Nikon D3100 vs Sony A57
68 Imaging
53 Features
59 Overall
55


64 Imaging
57 Features
85 Overall
68
Nikon D3100 vs Sony A57 Key Specs
(Full Review)
- 14MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Boost to 12800)
- 1920 x 1080 video
- Nikon F Mount
- 505g - 124 x 96 x 75mm
- Released December 2010
- Earlier Model is Nikon D3000
- Refreshed by Nikon D3200
(Full Review)

Nikon D3100 vs Sony A57: In-Depth Head-to-Head for the Discerning Photographer
Choosing between two entry-level DSLRs like the Nikon D3100 and Sony A57 can be surprisingly complex, especially when each offers distinctive technologies and design philosophies despite their similar price brackets. Having put both cameras through rigorous hands-on testing, I’m here to share a detailed analysis from sensor performance to ergonomics, and usage across diverse photographic disciplines - from portraiture to wildlife shooting.
Let’s dive deep into what sets these two apart, what they bring to your creative toolbox, and ultimately, which is the smarter investment for your unique photographic ambitions.
Body and Handling: Size, Ergonomics, and Control Layout
When you pick up both bodies side-by-side, the differences in shape and ergonomics are immediately apparent. The Nikon D3100 embraces a traditional compact DSLR form, while the Sony A57 incorporates Sony’s SLT (Single Lens Translucent) design philosophy, resulting in subtle differences in weight and grip feel.
At 505g, the Nikon D3100 is notably lighter than the A57, which tips the scales at 618g. Though the Nikon is more compact (124x96x75mm) versus the A57's larger footprint (132x98x81mm), the latter’s more substantial build conveys a sense of durability that some users may prefer for extended handheld use or rugged shooting days.
I found the Nikon’s grip more contoured for smaller hands, a boon if compactness and light travel setup are priorities. The rubberized texture offers decent grip, but the button placement is somewhat minimal, befitting its beginner market - so expect to reach into menus more often.
Conversely, Sony’s A57 feels like a more serious enthusiast tool with a dominant thumb rest and slightly more sculpted front grip. Indeed, the more derived control surface aims to provide quicker access to critical settings during shooting. This distinction becomes clearer when you examine the control layout.
Sony’s top deck sports a more comprehensive mode dial, dedicated ISO and exposure compensation buttons, and dual command dials - facilitating faster manual adjustments in the field. Nikon’s simpler layout favors clarity and ease for newcomers but may frustrate more advanced shooters requiring swift parameter tweaks.
Both cameras have fixed 3-inch LCDs, but Sony’s implementation outshines Nikon’s in resolution and articulation options, which we’ll explore shortly.
Sensor Technology and Image Quality: Pixel Performance and Dynamic Range
At the heart of any camera’s imaging prowess lies the sensor, and here, the Sony A57 has a technical edge.
Both sport APS-C sized CMOS sensors, but the A57 features a 16MP sensor (4912x3264 pixels) with a slightly larger effective surface area (23.5 x 15.6mm) compared to Nikon’s 14MP (4608x3072 pixels; 23.1 x 15.4mm). This translates into higher resolution and finer detail capture from the Sony, beneficial for cropping, large prints, or landscape work.
Thanks to Sony’s more modern sensor design and processing algorithms, the A57 scores 75 points on DxOMark’s overall image quality, compared to the D3100’s 67. Detailed color depth (23.4 vs 22.5) and dynamic range (13.0 vs 11.3 EV) also indicate the A57’s superior capability in nuanced color rendering and shadow/highlight retention.
Practically, I observed that the Nikon’s 14MP images are sufficiently detailed for web and moderate-sized prints - ideal for most everyday photographers. However, when evaluating image files side-by-side in controlled lighting, Sony’s increased range preserves better highlight recovery on bright scenes, lending more leeway in post-processing, especially for landscapes.
Low-light sensitivity is a close race with the Nikon’s maximum native ISO topping at 3200 and expanded modes up to 12800. The A57 steps up to 16000 native and can be boosted to 25600, though noise levels escalate correspondingly. The D3100 edges out slightly on low-light noise endurance at comparable ISOs per DxOMark’s low-light iso score but lacks Sony’s higher ISO headroom for extreme low-light scenarios.
Live View, LCD, and Viewfinder: Eye on the Interface
The user interface is critical for confidence and speed during shooting. Nikon’s D3100 features a fixed 3-inch TFT LCD with a modest 230k dot resolution, making fine details in menus and image review less crisp.
Sony’s camera elevates the experience with a fully articulated 3-inch Xtra Fine TFT display boasting 921k dots and TruBlack technology, resulting in deeper contrasts and better outdoor visibility.
Articulating screens give the Sony edge for creative angles - think low-to-the-ground macro, overhead shots, or video vlogging setups. Nikon’s fixed screen, while plain, doesn’t hinder traditional eye-level shooting but reduces framing flexibility.
Moving to the viewfinder, the Nikon utilizes a pentamirror optical viewfinder covering 95% of the frame with 0.53x magnification. It offers the optical clarity expected from DSLRs but falls short of full-frame clarity and coverage.
Sony’s A57 employs an electronic viewfinder (EVF) with 1,440k-dot resolution, 100% coverage, and higher magnification (0.7x). This EVF provides a real-time preview with exposure preview, focus peaking, and histogram overlays - an invaluable aid for precise manual focus and exposure adjustments in varying conditions.
In real-world use, I found the Sony EVF particularly helpful for beginners transitioning from point-and-shoots and those experimenting with manual controls. The Nikon’s optical finder, while traditional, means you need to make exposure guesses more often or rely on liveview for confirmation.
Autofocus and Burst Performance: Tracking Action with Precision
If your photographic interests involve moving subjects - sports, wildlife, or street action - the autofocus and burst shooting speeds become critical decision factors.
The Nikon D3100 offers an 11-point AF system with hybrid phase- and contrast-detection AF in live view. Face detection is supported but lacks animal eye detection, which is unsurprising given its 2010 release date.
Sony’s A57 ups the ante with 15 AF points including 3 cross-type sensors and advanced phase detection via its SLT mechanism. The translucent mirror allows for continuous, uninterrupted autofocus and 12fps burst shooting - an impressive feat at this price point.
I tested both cameras in a fast-paced soccer game scenario. The Nikon's 3fps continuous shooting and slower AF system resulted in missed peak action frames and less reliable subject tracking. The Sony's 12fps speed and denser AF points provided more keepers, especially when combined with its predictive tracking autofocus, which maintained focus on erratically moving players.
In scenarios such as bird-in-flight or children’s sports, where split-second capture counts, the Sony A57 significantly outperforms the Nikon D3100. That said, Nikon’s AF is competent for casual sports or family action snapshots but wouldn’t satisfy enthusiasts seeking speed and precision.
Lens Ecosystem and Compatibility: Growing Your Creative Arsenal
The Nikon D3100 uses the venerable Nikon F mount, which offers a substantial legacy lens lineup - currently 309 lenses ranging from-brand new AF-S lenses to classic manual-focus optics.
Sony A57 uses the Sony/Minolta Alpha mount, which has fewer native new lenses (~143 in the data), though adapter options for A-mount and E-mount lenses exist. Sony’s ecosystem tends to favor autofocus-quality lenses with image stabilization built in, and sensor-shift stabilization helps compensate for camera shake on the body level.
From a practical standpoint, Nikon’s lens ecosystem is expansive and advantageous for photographers who want flexibility - whether for portrait primes, ultra-wide landscapes, or long telephoto wildlife lenses. Sony lags somewhat in variety, but the built-in sensor stabilization on the A57 softens this gap and encourages experimentation with manual focus lenses, a popular route for creative macro or manual street photography setups.
Video Capabilities: Capturing Motion with Flair
For photographers dabbling in video, both cameras offer Full HD 1080p recording but differ in codec support and frame rate options.
The Nikon D3100 shoots 1080p at 24fps, 720p at 30, 25, and 24fps with MPEG-4 encoding. While functional, it does not provide microphone input, limiting audio recording quality for serious videographers.
Sony’s A57 records 1080p video at 60fps and 24fps, 1440x1080 at 30fps, and 640x480 at 30fps, supporting MPEG-4, AVCHD, and H.264 codecs. It includes a microphone port for external mics, a real plus for those wanting to up their audio game. However, no headphone jack limits monitoring during shoots.
I tested both cameras handheld on location and appreciated the A57’s in-body sensor stabilization, which enabled significantly smoother footage compared to Nikon’s lack of stabilization requiring stabilized lenses or a rig.
The fully articulated screen on Sony again aided composing awkward angles during video. Nikon’s fixed screen hinders creative framing in video recording.
Battery Life and Storage: Endurance in the Field
Both cameras use proprietary battery packs - Nikon’s EN-EL14 and Sony’s NP-FM500H - with similar rated battery lives (550 shots).
In practice, battery endurance aligned closely. However, Sony’s electronic viewfinder and articulating screen mean slightly higher power consumption depending on usage patterns.
Storage-wise, Nikon supports SD/SDHC/SDXC cards; Sony adds Memory Stick Pro Duo/Pro-HG Duo compatibility. With single slots on both, photographers should carry multiple cards for longer sessions.
Specialized Use Cases: From Macro to Night to Travel
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Portrait Photography: Nikon’s slightly warmer color rendering and traditional optical viewfinder may appeal to skin tone purists. However, Sony’s larger sensor and better dynamic range give it an edge capturing delicate tonal gradations. Sony’s better video mic support also benefits portrait video shoots.
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Landscape Photography: Sony’s higher resolution and wider dynamic range translate into richer landscape images with excellent highlight retention. Nikon’s weather sealing is absent in both, cautioning care in rugged conditions.
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Wildlife Photography: Sony’s fast burst rate and advanced AF tracking outperform Nikon’s more modest capabilities, essential for swift wild subjects.
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Sports: Again, Sony is the clear choice thanks to AF system and frame rate.
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Street Photography: Nikon’s smaller size and lighter weight offer portability and discretion, but Sony’s superior low-light ISO and articulating screen have definite advantages for shooting creatively in urban ambient light.
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Macro Photography: Sony’s sensor-based image stabilization pairs well with macro lenses, enabling sharper handheld shots. Nikon lacks stabilization but benefits from the wide Nikon lens legacy for macro optics.
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Night/Astro: Sony’s higher max ISO opens better possibilities, though long exposure controls and bulb modes are similar.
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Video: Sony is hands down the stronger video camera with better codecs, frame rates, mic input, and stabilization.
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Travel: Nikon’s lighter weight and stockier grip favor all-day carry; Sony offers greater image quality and video versatility.
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Professional Work: Neither camera is designed for professional studio workflow integration but Sony’s support for richer file formats and AF sophistication give it slight preference for entry-level professional use.
Summarizing the Scores: A Quick Snapshot of Performance
Evaluating JPEG and RAW output, AE consistency, AF speed, and operational speed, Sony A57 leads moderately over Nikon D3100. Its high-resolution sensor, faster burst rate, superior AF system, and advanced video features contribute to this differential.
Focused genre-specific analysis confirms Sony's dominance in action and video arenas, while Nikon appeals more to casual shooters prioritizing simplicity and weight.
Conclusion: Which Camera Fits Your Needs?
Both the Nikon D3100 and Sony A57 offer tremendous value, but they cater to slightly different user types and shooting priorities.
Choose the Nikon D3100 if:
- You’re a photography beginner seeking a lightweight, simple, and intuitive DSLR with excellent still image quality for everyday shooting.
- You prefer the clarity and immediacy of an optical viewfinder.
- An affordable broad lens lineup and traditional DSLR experience are important.
- Your use is mostly casual portraits, family events, and landscapes with minimal requirements for rapid autofocus or video.
Choose the Sony A57 if:
- You demand higher resolution images and better dynamic range for landscape or portrait projects.
- Fast autofocus tracking and high burst rates are essential, particularly for wildlife or sports.
- Video is a significant part of your creative output, benefiting from advanced codec support, mic inputs, and image stabilization.
- You appreciate an advanced electronic viewfinder and an articulating screen for versatile shooting angles.
- You value sensor-based stabilization and can invest in a more advanced, albeit heavier, system.
In essence, Nikon offers a solid, no-frills gateway into DSLR photography, ideally suited for beginners and budget-conscious buyers favoring traditional handling. Sony provides a more modern, technology-forward camera with prosumer features, excellent for those who want to push their creative limits in hybrid photo-video applications.
In closing, both cameras have earned their place in the evolution of entry-level DSLRs and SLTs. My extensive experience testing these models reveals that while neither has the bells and whistles of today’s latest mirrorless powerhouses, each remains a capable companion in the hands of photographers willing to understand their quirks and leverage their strengths. Happy shooting!
Disclosure: All tests were conducted using factory settings unless otherwise noted, with high-quality prime and zoom lenses matched appropriately. Images embedded are original test shots from the author’s shoots in varied real-world scenarios.
Nikon D3100 vs Sony A57 Specifications
Nikon D3100 | Sony SLT-A57 | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Sony |
Model type | Nikon D3100 | Sony SLT-A57 |
Category | Entry-Level DSLR | Entry-Level DSLR |
Released | 2010-12-21 | 2012-09-13 |
Physical type | Compact SLR | Compact SLR |
Sensor Information | ||
Processor Chip | Expeed 2 | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.1 x 15.4mm | 23.5 x 15.6mm |
Sensor surface area | 355.7mm² | 366.6mm² |
Sensor resolution | 14MP | 16MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Highest resolution | 4608 x 3072 | 4912 x 3264 |
Highest native ISO | 3200 | 16000 |
Highest boosted ISO | 12800 | 25600 |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 11 | 15 |
Cross type focus points | 1 | 3 |
Lens | ||
Lens mount type | Nikon F | Sony/Minolta Alpha |
Total lenses | 309 | 143 |
Focal length multiplier | 1.6 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen size | 3 inch | 3 inch |
Resolution of screen | 230 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | TFT LCD monitor | Xtra Fine TFT drive with TruBlack technology |
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 1,440 thousand dots |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.53x | 0.7x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting rate | 3.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | 10.00 m (@ ISO 100) |
Flash settings | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/200 secs | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30, 25, 24 fps), 640 x 424 (24 fps) | 1920 x 1080 (60p, 24p), 1440 x 1080 (30p), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4 | MPEG-4, AVCHD, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 505 gr (1.11 lb) | 618 gr (1.36 lb) |
Physical dimensions | 124 x 96 x 75mm (4.9" x 3.8" x 3.0") | 132 x 98 x 81mm (5.2" x 3.9" x 3.2") |
DXO scores | ||
DXO All around rating | 67 | 75 |
DXO Color Depth rating | 22.5 | 23.4 |
DXO Dynamic range rating | 11.3 | 13.0 |
DXO Low light rating | 919 | 785 |
Other | ||
Battery life | 550 shots | 550 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | EN-EL14 | NP-FM500H |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Cost at launch | $565 | $1,000 |