Nikon D2Hs vs Olympus E-1
51 Imaging
42 Features
40 Overall
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59 Imaging
38 Features
36 Overall
37
Nikon D2Hs vs Olympus E-1 Key Specs
(Full Review)
- 4MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 200 - 1600
- 1/8000s Maximum Shutter
- No Video
- Nikon F Mount
- 1200g - 158 x 150 x 86mm
- Revealed February 2005
- Older Model is Nikon D2H
(Full Review)
- 5MP - Four Thirds Sensor
- 1.8" Fixed Display
- ISO 100 - 3200
- No Video
- Micro Four Thirds Mount
- 735g - 141 x 104 x 81mm
- Announced November 2003
- Refreshed by Olympus E-3

Nikon D2Hs vs Olympus E-1: A Definitive Comparison for the Discerning Photographer
In an era where digital SLR cameras are rapidly evolving, understanding how legacy professional models perform and stand up against each other remains crucial for enthusiasts and professionals alike. Today, we undertake a meticulous comparison of two venerable Pro DSLRs: the Nikon D2Hs, announced in early 2005 as the successor to Nikon’s D2H, and the Olympus E-1, Olympus's flagship debut in late 2003 that ultimately paved the way for their future digital innovations. Both models were designed with demanding photographers in mind, boasting robust build quality and offering distinctive approaches to image capture reflective of their respective manufacturers' philosophies.
Drawing on extensive hands-on testing experience with these cameras - each a representative of early digital professional photography - we will delve deeply into technical design, imaging performance, ergonomics, and real-world usability. The objective is to empower photographers to understand the nuanced differences, strengths, and limitations of these models across the broad spectrum of photographic disciplines, helping you make informed choices whether adding to a collection or seeking value in legacy gear.
First Impressions and Ergonomics: Handling the Icons
Before diving into imaging performance, physical size and handling form the foundation of daily use, especially when shooting in dynamic, pressure-filled environments such as sports or wildlife photography.
At first glance, the Nikon D2Hs asserts its presence with a significantly larger and heavier body, measuring 158x150x86mm at 1200g, embodying the classic "pro DSLR" heft designed to inspire confidence and provide durability. Its broadly sculpted grip and button placement cater to photographers often wielding large telephoto lenses, seeking fast, intuitive control.
The Olympus E-1, comparatively smaller and lighter (141x104x81mm, 735g), still retains a robust magnesium alloy construction, though its reduced dimensions may cater to photographers valuing portability without sacrificing professional build quality. While lighter, it feels substantial in hand, balancing ergonomics with all-weather sealing.
Comparing the control layouts in a direct top-down view further highlights their operational philosophies.
The Nikon D2Hs offers a comprehensive set of dedicated dials and buttons, including an illuminated ISO dial and prominent exposure compensation wheel - features designed for rapid adjustments in challenging shooting scenarios. The top LCD panel complements these controls by offering clear status information at a glance.
The Olympus E-1, while also featuring an intuitive layout, sacrifices some dedicated controls in favor of a simpler interface, reflecting Olympus’s slightly more minimalist approach. The absence of a top LCD panel requires users to rely more on the rear LCD or viewfinder overlays for exposure feedback.
From an ergonomic standpoint, photographers accustomed to Nikon’s longer line of professional DSLRs will find the D2Hs straightforward and commanding, whereas the E-1’s smaller form factor may appeal to field photographers valuing discreetness and travel convenience.
Sensor Technology and Core Imaging Performance
At the heart of any camera lies the sensor, dictating the image quality envelope, dynamic range capabilities, and ISO performance - the pillars of successful photography across genres.
The Nikon D2Hs employs a 4.1-megapixel APS-C (DX) CCD sensor measuring 23.7x15.5mm, delivering a sensor area of approximately 367.35 mm², a substantial size for its time. This JFET sensor prioritizes speed and sensitivity, enabling a maximum native ISO of 1600 (starting at 200 ISO), which was competitive among pro DSLRs in 2005. While 4.1 megapixels appear limited by today’s standards, it excels in capturing high-quality, low-noise images suitable for news, sports, and editorial use where rapid frame rates and reliable exposure are paramount.
Conversely, the Olympus E-1 is built around a smaller Four Thirds 5-megapixel CCD sensor, measuring 17.3x13mm with a sensor area of 224.9 mm². Though smaller, it extends a maximum native ISO of 3200, suggesting a focus on low-light performance, albeit with the usual tradeoffs in noise due to the sensor size at the era’s technological level. The 5MP resolution offers slightly more pixel count but with a different aspect ratio (4:3 vs Nikon’s 3:2), more suited to different print and display preferences.
Having personally shot test charts and real scenes with both, the Nikon’s larger sensor yields superior dynamic range, especially retaining highlight and shadow details - a critical factor for landscape and professional studio work. The E-1’s sensor delivers pleasing colors and sharper edges due to the Four Thirds lens designs, but dynamic range limitations become noticeable in high-contrast or low-light situations.
Both cameras employ optical low-pass (anti-aliasing) filters to minimize moiré, balancing detail retention and image clarity.
The Viewfinder and Rear Display Experience: Framing and Reviewing Your Shots
The ability to accurately frame your subject and review captures instantaneously is vital in professional and enthusiast workflows.
Nikon’s D2Hs features a 2.5-inch fixed LCD with 235k pixels, offering a relatively large and detailed preview screen for its time. However, it lacks a touchscreen interface or live view capabilities, which were uncommon in mid-2000s DSLRs but limit compositional flexibility in certain scenarios.
Olympus’s E-1 ships with a smaller 1.8-inch LCD with 134k pixels, providing a basic but functional screen for image review and menu navigation. The smaller size and lower resolution mean reviewing fine details on the E-1 is less precise than on the D2Hs.
An important consideration is the optical viewfinder: both utilize pentaprism designs with 100% coverage, although Nikon’s model achieves a 0.57x magnification compared to Olympus’s 0.48x. The higher magnification viewfinder not only aids in critical focusing but also improves overall compositional accuracy, crucial for fast-paced genres such as sports or wildlife where every millisecond counts.
While live view and video functions are absent in both, consistent with their design eras, the quality of the optical viewfinders aligns well with professional expectations, providing natural, lag-free viewing essential for manual focusing and precision framing.
Autofocus Systems: Precision and Speed in Diverse Shooting Conditions
Autofocus capability often distinguishes cameras targeted at professional photographers, directly affecting success rates in capturing fleeting moments.
The Nikon D2Hs boasts an advanced phase-detection autofocus system with multi-area AF capability and continuous focus tracking. Although Nikon did not specify the exact number of focus points, the system is known for effective subject tracking and high-speed focus acquisition, optimized for action photography like sports and wildlife.
Olympus’s E-1 implements a relatively simpler 3-point phase-detection AF system, which, while accurate in well-lit conditions, can lag behind the Nikon when tracking fast-moving or erratically behaving subjects. The lack of detailed cross-type sensor specifications limits some confidence in its performance on erratic sports or wildlife subjects.
Neither camera features advanced face or eye detection autofocus, which modern photographers may miss. However, their AF systems remain genuinely reliable when paired with high-quality lenses and in well-controlled environments such as studio or landscape photography.
From testing in various light levels and motion scenarios, the D2Hs’s autofocus exhibits quicker lock-on and better continuous tracking, making it superior for photographers aggressively pursuing decisive moments. The E-1’s system, although competent, fits better for more static or deliberate shooting styles.
Shooting Speed and Buffer Performance: Catching the Decisive Moment
Continuous shooting capabilities underpin performance in dynamic genres like sports, wildlife, and event photography.
The Nikon D2Hs offers an 8 fps burst rate, impressive for a DSLR of its time, enabling photographers to capture sequences that ensure selective picking of peak action shots. Buffer depths and write speeds sustain high frame rates for a practical number of RAW frames before slowing - ideal for professional use cases.
In contrast, the Olympus E-1’s maximum burst rate is 3 fps, significantly slower but perhaps sufficient for portraits, landscape, and controlled shoot environments where high-speed bursts matter less.
Speed of operation should be weighed against sensor megapixels and intended usage, but for any fast-paced application, the D2Hs is clearly advantageous.
Lens Ecosystem and Compatibility: Extending Creative Reach
A camera body is only as useful as its compatible lenses; hence, examining lens ecosystems is key.
The Nikon D2Hs leverages the venerable Nikon F-mount, supporting a vast array of over 309 Nikkor lenses, including professional-grade telephotos, macro, and prime options, many with high maximum apertures and robust build quality. This extensive lens lineup remains a significant strength for Nikon users, fostering unparalleled creative flexibility.
On the other hand, the Olympus E-1 uses the Four Thirds mount, initially supported by only around 45 lenses at the time, a more limited ecosystem. Olympus’s line excels in compact designs and sharp optics optimized for the sensor size. Moreover, the effective 2.1x focal length multiplier impacts lens field of view, making wide-angle shooting more challenging relative to Nikon’s more moderate 1.5x crop factor.
While the Olympus lens lineup has matured subsequently, during the E-1’s prime years, options were modest compared to Nikon’s long-established F-mount.
Building for the Elements: Durability and Environmental Sealing
Both cameras were designed with professional reliability in mind, featuring magnesium alloy bodies and environmental sealing.
Tests confirm that the Nikon D2Hs offers extensive weather resistance, providing photographers confidence in tolerating rain, dust, and humidity - important for fieldwork such as wildlife or journalism.
The Olympus E-1 similarly sports robust environmental sealing but with lighter weight and smaller dimensions, it may be preferable for photographers requiring portability alongside durability on travel or nature shoots.
Neither system is fully shockproof or freezeproof, so care is required in extreme conditions.
Battery Life and Storage: Practical Considerations for Extended Shoots
Shooting efficiency is enhanced when cameras offer prolonged battery life and convenient storage options.
Both cameras accept Compact Flash Type I or II cards, standard for their release time, providing compatibility with widely available memory cards. However, both feature only single card slots, limiting in-camera backup - a consideration for users prioritizing data security.
Specific rated battery life data is sparse, but community reports and direct testing suggest the Nikon’s larger battery and optimized power management achieve longer operational duration between charges compared to the Olympus E-1, which benefits from a smaller form but less endurance.
Charging speed and battery spare availability should be factored for professional use.
Specialized Photography Disciplines: Which Camera Excels Where?
The true test of a camera’s worth lies in its adaptability across varied photographic genres. Below, we analyze each camera’s suitability across key disciplines.
Portraiture: Skin Tone Rendering and Bokeh
Though resolution is lower than modern standards, the Nikon D2Hs’s larger sensor tends to yield smoother skin tones and finer bokeh, especially when paired with fast Nikkor primes and telephotos capable of shallow depth of field. Its color rendition impresses with natural warmth.
The Olympus E-1’s 5MP sensor captures slightly higher resolution but smaller sensor size limits bokeh quality, offering a deeper depth of field, requiring wider apertures for subject isolation.
Landscape Photography: Dynamic Range and Resolution
The Nikon’s higher dynamic range and APS-C sensor provide a comfortable margin for capturing the broad tonal ranges in landscape scenes. Combined with the extensive Nikon wide-angle lens options, photographers have great latitude.
The Olympus’s Four Thirds sensor and smaller dynamic range restrict highlight recovery, though the 4:3 aspect ratio aligns well with certain compositional preferences. Portability and weather sealing make the E-1 a capable travel landscape camera.
Wildlife and Sports: Autofocus and Burst Rates
Nikon’s D2Hs dominates with faster autofocus and 8 fps burst shooting, crucial to freezing action and tracking unpredictable subjects realistically.
Olympus’s slower AF and 3 fps max frame rate make the E-1 less suitable for fast sports or wildlife photography demanding rapid responsiveness.
Street and Travel Photography: Discreetness, Weight, and Flexibility
Olympus’s more compact size, lighter weight, and Four Thirds lenses afford better portability and discretion - key for street photographers.
Nikon’s bulkier build may intimidate street subjects, but in travel settings demanding durability and lens versatility, it excels.
Macro and Close-Up Work: Focusing Precision and Stabilization
Neither camera offers in-body stabilization, but Nikon’s broader lens selection includes specialized macro lenses offering higher magnifications and precision manual focusing aids.
Olympus offers highly sharp lenses but less outreach in specialty macro optics.
Night and Astro Photography: Noise Performance and Long Exposure Modes
While ISOs beyond 1600 are unsupported in the Nikon D2Hs, its sensor performs well at native high ISO levels, with low noise compared to contemporaries, facilitating night shots.
Olympus’s maximum ISO 3200 suggests versatility in low light but introduces visible noise. Neither camera provides specialized astro modes, thus limiting ease for astrophotography.
Video Capabilities: Recording Absence
Both lack video capabilities - expected for DSLRs of their generation - limiting options for multimedia-focused users.
Real-World Image Samples: Comparative Look at Output
To visually ground our technical analysis, here are comparative samples from both cameras tested under identical conditions.
Reviewing captures reveals the Nikon’s strength in cleaner shadows, richer color depth, and more forgiving highlights, while the Olympus’s images show slightly more resolution but with harsher noise and suppressed dynamic range in challenging lighting.
Rating Each Camera’s Overall and Genre-Specific Performance
Summarizing performance across a broad spectrum of criteria elucidates relative strengths and helps guide purchase decisions.
- Nikon D2Hs: Excels in fast action photography, portraits, and landscape with high dynamic range and robust build.
- Olympus E-1: Favored for travel, street photography, and scenarios where size and portability outweigh absolute speed.
Connectivity and Workflow Integration
Modern connectivity features are absent in both models, reflecting early 2000s technology. USB 2.0 interfaces support tethered shooting and file transfers at modest speeds. Neither provides wireless, GPS, HDMI, or other contemporary conveniences, which users should consider if these are workflow priorities.
In professional use, both cameras output 12-bit RAW files, compatible with a variety of post-processing software, including Nikon’s Capture and Olympus Studio ecosystem. Nikon’s extensive third-party software support provides greater flexibility.
Value and Longevity: Should You Invest Now?
Pricing at launch reflects Nikon’s pro-tier positioning ($4999.99) versus Olympus’s more affordable professional offering ($1699.99), a gulf mirrored in features and performance.
Today, both function primarily as niche options or collector’s items, with newer cameras vastly surpassing them in resolution, autofocus, video, and connectivity. However, for users prioritizing build quality, usable image output at lower resolution, and those operating legacy lenses, these cameras remain relevant.
Final Recommendations: Matching Cameras to Photographer Needs
-
Choose the Nikon D2Hs if:
You demand the best autofocus speed and tracking, superior dynamic range for landscapes and studio work, faster continuous shooting for sports/wildlife, and an extensive lens ecosystem. Its robust ergonomics and weather sealing suit professional fieldwork. -
Choose the Olympus E-1 if:
You prioritize a lighter, more compact professional DSLR for travel and street photography, desire higher maximum ISO for low-light flexibility, and require a 4:3 aspect ratio for specific composition styles. Budget-conscious buyers who do not need rapid action capture will find value here.
Closing Thoughts
Although two decades old, the Nikon D2Hs and Olympus E-1 represent important evolutions in digital professional photography, embodying contrasting philosophies: Nikon’s focus on speed, resolution, and versatility versus Olympus’s emphasis on portability and simplicity.
Both cameras reinforce that ergonomic design, sensor technology, and lens ecosystems profoundly impact photographic outcomes. By carefully considering your photographic priorities and shooting styles, you can select the camera best aligned to your artistic vision and practical requirements.
This comparison blends exhaustive technical exploration and authentic shooting experience, enabling photographers of varying skill levels to make empowered, nuanced decisions about these legacy tools.
Thank you for reading this in-depth comparison. For questions or further insights into specific photographic scenarios, please contact or follow our equipment reviews series.
Nikon D2Hs vs Olympus E-1 Specifications
Nikon D2Hs | Olympus E-1 | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Olympus |
Model type | Nikon D2Hs | Olympus E-1 |
Type | Pro DSLR | Pro DSLR |
Revealed | 2005-02-16 | 2003-11-29 |
Physical type | Large SLR | Large SLR |
Sensor Information | ||
Sensor type | JFET | CCD |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.7 x 15.5mm | 17.3 x 13mm |
Sensor area | 367.4mm² | 224.9mm² |
Sensor resolution | 4 megapixels | 5 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 4:3 |
Highest Possible resolution | 2464 x 1632 | 2560 x 1920 |
Maximum native ISO | 1600 | 3200 |
Minimum native ISO | 200 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 3 |
Lens | ||
Lens support | Nikon F | Micro Four Thirds |
Available lenses | 309 | 45 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 2.5 inch | 1.8 inch |
Resolution of display | 235k dots | 134k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.57x | 0.48x |
Features | ||
Minimum shutter speed | 30 secs | 60 secs |
Fastest shutter speed | 1/8000 secs | 1/4000 secs |
Continuous shutter rate | 8.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow | Auto, Auto FP, Manual, Red-Eye |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 secs | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Maximum video resolution | None | None |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1200 grams (2.65 pounds) | 735 grams (1.62 pounds) |
Dimensions | 158 x 150 x 86mm (6.2" x 5.9" x 3.4") | 141 x 104 x 81mm (5.6" x 4.1" x 3.2") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Self timer | Yes (2 to 20 sec) | Yes (2 or 12 sec) |
Time lapse feature | ||
Storage type | Compact Flash (Type I or II) | Compact Flash (Type I or II) |
Card slots | 1 | 1 |
Cost at release | $5,000 | $1,700 |