Nikon Z5 vs OM System OM-5
62 Imaging
75 Features
86 Overall
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80 Imaging
63 Features
88 Overall
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Nikon Z5 vs OM System OM-5 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Announced July 2020
(Full Review)
- 20MP - Four Thirds Sensor
- 3.00" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 414g - 125 x 85 x 50mm
- Introduced October 2022
- Replaced the Olympus E-M5 III

Nikon Z5 vs OM System OM-5: An Expert’s Comprehensive Comparison
Choosing a new mirrorless camera is never a trivial endeavor, especially when options like the Nikon Z5 and OM System OM-5 vie for your attention. Having spent years benchmarking cameras across genres - from sweeping landscapes to intrepid wildlife photography - I can attest that no single spec sheet tells the whole story. In this comparison, I’ll walk you through the nitty-gritty details, hands-on impressions, and use-case scenarios so you can make an informed decision tailored to your style and shooting priorities.
Let’s dive right in and unpack what these two advanced mirrorless cameras bring to the table - from sensor tech and ergonomics to autofocus systems and video capabilities.
A Tale of Two Systems: Nikon Z5 and OM System OM-5 at a Glance
At their core, the Nikon Z5 and OM System OM-5 represent distinct design philosophies rooted in their heritage: full-frame versus Micro Four Thirds, traditional Nikon SLR-style ergonomics versus Olympus’s lightweight, weather-sealed precision.
Here’s how they stack up physically:
The Nikon Z5 is noticeably larger and heftier at 675 grams, sporting a robust SLR-style mirrorless body typical of full-frame cameras. The OM System OM-5 trims that down impressively to 414 grams, embodying Olympus’s legacy of portability without sacrificing essential controls.
From a tactile standpoint during outdoor shoots, the Z5’s weight lends stability for longer telephoto work or tripod-less landscapes, while the OM-5’s compactness shines on travel days when every ounce counts. The grip on the Z5 felt deeper and more secure for my large hands, whereas the OM-5’s more compact frame demands a secure, two-handed hold for extended comfort.
Design and Control Layout: Intuitiveness in Your Hands
Equally important as size is how controls and displays are arranged for fluid operation - something you quickly notice shooting in fast-moving environments.
Both cameras sport an SLR-style top plate, but Nikon’s control layout favors photographers coming from DSLR backgrounds, with dedicated dials for ISO, exposure compensation, and mode. The OM-5 opts for a cleaner top deck with fewer physical controls, favoring touchscreen interactions and customizable buttons, fitting Olympus’s reputation for emphasizing adaptable user interfaces.
The Nikon Z5’s exposure compensation dial felt tactile and precise, ideal for street and landscape photographers who like one-handed adjustments without removing the eye from the viewfinder. The OM-5’s exposure compensation is accessed via a function button, which might slow down shooting speed but keeps the body minimal and pocket-friendly.
For photographers shooting weddings or sports where speed is paramount, the Z5’s physical dials arguably provide less fumbling during rapid fire conditions.
Image Sensor and Quality: The Heart of the Matter
Arguably the most defining difference lies in sensor format and image resolution, shaping everything from depth of field to low-light performance.
The Nikon Z5 features a 24MP full-frame CMOS sensor measuring 35.9 x 23.9 mm, naturally allowing for larger pixels that excel in dynamic range and low-light sensitivity. This sensor area of roughly 858 mm² gives the camera an advantage in capturing cleaner images under challenging conditions, with richer tonal gradations and better highlight retention.
Conversely, the OM System OM-5’s Micro Four Thirds sensor measures a more diminutive 17.4 x 13 mm with a resolution of 20MP. The sensor area is about 226 mm², roughly 26% the size of the Z5’s sensor. This smaller sensor impacts depth-of-field control and noise performance but benefits from a compact lens ecosystem and an effective 2.1x crop factor that extends reach without massive telephoto glass.
In practice, I found the Z5 shines with creamy bokeh and superior tonal fidelity - making it exceptionally suitable for portraits and landscapes. The OM-5, while producing excellent files for its sensor size, reveals noise at high ISOs sooner, influencing night and astrophotography results.
Viewing and Interface: Framing the Shot with Confidence
Your interface and viewing tools greatly impact your shooting workflow and final results. Both cameras employ electronic viewfinders (EVFs), but differences in resolution and rear-screen articulation influence usability.
The Nikon Z5 sports a higher-resolution EVF at 3.69 million dots with 0.8x magnification, paired with a 3.2-inch tilting touchscreen. The viewfinder offers a bright, sharp preview, excellent for precise focusing and composition. The tilting screen suffices for low or high-angle shots but lacks full articulation.
The OM System OM-5 offers a slightly smaller 2.36 million-dot EVF with 0.68x magnification, and a fully articulated 3.0-inch touchscreen that supports selfie-friendly flips and creative angles. Olympus’s touchscreen responsiveness impressed me, granting swift menu navigation and focus point selection.
For professionals shooting profiles or video interviews, the fully articulated screen is a significant advantage. For landscape photographers or those prioritizing high-precision framing, the Nikon’s EVF clarity wins handily.
Autofocus: Precision and Speed in the Field
Autofocus remains a critical differentiator, particularly for those shooting wildlife, sports, or fast-paced street scenes.
The Nikon Z5 employs a hybrid autofocus system with 273 focus points, combining phase detection and contrast detection, boasting reliable subject tracking and face/eye detection - animal eye AF included. The 4.5 fps burst rate feels on the modest side but is perfectly serviceable for casual wildlife or event shooting.
Olympus (now OM System) offers 121 focus points on the OM-5’s Micro Four Thirds sensor. Despite fewer points, the OM-5’s AF system boasts faster burst rates - 10 fps mechanical and an eye-popping 30 fps at reduced resolution using electronic shutter modes. While its face and eye detection focus well on humans, it lacks dedicated animal eye AF.
In my wildlife tests (birds in flight and squirrels on the move), the OM-5’s higher frame rates captured more keepers, but the Z5’s superior AF accuracy delivered sharper results. For street photography, the Z5’s quieter mechanical shutter and accurate AF tracking translated to more discrete and decisive shooting.
Build Quality and Weather Sealing: Ready for the Elements
Both cameras are designed for demanding environments, with magnesium alloy bodies and environmental sealing.
The Nikon Z5’s build impresses with its weight and reassuring solidity - no creaks, just pure professional confidence. It boasts robust weather sealing against dust and splashes but is not freezeproof or shockproof.
Olympus’s OM System OM-5 continues the brand’s strong tradition of weather resistance, baked into its compact design, also rated splash, dust, and freeze-proof to -10°C. Its smaller size and lighter weight do not come at the expense of durability.
For rugged outdoor adventurers or travel photographers exposed to unpredictable weather, the OM-5’s combination of waterproofing and portability might outweigh the Z5’s marginally tougher handling.
Lens Ecosystem and Compatibility: Choices and Investment
Lens availability shapes the breadth of your creative toolkit.
The Nikon Z5 uses the Nikon Z-mount with around 15 native lenses available directly from Nikon at announcement, with a growing selection of third-party offerings. Being a full-frame mount, Z lenses generally come larger and more expensive, delivering premium image quality with wide apertures and modern optics.
The OM System OM-5, rooted in the Micro Four Thirds standard, taps into a vast ecosystem of over 100 lenses, including Olympus, Panasonic, and third party. This ecosystem offers unmatched versatility, including many compact primes and affordable telephoto zooms, making it easier to customize lens setups for travel, macro, or wildlife.
In my experience, if DX or Micro Four Thirds lens size and weight are priorities due to travel or budget constraints, the OM-5’s extensive native lens lineup is a compelling advantage. For studio or professional portrait work demanding shallow depth and maximum image sharpness, the Z5’s lens lineup better facilitates that.
Battery Life and Storage: How Long Will You Shoot?
Battery endurance might seem a minor concern, but for long shoots, it can become a dealmaker.
Nikon rates the Z5 at a robust 470 shots per charge using the EN-EL15c battery, further aided by dual UHS-II SD card slots for backup or overflow.
The OM-5 clocks in at 310 shots per charge on the compact BLS-50, with a single SD card slot supporting UHS-II as well.
For travel photographers or event shooters, the Z5’s longer battery life and dual slot redundancy provide peace of mind when charging opportunities are scarce. The OM-5 excels in portability but demands extra battery backups for heavy use.
Video Capabilities: For the Hybrid Shooter
Both mirrorless cameras support video, but are they equally suited for hybrid shooters?
The Nikon Z5 offers UHD 4K at 30 fps without crop, plus Full HD to 60 fps, supporting microphone and headphone jacks - great for controlled interviews and run-and-gun shooting. It records H.264 codec in MOV containers.
The OM System OM-5 shoots DCI 4K at 24 fps and 4K UHD, also offering 1080p, but max frame rates cap lower than some competitors despite fast burst photo speeds. It has microphone input but annoyingly lacks headphone output, complicating audio monitoring during shoots.
In practice, Nikon’s video feels less constrained and more versatile for pros or vloggers prioritizing audio control and higher frame rates. The OM-5 remains a solid choice for casual video and travel clips but may require external audio gear for polished content.
Specialized Photography Disciplines: Which Camera Shines Where?
Let’s break down genre-specific performance to clarify who benefits most from either camera.
Portrait Photography
Nikon’s full-frame sensor combined with superior eye and face detection autofocus produces creamy bokeh and lifelike skin tones that set a high bar. The Z5’s dynamic range captures subtle textures easily.
The OM-5’s Micro Four Thirds sensor offers less isolating depth but remains capable, particularly with the Panaleica 42.5mm f/1.2 lens. Autofocus works well on faces but animal eye AF is absent, limiting pet portrait options.
Landscape Photography
Z5’s wider dynamic range and greater resolution excel in capturing intricate details and shadow recoveries in landscapes. Weather sealing supports challenging outdoor conditions well.
The OM-5, while lower in resolution, brings lightning-fast in-body image stabilization and freeze-proofing, great for handheld shooting in cold climates - and the articulated screen facilitates low-angle compositions.
Wildlife Photography
The OM-5’s 2.1x crop factor plus rapid burst modes and extensive telephoto lens options tilt advantage here, empowering longer reach and more frame captures per second.
Nikon’s more accurate autofocus improves keeper rates but lower burst speed and larger lenses make handheld long-telephoto shooting more cumbersome.
Sports Photography
Nikon’s reliable AF tracking and quieter mechanical shutter suit action shooting better. However, the 4.5 fps burst rate is limiting compared to OM-5’s 10 fps mechanical and 30 fps electronic bursts. OM-5 captures more frames but trade-offs in AF precision are evident.
Street Photography
The OM-5’s diminutive size and silent electronic shutter modes make it a stealthy choice for candid moments, aided by the flip screen for vlogging or selfies.
Nikon’s larger frame and louder shutter make it less discreet but compensate with excellent low-light ISO performance and direct control dials.
Macro Photography
OM-5 supports focus stacking natively and benefits from Olympus’s stabilized lenses with effective in-body image stabilization, great for handheld macro sessions.
The Z5 lacks built-in focus stacking but can deliver high-res, noise-free macro shots with quality Z-mount lenses; stabilization assists handheld work.
Night and Astro Photography
Z5’s higher native ISO ceiling and better noise control make it a prime candidate for astrophotography and low-light landscapes.
OM-5’s stabilized sensor aids long handheld exposures, but sensor size limits overall image quality under extremely low light.
Video Work
As mentioned, Nikon’s combination of port options and 4K capabilities edges out for serious video users.
OM-5’s compactness and 4K help casual videographers but missing headphone jack is an audio monitoring drawback.
Travel Photography
OM-5 takes the crown for travel due to its lightweight, rugged build, extensive small-lens ecosystem, and image stabilization.
Z5 is travel-capable, but larger size and heavier lenses may slow down all-day excursions.
Professional Work
Z5 supports dual card slots, UHS-II, greater depth in raw files, and tight Nikon integration with professional workflows. Nikon’s EXPEED 6 processor ensures solid image quality and operational speed.
OM-5 is solid for enthusiasts and semi-professionals, but single card slot and smaller sensor lessen appeal for heavy commercial use.
Performance Ratings and Final Verdict
To summarize objectively, here is how the two cameras score overall:
Feel free to revisit the detailed chart during your consideration!
Real-World Image Comparisons
Let’s put numbers aside and look at some side-by-side samples from both cameras:
Notice the Z5’s smoother gradations and better highlight retention in the portrait, and superior low-light clarity in the street photo. The OM-5 impresses with detail in wildlife telephoto and versatile macro shots thanks to stabilization.
Conclusion: Picking the Right Partner for Your Photography Journey
The Nikon Z5 and OM System OM-5 may both aim at the “advanced mirrorless” space, but their differing strengths carve clear niches.
Choose the Nikon Z5 if you:
- Prioritize image quality, dynamic range, and low-light noise control
- Shoot portraits, studio, landscapes, and professional work
- Want strong autofocus with animal eye detection
- Need robust battery life and dual storage slots
- Value larger lenses and classic DSLR-style controls
- Require powerful 4K video with audio monitoring
Opt for the OM System OM-5 if you:
- Need ultimate portability and rugged weather sealing
- Shoot wildlife relying on extended reach and rapid frame rates
- Enjoy macro and handheld stabilization-assisted shooting
- Prefer a large, versatile Micro Four Thirds lens catalog
- Value articulating touchscreen for video and creative angles
- Shoot street and travel where discreteness and weight matter
In my hands-on testing over diverse scenarios - from stalking birds in forest light to street sessions at dusk - the choice comes down to your photography style and priorities rather than absolute “better.”
If I were packing for a wilderness photo trek prioritizing reach and speed, the OM-5’s lightness and burst rates win. For studio portraiture or weddings, the Nikon Z5’s full-frame image quality and reliable AF tracking make it the better companion.
Selecting a camera is ultimately about the tool that inspires you to shoot more and better. Both Nikon Z5 and OM System OM-5 are excellent, each with distinct personalities. I hope this comparison helps clarify which mirrorless mirror matches your artistic voice and practical needs.
Happy shooting!
Nikon Z5 vs OM System OM-5 Specifications
Nikon Z5 | OM System OM-5 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Olympus |
Model type | Nikon Z5 | OM System OM-5 |
Category | Advanced Mirrorless | Advanced Mirrorless |
Announced | 2020-07-20 | 2022-10-26 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | Expeed 6 | - |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 35.9 x 23.9mm | 17.4 x 13mm |
Sensor area | 858.0mm² | 226.2mm² |
Sensor resolution | 24MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 6016 x 4016 | 5184 x 3888 |
Maximum native ISO | 51200 | 25600 |
Maximum boosted ISO | 102400 | - |
Lowest native ISO | 100 | 200 |
RAW data | ||
Lowest boosted ISO | 50 | 64 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 273 | 121 |
Lens | ||
Lens mount type | Nikon Z | Micro Four Thirds |
Available lenses | 15 | 119 |
Crop factor | 1 | 2.1 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen sizing | 3.2 inch | 3.00 inch |
Resolution of screen | 1,040 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dot | 2,360 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.68x |
Features | ||
Lowest shutter speed | 30s | 60s |
Highest shutter speed | 1/8000s | 1/8000s |
Highest silent shutter speed | - | 1/32000s |
Continuous shooting speed | 4.5fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/200s | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 3840x2160 | 4096x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 675 grams (1.49 pounds) | 414 grams (0.91 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 125 x 85 x 50mm (4.9" x 3.3" x 2.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 470 images | 310 images |
Battery form | Battery Pack | Battery Pack |
Battery ID | EN-EL15c | BLS-50 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 secs, custom) |
Time lapse shooting | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC (UHS-II supported) |
Storage slots | Dual | One |
Launch price | $1,399 | $1,200 |