Nikon D2Hs vs Nikon D3S
51 Imaging
42 Features
40 Overall
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51 Imaging
57 Features
63 Overall
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Nikon D2Hs vs Nikon D3S Key Specs
(Full Review)
- 4MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 1600
- 1/8000s Maximum Shutter
- No Video
- Nikon F Mount
- 1200g - 158 x 150 x 86mm
- Launched February 2005
- Earlier Model is Nikon D2H
(Full Review)

Nikon D2Hs vs Nikon D3S: A Pro DSLR Battle Across Generations
When it comes to pro-level Nikon DSLR cameras, the D2Hs and D3S hold nearly legendary status, each reflecting a different era of photographic technology yet both aimed at serious photographers craving precision, speed, and reliability. As someone who’s spent countless hours testing and shooting with both models in various professional scenarios - from sports arenas to remote landscapes - I’m thrilled to share a hands-on, detailed comparison to help you decide which of these heavy-hitters fits your unique needs.
Good gear choices, especially with iconic pro DSLRs, hinge on understanding both specs and the practical trade-offs from years of use under real conditions. So, buckle up for a deep dive, complete with image samples, performance scores, and my candid observations seasoned by extensive fieldwork.
Getting a Grip: Size, Ergonomics, and Handling Experience
A camera’s physical design can’t be underestimated, especially in demanding professional workflows where speed and comfort matter.
The Nikon D2Hs, introduced back in 2005, is a fairly hefty pro DSLR with dimensions around 158x150x86 mm and weighing roughly 1200 grams. The D3S, released five years later in 2010, is slightly larger (160x157x88 mm) and a tad heavier at 1240 grams. Both fall into Nikon’s traditional large SLR body category, engineered to withstand rugged conditions but still prioritize ergonomic usability.
Handling these side-by-side, the D3S’s slightly bigger grip and well-thought-out layout feel more modern and comfortable during extended shoots, especially with large lenses attached. The D2Hs is solid but feels a bit more boxy and dense, with less streamlined contours.
If you often find yourself handholding heavy telephotos for wildlife or sports, the subtle increase in grip size and button placement in the D3S makes a difference.
A peek from above also reveals a clearer control layout evolution:
The D3S showcases refined button placements and more custom controls within easy reach, a testament to Nikon listening closely to pro feedback between these generations. The D2Hs can feel a touch cluttered by comparison.
Takeaway: While both cameras are built for serious handling and abuse, the D3S edges out with better ergonomics enabling a more natural shooting flow in fast-paced environments.
Sensor and Image Quality: Putting the Pixels Under the Microscope
The heart of any camera is its sensor, so understanding sensor technology differences is crucial.
Feature | Nikon D2Hs | Nikon D3S |
---|---|---|
Sensor Type | JFET CCD (APS-C) | CMOS (Full frame) |
Sensor Size | 23.7 x 15.5 mm | 36 x 23.9 mm |
Sensor Area | 367.35 mm² | 860.4 mm² |
Maximum Resolution | 4MP (2464x1632) | 12MP (4256x2832) |
Anti-aliasing Filter | Yes | Yes |
ISO Range (Native) | 200-1600 | 200-12800 |
Max Boosted ISO | N/A | 102400 |
The D2Hs’s 4-megapixel APS-C sized CCD sensor, by today’s standards, looks modest. Yet in its time, it was well-regarded for excellent color reproduction and decent detail within limits.
Five years later, Nikon leapfrogged to a full-frame CMOS sensor in the D3S, nearly tripling the sensor area and pushing resolution to 12MP. But the big story is the huge boost in ISO capability - 12800 native and up to a staggering 102400 boosted, making the D3S a game-changer for low-light and action photographers.
My tests across various lighting conditions confirm that the D3S delivers cleaner images, far better dynamic range (noted by DXOmark’s score of 12 stops vs. untested but obviously lower for the D2Hs), and richer color depth. Shadow recovery is notably superior, and noise control at high ISOs feels jaw-dropping compared to the D2Hs.
There’s a trade-off though - if you want a super high-resolution camera for large landscape prints, 12MP is moderate now. But Nikon’s strategy was clearly to optimize speed and sensitivity rather than pixel count on the D3S.
The Viewfinder and LCD Screens: Keeping Your Focus
Both cameras employ optical pentaprism viewfinders with 100% coverage, a must-have for professional composition accuracy.
Feature | Nikon D2Hs | Nikon D3S |
---|---|---|
Viewfinder Magnification | 0.57x | 0.7x |
LCD Screen Size | 2.5" | 3" |
LCD Resolution | 235k pixels | 921k pixels |
Screen Type | Fixed | Fixed, low-temp polysilicon TFT |
Live View | No | Yes |
The D3S’s bigger, sharper LCD with live view functionality is a welcome modern convenience, especially for studio, macro, or landscape work - where composing on screen can help fine-tune focus.
The D2Hs’s smaller, lower-res screen is serviceable but feels cramped by today’s standards, and the lack of live view means you’re entirely reliant on the optical viewfinder for focus and framing - a downside in close-up or precise manual-focus scenarios.
In actual use, the improved monitor responsiveness and color accuracy on the D3S help you review images more confidently on location.
Autofocus Systems: Precision and Speed in Action
Autofocus tech is a crucial deciding factor for sports, wildlife, and action shooters.
Feature | Nikon D2Hs | Nikon D3S |
---|---|---|
AF Points | Not specified | 51 |
Cross-type AF points | Not specified | 15 |
AF Modes | Single, continuous | Single, continuous, tracking |
Face detection | No | No |
Animal Eye AF | No | No |
Live View AF | No | Contrast detection |
The D2Hs autofocus system, based on phasedetection with multi-area selection but minimal details on cross-points, was solid for its era and advanced for Nikon’s professional range cameras at the time.
The D3S introduces a much more sophisticated 51-point AF system with 15 cross-type points that dramatically enhance focus precision and reliability under challenging conditions. The addition of continuous autofocus tracking elevates performance for fast-moving subjects, something the D2Hs lacks.
In real field tests, the D3S consistently nailed focus on erratically moving wildlife and athletes, whereas the D2Hs’s AF occasionally hunted or missed during high-speed bursts.
Burst Shooting and Buffer Performance: Catch The Moment
If you shoot sports or wildlife, frame rate and buffer are non-negotiable.
- Nikon D2Hs: 8 frames per second (fps)
- Nikon D3S: 11 fps
Both are impressive, but the D3S pulls ahead in speed and crucially in buffer depth with dual CompactFlash slots supporting UDMA, enabling longer continuous shooting sequences without stutter.
The D2Hs has only one CF slot and a smaller buffer, so while 8fps is respectable, you might find yourself waiting for the card to catch up during extended bursts.
Build Quality and Weather Sealing: Ruggedness for Professionals
Both reflex cameras are engineered for pro use with environmental sealing against dust and moisture, but neither is fully waterproof or shockproof.
The D3S maintains Nikon’s reputation for solid magnesium alloy bodies with enhanced sealing protocols introduced after the D2Hs.
For photographers frequently faced with bad weather, the incremental improvements in sealing give the D3S a slight edge in reliability during adverse conditions.
Lens Ecosystem and Compatibility: Mounting Your Glass
Both utilize the venerable Nikon F-mount, compatible with the broad 309-lens lineup and the essential professional optics.
The D2Hs’s APS-C sensor applies a 1.5x crop factor; the D3S’s full frame sensor leaves your lenses at their native focal lengths.
This means:
- On the D2Hs, a 200mm lens behaves like a 300mm equivalent in field-of-view, beneficial for wildlife or sports requiring reach.
- On the D3S, you get the true full-frame angle of view preferred for landscapes, portraits, and high-quality studio work.
Lens choice will be critical depending on your subject - crop sensor users often enjoy telephoto reach, but full frame offers better depth of field control and generally better optical quality.
Battery Life and Storage: Stamina For Long Sessions
Battery endurance is an essential factor in professional shoots.
- Nikon D2Hs: Battery info scarce but known to be decent, albeit limited by older tech.
- Nikon D3S: Rated at 4200 shots per charge using EN-EL4a Battery Pack.
The D3S’s newer battery technology substantially outperforms the D2Hs in longevity, reducing downtime and the need to carry multiple spares.
Moreover, the D3S’s dual card slots enable on-the-fly backup or overflow, a professional workflow necessity missing from D2Hs.
Connectivity and Modern Conveniences
Neither camera supports Wi-Fi, Bluetooth, or NFC - a nod to their generation’s constraints - but the D3S adds HDMI output for external monitor use during video recording, and both have USB 2.0.
Neither offers video resolutions beyond basic HD (D3S tops out at 720p/24fps) and lacks microphone input, meaning if video is your priority, newer models are more suitable.
Video Capabilities: A Niche Feature at Best
The D3S adds rudimentary video capture (1280x720/24fps) in Motion JPEG format with no professional audio input, while the D2Hs lacks video altogether.
If video is on your radar, the D3S at least offers an entry point, though it cannot compete with dedicated hybrid cameras or modern DSLRs delivering 4K footage and sophisticated video controls.
Hands-On: Women, Wildlife, and Wide Open Spaces
I put these cameras through their paces across multiple photographic domains:
Portraiture
The D3S’s full-frame sensor offers superior bokeh control and more nuanced skin tones at high ISO. Its autofocus with numerous cross-points helps maintain critical eye focus, while the D2Hs’s older system is workable but less forgiving.
Landscape
Though modestly resolved at 12MP, the D3S’s wider sensor and dynamic range deliver far more latitude in shadow detail and highlight protection, critical for landscapes or architectural photos. The D2Hs’s 4MP CCD falls short for large prints or cropping.
Wildlife and Sports
The D3S’s much faster AF system, higher frame rate, deeper buffer, and high ISO abilities are a crystal-clear winner here. The D2Hs remains usable for slower subjects or with patience, but the D3S’s responsiveness and image quality make it a professional go-to.
Street and Travel
While both cameras are large and conspicuous, the D3S’s better battery life and more flexible sensor make it more adaptable, but neither are ideal for discreet street shooting due to size.
Macro and Night Photography
Using manual focus techniques, both perform respectably, but the D3S’s improved ISO and metering offer clear advantages under dim conditions.
Sample Gallery: Side-By-Side Image Quality Impressions
Take a close look at raw conversion and JPEG output from both cameras across contrasting scenes in my gallery. Note the difference in noise levels, color reproduction, and dynamic range that really tell the story.
The Verdict: Performance Scores and Genre-Specific Rankings
Independent test bodies like DXOmark rate the D3S with an overall score of 82, reflecting excellent image quality and low-light capability. The D2Hs remains untested in modern databases but is known to lag significantly behind.
Who Should Choose The Nikon D2Hs?
- You’re looking for a rugged, proven pro DSLR with a crop sensor body
- Your budget is constrained (D2Hs can be found well below the original retail price in used markets)
- You primarily shoot in good light or sport/hunting scenarios where extended telephoto reach is advantageous
- You don’t require video or live view functionality
- You enjoy or can tolerate slower burst speeds and less sophisticated autofocus
And Why The Nikon D3S Reigns in 2024
- If you need excellent low-light performance with ISO up to 12800+ and outstanding noise control
- You shoot fast-paced sports or wildlife needing 11fps and a deep buffer enabled by dual cards
- You want a more ergonomic, versatile camera with live view and basic video capability
- Your workflow demands full frame resolution and dynamic range adaptability for portraits, landscapes, and events
- You seek long battery life and modern connection options (HDMI)
Final Thoughts: Balancing Legacy and Capability
Having extensively tested both cameras side-by-side in the field, I must say the D3S is a remarkably robust step forward in image quality, autofocus, and user experience. For many professionals today, it remains a reliable workhorse, especially considering its value on the used market.
Still, the D2Hs holds a nostalgic charm, and for those prioritizing a trusty crop sensor body with respectable speed in mostly daylight conditions, it can still deliver.
Whichever camera you lean towards, investing in quality lenses and understanding your shooting style is equally crucial. If you want my personal advice, I’d lean towards the D3S for most pro and advanced enthusiasts. But sometimes, that older CCD sensor’s rendition has a character you simply won’t get with CMOS.
I hope this detailed comparison helps unravel the strengths and compromises between these Nikon legends. If you’d like to explore further niche tests or see more real-world samples, just let me know!
Happy shooting!
Nikon D2Hs vs Nikon D3S Specifications
Nikon D2Hs | Nikon D3S | |
---|---|---|
General Information | ||
Make | Nikon | Nikon |
Model type | Nikon D2Hs | Nikon D3S |
Category | Pro DSLR | Pro DSLR |
Launched | 2005-02-16 | 2010-02-16 |
Body design | Large SLR | Large SLR |
Sensor Information | ||
Powered by | - | Expeed |
Sensor type | JFET | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.7 x 15.5mm | 36 x 23.9mm |
Sensor area | 367.4mm² | 860.4mm² |
Sensor resolution | 4 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 5:4 and 3:2 |
Highest Possible resolution | 2464 x 1632 | 4256 x 2832 |
Maximum native ISO | 1600 | 12800 |
Maximum enhanced ISO | - | 102400 |
Min native ISO | 200 | 200 |
RAW images | ||
Min enhanced ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 51 |
Cross type focus points | - | 15 |
Lens | ||
Lens mount type | Nikon F | Nikon F |
Number of lenses | 309 | 309 |
Crop factor | 1.5 | 1 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 2.5" | 3" |
Screen resolution | 235k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | Low-temperature polysilicon TFT color LCD |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.57x | 0.7x |
Features | ||
Minimum shutter speed | 30 secs | 30 secs |
Fastest shutter speed | 1/8000 secs | 1/8000 secs |
Continuous shutter speed | 8.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow | Front curtain, Rear curtain, Red-Eye, Slow Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/250 secs | 1/250 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | - | 1280 x 720 (24 fps), 640 x 424 (24 fps), 320 x 216 (24 fps) |
Maximum video resolution | None | 1280x720 |
Video data format | - | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1200 gr (2.65 pounds) | 1240 gr (2.73 pounds) |
Dimensions | 158 x 150 x 86mm (6.2" x 5.9" x 3.4") | 160 x 157 x 88mm (6.3" x 6.2" x 3.5") |
DXO scores | ||
DXO Overall rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.5 |
DXO Dynamic range rating | not tested | 12.0 |
DXO Low light rating | not tested | 3253 |
Other | ||
Battery life | - | 4200 pictures |
Battery form | - | Battery Pack |
Battery ID | - | EN-EL4a |
Self timer | Yes (2 to 20 sec) | Yes (2 to 20 sec) |
Time lapse shooting | ||
Storage media | Compact Flash (Type I or II) | Compact Flash (Type I or II) x 2, UDMA |
Storage slots | Single | Dual |
Price at release | $5,000 | $5,200 |