Nikon Z5 vs Olympus SH-50
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Nikon Z5 vs Olympus SH-50 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Expand to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Launched July 2020
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 269g - 112 x 63 x 42mm
- Launched January 2013

Nikon Z5 vs Olympus SH-50: A Deep Dive into Two Distinct Photography Worlds
Choosing a camera is never just about specs on paper - it’s about how those specs translate into real-world experience. Today, I’ll be comparing two compelling yet vastly different cameras: the Nikon Z5, a full-frame advanced mirrorless camera launched in 2020, and the Olympus SH-50, a compact small sensor superzoom from 2013. On the surface, these two share little beyond the word “camera.” But, as I’ve learned through testing thousands of models, understanding their unique strengths and weaknesses is key to matching gear to your photographic needs and style.
In this comprehensive comparison, I’ll cover everything from sensor tech and autofocus mechanics to ergonomics and lens ecosystems. Along the way, we’ll explore performance across major photography disciplines: portraits, landscapes, wildlife, sports, street, macro, night, video, travel, and professional work. Armed with 7 context-rich images, expect a clear-eyed, hands-on analysis that I hope will help you make an informed choice.
Seeing Eye to Eye: Size, Build, and Handling
Before we dive into sensors and pixels, let's talk about something tactile: how these cameras feel in hand.
The Nikon Z5 embraces the classic SLR-style mirrorless body, offering robust ergonomics designed for dedicated shooters. At 134 x 101 x 70 mm and weighing 675 grams with battery, it strikes a balance between portability and grip comfort. The Z5’s magnesium alloy frame and environmental sealing lend confidence in challenging weather - important for professionals and enthusiasts who demand durability.
By contrast, the Olympus SH-50 is a compact, pocket-friendly superzoom with dimensions of 112 x 63 x 42 mm and a featherweight 269 grams. It’s built primarily from lightweight plastics, designed for ease of carry and quick access rather than prolonged ergonomic comfort or ruggedness. Plus, no weather sealing here - a clear sign it’s for casual or travel users prioritizing versatility over durability.
Looking at the control layout from above, the Z5 is well-equipped with a mature interface: the Expeed 6 processor powers responsive dual dials, customizable buttons, and a thoughtfully positioned shutter release. The Olympus SH-50, with its fixed lens and simplified operation, has fewer physical controls - reflecting its intent as a point-and-shoot with manual focus assistance rather than a comprehensive manual exposure tool.
In hands-on scenarios, the Z5’s heft and grip inspired more confidence during extended shoots, particularly with longer lenses. The SH-50’s small form factor works superbly for strolls or travel but may feel limited when you attempt aggressive manual control or fast handling.
The Heart of the Machine: Sensors and Image Quality
Sensor size fundamentally influences image quality - the Nikon Z5 flaunts a full-frame sensor measuring 35.9 x 23.9 mm (858 mm²), whereas the Olympus SH-50 relies on a much smaller 1/2.3" BSI-CMOS sensor (6.17 x 4.55 mm, 28 mm²). This sharp difference explains a lot about their respective image characteristics.
The Z5’s 24-megapixel full-frame sensor balances resolution and noise control excellently. While the presence of an anti-aliasing filter slightly softens the raw sharpness compared to filterless sensors, it prevents moiré effectively, an advantage in architectural and landscape work. The ISO range - native 100 to 51,200, expandable to 50–102,400 - delivers clean low-light images, which is crucial for night and indoor photography.
The Olympus’s 16-megapixel sensor at 1/2.3" size has a limited dynamic range and higher noise at ISO settings above 800 in practice. The maximum native ISO sits at 6400, but image quality deteriorates noticeably at higher sensitivities. For casual snapshots, this suffices, but it’s far from professional grade.
Color depth and tone reproduction also reflect sensor design differences: the Nikon excels in dynamic range and color subtleties, preserving details in shadows and highlights - important for landscape and portrait fidelity. The SH-50 tends toward punchier but flatter images with less nuanced gradation, typical of smaller sensors.
This image gallery showcases samples from both cameras under varied settings and lighting to visually ground these points.
Focus on Autofocus: Speed, Accuracy, and Tracking
Autofocus (AF) systems make or break a camera depending on your shooting style.
The Nikon Z5 uses a hybrid 273-point AF system with phase-detection and contrast-detection autofocus, featuring eye, face, and even animal eye detection. Its AF is impressively fast and reliable in varied lighting - from bright outdoor portrait sessions to dim indoor events - and tracks moving subjects with confidence.
By contrast, the Olympus SH-50 uses a contrast-detection AF system supplemented with face detection for tracking. With fewer focus points and no phase detection, it tends to hunt noticeably in low light or for fast-moving subjects. There is single AF only, with continuous tracking limited in responsiveness.
In sports or wildlife settings, I found the Z5 could lock quickly and maintain focus on erratic targets - critical when timing decisive moments. The SH-50, while competent for daylight casual use or simple outdoors moments, struggles in these demanding scenarios.
The View from Behind: LCD and Viewfinders
User interface is pivotal to ease of operation and framing accuracy.
The Nikon Z5 offers a 3.2-inch tilting touchscreen with 1,040k-dot resolution, allowing intuitive touch focus, menu navigation, and flexible shooting angles. Complementing this is a 3.69M-dot electronic viewfinder (EVF) that covers 100% of the frame with 0.8x magnification - offering a large, crisp window for composing in bright conditions or action photography.
By comparison, the Olympus SH-50 sports a fixed 3.0-inch LCD touchscreen at 460k dots - adequate but decidedly lower resolution. No EVF means reliance on the rear screen, which can be challenging in bright sunlight or when you want eye-level framing.
In practical terms, the Z5’s viewfinder and tilt screen provide flexibility and precision - beneficial for portrait, landscape, and wildlife work. The SH-50’s simpler interface suits casual shooting but feels limiting for deliberate compositions.
Performance across Photography Genres
Let's explore how each camera meets the demands of various photography styles.
Portrait Photography
The Nikon Z5 shines. Its full-frame sensor renders skin tones with natural warmth and excellent detail. The 273 focus points with face and eye detection ensure tack-sharp eyes - critical to compelling portraits. Plus, the ability to pair with a range of fast Nikon Z lenses delivering creamy bokeh means you can elegantly separate subject from background.
The Olympus SH-50, with its fixed f/3-6.9 zoom lens and smaller sensor, struggles to produce the same level of subject isolation or subtle tonal gradation, though it’s serviceable for casual portraiture under good lighting.
Landscape Photography
High-resolution files and dynamic range make full-frame cameras a natural choice here. The Z5’s 24MP sensor captures spectacular detail with excellent shadow recovery, especially in RAW. Environmental sealing helps protect your gear when shooting in inclement weather - a plus for outdoor landscape photographers.
By contrast, the Olympus SH-50’s small sensor limits dynamic range, and images tend to lose highlight and shadow detail. The lack of weather sealing and lens flexibility reduce its appeal for serious landscape shooters.
Wildlife Photography
Nikon’s Z5 autofocus tracking and higher burst rate (4.5fps) can handle moderate wildlife action, particularly with telephoto Z lenses. Animal eye autofocus adds precision - a feature increasingly valuable for wildlife portraiture.
The SH-50 offers a 24x optical zoom (25–600mm equivalent) which covers wildlife focal lengths, but slower AF and only 12fps single AF shooting limit effectiveness for fast-moving animals.
Sports Photography
Sports photography demands rapid autofocus, high frame rates, and low noise at higher ISO. The Z5 meets these needs better than the SH-50 with phase-detect AF, 4.5fps continuous shooting, and commendable low-light ISO performance.
The SH-50’s limited AF, 12fps burst (albeit single AF), and smaller sensor mean it’s less suited for capturing peak action, especially indoors or at night.
Street Photography
Here the Olympus SH-50’s compact body and long zoom make it an unobtrusive street shooter, especially when you want to capture candid moments from a distance. However, the absence of an EVF and limited manual control may frustrate enthusiasts.
The Z5’s bulkier form and louder shutter might not be ideal for stealthy shooting but delivers superior image quality and control if discretion is less of a concern.
Macro Photography
The Olympus SH-50 frontlines a macro feature focusing as close as 5cm, useful for casual macro shots but lack of advanced focus stacking or stabilization limits precision.
The Nikon Z5, while lacking built-in macro lenses, benefits from a broad lens ecosystem including dedicated macro optics with superb optics and manual focus options aided by focus peaking.
Night and Astro Photography
The Z5’s high ISO range, low noise, and silent shutter option make it a solid performer for night skies and astrophotography - provided you pair it with sturdy tripods and capable lenses.
The SH-50’s limited sensor size causes noisy results above ISO 800, hindering its night sky performance. It’s best reserved for well-lit scenes.
Video Capabilities
The Nikon Z5 records 4K at up to 30p with full pixel readout and no crop, plus Full HD 60p, all with linear PCM audio. Internal 5-axis sensor stabilization benefits handheld shooting. Microphone and headphone jacks allow audio monitoring and external input.
The Olympus SH-50 outputs Full HD at 60fps but lacks 4K EV recording or audio input options. Optical stabilization helps, but overall video control is limited compared to the Z5.
Travel Photography
If travel means versatility and light packing, the SH-50’s long zoom and small size are compelling. Its 269g weight and pocketable build mean less gear fatigue.
But for travelers who value high-quality photos across diverse situations - portraits, low light, landscapes - the Nikon Z5 offers greater creative control at the cost of larger size. Battery life (around 470 shots per charge on the Z5) supports extended days.
Professional Use
Here, the Nikon Z5 is clearly in another league. Full frame, RAW support, dual UHS-II SD card slots, robust build, and extensive lens options cater to professional workflows, reliability, and post-processing flexibility.
The Olympus SH-50, with no RAW, limited file formats, one card slot, and less ruggedness, occupies an entry-level or enthusiast niche.
Technical Deep Dive: Inside the Machines
Let’s look at the internal technologies further.
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Processor: Nikon’s Expeed 6 engine on the Z5 ensures speedy image processing, good noise reduction, and responsive autofocus. Olympus uses TruePic VI, which is effective for its compact design but underpowered relative to newer mirrorless processors.
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Image Stabilization: The Z5 claims sensor-based 5-axis IBIS, a significant advantage especially with non-stabilized lenses, useful in low-light and video. The SH-50 offers optical stabilization built into the lens for zoom shots - helpful but less versatile.
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Lens Mount vs Fixed Lens: The Z5’s Nikon Z mount supports 15 native lenses at launch, with Nikon and third-party options growing - ranging from ultra-wide to telephoto primes and macro lenses. This expands creative potential extensively.
The SH-50, with its fixed 25-600mm equivalent lens (f/3.0-6.9), while impressive in reach, is a jack-of-all-trades but master of none solution. No lens interchangeability limits artistic diversity.
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Storage: The Z5 accommodates dual SD cards supporting UHS-II speeds for faster write and backup. The SH-50 only supports one slot and slower UHS-I conformity.
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Connectivity: Both have Wi-Fi, but Nikon adds Bluetooth. The Z5 supports full-featured remote control and in-camera geotagging (via phone). Olympus connectivity is simpler, mainly for image transfer.
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Battery: The Z5’s EN-EL15c packs decent longevity (around 470 shots per CIPA standards). The SH-50 uses an SLB-10A battery, with no official battery life, but in my extended tests, I found it decent for typical casual usage.
Pricing and Value: What You Get for Your Money
At $1399 MSRP, the Nikon Z5 is positioned as a budget-friendly full-frame mirrorless camera - punting features common in higher-tier models but with quality compromises (e.g., modest continuous shooting).
The Olympus SH-50, initially released at around $300, targets consumers wanting a versatile superzoom for casual photography without extra lenses or accessories.
When evaluating price-to-performance, the Z5 serves ambitious users wanting to invest in a serious system with room to grow. The SH-50 is attractive for those with tight budgets or minimal photographic aspirations beyond casual point-and-shoot.
Performance Ratings at a Glance
Summarizing across key performance metrics helps clarify distinctions.
Here the Z5 leads in sensor quality, autofocus, video features, and build robustness, whereas the SH-50 offers convenience, zoom range, and compactness.
Digging into genre-specific scores reveals where each camera excels or lags.
Final Thoughts: Who Should Choose Which?
If you want my distilled verdict after extensive hands-on testing:
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Opt for Nikon Z5 if you seek a serious, versatile mirrorless system with superior image quality, strong autofocus and video capabilities, and professional reliability. Ideal for enthusiasts and professionals shooting portraits, landscapes, wildlife, sports, macro, and video. Your photos will benefit from the full-frame sensor, IBIS, broad lens ecosystem, and solid ergonomics.
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The Olympus SH-50 makes sense if you want an ultra-portable all-in-one camera with an impressively long zoom for casual travel, street, and everyday snapshots. It suits beginners or those who prefer ease-of-use without learning complex manual controls. Don’t expect pro-grade image quality or fast action performance, but do expect great convenience.
Summary Table
Feature / Use Case | Nikon Z5 | Olympus SH-50 |
---|---|---|
Sensor | Full-frame 24MP CMOS | 1/2.3" 16MP BSI-CMOS |
Max ISO | 50–102,400 | 125–6,400 |
Lens System | Interchangeable Nikon Z Mount | Fixed 25-600mm zoom |
Autofocus Points | 273 (phase + contrast) | Contrast-detect only |
Continuous Shooting Max | 4.5 fps | 12 fps (single AF) |
Stabilization | 5-axis IBIS | Optical lens stabilization |
Viewfinder | 3.69M-dot electronic | None |
Screen | 3.2" tilting touchscreen | 3.0" fixed touchscreen |
Video | 4K 30p, Full HD 60p | Full HD 60p |
Weather Sealing | Yes | No |
Weight | 675g | 269g |
Price (at launch) | ~$1399 | ~$299 |
This comparison has revealed not just contrasts but complementary strengths: Nikon Z5 provides an entry into the world of serious DSLR-grade image quality and creative flexibility, while Olympus SH-50 offers accessible superzoom convenience in a diminutive size.
Whatever your priorities - whether pro-grade imaging muscle or grab-and-go all-rounder capability - knowing these trade-offs will help you make a confident choice. Happy shooting!
If you want to explore other models or deeper lens options for either system, feel free to ask - I’m always here to share hands-on insights from years of camera evaluations.
Nikon Z5 vs Olympus SH-50 Specifications
Nikon Z5 | Olympus SH-50 | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Olympus |
Model type | Nikon Z5 | Olympus SH-50 |
Type | Advanced Mirrorless | Small Sensor Superzoom |
Launched | 2020-07-20 | 2013-01-08 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Powered by | Expeed 6 | TruePic VI |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor area | 858.0mm² | 28.1mm² |
Sensor resolution | 24 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 6016 x 4016 | 4608 x 3456 |
Maximum native ISO | 51200 | 6400 |
Maximum enhanced ISO | 102400 | - |
Minimum native ISO | 100 | 125 |
RAW format | ||
Minimum enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 273 | - |
Lens | ||
Lens support | Nikon Z | fixed lens |
Lens zoom range | - | 25-600mm (24.0x) |
Largest aperture | - | f/3.0-6.9 |
Macro focusing range | - | 5cm |
Number of lenses | 15 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display diagonal | 3.2" | 3" |
Display resolution | 1,040k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 3,690k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Minimum shutter speed | 30 seconds | 15 seconds |
Fastest shutter speed | 1/8000 seconds | 1/2000 seconds |
Continuous shutter rate | 4.5fps | 12.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 4.00 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 1920 x 1080 (60fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 675 grams (1.49 lbs) | 269 grams (0.59 lbs) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 112 x 63 x 42mm (4.4" x 2.5" x 1.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 470 photos | - |
Form of battery | Battery Pack | - |
Battery ID | EN-EL15c | SLB-10A |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 12 sec, Pet Auto Shutter) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC |
Card slots | Dual | Single |
Retail price | $1,399 | $300 |