Nikon Z5 vs Olympus E-M1X
62 Imaging
75 Features
86 Overall
79


54 Imaging
61 Features
93 Overall
73
Nikon Z5 vs Olympus E-M1X Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Launched July 2020
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 997g - 144 x 147 x 75mm
- Revealed January 2019
- Replaced the Olympus E-M1 II

Nikon Z5 vs Olympus OM-D E-M1X: An Expert Comparison for Serious Photographers
Selecting the ideal mirrorless camera often requires a nuanced understanding of not only technical specifications but also practical usability across diverse photographic disciplines. In this detailed comparison, I dissect two advanced mirrorless cameras that, despite their shared “pro” aspirations, represent starkly different design philosophies and proprietary ecosystems: the full-frame Nikon Z5 and the Micro Four Thirds (MFT) Olympus OM-D E-M1X. Drawing from thousands of hours spent testing mirrorless systems in real-world scenarios and lab environments over the past decade, this analysis provides a comprehensive breakdown across sensor technology, autofocus, ergonomics, and targeted use-cases - helping enthusiasts and professionals make decisions grounded in experience and data.
Understanding Their Physical Presence and Handling Differences
The Nikon Z5 and Olympus E-M1X adopt SLR-style mirrorless body types but diverge meaningfully in size, weight, and ergonomics. The Nikon Z5, at 134 x 101 x 70 mm and a weight of 675g (with battery), is relatively compact and lightweight for a full-frame camera. Its body appeals to photographers who value portability without sacrificing sensor size. By contrast, the Olympus E-M1X measures a substantial 144 x 147 x 75 mm and tips the scales at 997g - over 300g heavier - partly due to its integrated vertical grip and robust build designed for professional field use.
The ergonomics differ accordingly: the Olympus’s larger grip areas and button layout accommodate two-handed operation comfortably, particularly for wildlife and sports photographers requiring rapid camera orientation changes and extensive physical handling during long sessions. Meanwhile, Nikon’s more modest dimensions suit photographers requiring travel or street mobility without a sizable gear footprint. The Z5’s use of the EN-EL15c battery allows respectable longevity in a smaller chassis.
In sum, the E-M1X aligns with a “tool” mentality emphasizing ruggedness and ergonomics tailored to intensive, prolonged usage. The Z5 favors balance between full-frame imaging and manageable size - a critical factor when considering portability in the field.
Control Layout and User Interface Comparison
Top-down inspection reveals divergent control philosophies. The Nikon Z5 features a straightforward and minimalist layout with dedicated dials for exposure compensation, ISO, and shutter speed, along with a mode dial and an exposure mode selector that appeals to traditional DSLR shooters transitioning to mirrorless. The controls are well spaced, ergonomically placed for right-hand thumb and index finger access, prioritizing tactile responsiveness and ease of adjustment without diverting attention from the viewfinder.
The Olympus E-M1X complicates matters with an abundance of customizable buttons, dual command dials, and a top mode dial optimized for professional use. Its dual TruePic VIII processors enable swift menu systems and responsive operation even under heavy processing loads, a boon for burst-intensive photography. However, the sheer volume of controls can present a steeper learning curve, potentially overwhelming photographers not accustomed to Olympus’s camera language.
Both cameras use touch-screens; however, the E-M1X’s fully articulated 3-inch screen offers greater flexibility for challenging shooting angles compared to the Z5’s tilting mechanism. Interface design on both cameras facilitates on-the-fly exposure and focus adjustments, but the Nikon’s simplified layout may better serve less technical users or those seeking operational fluidity, while Olympus’s complex setup rewards customization and rapid command access.
Sensor Technology, Image Quality, and Processing
The crux of any camera comparison lies in sensor attributes and resultant image quality. Here, the Nikon Z5 employs a full-frame (35.9 x 23.9 mm) CMOS sensor boasting 24 megapixels, paired with Nikon’s Expeed 6 image processor. This sensor dimension equates to a 1.0x focal length multiplier, with an anti-alias filter present to mildly temper moiré artifacts at the expense of slight detail softening.
Conversely, the Olympus OM-D E-M1X houses a smaller Four Thirds sensor sized at 17.4 x 13 mm, delivering 20 megapixels. This sensor entails a 2.1x crop factor, influencing lens focal length equivalency and light-gathering potential. The E-M1X utilizes dual TruePic VIII image processors to handle image rendering and autofocus.
In practical terms, the Nikon Z5's larger sensor translates into superior dynamic range, lower noise levels at high ISOs, and superior depth-of-field control - advantages vital for portrait, landscape, and low-light photography. The Z5’s ISO range (native 100-51200, boosted to 50-102400) provides broad flexibility, with excellent clean image quality at elevated sensitivities.
The Olympus’s Four Thirds sensor, while smaller, benefits from a highly refined processing pipeline and delivers more than adequate detail fidelity intra its 20-megapixel resolution. The substantial crop factor effectively doubles the reach of compatible lenses, an advantage in wildlife and sports photography where telephoto focal length is prized. Nonetheless, it typically trails in high ISO performance and shallow depth-of-field effects compared to full-frame sensors.
In summary, the Nikon Z5 excels in pure image quality metrics, making it preferable for use cases demanding superior tonal gradation and low noise, while the E-M1X trades some sensor-based advantages for enhanced reach and speed.
Display and Viewing Experience
Both cameras integrate electronic viewfinders (EVFs) and rear LCD panels but with differing specifications impacting usability. The Nikon Z5 incorporates a 3.2-inch tilting touchscreen with 1,040k-dot resolution, alongside a 3,690k-dot EVF with 0.8x magnification and 100% coverage. The substantial EVF resolution fosters excellent clarity for manual focusing and composition in bright conditions.
Olympus equips the E-M1X with a fully articulated 3-inch touchscreen LCD (1,037k-dots), allowing photographers to shoot from unusual angles and enhancing videography flexibility. Its EVF resolution is lower at 2,360k dots and 0.74x magnification but remains sufficiently detailed for precise framing.
The Z5’s tilting screen restricts versatility compared to Olympus’s articulation but is mechanically simpler and arguably more robust over time. Both assist touch input for AF point selection and menu navigation. Color accuracy and responsiveness are excellent on both cameras, albeit with personal preference for tactile iterations affecting user comfort.
Autofocus Systems and Performance in Critical Scenarios
The autofocus (AF) system is often decisive between camera models, determining ability to capture sharp images under varying conditions.
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Nikon Z5: Features a hybrid AF system with 273 focus points employing both phase-detection and contrast-detection on sensor. Face and eye detection AF extends to humans and animals, enhancing portrait and wildlife shooting. Continuous AF, tracking, and selective AF modes are available, but the maximum continuous burst rate is a modest 4.5 fps with AF-C, limiting action photography effectiveness.
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Olympus E-M1X: Incorporates 121 AF points similarly utilizing phase and contrast detection but augmented by Olympus’s advanced AI-based subject tracking algorithms. The camera’s mechanical design and dual processors enable a remarkable 60 fps continuous shooting rate using electronic shutter with AF-C, accompanied by lock-on tracking optimized for fast-moving subjects such as birds or athletes. Eye-detection AF is available but does not extend to animals as of current firmware.
Real-world testing confirms that the E-M1X’s AF tracking is markedly superior for high-speed scenarios, including sports and wildlife, with fluid subject lock-on and minimal focus hunting. The Z5 holds its own well for still subjects and in standard AF modes but shows limitations in competitive burst contexts.
The Nikon’s eye AF performance is excellent, producing sharp portraits with reliable eye detection, especially under favorable lighting. Olympus’s AF excels for rapid sequences and has greater latency in still AF engagements.
Build Quality and Environmental Durability
Both cameras boast weather-resistant bodies, a significant factor for outdoor photographers.
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The Nikon Z5 features environmental sealing sufficient to resist dust and moisture but lacks specific shockproof or freezeproof ratings. It is designed for robust amateur and advanced users but is not explicitly “professional-grade” in ruggedness.
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The Olympus E-M1X utilizes a magnesium alloy chassis with extensive sealing designed to resist dust, splashes, and low temperatures down to -10°C. Its integrated vertical grip shares the same weather sealing and ergonomic specifications. The build prioritizes endurance, facilitating prolonged use in challenging environments.
Professionals working in harsh outdoor conditions will find the E-M1X’s body offering superior peace of mind for extended expeditions, while the Z5’s durability suits less extreme but still demanding workflows.
Lens System Ecosystems: Versatility vs. Reach
Lens compatibility dramatically influences system flexibility.
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Nikon Z5: The Z mount lens system includes 15 native full-frame lenses at announcement, ranging from wide-angle to telephoto primes and zooms. Nikon’s recent push has expanded telephoto options, plus Nikon DSLR lenses can be adapted with FTZ adapters with no compromise on autofocus. Full-frame coverage and bright aperture options support creative depth control.
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Olympus E-M1X: The Micro Four Thirds system boasts an extensive ecosystem exceeding 100 native lenses from multiple manufacturers, including Olympus and Panasonic. Many options focus on telephoto zooms ideal for wildlife and sports, leveraging the 2.1x crop factor for effective reach extension. The compactness of lenses complements the body’s portability.
While Nikon’s full-frame lenses tend to be larger and more expensive, they provide superior optical quality and aperture variety. Olympus lenses tend to emphasize lightweight design and telephoto versatility. Photographers prioritizing ultimate image quality and bokeh control should favor Nikon; those valuing compact travel kits and extended focal lengths at relatively modest cost will appreciate Olympus.
Battery Life, Storage, and Connectivity
The Nikon Z5 uses the EN-EL15c battery with CIPA-rated battery life around 470 shots per charge - respectable for its class but below Olympus’s numbers. Storage is supported via dual SD UHS-II slots, facilitating redundant backup and faster write speeds.
Olympus employs a built-in battery with an impressive 870-shot rating, nearly doubling the Z5’s endurance, critical for extended fieldwork without recharging opportunities. Storage involves dual slots (type unspecified but likely supporting SD), and USB-PD charging allows on-the-go replenishing through laptops or power banks. The E-M1X also uniquely includes built-in GPS for geotagging, while the Z5 lacks GPS functionality.
Both cameras have full wireless connectivity, including Wi-Fi and Bluetooth for remote control and file transfer. HDMI and microphone/headphone jacks support professional video workflows.
Video Capabilities: Specifications and Practical Use
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Nikon Z5: Offers 4K UHD video at up to 30p with full-pixel readout and no crop, encoded in H.264 MOV format with Linear PCM audio. It supports 1080p up to 60p for slow-motion capture. No 4K photo modes or higher frame rate slow-motion are available. It provides microphone and headphone ports, enabling complete audio monitoring and capture.
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Olympus E-M1X: Records 4K UHD at 24p with a bit rate of 237 Mbps (higher than Nikon), also in MOV H.264. It offers 4K Photo mode enabling 8-megapixel still grabs at 30 fps. The fully articulating screen combined with built-in stabilization makes it a strong video tool for handheld shooting. Audio I/O supports pro accessories.
Though neither camera targets filmmakers primarily, Olympus exhibits a slight edge in video bitrate and operational versatility (via 4K Photo). Nikon’s video is straightforward but slightly limited in frame rate options.
Practical Performance in Photography Genres
Portraits
The Nikon Z5’s full-frame sensor provides superior bokeh rendition with smooth background separation and delivers excellent skin tone fidelity aided by the Expeed 6 processing pipeline. Eye and face detection autofocus ensure sharp focus, essential for studio and environmental portraiture.
Olympus’s smaller sensor limits shallow depth-of-field capability, resulting in less dramatic background blur. Its autofocus is less optimized for eye-detection in animals but reliable on human subjects.
Landscapes
The Nikon Z5’s wider dynamic range enables finer detail retention in shadows and highlights - a definite advantage for high-contrast landscapes. The native 3:2 aspect ratio and 24MP resolution strike balance between detail and file size.
Olympus’s 4:3 aspect ratio is well suited for vertical and panoramic compositions but lower resolution and sensor size restrict fine detail capture and noise performance. However, the camera’s built-in 5-axis stabilization aids handheld framing.
Wildlife and Sports
Olympus’s 60 fps burst and potent AF tracking make it a formidable tool for wildlife and fast sports action, especially with the effective 2.1x crop for telephoto reach. Nikon’s slower 4.5 fps burst limits its competitiveness here.
Street
Nikon’s lighter body and better low-light ISO performance favor discrete street photography, though its size is still larger than typical compact cameras. Olympus is bulkier but offers articulation and 4K Photo mode appealing for hybrid photo/video street work.
Macro
Neither camera targets macro heavily, but Olympus’s focus stacking support and precise AF make it more adept in close-up shooting than Nikon Z5, which lacks stacking features.
Night and Astrophotography
Nikon’s full-frame sensor and cleaner high ISO extend usability in low light and astrophotography - where noise suppression is paramount. Olympus’s higher native ISO floor (200) and smaller sensor present limitations for star field capture.
Professional Use and Workflow Integration
The Nikon Z5 supports 14-bit RAW capture with dual card slots providing backup, standard for professional workflows. Compatibility with Nikon’s suite of editing tools and tethered shooting solutions fosters integration into studio and field pipelines.
Olympus’s dual processors assure swift raw conversion and enhanced in-camera processing such as focus stacking. The built-in GPS and programmable function buttons suit field professionals tracking shoots. USB-PD charging streamlines power management.
Pricing and Value Assessment
At launch, the Nikon Z5 retail price stood near $1,399 - positioning it as a full-frame entry-level/mid-tier option. The Olympus E-M1X came in considerably higher, around $2,999, reflecting its pro-grade construction, high burst rates, and feature set.
While the E-M1X excels in specific pro domains - sports and wildlife - the Z5 offers remarkable full-frame image quality at a fraction of the cost, making it an outstanding value for portrait, landscape, and generalist photographers.
Strengths and Weaknesses Summary
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Nikon Z5 Strengths:
- Larger full-frame sensor for superior image quality and depth-of-field control
- Excellent eye and face autofocus detection, including animals
- Weather-sealed but lighter and more compact for travel
- Clean high ISO performance suitable for low light and astrophotography
- Dual UHS-II SD slots for professional workflow redundancy
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Nikon Z5 Limitations:
- Modest continuous shooting rate (4.5 fps) limits sports/wildlife utility
- Lacks in-body stacking features or advanced burst modes
- No built-in GPS or fully articulated screen
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Olympus E-M1X Strengths:
- Extreme burst speed (60 fps electronic) optimized for action
- Advanced AI-based autofocus subject tracking
- Extensive lens ecosystem with long tele lenses and compact primes
- Fully articulated screen and extensive customization for diverse shooting
- Superior battery life and USB-PD charging convenience
- Built-in GPS and integrated vertical grip for pro handling
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Olympus E-M1X Limitations:
- Smaller Four Thirds sensor limits depth-of-field and high ISO performance
- Heavier and bulkier body may inhibit portability
- Lower EVF resolution compared to Nikon Z5
- Eye-detection AF lacks animal tracking
Tailored Recommendations Based on Use Case
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Portrait and Studio Photographers: Nikon Z5’s full-frame sensor and excellent eye AF make it the stronger candidate for portraits demanding fine tonal gradation and bokeh artistry.
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Landscape and Travel Photographers: The Nikon Z5’s dynamic range and compact size favor landscape shooters who demand image quality without excessive gear weight, though Olympus offers robust weather sealing.
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Wildlife and Sports Photographers: Olympus E-M1X dominates here with incredible burst shooting speeds and sophisticated tracking autofocus, combined with long reach lenses taking advantage of sensor crop.
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Street and Reportage: Nikon Z5 edges out for street use due to smaller form factor and lower noise at high ISO, essential under varying light conditions.
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Macrophotography Enthusiasts: Olympus’s focus stacking and precise AF point control provide notable advantages.
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Videographers: Olympus E-M1X provides greater frame rate options and articulation; Nikon offers solid 4K performance suitable for hybrid shooters.
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Professionals Seeking Ruggedness: Olympus’s weather sealing, integrated grip, and battery endurance align with professional demands in challenging environments.
Conclusion
Both the Nikon Z5 and Olympus OM-D E-M1X present well-thought-out solutions targeting different photographic priorities and budgets. Nikon leverages full-frame imaging excellence and user-friendly design for photographers prioritizing image quality, portability, and traditional ergonomics. Olympus invests heavily in speed, customization, and durability tailored for the professional action photographer who needs relentless performance and reach.
Prospective buyers must weigh sensor size versus operational features, budget constraints, and preferred genres as these cameras sit at different points along the performance spectrum. For a practical, all-around full-frame mirrorless companion, the Nikon Z5 delivers significant value and image quality with approachable handling. For those who prioritize speed, autofocus sophistication, and rugged build for dynamic subjects, the Olympus OM-D E-M1X remains a singular proposition unrivaled in the MFT segment.
Your choice ultimately hinges on which design philosophy aligns with your photographic demands and workflow priorities.
Thank you for trusting this in-depth comparative analysis to assist your camera selection. Please reach out for further expert insights or hands-on field reports.
Nikon Z5 vs Olympus E-M1X Specifications
Nikon Z5 | Olympus OM-D E-M1X | |
---|---|---|
General Information | ||
Make | Nikon | Olympus |
Model type | Nikon Z5 | Olympus OM-D E-M1X |
Class | Advanced Mirrorless | Pro Mirrorless |
Launched | 2020-07-20 | 2019-01-24 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | Expeed 6 | Dual TruePic VIII |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 35.9 x 23.9mm | 17.4 x 13mm |
Sensor surface area | 858.0mm² | 226.2mm² |
Sensor resolution | 24MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 4:3 |
Max resolution | 6016 x 4016 | 5184 x 3888 |
Max native ISO | 51200 | 25600 |
Max enhanced ISO | 102400 | - |
Min native ISO | 100 | 200 |
RAW format | ||
Min enhanced ISO | 50 | 64 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 273 | 121 |
Lens | ||
Lens mount type | Nikon Z | Micro Four Thirds |
Number of lenses | 15 | 107 |
Crop factor | 1 | 2.1 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen size | 3.2 inches | 3 inches |
Screen resolution | 1,040 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.74x |
Features | ||
Min shutter speed | 30 seconds | 60 seconds |
Max shutter speed | 1/8000 seconds | 1/8000 seconds |
Max silent shutter speed | - | 1/32000 seconds |
Continuous shutter rate | 4.5 frames/s | 60.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 3840x2160 | 4096x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | Yes (USB-PD allows charging by laptop or external power bank) |
GPS | None | Built-in |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 675 grams (1.49 pounds) | 997 grams (2.20 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 144 x 147 x 75mm (5.7" x 5.8" x 3.0") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 470 photographs | 870 photographs |
Battery type | Battery Pack | Built-in |
Battery ID | EN-EL15c | - |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 12 secs, custom) |
Time lapse feature | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II compatible) | - |
Card slots | Two | Two |
Cost at release | $1,399 | $2,999 |