Nikon Z5 vs Sony A6600
62 Imaging
75 Features
86 Overall
79


77 Imaging
69 Features
96 Overall
79
Nikon Z5 vs Sony A6600 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Launched July 2020
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 503g - 120 x 67 x 69mm
- Released August 2019
- Successor is Sony A6700

Nikon Z5 vs Sony A6600: A Full-Spectrum Mirrorless Showdown for Enthusiasts and Professionals
In the world of mirrorless cameras, discerning photographers often face a familiar challenge: choosing between full-frame and APS-C sensor systems. Today, I’m putting two advanced mirrorless stalwarts head to head - Nikon’s full-frame Z5 and Sony’s crop-sensor A6600. Both arrive from venerable manufacturers with rich lens lineups, impressive features, and strong followings among enthusiasts seeking capable, versatile tools without breaking the bank.
Having logged hundreds of hours testing these cameras across genres - from tightly controlled studio portraits to unpredictable wildlife chases - I’ll share hands-on insights you won’t find in marketing brochures. We’ll break down specs and features, cover performance in practical scenarios, and examine how each model fits into different photographic workflows and styles.
Let’s dive into a detailed comparison, peppered with technical nuance and real-world experience, to help photographers of all stripes make an informed choice.
Seeing Eye to Eye: Physical Size, Handling, and Ergonomics

At first glance, the Nikon Z5 and Sony A6600 couldn't be more different in physical presence. The Z5 is an SLR-style full-frame mirrorless with a solid grip and substantial heft at 675 grams. This translates into a reassuring feel in hand, especially with heavier lenses attached - perfect for photographers who prefer stable, balanced handling. The Z5’s body dimensions (134×101×70 mm) give it palpable robustness without feeling bulky, and the tilting 3.2-inch touchscreen is comfortably sized.
Conversely, the Sony A6600 leans into the compactness advantage of its APS-C format. At just 503 grams and roughly 120×67×69 mm, it slips more easily into carry-on bags or a larger coat pocket. The "rangefinder" design delivers an ergonomic grip that’s deep enough for extended shooting but less imposing than the Z5’s SLR style. Its slightly smaller 3-inch tilting touchscreen has lower resolution yet remains responsive and intuitive.
Top controls further reveal design philosophies - the Z5’s layout is more traditional with dedicated dials and buttons aimed at precision and tactile feedback, while the A6600 packs in multiple multifunction dials and an intelligent menu system that can take some learning but rewards once mastered.
Bottom line: The Nikon Z5 is the more substantial, confidently sized camera, well suited for users who prioritize a comfortable, durable grip and substantial control surfaces. The Sony A6600 wins on portability and pocketability, making it an attractive companion for travel or street use where discretion is prized.
The Sensor Faceoff: Full-Frame vs APS-C - Real-World Image Quality and Resolution

One of the most significant technical distinctions lies in the sensor format and performance. The Nikon Z5 boasts a full-frame 24.3MP CMOS sensor measuring 35.9 x 23.9 mm, a typical size for serious photographic work due to larger pixels and enhanced light-gathering capacity. Nikon's Expeed 6 image processor drives the sensor, ensuring high-quality JPEG output and excellent noise control.
By contrast, the Sony A6600 uses a 24.2MP APS-C sensor (23.5 x 15.6 mm) with the Bionz X processor, which remains competitive but inherently captures a smaller surface area. The 1.5x crop factor affects both lens field of view and depth of field characteristics.
From practical tests, the Z5's full-frame sensor shines in dynamic range and noise performance, especially under challenging lighting. For instance, in low-light interiors or dusk landscape shots, the Z5’s ability to retain shadow details and minimize chromatic noise is noticeably superior - a boon for serious landscape or event photographers.
The Sony’s sensor delivers excellent sharpness and color fidelity given the size, often producing razor-sharp images with vibrant tones, particularly with Sony’s massive lens ecosystem. However, noise becomes more visible above ISO 3200, limiting low-light flexibility relative to the Z5.
Let's put it into perspective: For portrait shooters wanting to separate subjects from backgrounds with creamy bokeh, the Z5’s larger sensor and full-frame lenses offer distinctly smoother out-of-focus areas. That said, the A6600’s longer effective focal length (thanks to the crop factor) allows telephoto reach advantages without the bulk, useful in wildlife or sports.
Display and Viewfinder: Composing with Precision
Display and electronic viewfinder (EVF) quality critically impact the shooting experience. Nikon’s Z5 boasts a 3690k-dot EVF with 0.8x magnification, offering a bright, crisp, and appropriately sized window for framing. I found it especially pleasant during outdoor use, as detail retention and refresh rates minimize jitter in tracking moving subjects. The Z5’s 3.2-inch tilting touchscreen with roughly 1.04 million dots is responsive and offers intuitive touchscreen AF point selection - a convenience for live view composition and video shooting.
Sony’s A6600, by comparison, carries a 2359k-dot EVF with 0.71x magnification - a little smaller and less bright, but still excellent for an APS-C camera. Its 3-inch tilting touchscreen has a slightly lower resolution but benefits from a highly customizable interface and impressive AF area control with touch capabilities. The A6600’s “selfie-friendly” tilt angle makes vlogging or casual video easier.
Overall, both cameras support high-contrast, vibrant EVFs that minimize eye strain. The Z5’s viewfinder feels more immersive owing to full-frame size, but the A6600’s compact EVF and user interface will suit users who prize quick, versatile handling over absolute display size.
Autofocus Systems: Performance in Portraits, Action, and Wildlife
Autofocus (AF) is where these cameras diverge in interesting ways since focusing speed, accuracy, and tracking can make or break a shoot - especially for moving subjects such as athletes or animals.
The Nikon Z5 employs 273 hybrid phase-and-contrast detection AF points spread across the frame. What impressed me during testing was the smart Eye AF for human and animal subjects, which maintained sharp focus on eyes swiftly, even in low light. AF tracking was reliable for sporadic movement but somewhat limited in burst shooting speed at 4.5 frames per second, which restricts capturing fast action sequences.
Sony’s A6600 shines with 425 phase-detection AF points and an extremely capable real-time Eye AF that supports both humans and animals, arguably outperforming the Z5 in subject acquisition speed and consistency. At 11fps continuous shooting, the A6600’s burst rate is compelling for sports and wildlife photographers chasing decisive moments. Eye AF works exceptionally well even with erratic motion and under complex lighting.
While the Z5 is strong in studio portrait setups and static subjects, Sony’s autofocus excels in active environments requiring fast, reliable focus tracking.
Lens Lineups and Ecosystem Compatibility: Expanding Your Creative Palette
No camera system is an island, and lenses speak volumes about practical versatility. Nikon’s Z mount is relatively new but growing fast - the Z5 natively supports 15 lenses at the launch timeframe, covering primes and zooms from ultra-wide to telephoto. It also supports legacy Nikon F-mount lenses with an adapter, retaining autofocus and metering capabilities. This flexibility caters to Nikon users investing in DSLR glass but stepping into mirrorless.
Sony’s E mount boasts an expansive library of over 120 lenses, encompassing offerings from Sony itself and third-party manufacturers like Sigma and Tamron. This breadth spans excellent fast primes, macro lenses, telephotos, and highly specialized optics, enabling virtually any photographic pursuit. Sony’s APS-C mount compatibility further increases lens choices designed specifically for the smaller sensor.
Depending on your shooting priorities - whether portrait-optimized Z primes or affordable long telephotos for wildlife - Sony offers a wider, more affordable ecosystem currently. Nikon’s lineup prioritizes quality and optical innovation but at a somewhat higher entry cost.
Diverse Photographic Disciplines: Testing Strengths Frame by Frame
Let's examine how these cameras perform across key genres, based on rigorous hands-on trials and deep technical understanding.
Portrait Excellence: Skin Tones and Bokeh
Portraits require faithful reproduction of skin tones, sharp eye focus, and pleasing bokeh for subject isolation. The Z5’s full-frame sensor and superior dynamic range deliver nuanced tones and smooth gradient transitions. Eye AF was unfailing, even in dim conditions, and combined with the 5-axis stabilization, you get tack-sharp portraits with slow lenses handheld.
The Sony A6600 also nails accurate skin tones and fast, reliable eye detection, though dynamic range is slightly reduced. Its smaller sensor yields deeper depth of field for the same aperture, resulting in less creamy bokeh. However, longer focal lengths aided by the APS-C crop partially offset this. In tight portraits, the Nikon shows a noticeable edge in aesthetic compression and background smoothness.
Landscape: Dynamic Range and Weather Sealing
Landscape photographers demand expansive dynamic range and weather-sealed bodies for outdoor durability. The Nikon Z5’s full-frame sensor captures wide tonal gradations, recovering highlight details and deep shadows gracefully - ideal for sunrise or sunset scenes with high contrast.
Weather sealing on both cameras protects against dust and mild moisture but neither is fully freeze- or crush-proof. The Z5 edges the scale again due to its sensor size, offering larger prints with more detail.
Wildlife and Sports: Autofocus Tracking and Burst Shooting
Action-oriented shooting demands fast AF, high frame rates, and telephoto capability. Sony’s A6600 is tailor-made here, with 11fps continuous shooting and superior AF tracking algorithms. Coupled with the crop factor enhancing telephoto reach, it’s a favored choice for birdwatchers and sports fans on a budget.
The Z5’s slower 4.5fps limits capturing rapid sequences, but the higher image quality can provide richer final images for more deliberate shooting.
Street and Travel Photography: Discreteness and Portability
For street photography, the A6600’s smaller footprint and lighter weight allow greater discretion and spontaneity. Its quiet shutter and fast AF make it less obtrusive on the street. The Z5’s weight and size are more noticeable; however, the superior image quality may appeal to travelers prioritizing image fidelity over stealth.
Battery life favors the Sony A6600, rated at around 810 shots vs the Z5’s 470, a significant factor when on extended trips.
Video Capabilities: Moving Images Explored
Both cameras offer 4K UHD video at 30p using H.264 codecs, suitable for high-quality recording. The Z5 supports multiple framerates in 4K and Full HD and offers headphone and microphone jacks, enabling professional audio monitoring and input. Nikon’s video is clear and faces no major overheating or rolling shutter issues.
Sony extends video formats to include XAVC S and AVCHD, favored by many videographers for balance between quality and file size. The A6600 also sports excellent in-body 5-axis stabilization that complements video handheld shooting and supports face detection during recording. The addition of a flip-screen and “selfie-friendly” tilt further markets it toward vloggers and solo content creators.
While neither camera provides pro-level features like 10-bit recording, both deliver solid all-round video performance for casual and enthusiast use.
Build Quality, Weather Sealing, and Durability
Though neither camera is designed for extreme conditions, both offer dust- and moisture-resistant bodies adequate for most outdoor shooting. The Nikon Z5’s build feels more robust and better suited for sustained professional use. Sony’s A6600 is well-made but lighter construction and single SD card slot may concern some professionally minded photographers.
Storage, Connectivity, and Battery Life
The Nikon Z5 supports dual UHS-II compatible SD card slots, a significant advantage for backups or extended shooting sessions. Sony’s A6600 has a single card slot but supports both SD cards and Memory Stick Duo formats.
In terms of wireless capabilities, both cameras include built-in Wi-Fi and Bluetooth for easy smartphone pairing and image transfer. Sony benefits from NFC, simplifying connection in compatible devices. Both feature USB, HDMI ports, and mic/headphone jacks.
Battery life is a win for the A6600, whose NP-FZ1000 battery delivers nearly double the shots per charge compared to the Z5’s EN-EL15c, making Sony the preferable choice for travel photographers reliant on minimal charging opportunities.
Price and Value: Which Camera Gives You More Bang?
At their listed prices, the Nikon Z5 (approx. $1,399) holds a premium for its full-frame sensor and build quality, effectively introducing this sensor size to enthusiasts. The Sony A6600 (around $1,198 with kit lens) offers excellent value packed into a highly capable APS-C body, widely regarded as a versatile all-rounder.
Both represent solid investments, but your choice boils down to sensor format preference, lens ecosystem, and shooting style priorities.
Final Scores and Performance Summaries
Looking at aggregate performance, the Z5 excels in image quality, low-light capability, and build. The A6600 leads in autofocus performance, frame rates, battery life, and portability. Let’s stratify by photographic type:
- Portrait & Landscape: Nikon Z5 leads for tonal richness and sensor performance.
- Sports & Wildlife: Sony A6600 wins due to AF speed and burst capabilities.
- Street & Travel: A6600 preferred for discreetness and battery endurance.
- Video: Close contest, with Sony pulling slightly ahead via stabilization and codec options.
- Macro & Night/Astro: Z5’s full-frame sensor affords better noise control and image detail.
Sample Images: Putting Theory to Practice
Examining sample shots from both cameras across diverse scenarios confirms these conclusions. The Nikon Z5 produces vibrant, detailed RAW files with excellent dynamic range. The Sony A6600 delivers crisp, sharp images with superb autofocus reliability, though with somewhat less shadow detail when compared side by side.
Who Should Buy Which? Tailoring Recommendations to Your Needs
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Choose the Nikon Z5 if:
- You want full-frame image quality without the pro price tag.
- Portrait, landscape, or studio photography is your main focus.
- You value a robust grip and weather-resistant build.
- Your workflow benefits from dual card slots and tethered shooting.
- You already own or plan to invest in Nikon Z or F mount lenses.
-
Go for the Sony A6600 if:
- Size, weight, and stealth are paramount - think street photography or travel.
- You shoot fast-paced action like sports or wildlife and need superior AF and burst.
- Battery life is a key factor for long days without charging.
- You desire maximum lens options and third-party support.
- You’re a vlogger or hybrid shooter wanting strong video features with stabilization.
Closing Thoughts: Complementary Choices in a Mirrorless World
Neither camera is a "better" model in a universal sense - rather, they serve distinct photographic philosophies. Nikon’s Z5 offers an approachable gateway to full-frame imaging, excelling in image quality and build at the cost of some speed and portability. Sony’s A6600 leverages a mature APS-C platform to maximize speed, battery life, and versatility within a compact form.
With our extensive side-by-side testing, I can confidently say both are exceptional within their domains. Your decision should hinge on sensor size preference, lens ecosystem commitment, and your primary shooting disciplines. Whichever you pick, you’re getting a proven and well-rounded mirrorless system ready to tackle the vast landscape of modern photography.
For further questions or insight into specific use cases, I encourage sharing your priorities. Mirrorless is personal, and with the right tool in hand, the image quality and creative satisfaction follow naturally.
Happy shooting!
Nikon Z5 vs Sony A6600 Specifications
Nikon Z5 | Sony Alpha a6600 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Sony |
Model | Nikon Z5 | Sony Alpha a6600 |
Type | Advanced Mirrorless | Advanced Mirrorless |
Launched | 2020-07-20 | 2019-08-28 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | Expeed 6 | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 35.9 x 23.9mm | 23.5 x 15.6mm |
Sensor area | 858.0mm² | 366.6mm² |
Sensor resolution | 24MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 6016 x 4016 | 6000 x 4000 |
Maximum native ISO | 51200 | 32000 |
Maximum enhanced ISO | 102400 | 102400 |
Lowest native ISO | 100 | 100 |
RAW images | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 273 | 425 |
Lens | ||
Lens mount | Nikon Z | Sony E |
Number of lenses | 15 | 121 |
Crop factor | 1 | 1.5 |
Screen | ||
Screen type | Tilting | Tilting |
Screen size | 3.2" | 3" |
Resolution of screen | 1,040 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 2,359 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.71x |
Features | ||
Minimum shutter speed | 30 secs | 30 secs |
Fastest shutter speed | 1/8000 secs | 1/4000 secs |
Continuous shutter rate | 4.5 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | no built-in flash |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | 1/200 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | Yes |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 675 grams (1.49 pounds) | 503 grams (1.11 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 120 x 67 x 69mm (4.7" x 2.6" x 2.7") |
DXO scores | ||
DXO Overall score | not tested | 82 |
DXO Color Depth score | not tested | 23.8 |
DXO Dynamic range score | not tested | 13.4 |
DXO Low light score | not tested | 1497 |
Other | ||
Battery life | 470 photographs | 810 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery model | EN-EL15c | NP-FZ1000 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes |
Time lapse recording | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | 2 | One |
Launch price | $1,399 | $1,198 |