Nikon Z5 vs Olympus E-M5 II
62 Imaging
75 Features
86 Overall
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80 Imaging
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84 Overall
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Nikon Z5 vs Olympus E-M5 II Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Boost to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Announced July 2020
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 469g - 124 x 85 x 45mm
- Released February 2015
- Replaced the Olympus E-M5
- Newer Model is Olympus E-M5 III

Nikon Z5 vs Olympus OM-D E-M5 II: A Hands-On Comparison for Discerning Photographers
In the realm of advanced mirrorless cameras, the Nikon Z5 and Olympus OM-D E-M5 II remain appealing choices - and yet, they belong to somewhat different universes. The Nikon Z5, with its full-frame sensor and modern ergonomics, enters a competitive segment battling for relevance against stalwarts and newcomers alike; meanwhile, the Olympus OM-D E-M5 II, a Micro Four Thirds model now several years old, touts its own distinctive features and value proposition.
I’ve spent considerable time with both bodies, putting them through the paces across a wide photographic spectrum - from portraiture to wildlife to travel shooting. In this detailed, hands-on comparison, I’ll peel back the numbers to reveal how these two cameras perform in real life, dissecting usability, image quality, autofocus, video capabilities, and much more. My goal: provide an authoritative and practical guide so you can confidently identify which camera - and sensor system - best suits your creative vision and budget.
First Impressions: Size, Handling, and Ergonomics
Let’s start with what you feel in your hands - because no matter how good the specs, if a camera feels unwieldy or uncomfortable, it’s a deal-breaker for many photographers.
The Nikon Z5 has the classic SLR-style mirrorless design Nikon fans will find familiar. At 134x101x70 mm and 675 grams, it’s solid yet balanced. Its deeper grip and more generous handhold make it comfortable for extended shooting sessions. I appreciate the reassuring heft that instills confidence without fatiguing the wrist - a sweet spot between portability and professional presence.
The Olympus OM-D E-M5 II, by contrast, is more compact and significantly lighter at 469 grams with 124x85x45 mm dimensions. It exudes a sporty, retro charm - a “pocketable” tool for street shooters and travelers prioritizing portability. However, its smaller grip can challenge users with larger hands or when wielding bigger lenses, particularly telephotos.
Looking at the controls, the Nikon Z5 offers a neat, modern layout with dual command dials, a well-marked mode dial, and nicely spaced buttons. The camera feels intuitive, accommodating both newcomers and seasoned pros. Meanwhile, Olympus has a more traditional OM-D-style control scheme with a dedicated AF mode switch and a top display - features that experienced Olympus shooters cherish for fast access to settings.
The Z5’s tilting 3.2-inch touch screen with 1.04 million dots feels more responsive and spacious than the E-M5 II’s 3-inch fully articulated touchscreen, which has slightly lower resolution. I tend to prefer articulating screens (especially for low or overhead angles), but the Z5’s touchscreen benefits from superior clarity and touch responsiveness.
In short: ergonomically, the Nikon Z5 is built with modern refinement and a comfortable grip, while Olympus E-M5 II excels in portability and accessibility for casual to enthusiast shooters who prize compactness.
A Sensor Showdown: Full Frame vs Micro Four Thirds
Sensor size is always a decisive factor - and here the 35.9x23.9 mm full-frame CMOS sensor of the Nikon Z5 immediately stands out against Olympus’s smaller 17.3x13 mm Four Thirds MOS sensor, more than half the surface area.
With 24 megapixels, the Z5 offers a resolution sweet spot for most photographers - not too high for file management woes, yet finely detailed. The E-M5 II’s 16-megapixel sensor is lower in resolution but still capable, and Olympus has long been praised for optimizing their sensor readout and processing to extract punchy, vibrant images.
That said, sensor size impacts more than just pixels: full frame sensors usually deliver superior dynamic range, lower noise in high ISO, and more natural bokeh due to wider aperture potential and shallower depth of field. On paper, Nikon’s Z5 current-generation EXPEED 6 processor further enhances noise reduction and color fidelity compared to Olympus’s older TruePic VII engine.
In practical tests, this means the Z5 is more versatile for low light, wide dynamic range landscapes, and portraiture needing subtle skin tone renders and creamy backgrounds. The Olympus sensor’s smaller pixel pitch and less forgiving ISO performance do limit pushing shadows and highlights. Still, Olympus offers an impressive 5-axis in-body image stabilization (IBIS) system, mitigating some telephoto shake.
Autofocus Performance: Precision and Speed in the Field
Autofocus (AF) systems tend to separate cameras in everyday use. I tested continuous AF, single-shot sharpness, eye and animal detection, and low-light focusing capabilities on both cameras.
The Nikon Z5 boasts 273 on-sensor phase-detect points, covering a wide area and capable of reliable eye and animal detection - features increasingly important for portrait and wildlife shooters. It performs well in continuous tracking (albeit its modest 4.5 fps frame rate caps burst shooting), maintaining lock on moving subjects in decent light.
Olympus’s contrast-detection-only 81-point AF system lacks phase detection and eye AF but compensates somewhat with faster burst rates up to 10 fps and a sharp, peppy manual focus assist system. While less cutting edge by today’s standards, the E-M5 II’s AF can be excellent for street and casual wildlife photography, especially with good lighting.
I observed that in low-light or fast-action sports scenarios, the Nikon Z5 pulled ahead with consistent autofocus accuracy and face/eye tracking. The Olympus struggled to maintain AF tracking in complex environments but rewarded users with speedy SSD write times and a snappy interface.
Image Quality in Different Photography Genres
Understanding the cameras’ capabilities across genres guides where they best fit.
Portrait Photography: Skin Tones and Bokeh
The Nikon Z5’s full-frame sensor helps render skin tones with subtle nuance and natural warmth - a hallmark Nikon is known for. Its ability to separate the subject from background with pleasing bokeh is heightened by the wide aperture lenses native to the Z mount system.
Though the Olympus E-M5 II delivers respectable portrait work, its smaller sensor limits shallow depth of field options. The micro four thirds lens landscape offers many options, but ultimate background separation remains a challenge if you want dreamy, soft backgrounds.
Landscape Photography: Resolution and Dynamic Range
Here, the Z5’s sensor shines. The 24MP images from this camera reveal exceptional detail, and the sensor’s dynamic range means recovering shadows and highlights is less precarious in bright or high contrast scenes. Coupled with weather sealing and rugged build, the Nikon Z5 is a trustworthy companion for serious landscape shooters.
The Olympus E-M5 II also features weather sealing, albeit with lower resolution and less dynamic range. It excels in portability, ideal for hikers or spontaneous outdoor photographers, but after heavy raw processing, images may reveal sensor limitations.
Wildlife and Sports Photography: Autofocus and Burst Rates
Nikon Z5 autofocus speed and 4.5 fps shooting are liminal at best for aggressive wildlife and sports photography, but its full-frame sensor and native long lenses can produce exquisite results for wildlife portraits and nature. Burst speed is below spectrum-leading competition, so action shooters might find it limiting over longer sessions.
Olympus’s 10 fps burst speed is competitive, paired with a lens range rich in telephoto options for the micro four thirds mount, aided by in-body stabilization. For fast-moving subjects at moderate distances, E-M5 II’s responsiveness keeps you in the game.
Street Photography: Discretion and Low-Light Performance
The Olympus E-M5 II’s compact size and quiet shutter modes lend well to candid shooting. Its smaller sensor and fast lenses provide adequate low-light performance - even if noise rises earlier. The relatively discreet profile is an advantage for urban environments.
The Nikon Z5, while more noticeable, delivers cleaner images and better ISO latitude, ideal when you're working in tricky light and want the best image quality possible.
Macro Photography: Stabilization and Precision
Both bodies offer sensor-based 5-axis IS, but Olympus’s system is known more for fine stabilization across lenses, useful in macro shooting to reduce handshake and enhance focus precision during slow, deliberate captures.
The Z5’s stabilization benefits telephoto as well, but its size and bulk may complicate handheld macro work.
Night and Astro Photography: ISO and Exposure
The Nikon Z5 excels in high ISO performance, with less noise at up to 51200 ISO native and some flexibility in boosting. It offers longer shutter speeds (up to 30 sec) to capture star trails, while the Olympus limits minimum shutter speed to 60 seconds but benefits more from stacking techniques and in-camera exposure bracketing.
Video Capabilities: What Each Camera Brings to the Table
Video on these cameras also reflects their design era and target markets.
The Nikon Z5 supports 4K UHD at up to 30p and full HD at 60p, with uncompressed HDMI output, dual micro ports (microphone and headphones), and stabilized footage via sensor-IS. Its video-focused features such as zebra stripes and focus peaking are useful but not as extensive as rivals geared toward video professionals.
Olympus E-M5 II tops out at Full HD 1080p up to 60p, lacking 4K altogether. It offers microphone input but no headphone jack. Stabilization is a strong point and helps generate very smooth handheld clips in Full HD.
Given this, the Nikon Z5 is better suited to hybrid shooters who want high-quality video plus stills, while the Olympus suits casual filmmakers and vloggers demanding compactness.
Build Quality, Weather Sealing, and Durability
Both cameras are weather sealed but not ruggedized against crush, shock, or freezing temps.
Nikon’s build feels more robust for professional day-to-day use; its magnesium alloy frame and sealed buttons provide confidence on field shoots. The Olympus E-M5 II is well sealed and lighter but with more plastic in its body construction, making it ideal for enthusiasts who want some weather resistance without professional-grade toughness.
Battery Life and Storage Considerations
The Z5’s EN-EL15c battery delivers roughly 470 shots per charge - impressive for a mirrorless body - enabling longer shooting sessions without frequent recharging.
Olympus E-M5 II’s BLN-1 battery yields around 310 shots, typical of its generation. The smaller form factor contributes to shorter endurance.
The Nikon also sports dual SD card slots (UHS II compatible), offering backup or overflow options invaluable to pros. Olympus E-M5 II supports only one card, which may concern shooters needing redundancy.
Lens Ecosystem and Compatibility
Lens availability is a practical pillar of any system’s appeal.
The Nikon Z mount is relatively new, initially launching with 15 lenses and growing steadily - with high-quality primes and zooms designed for full-frame excellence. The Z5’s ability to mount F-mount DSLR lenses via an adapter expands options dramatically, covering virtually any shooting style.
Olympus’s Micro Four Thirds mount enjoys a mature and extensive lens line-up, currently exceeding 100 lenses from Olympus, Panasonic, and third parties. The shorter flange distance, smaller sensor, and compact lens designs enable lightweight, affordable optics with good optical performance, albeit with limitations on absolute resolution and bokeh capacity.
Connectivity and Other Features
Connectivity in the Nikon Z5 is modern and comprehensive, featuring built-in Wi-Fi and Bluetooth for rapid file transfer and smartphone tethering.
Olympus E-M5 II lacks Bluetooth and supports Wi-Fi only. Its USB 2.0 port is slower than the Z5’s USB-C interface.
The Z5 includes an illuminated ring around the shutter button (configurable), which is subtle but practical in dark environments. Neither camera has GPS modules embedded.
Price and Value: What You Get for Your Budget
As of this writing, Nikon Z5 retails around $1,399 body only, while Olympus E-M5 II can be found near $699 used or discounted new.
While Nikon’s higher price reflects its newer technology, larger sensor, and broader feature set, Olympus’s lower cost and large lens selection present compelling value - especially for photographers prioritizing portability and budget.
Photography Genre Scorecard: Matching Cameras to Needs
Photography Type | Nikon Z5 | Olympus E-M5 II | Recommendation |
---|---|---|---|
Portrait | Excellent skin tone, bokeh | Good, but limited bokeh | Nikon for pro portraits, Olympus for casual |
Landscape | Superior dynamic range | Compact, portable | Nikon for maximum quality |
Wildlife | Reliable AF, moderate fps | Faster fps, lighter rig | Olympus for mobility; Nikon for image quality |
Sports | Struggles at high fps | Better burst speed | Olympus better for action |
Street | Larger, quieter shutter | Compact, discreet | Olympus for street stealth |
Macro | Stabilized, larger sensor | Excellent stabilization | Olympus for handheld macro |
Night/Astro | Superior high ISO | Good with bracketing | Nikon preferred |
Video | 4K UHD, headphone port | Full HD, mic port | Nikon for hybrid shooters |
Travel | Heavier but versatile | Lightweight and portable | Olympus for travel ease |
Professional Work | Robust, dual cards, stable | Weather sealed but lighter | Nikon for reliability |
Final Thoughts: Which Camera Should You Choose?
Both the Nikon Z5 and Olympus OM-D E-M5 II have distinct strengths, tailored to different photographic sensibilities and budgets.
If you seek a modern, full-frame system with excellent image quality, reliable autofocus, advanced video options, and rugged build, the Nikon Z5 is a compelling entry-level full-frame mirrorless. It performs across disciplines equally well and promises future-proofing thanks to newer firmware and growing lens selections. Its dual card slots and extended battery life also suit professional or semi-professional workflows.
Conversely, if portability, fast frame rates, and a broad, compact lens selection are paramount - particularly for street, travel, or casual wildlife shooting - Olympus E-M5 II offers tremendous bang for your buck, albeit with some concessions in low-light image quality and autofocus tech. It’s an outstanding choice for enthusiasts who prize lightweight gear and don’t need 4K video or full-frame performance.
I’d encourage prospective buyers to consider their priorities carefully - be it sensor size, handling, autofocus robustness, or video capabilities - and align these with their desired photographic genres. Both cameras shine within their contexts and offer manageable learning curves and extensive feature sets.
Whichever you choose, you’re investing in capable mirrorless imaging tools backed by strong legacy brands and communities.
This comparison integrates thorough hands-on testing, usage in diverse shooting conditions, and deep technical analysis to provide trusted guidance tailored to photography enthusiasts and professionals seeking practical camera evaluations.
Thank you for reading. Please leave questions or share your experiences with these cameras in the comments!
Nikon Z5 vs Olympus E-M5 II Specifications
Nikon Z5 | Olympus OM-D E-M5 II | |
---|---|---|
General Information | ||
Make | Nikon | Olympus |
Model type | Nikon Z5 | Olympus OM-D E-M5 II |
Category | Advanced Mirrorless | Advanced Mirrorless |
Announced | 2020-07-20 | 2015-02-06 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | Expeed 6 | TruePic VII |
Sensor type | CMOS | MOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 35.9 x 23.9mm | 17.3 x 13mm |
Sensor area | 858.0mm² | 224.9mm² |
Sensor resolution | 24 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6016 x 4016 | 4608 x 3456 |
Highest native ISO | 51200 | 25600 |
Highest boosted ISO | 102400 | - |
Min native ISO | 100 | 200 |
RAW format | ||
Min boosted ISO | 50 | 100 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 273 | 81 |
Lens | ||
Lens support | Nikon Z | Micro Four Thirds |
Number of lenses | 15 | 107 |
Crop factor | 1 | 2.1 |
Screen | ||
Screen type | Tilting | Fully Articulated |
Screen diagonal | 3.2" | 3" |
Screen resolution | 1,040 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.74x |
Features | ||
Lowest shutter speed | 30 seconds | 60 seconds |
Highest shutter speed | 1/8000 seconds | 1/8000 seconds |
Highest silent shutter speed | - | 1/16000 seconds |
Continuous shooting rate | 4.5 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/200 seconds | 1/250 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p), 640 x 480 (30p) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264, Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 675 grams (1.49 lb) | 469 grams (1.03 lb) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 124 x 85 x 45mm (4.9" x 3.3" x 1.8") |
DXO scores | ||
DXO All around rating | not tested | 73 |
DXO Color Depth rating | not tested | 23.0 |
DXO Dynamic range rating | not tested | 12.4 |
DXO Low light rating | not tested | 896 |
Other | ||
Battery life | 470 images | 310 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | EN-EL15c | BLN-1 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 secs, custom) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC |
Card slots | Dual | Single |
Cost at launch | $1,399 | $699 |