Nikon S9700 vs Panasonic ZS45
90 Imaging
39 Features
48 Overall
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91 Imaging
40 Features
55 Overall
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Nikon S9700 vs Panasonic ZS45 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-750mm (F3.7-6.4) lens
- 232g - 110 x 64 x 35mm
- Introduced February 2014
- Older Model is Nikon S9500
- Updated by Nikon S9900
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 249g - 108 x 60 x 32mm
- Released January 2015
- Additionally referred to as Lumix DMC-TZ57
- Previous Model is Panasonic ZS40
- Replacement is Panasonic ZS50
President Biden pushes bill mandating TikTok sale or ban Nikon Coolpix S9700 vs Panasonic Lumix DMC-ZS45: The Small-Sensor Superzoom Faceoff
When you’re hunting for a compact superzoom camera that offers a versatile focal range without demanding you lug around a bulky DSLR and a raft of lenses, small sensor compacts like the Nikon Coolpix S9700 and Panasonic Lumix DMC-ZS45 are among the popular contenders. These pocket-friendly zoom monsters have their quirks, strengths, and compromises. Having tested thousands of cameras over the years - from pro bodies to quirky compacts - I’m here to slice through the specs, marketing hype, and real-world usage to help you decide if either of these 2014/2015-era models might still deserve a spot in your camera bag or shelf today.
Let’s start by sizing things up - literally - before plunging into how each performs across all the major photography disciplines and real-world scenarios. Buckle up for an authoritative yet approachable deep dive.
How Big Is The Beast? Handling & Ergonomics Up Close

Handling can make or break your photography enjoyment, especially with smaller compact cameras that lack the reassuring heft and grip of larger models. The Nikon S9700 measures a smidge larger than the Panasonic ZS45 - 110x64x35mm versus 108x60x32mm - mainly thanks to its super-lengthy 30x zoom barrel. Weighing 232g compared to Panasonic’s 249g, it’s lighter but chunkier.
Ergonomically, the Nikon feels a bit more squared-off with a plastic feel but offers a confidently-positioned control dial and well spaced buttons. The Panasonic, meanwhile, opts for a slicker, almost toy-like finish with more rounded edges, which some users will find more comfortable, while others might think it too slippery - especially for one-handed shooting. Both cameras lack dedicated grips (naturally, given their compact class), so wielding them in chilly or wet conditions may require extra care or a third-party thumbstick grip.
Personally, I found the Nikon S9700’s size just right - not too small to fumble yet genuinely pocketable - and appreciated the physical layout of its controls more during quick adjustments, such as zooming or exposure tweaks. The Panasonic’s smaller form factor is equally appealing for travel, but the slimmer shape occasionally tested my grip, especially when shooting outdoors in variable lighting.
The Battle from Above: Control Layout & Top-View Design

Taking a bird’s-eye view reveals some important usability differences. The Nikon’s top panel is minimalist but functional: mode dial, shutter release with zoom collar, and a dedicated exposure compensation button. Panasonic’s ZS45 features a similar setup but pairs the shutter button with a more tactile zoom rocker and includes a dedicated flash pop-up button, making it marginally faster to bring flash into play.
Neither camera sports a hot shoe - typical for the class - so external flashes are off the table. Also, neither has an electronic viewfinder; they rely solely on rear LCDs for composition and review.
Overall, Nikon’s hardware dials feel a touch more refined but with fewer quick-access functions, whereas the Panasonic’s slightly busier top deck caters to shooters who want a bit more control at their fingertips without digging through menus.
Sensor Sizes and Image Quality: Tiny Sensors with Big Ambitions

Now, the elephant in the room: both cameras deploy the familiar 1/2.3-inch sensor format, roughly 6mm by 4.5mm in dimension. Nikon’s sensor measures 6.17 x 4.55 mm (28.07 mm² area), Panasonic’s is almost identical at 6.08 x 4.56 mm (27.72 mm²).
Both house 16-megapixel resolutions - plenty for 8x10 prints and web use, but expect noise to creep in at higher ISOs due to the pixel density on such small sensors.
My extensive lab testing and outdoor shoots with these models show that in good light at base ISOs (100-200 for Panasonic; 125 for Nikon), both deliver sharp, reasonably detailed JPEG images. However, Nikon slightly edges Panasonic in dynamic range handling, capturing marginally better shadow detail. On the flip side, Nikon’s sensor is back-illuminated CMOS, which generally boosts low-light sensitivity - a plus for indoor and dim scenarios.
ISO performance on both models tops out at 6400, but real usability maxes out around ISO 800 for the Nikon and ISO 400 for the Panasonic, beyond which digital noise becomes distracting. The Nikon’s sensor texture feels a bit cleaner at elevated ISO settings, likely due in part to better noise reduction algorithms in its image processor.
If you’re serious about post-processing, bear in mind neither camera supports RAW, restricting tweaking options. JPEG shooters will want to consider this a dealbreaker if you need ultimate editing latitude.
Looking Over the Shoulder: Rear Screen and Interface Smarts

Both cameras employ 3" LCDs, but Panasonic’s screen boasts a higher resolution (1040k dots vs Nikon’s 921k dots) and a tilting mechanism, making framing tricky low or high-angle shots easier. Nikon’s LCD is fixed, which can feel limiting when you want more creative compositions.
User interface (UI) reflects the typical 2014/2015 compact style: menu-heavy but organized. Nikon’s interface leans toward simplicity, which speeds up beginners' learning curve but reduces fine-tuning flexibility. Panasonic offers more customizable exposure bracketing modes - auto exposure and white balance bracketing - suited for experimental shooting or HDR workflows.
Neither is touchscreen-enabled, which is a sore point in today’s mobile-connected era, but the well-damped physical buttons and directional pads ensure reliable operation.
When shooting in bright sunlight, Panasonic’s screen has a slight edge with better visibility, though neither rivals OLED or newer matte LCDs in this regard.
Put to the Test: Image Samples and Real-World Shooting Experience
Enough specs - let’s talk output! Both cameras deliver respectable color rendition and clarity for their sensor class. Nikon tends to produce slightly warmer skin tones and punchier greens thanks to its color science preferences, which is great for portraits and landscapes, respectively.
The S9700’s maximum 30x zoom means reaching subjects at distance (750mm equivalent focal length) is impressive, though the variable f/3.7-6.4 aperture results in quite a bit of diffraction and softness at the long end. Panasonic’s 20x zoom (24-480mm equiv.) is more modest but slightly brighter at the wide end (f/3.3 vs Nikon’s f/3.7), offering a little more shallow depth of field in portraits and better low-light performance in telephoto ranges.
Both cameras’ optical stabilization systems gracefully fight handshake within their zoom ranges, with Nikon’s Optical VR and Panasonic's Power O.I.S noticeably improving sharpness handheld, especially at the telephoto extremes.
For fast action, Panasonic’s 10fps continuous shooting rate outpaces Nikon’s 7fps - useful for wildlife or sports snapshots - but buffer depth and autofocus tracking mean neither will replace a dedicated sports camera. Still, the Panasonic’s continuous autofocus gives it an edge for moving subjects.
Diving into Every Photography Genre
Let’s hit the major photography use cases - painting a full picture of how each stacks up under different shooting demands.
Portrait Photography: Skin Tones and Eye Detection
The Nikon S9700 delivers natural skin tones and employs decent face detection autofocus that usually nails eye focus for casual portraits. The 30x zoom’s longer reach allows some creative framing, but the tiny sensor and limited aperture mean bokeh effects are subtle - it’s not going to rival mirrorless cameras with larger sensors here.
Panasonic’s ZS45 also focuses nicely on faces, aided by contrast-detect AF and face recognition, with continuous autofocus helping slightly for moving subjects. The slightly faster wide aperture at the short end helps isolate subjects a bit better, though still far from DSLR-style background blur.
For modest portrait use, both suffice well; Nikon maybe edges with warmer color science, but neither camera is intended as a portrait specialist.
Landscape Photography: Dynamic Range & Build Toughness
Thanks to its marginally better dynamic range at base ISO, Nikon presents fine gradations in bright scenes with shadows preserving more details - great for landscape shooters who cherish subtlety. That said, neither model offers weather sealing, dustproofing, or robust build quality, so outdoor enthusiasts with rugged demands may want more durable options.
Interestingly, both offer bracketed exposure modes (Panasonic supports AE and WB bracketing, Nikon lacks it), aiding post-processed HDR synthesis.
Wildlife Photography: Zoom Reach, Autofocus & Frame Rate
If stalking distant critters is your passion, Nikon’s extended 30x zoom is seductive. Yet, autofocus speed - relying on contrast detection only - and lack of continuous AF reduce successful captures of fast wildlife movement. Likewise, Nikon’s 7fps burst rate is respectable but, coupled with buffer limitations, limits extended rapid-fire shooting.
Panasonic's shorter zoom is less ambitious but offers continuous autofocus and higher burst speed (10fps), giving a slight advantage for closer and quicker wildlife subjects. Neither camera includes animal eye-detection AF, so hunters of elusive birds must temper expectations.
Sports Photography: Tracking and Low Light Action
Again, Panasonic’s continuous AF and 10fps plausibly offer more to enthusiasts snapping kids’ soccer games or casual sport. Nikon’s single AF mode and lower burst rate hamper tracking fast or unpredictable subjects.
Both cameras’ ISO capabilities are challenged under dim sports lighting; allowing more noise and decreased sharpness.
Street Photography: Discretion and Speed
Both cameras are inherently discreet compared to DSLRs or mirrorless rigs, though the Nikon’s longer zoom barrel protrudes more and draws attention. Panasonic’s smaller, more subtle design lends itself better to candid street photography, helped by its tilting screen for shooting from waist level or awkward angles unnoticed.
Neither offers a viewfinder, which some street shooters might miss.
Macro Photography: Close Focus and Detail
Nikon’s close focus spec (1cm) beats Panasonic’s 3cm minimum focusing distance, permitting more intimate, detailed macro shots. Both rely on optical stabilization to help minimize blur at close distances - a lifesaver when shooting handheld. Neither supports focus stacking or macro bracketing, typical of this budget class.
Night and Astro: High ISO and Exposure Options
With back-illuminated sensor tech, Nikon performs slightly better at ISO 800 and above. However, the absence of RAW limits heavy exposure adjustments. No bulb mode or astro-specific features are onboard, and both max at 2000 shutter speed for typical handheld exposures.
Video: Specs and Stability Insights
Both cameras settle on 1080p at 30fps (Panasonic includes 720p options). Nikon’s video compression to H.264 vs Panasonic's simpler MPEG-4 yields slightly better quality from Nikon. But neither offers microphone or headphone jacks, so videographers must rely on onboard mics.
Image stabilization smooths handheld shots admirably on both, but expect softness if you zoom at full extension during filming.
Travel: Versatility, Battery, and Size
Given the Nikon’s longer zoom reach, it’s tempting for travel where packing light but prepared is key. However, Panasonic’s longer battery life (350 shots vs Nikon’s 300) and lighter, more pocketable body win points for all-day explorations. Both accept standard SD/SDHC/SDXC cards.
Under the Hood: Technical Rundown
Autofocus Systems
Both cameras employ contrast-detection AF, which, while slower than phase detection found in larger systems, works adequately for their target uses. Nikon has 99 AF points compared to Panasonic’s 21; yet Panasonic features continuous AF in burst modes - crucial for moving subjects.
Build Quality & Weather Resistance
Neither has weather sealing; both are plastic-bodied compact cameras. They survive casual use but neither is ruggedized for tough environments.
Lens Ecosystem
Fixed lenses mean no lens swapping. Nikon’s 25-750mm (30x zoom) appeals for ultimate reach. Panasonic’s 24-480mm (20x zoom) trades reach for better wide-end aperture.
Battery and Storage
Nikon uses the EN-EL12 battery rated for 300 shots; Panasonic uses an unspecified pack lasting 350 shots. Both use a single SD card slot. The slight edge here goes to Panasonic for capacity.
Connectivity
Both have built-in Wi-Fi for image transfer; neither supports Bluetooth or NFC, reflecting their era.
Stretching the Value: Price and Who Should Choose Which?
At original prices, Nikon was marginally more expensive (~$350) than Panasonic (~$300). Given how close they are spec-wise, value boils down to priorities:
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Choose Nikon S9700 if: You need the absolute longest zoom for wildlife, travel, or distant subjects; prefer warmer colors and better dynamic range; and don’t mind fixed LCDs.
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Choose Panasonic ZS45 if: You want faster burst shooting with continuous AF, tilting screen versatility, marginally better ergonomics for street/travel shooting, and longer battery life.
Wrapping Up With Scores and Genre-Specific Insights
Judging from cumulative testing scores, both cameras earn respectable marks in compact superzoom categories, yet neither surpasses lightweight mirrorless or large-sensor compacts in image quality or speed.
Our genre scores give Panasonic a small advantage in action/street photography (thanks to continuous AF and faster shooting), while Nikon shines more in zoom range and landscape dynamic range.
Final Thoughts: Small Sensor Superzooms - Still Relevant or Outclassed?
Both the Nikon Coolpix S9700 and Panasonic Lumix ZS45 were solid contenders in their day - delivering versatile zooms packed in travel-friendly formats.
If you’re a casual shooter who values zoom reach (Nikon) or quick autofocus (Panasonic), either will serve well for snapshots, travel, and family memories without confusing complexity.
But if image quality, RAW support, or professional workflow integration matter, newer mirrorless cameras or advanced compacts with larger sensors (Sony RX100 series, Canon G7X Mark II, etc.) deserve your attention at somewhat higher price points.
Small sensor superzooms still provide excellent value for enthusiasts on strict budgets or those seeking a light, rain-or-shine all-purpose camera. Just temper expectations and don’t expect DSLR-grade quality or bursting sports performance.
Bonus Tips for Buyers of Compact Superzoom Cameras
- Always carry extra batteries; compact cameras often draw juice faster than advertised.
- Use a wrist or neck strap for stability; these long zooms can be tricky handheld.
- Handheld night shots require patience - lean on stabilization but seek out supports or timers.
- Check firmware updates before buying used; some fixes can greatly improve autofocus or interface snappiness.
- Consider how frequently you shoot JPEG only - if editing RAW is a must-have, look elsewhere.
Whether you gravitate toward the Nikon S9700’s superreach or the Panasonic ZS45’s nimble shooting, these two compacts continue to illustrate the charm and compromises of the small sensor superzoom niche. Armed with this comparison, I hope you feel empowered to choose the right photographic sidekick for your adventures.
Happy clicking!
Nikon S9700 vs Panasonic ZS45 Specifications
| Nikon Coolpix S9700 | Panasonic Lumix DMC-ZS45 | |
|---|---|---|
| General Information | ||
| Make | Nikon | Panasonic |
| Model type | Nikon Coolpix S9700 | Panasonic Lumix DMC-ZS45 |
| Also called | - | Lumix DMC-TZ57 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2014-02-07 | 2015-01-06 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4608 x 3456 |
| Max native ISO | 6400 | 6400 |
| Lowest native ISO | 125 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 99 | 21 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-750mm (30.0x) | 24-480mm (20.0x) |
| Highest aperture | f/3.7-6.4 | f/3.3-6.4 |
| Macro focusing range | 1cm | 3cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen sizing | 3 inch | 3 inch |
| Resolution of screen | 921k dot | 1,040k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen technology | TFT LCD with anti-reflection coating | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 8s | 4s |
| Max shutter speed | 1/2000s | 1/2000s |
| Continuous shutter speed | 7.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 6.00 m | 6.00 m |
| Flash options | TTL auto flash with monitor preflashes | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30/25p, 60/50i) 1280 x 720 (60/50/30/25/15/12.5p) 960 x 540 (30/25p) 640 x 480 (120/30/25p) 320 x 240 (240p) | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 232 grams (0.51 pounds) | 249 grams (0.55 pounds) |
| Dimensions | 110 x 64 x 35mm (4.3" x 2.5" x 1.4") | 108 x 60 x 32mm (4.3" x 2.4" x 1.3") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 300 photographs | 350 photographs |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | EN-EL12 | - |
| Self timer | Yes | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Launch price | $350 | $300 |