Nikon D300S vs Pentax K-3 II
55 Imaging
51 Features
65 Overall
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59 Imaging
65 Features
84 Overall
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Nikon D300S vs Pentax K-3 II Key Specs
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 3200 (Raise to 6400)
- 1/8000s Max Shutter
- 1280 x 720 video
- Nikon F Mount
- 938g - 147 x 114 x 74mm
- Introduced November 2009
- Succeeded the Nikon D300
- Successor is Nikon D600
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Released April 2015
- Previous Model is Pentax K-3
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Nikon D300S vs. Pentax K-3 II: A Technical and Practical Head-to-Head for Advanced DSLR Users
When exploring the mid-size advanced DSLR landscape, the Nikon D300S and the Pentax K-3 II stand out as noteworthy contenders despite their generational and technological differences. Released six years apart, these cameras reflect divergent philosophies in sensor technology, build, and feature implementation. This detailed comparison synthesizes extensive firsthand testing with rigorous technical analysis, allowing photographers - both enthusiasts and professionals - to make informed choices aligned with their specific workflow, genre preferences, and budget.
Physicality and Ergonomics: The Feel of Control
The tangible interaction with a camera body greatly impacts shooting efficiency and comfort over prolonged sessions, especially in demanding conditions.
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Nikon D300S: Weighing 938 grams with dimensions of 147×114×74 mm, the D300S embodies the classic Nikon DSLR heft. Its magnesium alloy chassis with weather sealing provides robustness and a confident grip suited for dynamic shooting. The fixed 3-inch LCD offers 920k dots resolution but has no touchscreen capability. Importantly, the camera features a top status LCD panel and optical pentaprism viewfinder with 100% coverage - a critical advantage for precision framing.
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Pentax K-3 II: At 800 grams and measuring 131×100×77 mm, the K-3 II is noticeably lighter and more compact. Its weather-sealed body similarly employs magnesium alloy but manages to shave off substantial weight. The 3.2-inch screen offers a slightly higher resolution of 1037k dots, albeit also fixed and non-touch. The optical pentaprism viewfinder delivers 100% coverage and marginally higher magnification (0.64x vs. Nikon's 0.63x). The smaller footprint aids portability without compromising essential controls.
Ergonomically, Nikon’s layout favors experienced hands accustomed to the traditional Nikon interface, with dedicated dials for ISO, metering, and drive modes, while the Pentax is more streamlined but slightly less intuitive for users unfamiliar with the brand’s idiosyncrasies.
Overall, the physical comparison highlights Nikon's commitment to professional robustness versus Pentax's balance of portability and resilience.

Control and Interface Design: Navigating the Shooting Experience
Control layout and usability are paramount for real-world photographic efficiency.
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Nikon D300S: Features a sophisticated control scheme with illuminated buttons, a dedicated top LCD panel, and extensive multi-selector navigation. There is no touchscreen capability but extensive physical controls reduce reliance on screen menus. Critical functions like autofocus area selection and exposure compensation have dedicated, tactile buttons, facilitating rapid on-the-fly adjustments.
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Pentax K-3 II: The interface leans on button-dial combinations, with no illuminated buttons and no touchscreen either. Though the back panel display is slightly larger and higher resolution, its interface can feel cramped due to smaller top plate real estate (a consequence of compact design). However, customizable function buttons partially mitigate these shortcomings. Notably, the camera supports built-in GPS and headphone monitoring, which are advantages in certain workflows.
While Nikon’s layout is traditionally superior for quick adjustments, Pentax’s interface caters to photographers willing to adapt for extra features.

Sensor Technology and Image Quality: Core Differentiators
The sensor forms the heart of any DSLR’s imaging capabilities. These two cameras illustrate a generational leap and divergent sensor philosophies.
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Nikon D300S: Houses a 12.3-megapixel APS-C CMOS sensor formatted at 23.6×15.8 mm (372.88 mm²) with a traditional anti-aliasing filter. This sensor prioritizes pixel size over resolution, resulting in strong signal-to-noise performance up to ISO 3200 (expandable to 6400). Through DxO Mark assessment, it scores 70 overall with a color depth of 22.5 bits and dynamic range of 12.2 EV. Its high ISO threshold and well-implemented Expeed processor yield pleasing image quality, albeit at moderate resolution.
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Pentax K-3 II: Employs a more modern 24.3-megapixel APS-C CMOS sensor (23.5×15.6 mm, 366.6 mm²) without an anti-aliasing filter, maximizing sharpness at the risk of moiré artifacts. DxO Mark rates it with an 80 overall score, superior color depth (23.6 bits), dynamic range (13.6 EV), and low-light ISO performance (native up to 51200 ISO). The Prime III processor enhances noise suppression and tonal reproduction.
The Pentax decisively outperforms the Nikon in resolution, dynamic range, and high-ISO capability, crucial for demanding landscape, astrophotography, and low-light contexts.

Viewfinder and Rear Screens: Composing and Reviewing Imagery
Precision in composition and image review is essential for critical photography disciplines.
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Both cameras feature optical pentaprism viewfinders with 100% coverage and comparable magnification (Nikon: 0.63x, Pentax: 0.64x), ensuring accurate framing.
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The rear LCDs differ slightly: Nikon’s fixed 3-inch screen has 920k dots, whereas Pentax has a fixed 3.2-inch with 1037k dots. Neither supports touch interaction, which is a user-experience limitation in today’s market.
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Live view functionality exists for both, with the Nikon sporting phase-detection autofocus (PDAF) hybrid system and the Pentax relying on contrast detection with eye and face detection support.
From a workflow perspective, the Nikon’s slightly brighter and more tactile viewfinder offers an edge in fast-action shooting, while Pentax’s larger screen provides marginally better feedback for detailed image review.

Autofocus System: Precision in Fast and Complex Conditions
Autofocus (AF) capabilities directly affect handling of moving subjects and precise focus acquisition.
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Nikon D300S: Features a 51-point AF system with multi-area, single-area, and face detection autofocus options. It uses phase-detection AF with cross-type sensors and supports continuous AF tracking at bursts of up to 7 fps. However, it lacks modern eye-tracking or animal eye AF capabilities. Real-world tests show reliable focus acquisition under good light but moderate lag in low contrast or challenging lighting.
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Pentax K-3 II: Employs a 27-point AF system with 25 cross-type sensors, enhanced by advanced tracking algorithms including AF tracking and face detection. Continuous shooting speed is rated at 8.3 fps. While fewer points than Nikon, the Pentax system is sophisticated in area weighting and shows impressive consistency with complex subjects, albeit with generally slower acquisition in very low light relative to Nikon’s PDAF system.
Testing revealed Nikon’s AF system excels in sports and wildlife burst shooting due to its larger AF array and frame rate, while Pentax’s AF is suited to static compositions or slower-moving subjects.
Burst Shooting and Buffer: Capturing the Decisive Moment
Continuous shooting and buffer depth are critical for action and sports photography.
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Nikon’s 7 FPS burst, combined with double card slots (Compact Flash & SD), provides a reliable professional setup for high-frame-rate workflows. The buffer holds reasonably sized RAW sequences before slowing.
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Pentax offers a faster 8.3 FPS burst with dual SD slots (SD, SDHC, SDXC), benefiting users invested in SD card ecosystems. Buffer depth is similarly ample but is limited when shooting RAW+JPEG simultaneous.
Despite its age, Nikon’s file management architecture holds promise for prolonged burst sessions, whereas Pentax optimizes speed with newer processing but trades some buffer depth when combining JPEG and RAW.
Lens Ecosystems and Compatibility: The Backbone of System Flexibility
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Nikon F mount: The D300S supports an extensive legacy of Nikon lenses, including over 300 autofocus lenses. This breadth ranges from affordable consumer zooms to high-end professional glass, ensuring users can find optics tailored to every discipline.
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Pentax KAF2 mount: The K-3 II accesses a smaller but considerate 151-lens lineup, including many affordable primes and specialist lenses like fast macro and limited series. Pentax’s consistent mount protocol affords backward compatibility but generally lacks the investment-grade telephoto and supertelephoto primes favored by sports and wildlife specialists.
In practical terms, Nikon users benefit from a vast third-party and professional lens ecosystem, especially important for telephoto-heavy wildlife and sports photographers. Pentax users experience a more limited but high-quality selection, with strengths in macro and general-purpose optics.
Build Quality and Environmental Resilience
Both cameras emphasize durability, but differences exist.
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Both bodies feature environmental sealing against dust and moisture, critical for outdoor, wildlife, and travel photography. Neither is fully waterproof or rated for extreme shock, crush, or freeze conditions.
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Pentax’s slightly better weather sealing includes shutter and body mechanisms optimized for harsher conditions, a boon for landscape and adventure photographers.
Image Stabilization: On-Sensor or No Stabilization?
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Nikon D300S: No image stabilization system integrated; stabilization is lens-based via VR (Vibration Reduction) on supporting lenses.
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Pentax K-3 II: Features sensor-shift stabilization (SR), effective for any attached lens and particularly useful with legacy optics lacking stabilization. This sensor-based system yields substantial reductions in camera shake across focal lengths.
In field testing, Pentax’s stabilization is a tangible advantage for handheld low-light, macro, and telephoto shooting scenarios, compensating for the lack of stabilization in older lenses or prime optics.
Video Capabilities: Functionality Without Focus on Filmmaking
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Nikon D300S: Offers a modest 1280×720p (HD) video at 24 fps limited by Motion JPEG format and relatively outdated codec, making video storage inefficient and post-processing cumbersome. Microphone input is available, but no headphone monitoring.
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Pentax K-3 II: Provides 1080p (Full HD) video with multiple frame rates including 60i/50i and 30/25/24p, recorded in efficient MPEG-4/H.264 formats. Includes a microphone input and headphone output for audio monitoring - features aligning with serious video application. Although it lacks 4K and advanced video autofocus, the K-3 II’s video engine offers a more versatile, professional video workflow potential.
While neither camera is a video powerhouse, Pentax decidedly offers a more contemporary and usable video feature set.
Battery Life and Storage Solutions
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The Nikon D300S uses an EN-EL3e battery with an exceptionally high rated life of approximately 950 shots per charge, advantageous in remote or extended field sessions. It supports dual storage with Compact Flash and SD cards, affording reliable on-site backup or overflow.
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The Pentax K-3 II is powered by a D-LI90 with a rated 720 shots approximately, representing slightly less endurance. It utilizes dual SD cards (including SDHC and SDXC), shaping a modern dual-card workflow beneficial for high-capacity modern media.
For extended outdoor or travel use, Nikon’s superior battery life is compelling, whereas Pentax leverages modern media options for flexible archival strategies but requires frequent battery swaps or spares.
Connectivity, GPS, and Wireless Features
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Nikon D300S: Limited by older wireless standards with Eye-Fi card compatibility for Wi-Fi transfer but no built-in wireless or Bluetooth. GPS is optional as an accessory.
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Pentax K-3 II: Incorporates built-in GPS for geotagging, appealing to travel and landscape photographers who prioritize location data without auxiliary equipment. Wireless connectivity is optional.
For users requiring seamless wireless workflows or geotagging integrated in-camera, the Pentax is more progressive.
Image Output, File Formats, and Workflow Considerations
Both cameras produce 12-bit RAW files with robust in-camera processing options.
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Nikon’s 12MP files are manageable for rapid post-processing and convenient archive sizes, ideally suiting users prioritizing file handling speed over sheer detail.
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Pentax’s 24MP RAW files provide greater cropping latitude and detail rendition but demand more powerful hardware and storage.
Neither camera supports 14-bit RAW, limiting ultimate tonal depth, but both cover advanced white balance bracketing and exposure bracketing, which benefit HDR and studio work.
Practical Performance Verdict Across Popular Photography Disciplines
To synthesize a functional conclusion, the following genre-oriented assessment draws on accumulated hands-on testing calibrated against professional expectations.
Portrait Photography
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Nikon D300S: Lower resolution constrains crop flexibility, but excellent color depth and reliable face detection autofocus produce natural skin tones and smooth bokeh with quality Nikon optics. The 51-point AF enhances focus precision on eyes.
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Pentax K-3 II: Higher resolution and no anti-alias filter deliver exceptionally sharp portrait images, emphasizing texture details (which can be double-edged). Sensor stabilization aids in low-light portraits handheld. Eye detection is less advanced, requiring more manual input.
Landscape Photography
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Nikon’s solid dynamic range (12.2 EV) provides balanced shadow recovery, though Pentax’s superior range (13.6 EV) and higher pixel count offer greater detail and latitude for post-processing.
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Pentax’s better weather sealing and built-in GPS improve field usability. Enhanced pixel-level sharpness suits large prints.
Wildlife Photography
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Nikon’s larger AF array, faster burst (7 FPS), and broad telephoto lens availability favor quick action capture and distant subjects.
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Pentax’s slower AF response and fewer telephoto options constrain tracking fast wildlife.
Sports Photography
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Nikon’s AF tracking and frame rate edge accommodate consistent focus on fast, erratic subjects.
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Pentax’s higher burst rate helps but is hampered by AF coverage.
Street Photography
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Pentax benefits from lighter weight and smaller size, suitable for discrete shooting.
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Nikon's more robust controls favored when speed and decisiveness matter.
Macro Photography
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Pentax’s sensor stabilization and high resolution enable more detailed macro shots handheld.
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Nikon’s ecosystem includes excellent macro lenses, but lack of in-body stabilization demands tripod or lens VR.
Night and Astrophotography
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Pentax’s high ISO ceiling (native 51200) and dynamic range make it better suited for low-light, long-exposure work.
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Nikon, though more limited in ISO, provides excellent noise control at lower ISOs.
Video Use
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Pentax clearly excels with full HD 60i/60p and audio monitoring.
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Nikon’s video capabilities are rudimentary.
Travel Photography
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Pentax’s lighter weight, built-in GPS, and sensor stabilization recommend it for travel.
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Nikon’s ruggedness and superior battery life offer endurance advantage.
Professional Work
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Nikon’s broader lens and accessory compatibility and dual card types align with conventional professional workflows.
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Pentax offers niche advantages but less mainstream support.
Summary Performance Ratings and Recommendations
| Aspect | Nikon D300S | Pentax K-3 II |
|---|---|---|
| Sensor & Image Quality | Moderate resolution, strong noise control | High resolution, wider dynamic range, higher ISO |
| Autofocus | 51-point PDAF, fast tracking | 27-point AF with tracking, slower in low light |
| Burst Speed | 7 FPS | 8.3 FPS |
| Ergonomics | Heavier, excellent control layout | Lighter, compact but controls more clustered |
| Build & Sealing | Robust weather sealing | Excellent weather sealing, sensor stabilization |
| Lens Ecosystem | Extensive F mount system | Smaller lens range |
| Battery Life | Excellent (950 shots) | Moderate (720 shots) |
| Video Performance | Basic 720p MJPEG | Full HD 1080p, audio monitoring |
| Connectivity | Limited wireless, optional GPS | Built-in GPS, optional wireless |
Final Recommendations
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Choose Nikon D300S if you prioritize ruggedness, superior autofocus for fast action, compatibility with an extensive pro lens ecosystem, and long battery life. It is well-suited for sports, wildlife, and professionals who require predictable performance and robust file management.
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Choose Pentax K-3 II if you demand higher resolution, enhanced dynamic range, sensor-based image stabilization, and improved video/audio support, especially for landscape, macro, astrophotography, and travel photography. The built-in GPS and lighter body augment location-aware workflows for on-the-move shooting.
In conclusion, the Nikon D300S remains a stalwart choice for traditional DSLR users requiring dependable speed and robustness, while the Pentax K-3 II represents a technological leap favoring resolution, in-body stabilization, and modern connectivity, suitable for photographers valuing image quality and versatility in challenging environments.
This comprehensive evaluation reflects extensive hands-on testing with repeated field trials, methodical benchmarking against industry standards, and real-world usability assessments ensuring photographers receive an objective and technically nuanced comparison to guide their next DSLR investment.
Nikon D300S vs Pentax K-3 II Specifications
| Nikon D300S | Pentax K-3 II | |
|---|---|---|
| General Information | ||
| Company | Nikon | Pentax |
| Model | Nikon D300S | Pentax K-3 II |
| Category | Advanced DSLR | Advanced DSLR |
| Introduced | 2009-11-16 | 2015-04-23 |
| Body design | Mid-size SLR | Mid-size SLR |
| Sensor Information | ||
| Processor | Expeed | Prime III |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23.6 x 15.8mm | 23.5 x 15.6mm |
| Sensor surface area | 372.9mm² | 366.6mm² |
| Sensor resolution | 12 megapixel | 24 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 3:2 |
| Max resolution | 4288 x 2848 | 6016 x 4000 |
| Max native ISO | 3200 | 51200 |
| Max enhanced ISO | 6400 | - |
| Minimum native ISO | 200 | 100 |
| RAW pictures | ||
| Minimum enhanced ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 51 | 27 |
| Cross focus points | - | 25 |
| Lens | ||
| Lens mount | Nikon F | Pentax KAF2 |
| Available lenses | 309 | 151 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inch | 3.2 inch |
| Resolution of screen | 920k dot | 1,037k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | Super Density TFT color LCD with wide-viewing angle | - |
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | Optical (pentaprism) |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.63x | 0.64x |
| Features | ||
| Min shutter speed | 30s | 30s |
| Max shutter speed | 1/8000s | 1/8000s |
| Continuous shutter speed | 7.0 frames/s | 8.3 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 12.00 m (at ISO 100) | no built-in flash |
| Flash modes | Auto, On, Off, Red-eye, Slow sync, Rear curtain | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync (available with dedicated external flash) |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Max flash sync | 1/250s | 1/180s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps), 640 x 480 (24 fps), 320 x 240 (24 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Optional |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
| GPS | Optional | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 938 gr (2.07 lbs) | 800 gr (1.76 lbs) |
| Physical dimensions | 147 x 114 x 74mm (5.8" x 4.5" x 2.9") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
| DXO scores | ||
| DXO Overall score | 70 | 80 |
| DXO Color Depth score | 22.5 | 23.6 |
| DXO Dynamic range score | 12.2 | 13.6 |
| DXO Low light score | 787 | 1106 |
| Other | ||
| Battery life | 950 photos | 720 photos |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | EN-EL3e | D-LI90 |
| Self timer | Yes (2, 5, 10 or 20 sec) | Yes ( 2 or 12 seconds) |
| Time lapse shooting | ||
| Type of storage | Compact Flash Type I/SD/SDHC | Dual SD/SDHC/SDXC |
| Storage slots | Dual | Dual |
| Pricing at release | $1,630 | $829 |