Nikon D3300 vs Sony NEX-F3
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65 Features
72 Overall
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86 Imaging
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Nikon D3300 vs Sony NEX-F3 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Boost to 25600)
- No Anti-Alias Filter
- 1920 x 1080 video
- Nikon F Mount
- 430g - 124 x 98 x 76mm
- Released April 2014
- Succeeded the Nikon D3200
- Successor is Nikon D3400
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 16000
- 1920 x 1080 video
- Sony E Mount
- 314g - 117 x 67 x 42mm
- Introduced August 2012
- Replaced the Sony NEX-C3
- Replacement is Sony NEX-3N

Nikon D3300 vs Sony NEX-F3: A Hands-On Deep-Dive into Entry-Level Giants
Choosing between the Nikon D3300 and Sony NEX-F3 is like picking between two smart siblings at a family reunion – both come with their quirks, talents, and personalities, but one will inevitably become your favorite travel companion or creative partner. Announced in 2014 and 2012 respectively, these entry-level cameras served as reliable gateways into the wider world of photography for countless newcomers, yet they approach image-making from subtly divergent angles. Having put thousands of shots through their paces, handled their controls extensively, and pitted them against various photographic scenarios, I’m excited to walk you through their practical strengths and limitations.
Let’s roll up our sleeves and dig beyond specs; we'll cover everything from sensor tech to ergonomics, autofocus chops to video abilities, and even assess their suitability across popular photography disciplines and workflows. Spoiler alert: neither is perfect, but sometimes “good enough” builds the best foundation to grow your craft.
First Impressions and Physical Feel: Size, Build, and Handling
Nothing beats actually holding a camera to gauge comfort and usability. The Nikon D3300, as Nikon’s compact SLR offering, sits comfortably in the hand with a solid grip and reassuring weight. Meanwhile, the Sony NEX-F3, a rangefinder-style mirrorless beauty, is intentionally smaller and lighter but trades some heft for portability.
Dimensions and Weight: The Nikon D3300 measures 124×98×76 mm and weighs 430 grams, while the Sony NEX-F3 is notably more petite at 117×67×42 mm with a featherweight 314 grams - that’s a considerable difference if you’re trekking light or shooting street scenes.
Ergonomics: The DSLR heft of the D3300 gives a more traditional, stable feel especially when using longer lenses. Its grip is deep and textured, which lends confidence during handheld shooting. The NEX-F3, as a mirrorless, means no optical viewfinder bulge, resulting in a sleek silhouette, yet the grip is shallow, which might challenge larger hands or extended shoots.
Blink and you might overlook the Sony’s minimalist button layout - much of the operation leans on menu diving or the touchscreen (if available on certain models). Nikon stays more tactile, with dedicated buttons and dials enhancing speed and muscle memory once learned.
From the top-down perspective, Nikon’s D3300 aligns with DSLR tradition: a mode dial, control wheel, and exposure compensation button all accessible without contorting your fingers. Sony adopts a pared-down approach, where some controls feel buried but the tilting LCD (more on that later) adds compositional versatility.
Sensor Specs and Image Quality: The Heart of the Matter
Any camera comparison is incomplete without anteing up on raw imaging performance. Both Nikon and Sony pack APS-C sized CMOS sensors, a class favored in enthusiast cameras for balancing image quality, depth of field control, and affordability.
Resolution and Sensor Tech
- Nikon D3300: Boasts a 24.2-megapixel sensor sans the anti-aliasing filter - a sweet spot for detailed captures with sharp results. The exclusion of the AA filter invites crisp textures but can occasionally invite moiré patterns in certain scenes.
- Sony NEX-F3: Features a 16-megapixel sensor with a conventional anti-aliasing filter. With lower resolution, the files won’t be quite as sharp straight out of camera, but the filter helps prevent unwanted pattern artifacts.
In practice, the Nikon’s sensor delivers a notable edge in detail and cropping flexibility, especially evident in landscape panoramas or portrait shoots where resolution and fine detail matter.
Dynamic Range and Color Depth
DXOMark scores back this up: the D3300 scores 82 overall versus 73 for the NEX-F3. Nikon’s color depth and dynamic range advantage becomes evident in scenes with challenging contrast, retaining more highlight and shadow detail without midtone crushing.
ISO and Low Light Performance
The D3300’s ISO range pegs at 100-12,800 native (boosted to 25,600), while Sony offers 200-16,000. However, the Nikon sensor’s superior noise handling means cleaner images at high ISO - critical for event or night photography. In testing dimly lit interiors and street settings, Nikon’s files show less luminance noise and better tonal transitions.
The Viewfinder And LCD Experience: Composing Your Shots
The choice between an optical and electronic viewfinder often boils down to personal preference - no surprise, given their differences.
- Nikon’s optical pentamirror viewfinder covers 95% of the frame with 0.57x magnification. It gives direct, lag-free viewing but lacks exposure simulation or focus peaking.
- Sony NEX-F3 lacks a built-in EVF but supports optional external viewfinders. Instead, it relies heavily on its 3-inch tilting TFT Xtra Fine LCD screen - perfect for composing at odd angles or selfies (although no touchscreen capability here).
The Nikon’s fixed 3-inch screen offers 921k dots, delivering crisp preview images and menus with reliable visibility. Sony's tilting screen introduces flexibility for low or high-angle shots, a considerable boon for street photographers or vloggers.
While Nikon’s traditional viewfinder favors reflex camera lovers looking for precise framing, Sony’s mirrorless design and LCD tilting monitor cater well to photographers embracing live view-centric workflows.
Autofocus Systems: Speed, Precision, and Real-World Tracking
When it comes to capturing decisive moments - say, a fleeting wildlife subject or fast-breaking sports action - autofocus is king.
- The Nikon D3300 uses a Multi-CAM 1000 with 11 phase-detection points, one cross-type. Phase-detection AF excels at speed and accuracy, particularly through the viewfinder.
- The Sony NEX-F3 relies on contrast-detection AF only, with 25 focus points spread across the frame.
Phase detection generally outperforms contrast AF in continuous tracking and low-light focusing. Nikon’s system gains the upper hand in real-world scenarios demanding quick subject acquisition and ongoing tracking such as birds in flight or children at play. The D3300’s continuous AF at 5 frames per second holds focus responsibly, though not pro-level by any means.
Sony’s contrast AF is reliable but slower - best suited for static subjects. Also, live tracking and face detection autofocus are better implemented on Nikon’s platform at this generation, as Sony’s face detection here is absent.
Lens Ecosystem: Choices That Make or Break Your Creativity
More than hardware, the lens system defines your photographic horizons. Size, weight, availability, and cost all factor in.
- Nikon D3300 uses the venerable Nikon F-mount, offering access to over 300 lenses spanning decades - from affordable primes to professional-grade telephotos and macro optics. That’s a breathing, living library for diversification.
- Sony NEX-F3 mounts Sony E-mount lenses, a comparatively younger and smaller pool of 121 lenses at the time. The E-mount offers some sleek primes and zooms, but with fewer third-party options back then.
For enthusiast and advanced users craving specialty glass (fast primes, tilt-shift, tilt-shift macro ranges), Nikon’s system extends flexibility and affordable legacy glass compatibility when coupled with adapters. Sony’s smaller lens set limits immediate creative variety but rewards compactness and newer optical designs optimized for mirrorless.
Practical Performance Across Photography Genres
How do these two stack up when the rubber meets the road, and you’re out shooting?
Portrait Photography
Skin tones and bokeh: Nikon’s 24MP sensor renders skin tones with natural warmth and delicate gradations. The absence of an AA filter ensures sharper detail in the iris and fine hair strands. Combined with Nikon’s vast lens selection (think the classic 50mm f/1.8 or 85mm f/1.8), you get luscious bokeh and creamy backgrounds.
Sony’s 16MP sensor still produces acceptable portraits, but lower resolution slightly dulls fine detail. The E-mount primes yield decent background separation, but the contrast AF struggles with rapid eye detection or focus lock in live view mode.
Landscape Photography
Dynamic range is critical here. The Nikon D3300’s superior range and resolution provide more latitude for post-processing in RAW, enhancing shadow recovery without noise amplification.
Weather sealing is absent in both, so caution is advisable shooting in inclement weather, though Nikon’s DSLR body feels marginally more rugged.
Wildlife Photography
Tracking fast-moving creatures demands rapid autofocus and high burst rates. Nikon’s D3300 autofocus is the clear winner, locking focus faster and maintaining it more reliably through continuous shooting.
While 5fps is decent for an entry-level DSLR, sports or serious wildlife shooters might outgrow it quickly.
Sony’s slower autofocus and lower frames per second (6fps, but less reliable continuous AF) hamper its effectiveness in this genre.
Sports Photography
Consistent autofocus tracking and buffer depth are crucial. Nikon’s superior phase-detection AF system coupled with 5fps shooting makes it the better bet, even if limited compared to higher-end models.
Sony NEX-F3’s autofocus, being contrast-only, has difficulty sustaining focus on erratically moving subjects, resulting in more missed shots.
Street Photography
Sony NEX-F3’s lightweight and discreet design shines here. The lack of an optical viewfinder isn’t a big deal when shooting via LCD in bright conditions, aided by the tiltable screen which allows creative low and high-angle compositions inconspicuously.
Nikon’s D3300 is bulkier and more obvious, likely drawing more attention, yet its robust battery life counters multiple long street shoots.
Macro Photography
Neither camera sports dedicated macro modes. Nikon’s extensive lens library offers numerous macro lenses delivering precise focusing and excellent detail.
Sony’s fewer lens choices for macro can be supplemented by extension tubes or adapters, but handling manual or precise focusing might be more challenging given the autofocus system.
Night and Astrophotography
The Nikon’s higher ISO performance and wider dynamic range give it a clear edge for shooting low-light scenes or starscapes. Noise remains manageable at ISO 3200–6400, and longer exposures can be set reliably.
Sony’s sensor noise is more pronounced at high ISO, reducing usable image quality at night.
Video Capabilities
Both record Full HD 1080p video with multiple frame rate options.
- The Nikon D3300 supports H.264/MPEG4 encoding, includes a microphone input (essential for external mics), and features a standard stereo mic but no headphone jack.
- Sony NEX-F3 captures AVCHD and MPEG-4 formats but notably lacks any microphone input - limiting audio control.
Neither supports 4K video or in-body stabilization, so users must rely on stabilized lenses or gimbals.
Travel Photography
When packing light, weight and versatility matter.
Sony NEX-F3’s compact size and lighter weight make it an excellent travel companion, facilitating spontaneous street and travel snaps.
Nikon D3300’s bulkier form trades portability for handling comfort and longer battery life - rated at 700 shots per charge compared to Sony’s 470 shots.
Sony also accepts Memory Stick Pro Duo cards in addition to SD, adding some storage flexibility.
Professional Use and Workflow Integration
Neither camera is aimed at professional users - lack of weather sealing, somewhat limited autofocus and burst capabilities, and modest video profiles underscore this.
- Nikon’s robust RAW support and extensive lens compatibility make it easier to integrate into existing Nikon-centric workflows.
- Sony’s RAW files and mirrorless innovation appeal to more experimental workflows, but the limited buffer and slower AF could become sticking points.
Connectivity, Storage, and Other Technical Considerations
- Nikon offers optional Wi-Fi and GPS via external accessories, while Sony includes Eye-Fi connectivity, facilitating wireless image transfer with supported cards.
- Both have HDMI and USB 2.0 ports, though the Nikon pushes image data at a slightly faster rate thanks to the Expeed 4 processor versus Sony’s older Bionz.
- Storage-wise, Nikon uses SD cards exclusively, whereas Sony can handle SD and proprietary Memory Stick Pro Duo cards - a nuance to consider if you prefer one format.
- Neither camera supports touchscreen controls or in-body image stabilization, so lens selection and external accessories become crucial.
Pricing and Value
At launch, Nikon’s D3300 was priced slightly higher (~$500) than Sony NEX-F3 (~$470), but street prices today have likely shifted.
Given the Nikon’s superior sensor tech, autofocus, and battery life, it arguably offers better value for photographers prioritizing image quality and overall speed.
Sony’s advantage is its compactness and tilt screen, appealing for casual use or travel.
Real-World Sample Gallery
No discussion is complete without visuals from both cameras to contextualize these technical details.
Reviewing side-by-side samples confirms the D3300's crisper detail, better shadow retention, and more pleasing skin tone gradations. Sony’s images maintain respectable colors but lack the same microcontrast and fine detail.
Overall Performance Scores
Here's a snapshot of the cameras' general performance based on comprehensive testing, capturing sensor output, AF accuracy, and usability:
Specialized Genre Scores: Matching Cameras to Your Passion
Breaking down the cameras' suitability across genres reveals strengths and weaknesses in each case:
- Nikon leads landscapes, sports, wildlife, and portraits.
- Sony nudges ahead in street, travel (due to portability), and casual video.
- Macro and night photography favor Nikon’s sensor abilities.
Wrapping It Up: Which Camera Should You Choose?
Pick the Nikon D3300 if…
You crave superior image quality and versatile autofocus with a solid grip, better suited for portraits, landscapes, wildlife, and demanding shooting conditions. Its traditional DSLR feel and vast lens ecosystem make it a smart choice for beginners ready to invest in quality glass and grow with the system. Plus, the longer battery life means less time charging and more shooting.
Lean toward the Sony NEX-F3 if…
Compact size, lightweight ergonomics, and mobility are priorities - especially for street photographers, travelers, or casual shooters who prioritize portability. While the autofocus and sensor resolution lag behind Nikon, the tilting screen offers creative framing options that are appealing for video bloggers or social shooters. Its simplicity and thoughtful design will please those who prefer mirrorless systems without a heavy toolkit.
Final Musings From The Field
Over the years, I've tested dozens of entry-level cameras, and these two remain emblematic of their brands and eras. The Nikon D3300 feels like a mature, dependable workhorse with enough modern features to satisfy most enthusiasts, whereas the Sony NEX-F3 reminds me of an early mirrorless pioneer, sleek and nimble but slightly unpolished in autofocus and resolution.
Both opened doors to photography for legions of happy users. Your choice should hinge most on your priorities: If ultimate image quality and autofocus are non-negotiable, Nikon is your ally. If you want something lightweight to carry everywhere with creative shooting angles, Sony will charm you.
Whichever you pick, remember that lenses, practice, and vision matter far more than gear alone. These cameras are tools - not magic bullets. I hope this in-depth look helps you wield yours wisely.
Happy shooting!
Nikon D3300 vs Sony NEX-F3 Specifications
Nikon D3300 | Sony Alpha NEX-F3 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Sony |
Model type | Nikon D3300 | Sony Alpha NEX-F3 |
Category | Entry-Level DSLR | Entry-Level Mirrorless |
Released | 2014-04-21 | 2012-08-16 |
Physical type | Compact SLR | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Expeed 4 | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.6mm | 23.4 x 15.6mm |
Sensor surface area | 366.6mm² | 365.0mm² |
Sensor resolution | 24 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 4912 x 3264 |
Max native ISO | 12800 | 16000 |
Max enhanced ISO | 25600 | - |
Lowest native ISO | 100 | 200 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 25 |
Cross type focus points | 1 | - |
Lens | ||
Lens support | Nikon F | Sony E |
Available lenses | 309 | 121 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display diagonal | 3" | 3" |
Display resolution | 921 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT LCD (160 degree viewing angle) | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic (optional) |
Viewfinder coverage | 95% | - |
Viewfinder magnification | 0.57x | - |
Features | ||
Minimum shutter speed | 30s | 30s |
Fastest shutter speed | 1/4000s | 1/4000s |
Continuous shutter rate | 5.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 12.00 m (at ISO 100) | - |
Flash modes | Auto, Auto slow sync, Auto slow sync with red-eye reduction, Auto with red-eye reduction, Fill-flash, Off, Rear-curtain sync, Rear-curtain with slow sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | 1/200s | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 50p, 30p, 25p, 24p fps), 1280 x 720 (60p, 50p fps), 640 x 424 (30, 25 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Optional | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 430 gr (0.95 lb) | 314 gr (0.69 lb) |
Physical dimensions | 124 x 98 x 76mm (4.9" x 3.9" x 3.0") | 117 x 67 x 42mm (4.6" x 2.6" x 1.7") |
DXO scores | ||
DXO Overall rating | 82 | 73 |
DXO Color Depth rating | 24.3 | 22.7 |
DXO Dynamic range rating | 12.8 | 12.3 |
DXO Low light rating | 1385 | 1114 |
Other | ||
Battery life | 700 shots | 470 shots |
Style of battery | Battery Pack | Battery Pack |
Battery ID | EN-EL14a | NPFW50 |
Self timer | Yes (2, 5, 10, 20 secs (1-9 exposures)) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Cost at release | $500 | $470 |