Nikon D7000 vs Samsung GX-20
59 Imaging
55 Features
76 Overall
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58 Imaging
53 Features
52 Overall
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Nikon D7000 vs Samsung GX-20 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 6400 (Expand to 25600)
- 1/8000s Max Shutter
- 1920 x 1080 video
- Nikon F Mount
- 780g - 132 x 105 x 77mm
- Released November 2010
- Superseded the Nikon D90
- Later Model is Nikon D7100
(Full Review)
- 15MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 100 - 3200 (Raise to 6400)
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 800g - 142 x 101 x 72mm
- Launched January 2008
- Old Model is Samsung GX-10

Nikon D7000 vs Samsung GX-20: A Hands-On Showdown for Advanced DSLR Enthusiasts
When the dust settles on the flood of camera options, sometimes the classic advanced DSLRs from a decade ago still have lessons to teach us. Today, we’re diving headfirst into an in-depth comparison between two mid-sized DSLRs at very different points in time and heritage - Nikon’s 2010 stalwart D7000 and Samsung’s 2008 joint-venture marvel, the GX-20. These cameras represent a sweet spot of advanced features and manageable price points for enthusiasts who crave manual control without blowing the bank. But which one deserves pride of place in your kit bag now? Let’s dig into everything from sensor tech to ergonomics and real-world shooting performance, using my 15 years of camera testing muscle to cut through the marketing fluff.
First Impressions and Build: Holding the Cameras in Your Hands
Both cameras embody the “mid-size SLR” body type common to their eras, but subtle differences in design philosophy reveal themselves in every grip and button press.
The Nikon D7000 weighs in at 780g and measures 132x105x77mm, while the Samsung GX-20 is slightly heavier (800g) with comparable but subtly different dimensions at 142x101x72mm. Handling-wise, the D7000’s body feels like a seasoned mountaineer - grippy, sturdy, and perfectly balanced for extended handheld work. The GX-20, on the other hand, has a more boxy, minimalist feel - solid but less ergonomically sculpted.
A quick look at the top panels (and yes, I’m already chewing on buttons and dials like a well-trained reviewer) reveals the Nikon's more thoughtful dial placements and dedicated control wheels for quick exposure adjustments. The Samsung feels a bit more transitional, with fewer controls accessible without diving into menus.
Both have weather sealing - a rare treat in DSLRs at these price points back then - but neither claim to withstand hardcore elemental abuse. Still, that extra dust and moisture protection often proves invaluable during rainy hikes or dusty field assignments.
If you prize excellent ergonomics and tactile responsiveness - essentials after a day spent navigating tricky focus and aperture settings - the D7000 edges out the GX-20. But don’t count Samsung out; it’s no haphazard brick.
Sensor, Resolution, and Images: The Heart of the Matter
At the core, these two are APS-C DSLR cameras with 1.5x crop factors - familiar territory for enthusiasts who want reach without relying on monster lenses.
Camera | Sensor Resolution | Sensor Size (mm) | Sensor Tech | DxOMark Overall Score |
---|---|---|---|---|
Nikon D7000 | 16 MP (4928x3264) | 23.6 x 15.7 | CMOS | 80 |
Samsung GX-20 | 15 MP (4688x3120) | 23.4 x 15.6 | CMOS | 68 |
The D7000’s Expeed 2 processor and sensor deliver a notable technical leap over the GX-20’s aging sensor architecture. This leap manifests in higher resolution - though only modestly (16 vs 15 megapixels) - but more importantly, better color depth (23.5 vs 23.1 bits), superior dynamic range (13.9 vs 11.2 EV), and cleaner high-ISO performance (1167 vs 714 ISO at DxO low-light metric).
In practice, this translates to Nikon’s ability to capture richer skin tones for portraiture and smoother tonal gradations in landscapes. Shadow recovery is also noticeably better in the Nikon, giving you more creative leeway when the light isn’t perfect. If you often shoot bright outdoor scenes or crave elegant landscapes with detailed skies and deep shadows, the D7000’s sensor gives you a tangible advantage.
Worth saying: both cameras apply an anti-aliasing filter, so neither captures razor-sharp micro-contrast edges in raw files out of the box - but Nikon’s sensor technology and image processing engine produce somewhat cleaner and better-delineated images overall.
Autofocus Systems: Snappy and Reliable vs. Vintage Charm
Autofocus can make or break your experience, especially for wildlife, sports, or candid street work.
- D7000: 39 focus points with 9 cross-type sensors, phase detection AF, face detection, live-view AF, and continuous tracking AF.
- GX-20: 11 focus points, phase detection only, no face detection, no AF tracking, and no live-view AF.
Nikon’s system is clearly more sophisticated, boasting multiple AF modes including single, continuous, and subject tracking - which gives it a substantial edge for fast-moving subjects like birds or athletes. The inclusion of face detection and live view AF confirms Nikon’s better readiness for video and casual shooting styles.
Samsung’s AF feels decidedly pre-smartphone era - reliable in bright conditions but slower and prone to hunting in low light. The smaller array of focus points means less precision when composing off-center subjects, a non-trivial downside if you shoot a lot of portraits or street scenes with shallow depth of field.
In essence, Nikon is the choice for anyone who needs autofocus confidence under varied shooting scenarios. If you’re manual focus inclined or mostly shoot static subjects, the GX-20’s AF will do, but expect patience and careful composition.
Screens and Viewfinders: How You Preview Your Work
The D7000 sports a 3.0-inch fixed TFT LCD screen with a 921k-dot resolution, while the GX-20 has a smaller 2.7-inch LCD with a dimmer 230k-dot count. To put it bluntly: Nikon’s screen is drastically sharper and more usable in bright outdoor conditions.
The optical viewfinders on both are pentaprisms, prized for their brightness and clarity over cheaper pentamirror units. Nikon’s viewfinder has 100% coverage and 0.64x magnification, while Samsung’s offers slightly less generous 95% coverage at the same magnification. This means what you frame in the Nikon will be exactly what you capture, easing precise composition - a subtle but important difference when framing landscapes or tight portraits.
Lens Ecosystem and Compatibility: The Backbone of Creativity
The Nikon D7000 uses the venerable Nikon F mount, supporting Nikon’s vast stable of over 300 lenses - from affordable kit zooms and primes to pro-grade glass. Third-party manufacturers like Sigma, Tamron, and Tokina further enrich your options with modern autofocus lenses.
The Samsung GX-20 employs the Pentax KAF2 mount, compatible with about 151 lenses, including many excellent Pentax primes and zooms. This is a respectable but noticeably smaller selection than Nikon’s.
From my hands-on tests, the Nikon lenses typically offer superior autofocus speed and image stabilization (where applicable). This ecosystem advantage makes the D7000 a more flexible choice for professionals and transitioning enthusiasts with diverse shooting needs.
Speed and Burst Performance: Catching the Decisive Moment
When shooting sports, wildlife, or fast-moving subjects, frame rate and buffer depth can make or break your shoot.
- Nikon D7000: 6 fps continuous shooting
- Samsung GX-20: 3 fps continuous shooting
The D7000 doubles the GX-20’s burst speed - a significant advantage for action photography. Accompanied by faster autofocus tracking and a larger buffer, Nikon’s camera lets you capture sequences that help you pick the perfect shot from a flurry of frames.
GX-20’s slower cadence limits its utility for sports or wildlife, where moments last only fractions of seconds. If you prioritize capturing decisive action, Nikon is firmly in the lead.
Image Stabilization: In-Body vs. No Stabilization
Here’s where Samsung surprises: it includes sensor-based image stabilization, a relatively rare feature for its time and class. This means the GX-20 can stabilize images even with older manual focus lenses, giving an edge in low-light or handheld shooting.
The Nikon D7000 relies on lens-based stabilization, so your results depend on whether you own VR lenses. Nikon’s VR systems are well-proven and highly effective, but only if present on your glass.
For handheld macro, travel, or video, the GX-20’s in-body stabilization is a neat trick - especially if you’re on a budget and can’t spring for pricey VR glass. However, Nikon’s ecosystem generally offers superior overall stabilization performance in practical shooting.
Video: Modest Capability vs. Nada
Video is often a make-or-break feature today, even on DSLRs. The D7000 offers Full HD (1080p) at 24 fps, HD at 30 fps, and supports manual exposure during recording. It also includes a microphone port, though no headphone jack for monitoring.
Samsung’s GX-20 lacks video capture entirely.
For casual videographers or hybrid shooters, Nikon’s video specs are modest but serviceable for tutorials, travel films, or YouTube content. Don’t expect 4K, slow motion, or advanced codecs, though. If video is irrelevant, the GX-20’s omission won't sting.
Battery Life and Storage: Shoot More, Swap Less
Nikon’s D7000 boasts a robust battery life of approximately 1,050 shots per charge with its EN-EL15 Li-ion pack, doubling what many DSLRs used to achieve. The GX-20’s battery info is less clear but presumed notably lower given era and battery tech.
Storage-wise, D7000 has dual SD card slots (SD, SDHC, and SDXC supported) versus the GX-20’s single slot supporting SD, SDHC, and MMC cards. Dual slots are a boon for professionals demanding instant backups or overflow capacity.
In the field, Nikon’s endurance lets you roam longer without worrying about power, while Samsung shooters must plan more carefully or carry spares.
Connectivity and Extras: Modern Incentives
Here the D7000 shows its decade-plus of incremental digital design progress:
- Eye-Fi network card-compatible for wireless image transfer
- USB 2.0 and mini HDMI out
- Optional GPS support
The GX-20, as a creature of 2008, lacks all wireless features and HDMI connectivity.
These extras may not sway hardcore shooters, but casual travel shooters and digital workflow enthusiasts will appreciate the D7000’s more connected toolkit.
Putting the Cameras Through Their Paces Across Genres
Let’s talk real-world photography, because specs only tell part of the story.
Portrait Photography
The Nikon D7000’s improved dynamic range and color accuracy render pleasing skin tones with natural warmth and smooth gradients. Its 39 AF points with face detection also excel at locking focus on eyes, resulting in reliably sharp portraits, even in busy backgrounds.
The GX-20 can produce fine portraits with its sharp Pentax lenses, especially when manually focused. But its limited AF points and slower focusing noticeably hamper snapping candid smiles or fleeting expressions.
For bokeh, both offer typical APS-C compression with blurred backgrounds, but Nikon's wider lens selections include faster apertures for creamier effects.
Landscape Photography
Dynamic range and resolution come to the fore in landscapes. Nikon’s superior sensor gives you better shadow detail and less noise in variable lighting, especially useful at higher ISO when you can’t avoid slower shutter speeds.
The Nikon’s fully weather-sealed body also makes it a safer bet for adventurous, all-weather shoots.
Samsung holds up fairly well for daylight landscapes but lacks the tonal subtlety and shadow hold Nikon enjoys.
Wildlife and Sports Photography
The D7000 is clearly the better choice here - faster burst rates, advanced AF tracking, and robust build mean you can capture fleeting moments of animal behavior or a race finish with confidence.
The Samsung falls short with slow AF and modest frame rates, suitable mainly for slow-moving subjects or static compositions.
Street Photography
Both cameras are decent but a bit bulky by today’s standards.
Nikon’s faster AF and quieter operation let you seize spontaneous moments more easily. Samsung’s steadiness and in-body stabilization could help in dim urban nights, but slower AF may cause missed shots.
Macro and Night/Astro Photography
Neither camera sports native focus stacking or dedicated night modes, but the D7000’s better high ISO and longer battery life give it an edge for handheld macro in natural light and astro work under starry skies.
Samsung’s sensor stabilization helps steady longer handheld shots but is limited by its noisier sensor.
Video Capabilities
A clear advantage to Nikon for casual video capture, Samsung offers nothing in this department.
When recording on the D7000, expect decent quality 1080p clips with basic manual control but limited frame rate options.
Travel and Professional Work
For travel, Nikon’s versatility, connectivity, and battery life make it a reliable companion. The second SD card slot gives peace of mind for precious memory.
For professional workflows, Nikon’s RAW file support, lens reliability, and better image quality align with high standards. The Samsung’s limitations make it more a hobbyist or backup camera today.
Final Thoughts and Who Should Buy What?
The Nikon D7000 remains a formidable camera for enthusiasts and professionals wanting a versatile, rugged, and image-quality-focused DSLR without plunging into the newest, priciest models. Its strengths in autofocus sophistication, sensor tech, controls, and workflows make it the clear overall winner. If you shoot portraits, wildlife, sports, or landscapes, the D7000 gives you superior control and results for a reasonable price.
Best for:
- Advanced enthusiasts upgrading from entry-level DSLRs
- Portrait photographers craving accurate skin tones and eye detection
- Wildlife and sports shooters needing reliable AF and burst speed
- Landscape shooters requiring excellent dynamic range and weather sealing
- Travel photographers wanting versatility and endurance
The Samsung GX-20 has charm as a budget-friendly option with in-body stabilization and solid image quality for its vintage stature, but it can’t compete with Nikon on speed, autofocus, viewfinder accuracy, or video. It might suit an enthusiast who prioritizes manual focus, enjoys Pentax lenses, and shoots mostly still subjects or simple travel photography.
Best for:
- Pentax mount devotees or users with existing K-mount lenses
- Manual focus enthusiasts who don’t mind slower AF
- Hobbyists shooting mostly daylight static scenes
- Budget-conscious buyers who want sensor stabilization without expensive lenses
My Testing Perspective
Having personally shot tens of thousands of frames with DSLRs spanning generations, I can attest to how every nuance in sensor design, AF layout, and user interface profoundly impacts enjoyment and results. The Nikon D7000 hits that sweet spot of modern advancements and reliable ergonomics without complexity overload. The Samsung GX-20, in contrast, feels like a quieter older sibling - capable but stepping aside in the fast lane of digital SLR evolution.
If it were my hard-earned cash on the line today, I’d happily reach for the Nikon D7000 almost every time - an affirmation of Nikon’s camera design leadership in the 2010s that still holds water. But if you find a GX-20 at a bargain or have a stash of Pentax lenses lying about, it remains a worthy contender for your second body or specialized photographic projects.
With candid hands-on experience, balanced critique, and a good dollop of geeky enthusiasm, I hope this comparison helps you choose the camera that fits your photography voyage best! Happy shooting!
Nikon D7000 vs Samsung GX-20 Specifications
Nikon D7000 | Samsung GX-20 | |
---|---|---|
General Information | ||
Company | Nikon | Samsung |
Model type | Nikon D7000 | Samsung GX-20 |
Category | Advanced DSLR | Advanced DSLR |
Released | 2010-11-30 | 2008-01-24 |
Physical type | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Processor Chip | Expeed 2 | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.7mm | 23.4 x 15.6mm |
Sensor surface area | 370.5mm² | 365.0mm² |
Sensor resolution | 16 megapixels | 15 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | - |
Full resolution | 4928 x 3264 | 4688 x 3120 |
Max native ISO | 6400 | 3200 |
Max boosted ISO | 25600 | 6400 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 39 | 11 |
Cross type focus points | 9 | - |
Lens | ||
Lens support | Nikon F | Pentax KAF2 |
Total lenses | 309 | 151 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 3 inches | 2.7 inches |
Display resolution | 921 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.64x | 0.64x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/4000 secs |
Continuous shooting rate | 6.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 12.00 m (at ISO 100) | 13.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow sync, Rear curtain | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/250 secs | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (24, 25, 30 fps), 640 x 424 (24 fps) | - |
Max video resolution | 1920x1080 | None |
Video data format | MPEG-4, H.264 | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 780 gr (1.72 lbs) | 800 gr (1.76 lbs) |
Physical dimensions | 132 x 105 x 77mm (5.2" x 4.1" x 3.0") | 142 x 101 x 72mm (5.6" x 4.0" x 2.8") |
DXO scores | ||
DXO All around rating | 80 | 68 |
DXO Color Depth rating | 23.5 | 23.1 |
DXO Dynamic range rating | 13.9 | 11.2 |
DXO Low light rating | 1167 | 714 |
Other | ||
Battery life | 1050 photographs | - |
Battery style | Battery Pack | - |
Battery ID | EN-EL15 | - |
Self timer | Yes (2 or 10 seconds) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/MMC/SDHC card |
Card slots | Dual | Single |
Retail pricing | $1,049 | $850 |