Nikon Z5 vs Sigma fp L
62 Imaging
75 Features
86 Overall
79


83 Imaging
82 Features
80 Overall
81
Nikon Z5 vs Sigma fp L Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Introduced July 2020
(Full Review)
- 61MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 25600 (Expand to 102400)
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 427g - 113 x 70 x 45mm
- Announced March 2021
- Older Model is Sigma fp

Nikon Z5 vs Sigma fp L: A Hands-On Comparison of Two Unique Full-Frame Mirrorless Cameras
Selecting the right camera for your photography often boils down to matching toolsets to your shooting style, budget, and creative priorities. Today, I’m putting the Nikon Z5 and the Sigma fp L head-to-head - two full-frame mirrorless cameras that cater to advanced users but take vastly different design philosophies and feature sets to the table.
Both arrived within a year of each other, sharing the same sensor size but diverging sharply in ergonomics, autofocus capabilities, and overall approach. Having tested both extensively across diverse real-world shooting scenarios - from wildlife treks to portrait sessions and video shoots - I’m excited to share insights that go beyond spec sheets.
Let’s dive into the details, unpack the strengths and compromises, and absolutely help you figure out which might be your next camera.
First Impressions: Form Meets Function in Two Contrasting Body Designs
The very first thing you notice when placing the Nikon Z5 and Sigma fp L side-by-side is their physicality, which reflects their distinct target users.
The Nikon Z5 sports a classic SLR-style mirrorless body, ergonomically contoured with robust grip and a substantial footprint. In contrast, the Sigma fp L is astonishingly minimalist and compact, designed more like a rangefinder with an ultra-slim, boxy frame that almost invites you to think modular - add a viewfinder, cages, and grips as you please.
I appreciated the Z5’s substantial build when shooting handheld for hours: it offers comfortable “clubs for thumbs” stability and intuitive control wheels. The fp L’s smaller size is fantastic for travel or street photography where discretion is key, but you’ll sacrifice some comfort for longer shooting sessions.
The Z5 weighs in at 675 grams, nearly 60% heavier than the fp L’s featherweight 427 grams. That’s a big factor if you prioritize portability over in-hand comfort.
Layout and Handling: Who Gets the Controls Right?
When it comes to menus and dials - something a cheapskate like me pays close attention to - these two cameras present very different control philosophies.
The Nikon Z5’s SLR-style design comes with dedicated dials for ISO, shutter speed, exposure compensation, and an intuitive mode dial. Everything resides under your fingers - a real advantage for quick adjustments without menu diving.
Meanwhile, the Sigma fp L opts for a more stripped-down control surface with fewer physical buttons. It relies heavily on touchscreen controls and an on-screen menu, befitting its minimalist ethos but less efficient when shooting fast-moving subjects that require quick parameter tweaks.
For those who hate digging through layers of menus mid-shoot, Nikon’s Z5 is the clear winner. The Sigma fp L suits those willing to customize workflow around a simpler tactile experience.
Sensor and Image Quality: Counting Pixels and Capturing Details
Both the Nikon Z5 and Sigma fp L come with full-frame sensors, but their approaches to resolution and sensor tech set them apart.
The Nikon Z5 uses a 24MP CMOS sensor with back-illuminated technology and a fairly standard anti-aliasing filter to reduce moiré. It captures excellent image quality with a good balance of detail, color fidelity, and dynamic range - ideal across most genres from portraits to landscapes.
On the other hand, the Sigma fp L pushes a 61MP BSI-CMOS sensor that pushes resolution into ultra-high territory - almost four times the pixel count of the Z5. This means incredible detail capture for large prints or extensive cropping, with sharpness that few cameras in this price class offer.
However, higher megapixels often come with caveats: the fp L files are bulkier and demand more storage and processing power. Also, its max native ISO sits at 25,600 versus the Z5’s 51,200, meaning the Nikon theoretically performs better in extreme low-light conditions.
If your work emphasizes ultimate resolution - large-format prints, fine art, or commercial product photography - the fp L’s 61MP sensor is a compelling choice. For generalist shooters and event photography, Nikon’s 24MP sensor balances quality with efficiency perfectly.
The Viewfinder and LCD: Seeing Your Vision Clearly
A modern camera’s electronic viewfinder (EVF) and rear screen are your primary windows to the world. Nikon and Sigma take different approaches here.
The Nikon Z5 features a bright 3.2-inch tilting touchscreen with 1.04 million dots resolution, great for composing at odd angles and navigating menus. Plus, its EVF packs 3.69M-dot resolution and 0.8x magnification, providing crisp, lag-free framing.
Sigma fp L's 3.2-inch fixed display ups the resolution to 2.1 million dots for sharper review; however, its lack of tilting can be a drawback for low or high-angle shooting. The fp L’s EVF is optional - a significant difference. You must buy the EVF separately and clip it on, which adds to weight and cost. The EVF itself is excellent when used (3.68M dots, 0.83x magnification), but the lack of built-in VF may dissuade traditionalists or outdoor shooters who rely heavily on eye-level composing.
In brief: Nikon’s integrated, tilting EVF and touchscreen combo offers a more flexible, ready-to-go package, especially under changing lighting where eye-level framing beats relying on a fixed LCD.
Autofocus: Hunting for Critical Sharpness In the Field
Autofocus (AF) performance can make or break your shooting experience, especially in dynamic genres like wildlife or sports.
Nikon equipped the Z5 with a hybrid autofocus system combining 273 phase-detection points and contrast detection, featuring impressive eye and animal eye AF tracking. From testing, this results in reliable face and eye detection for portraits with good accuracy at continuous AF speeds up to 4.5 fps.
The Sigma fp L, meanwhile, offers contrast and phase-detection AF with 49 points - far fewer than the Z5. It lacks dedicated animal eye AF and falls short on continuous autofocus tracking during fast action. Its burst shooting rate clocks in at 10 fps, better than Nikon’s 4.5, but the autofocus may struggle to keep pace for sports or wildlife.
This translates to the Z5 being the better all-rounder for autofocus reliability. The fp L’s AF works well for static or slow-moving subjects but demands more manual focus skill or slower shooting for critical moments.
Build Quality and Weather Sealing: Ready for the Elements?
Both cameras sport weather sealing to some degree but their robustness isn’t equivalent.
Nikon’s Z5 flaunts an environmental sealing design tailored for resisting dust and moisture - great for shooting outdoor weddings, landscapes, and wildlife in challenging conditions. In my prolonged rainy-day sessions with the Z5, it demonstrated good resilience.
The Sigma fp L also offers environmental sealing but its ultra-light, modular design means fewer integrated protections for rough handling. It's decent for light favored outdoor use but I hesitate recommending it for rugged fieldwork where solid sealing is critical.
Lens Ecosystems: Picking Your Glass
The gear you put on your camera matters just as much as the body itself.
The Nikon Z5 uses the Z-mount system, which has grown significantly with 15 native lenses available - ranging from compact primes to weather-sealed zooms. Third-party support is growing, plus the Z5’s full compatibility with Nikon’s extensive F-mount DSLR lens lineup via adapter means tremendous versatility.
Sigma fp L uses the Leica L mount, which has over 40 lenses available thanks to collaborations with Leica, Panasonic, and Sigma’s own lineup. Still, the native lens selection remains narrower with fewer specialized options. Adapter use for other mounts is possible but potentially more cumbersome.
In practical terms: Nikon’s lens ecosystem better supports photographers who want a one-stop solution with consistent autofocus and image quality. The fp L suits specialty shooters who prioritize high-resolution and are willing to mix and match lenses creatively.
Battery Performance and Storage: Staying in the Game Longer
Battery life is a critical but often overlooked factor in real shooting scenarios.
The Nikon Z5 shines with an impressive 470-shot per charge rating (using the EN-EL15c battery), which kept me going through long sessions without spares in critical moments. It also supports dual UHS-II SD card slots, a prized feature for professionals needing instant backup or overflow to avoid shooting interruptions.
The Sigma fp L, however, has a more modest 240-shot battery life (BP-51 battery), about half of the Z5’s endurance - a deal breaker for event shooters or those venturing far from power sources. Storage supports a single UHS-II SD card, which means no redundant backups in-camera.
Connectivity and Wireless Features: Sharing and Remote Control
Both cameras include built-in wireless connectivity but with different feature sets. Nikon Z5 includes Wi-Fi and Bluetooth, allowing easy remote control via Nikon’s SnapBridge app and seamless image transfer.
Sigma fp L has built-in Wi-Fi but no Bluetooth, which limits connection stability and battery conservation during wireless operations. Both cameras provide USB and HDMI ports for tethering and external monitors, but the Sigma supports USB Power Delivery - handy when powering the camera via external batteries for extended shoots.
This places Nikon ahead for convenience and modern wireless workflows.
Video Capabilities: Beyond Still Images
If video matters to you, here are the real-deal scoop points.
Both cameras shoot 4K UHD up to 30fps with H.264 codec, offering solid quality for enthusiasts and semipros. The Nikon Z5’s sensor-based 5-axis image stabilization is a big plus when shooting handheld video, smoothing out shakes even with non-stabilized lenses.
The Sigma fp L lacks in-body image stabilization but supports high frame rate 1080p slow-motion up to 120fps, appealing to creative videographers. Both cameras provide microphone and headphone jacks for proper audio monitoring.
In brief: Z5 is better suited for run-and-gun shooters needing stabilized, easy sub-4K video; fp L shines with raw image detail and slow-motion potential but demands more external stabilization.
Real-World Photography Test Results Across Genres
To give you the full picture, I field-tested both bodies across all major photography categories - here’s how they stack up with brief pros and cons.
Portrait Photography
- Nikon Z5: Excellent skin tone reproduction, smooth bokeh with Z lenses, and incredibly reliable face and eye AF for crisp portraits.
- Sigma fp L: Stunning detail and texture from 61MP, but autofocus sometimes misses subtle eye focus, requiring manual override.
Landscape Photography
- Nikon Z5: Great dynamic range, weather sealing, and vibrantly accurate colors. Lower resolution won’t disappoint most landscape photographers.
- Sigma fp L: Astonishing detail for large prints; fixed LCD is a mild pain on uneven shooting angles though.
Wildlife Photography
- Nikon Z5: Solid AF tracking, good burst rate (4.5 fps) for casual wildlife shooting, and animal eye detection is a plus.
- Sigma fp L: Higher burst rate (10 fps) but autofocus lags, making it tricky for fast animals.
Sports Photography
- Nikon Z5: Decent autofocus accuracy, but slow burst shooting limits use for fast-paced sports.
- Sigma fp L: Faster shooting but focus tends to hunt in low light, raising missed shot counts.
Street Photography
- Nikon Z5: Bulkier, more conspicuous body but excellent controls make spontaneous shooting easier.
- Sigma fp L: Compact, discreet, and rapid shutter speed make it street photography gold, if you can live without eye-level viewfinder.
Macro Photography
- Both cameras rely on the lens fastening macro capability. Nikon’s autofocus and stabilization edge out for handheld macro shooting.
Night & Astro Photography
- Nikon Z5: Higher max ISO and sensor-based stabilization enable better handheld night shots.
- Sigma fp L: Ultra-high resolution captures stars vividly, but slightly lower ISO sensitivity means tripod-reliant shooting.
Video Work
- Nikon Z5: 5-axis stabilization, clean 4K, and headphone jack for monitoring make it the better vlogger or hybrid shooter.
- Sigma fp L: Excellent 4K quality and 1080p slow motion, but no stabilization means external rigs are essential.
Travel Photography
- Nikon Z5: Heavier with moderate size, great battery.
- Sigma fp L: Ultra-light and compact, perfect for carry-on-only travel kits.
Professional Usage
- Nikon’s dual card slots, superior AF, and built-in EVF make it more reliable for professional assignments.
Pros and Cons Breakdown
Nikon Z5
Pros:
- Robust SLR-style ergonomics and controls
- 5-axis sensor stabilization
- Eye and animal AF detection
- Dual card slots for professional reliability
- Excellent battery life (470 shots)
- Weather sealed body
- Complete integrated EVF and tilting touchscreen
- Z-mount lens ecosystem with adapter compatibility
Cons:
- Lower resolution sensor (24MP) compared to fp L
- Moderate burst rate (4.5 fps)
- Heavier and bulkier body for travel/street shooters
Sigma fp L
Pros:
- Massive 61MP full-frame sensor for high resolution detail
- Compact, lightweight, modular design
- Higher continuous shooting speed (10 fps)
- 1080p slow motion video up to 120fps
- USB Power Delivery supported
- Wide Leica L mount lens ecosystem
Cons:
- Limited autofocus points and no animal eye AF
- No in-body image stabilization
- No built-in EVF (optional add-on)
- Single card slot
- Short battery life (240 shots)
- Fixed rear screen, less ergonomic for street/landscape angles
Who Should Buy the Nikon Z5?
If you are a photography enthusiast who wants the most balanced full-frame experience for portraits, landscapes, casual wildlife, and hybrid photo/video shooting - especially with a budget-conscious eye - the Nikon Z5 is an intelligent choice.
Its superior autofocus system (with eye and animal tracking), longer battery life, dual card slots, and 5-axis image stabilization suit photographers who want reliable performance with minimal compromise. Plus, the comfortable grip and intuitive controls make it a joy to shoot with for prolonged sessions.
For professional users or demanding hobbyists needing a versatile all-rounder that plays well in most photography and videography situations, the Z5 offers excellent value near $1,400.
Who Should Consider the Sigma fp L?
The Sigma fp L falls into a niche of hi-res stills shooters and experimental videographers who prize resolution and form-factor above traditional camera comforts.
If you’re a fine art, commercial, or landscape photographer who wants ultra-fine detail and plans to work primarily handheld on tripods, the fp L’s monster 61MP sensor delivers. Its minimalism invites building a custom rig tailored to your style.
Also, if you shoot street or travel photography and require a camera that disappears in your hands, the fp L’s ultra-compact body and near-silent operation might be irresistible despite its compromises. Video creators wanting slow motion 1080p footage can also benefit from this tool, provided you have external stabilization options.
However, this camera demands more from the user in terms of manual operation and workflow setup, and the steep $2,500 price may narrow its appeal.
Final Thoughts: Picking Your Tool for the Job
My take? The Nikon Z5 wins as the more well-rounded, approachable full-frame mirrorless with dependable autofocus, ergonomics, and onboard systems that support a confident shooting experience across genres. It’s a solid entry into the Z-mount, backed by Nikon’s growing lens lineup and workflow conveniences like dual card slots and good battery life.
The Sigma fp L, by contrast, confidently goes its own way - packing a resolution punch, a minimalist design, and a modular system that invites customization and creativity, but with tradeoffs in autofocus usability, battery stamina, and professional reliability.
If you’re shooting landscapes, portraits, weddings, wildlife, and video on the regular and want a one-body solution that’s ready to go out-of-the-box, the Nikon Z5 is the pragmatic pick.
If your priorities skew towards ultra-high resolution, a compact but unconventional form factor, and a creative pursuit that can accommodate manual focus or slower AF performance, then the Sigma fp L is a magnum-opus of a tool waiting to be crafted into your own workflow.
Thanks for reading this deep dive! Remember, the best camera is the one that matches how you shoot, not just shiny numbers on a spec sheet. I hope this comparison sheds light on these two fascinating mirrorless bodies and helps you find a camera that inspires your next great image.
Happy shooting!
- [Your Expert Reviewer]
Nikon Z5 vs Sigma fp L Specifications
Nikon Z5 | Sigma fp L | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Sigma |
Model | Nikon Z5 | Sigma fp L |
Category | Advanced Mirrorless | Advanced Mirrorless |
Introduced | 2020-07-20 | 2021-03-25 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Expeed 6 | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | Full frame |
Sensor measurements | 35.9 x 23.9mm | 36 x 24mm |
Sensor surface area | 858.0mm² | 864.0mm² |
Sensor resolution | 24 megapixel | 61 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 6016 x 4016 | 9520 x 6328 |
Maximum native ISO | 51200 | 25600 |
Maximum enhanced ISO | 102400 | 102400 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Lowest enhanced ISO | 50 | 6 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 273 | 49 |
Lens | ||
Lens mounting type | Nikon Z | Leica L |
Available lenses | 15 | 40 |
Focal length multiplier | 1 | 1 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen diagonal | 3.2 inches | 3.2 inches |
Screen resolution | 1,040 thousand dots | 2,100 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic (optional) |
Viewfinder resolution | 3,690 thousand dots | 3,680 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.83x |
Features | ||
Minimum shutter speed | 30s | 30s |
Fastest shutter speed | 1/8000s | 1/8000s |
Continuous shutter rate | 4.5fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/200s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM1920 x 1080 @ 120p, MOV, H.264, Linear PCM1920 x 1080 @ 100p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | Yes (USB Power Delivery supported) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 675 gr (1.49 lb) | 427 gr (0.94 lb) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 113 x 70 x 45mm (4.4" x 2.8" x 1.8") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 470 shots | 240 shots |
Battery type | Battery Pack | Battery Pack |
Battery model | EN-EL15c | BP-51 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC (UHS-II supported) |
Card slots | Dual | One |
Launch cost | $1,399 | $2,499 |