/3.3-5.9 | f/3.1-4.4 |
| Macro focus range | 1cm | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 3" |
| Resolution of screen | 961k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | TFT LCD with Anti-reflection coating | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 8 secs | 4 secs |
| Highest shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shooting speed | 6.0 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | 7.10 m |
| Flash settings | Auto, On, Off, Red-Eye, Fill, Slow Sync | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps), 1280 x 720p (30fps), 640 x 480 (30fps) | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video data format | MPEG-4, Motion JPEG | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 213 grams (0.47 pounds) | 215 grams (0.47 pounds) |
| Physical dimensions | 104 x 59 x 33mm (4.1" x 2.3" x 1.3") | 106 x 67 x 38mm (4.2" x 2.6" x 1.5") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 250 photos | 220 photos |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | EN-EL12 | LI-50B |
| Self timer | Yes | Yes (2 or 12 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Launch price | $329 | $300 |