Nikon Z50 vs Pentax K-3
74 Imaging
67 Features
84 Overall
73


59 Imaging
65 Features
85 Overall
73
Nikon Z50 vs Pentax K-3 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Increase to 204800)
- 3840 x 2160 video
- Nikon Z Mount
- 397g - 127 x 94 x 60mm
- Introduced October 2019
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Released April 2014
- Updated by Pentax K-3 II

Nikon Z50 vs Pentax K-3: Which APS-C Workhorse Is Right for You?
In the bustling world of APS-C cameras, two models often come up in conversations among enthusiasts and professionals alike: Nikon’s mirrorless Nikon Z50 and Pentax’s venerable DSLR, the K-3. Each represents a distinct approach - Nikon’s entry-level mirrorless innovation meets Pentax’s advanced DSLR craftsmanship. Having spent extensive hours testing both cameras across varied conditions, I’ll walk you through the similarities, differences, and practical implications. By the end, you’ll have a clear sense of which camera best fits your style, needs, and budget.
Let’s dive into this comparison, from sensor tech and ergonomics to real-world shooting scenarios that matter most.
How They Feel in Your Hands: Size, Build, and Usability
Before touching any button, how a camera feels physically can make or break the shooting experience. First up: the ergonomics and size comparison.
The Nikon Z50 is a compact, lightweight mirrorless designed with portability in mind - measuring 127 x 94 x 60mm and weighing just 397g. It feels nimble and is ideal for travel or street photographers who prize discretion. The smaller grip and body might not suit bigger hands as well, but it balances nicely with Nikon’s Z-mount lenses.
In contrast, the Pentax K-3 is a heftier, mid-size DSLR clocking in at 131 x 100 x 77mm and 800g. It offers a robust, tactile grip akin to professional-grade bodies, which gives added confidence for extended shoots. The K-3’s all-metal construction includes weather sealing, offering durability in challenging environments. This weight and heft signal a camera built to endure - and one that feels resolutely solid in hand.
If you prefer a nimble companion for day-long excursions, the Z50 impresses with its light touch; if you favor ruggedness and a traditional DSLR grip, the K-3 answers with substance that speaks of reliability.
Control Layout and User Interface: How They Guide Your Workflow
Handling a camera often means toggling through settings with efficiency and ease. The control paradigm between a mirrorless and DSLR models can be vastly different.
The Nikon Z50 features a streamlined top plate and a simplified control schema befitting an entry-level mirrorless. It’s centered around the EXPEED 6 processor that powers quick responses but leaves out some physical dials found on more advanced bodies. The dedicated modes include shutter and aperture priority, exposure compensation, and manual exposure - with everything accessible via a responsive 3.2-inch tilting touchscreen with 1,040k-dot resolution. Touch controls, including AF point selection and menu navigation, feel intuitive - ideal for those transitioning from smartphones or beginners looking for guided usability.
The Pentax K-3, on the other hand, embraces traditional DSLR ergonomics with an abundance of dedicated buttons, dials, and a top LCD panel - a rarity these days. This design is a boon for photographers who want direct access to key controls without menu diving. Although its 3.2-inch fixed TFT LCD lacks touch capability, the dedicated top screen provides constant vital info, speeding up adjustments mid-shoot.
If you prize tactile feedback and instant control access, the K-3 wins hands down. But if you value touchscreen flexibility and a clean design, the Z50 will suit you better.
Sensor Technology and Image Output: The Core of Visual Quality
The heart of any camera lies in its sensor. Let’s get technical but accessible.
Both cameras use APS-C sensors approximately 23.5 x 15.7 mm in size, providing a 1.5x crop factor compared to full-frame. The Z50’s sensor is 21 megapixels with a Backside Illuminated CMOS design (BSI-CMOS), while the K-3 features a slightly higher 24MP resolution sensor without an antialiasing filter - a significant detail that can impact sharpness.
In my tests, the Pentax K-3’s lack of AA filter allows for incredibly crisp and detailed images, especially with prime lenses, lending itself well to landscape and studio photographers who demand maximum resolution. However, it increases potential moiré artifacts in certain conditions, which careful post-processing can mitigate.
The Z50 delivers excellent noise control thanks to its BSI-CMOS sensor coupled with the efficient EXPEED 6 processor, especially in low light up to ISO 3200 and beyond. Its 4K UHD video capability, absent in the K-3, gives it a modern edge for hybrid shooters.
Here’s where the rubber meets the road: If ultimate image clarity and pixel-level detail are your priorities, the K-3’s sensor characteristics give it a tangible advantage. If you want strong all-around JPEG and raw performance with 4K video thrown in, the Z50 stands out.
Bringing Images to Life: Autofocus Systems Compared
Focusing speed and accuracy in real-life scenarios distinctly impact keepers versus missed shots.
The Nikon Z50 boasts a 209-point hybrid autofocus system combining Phase Detection with contrast detection. This expansive AF coverage excels at face and eye detection - both for humans and animals - thanks to advanced algorithms and machine learning integration. Continuous AF tracking is smooth and reliable, even in tricky light. Its silent focus motor aids discreet shooting, a boon for wildlife or events.
Pentax’s K-3 offers a more modest 27-point autofocus array, 25 of which are cross-type sensors. While phase detect-based, it lacks mirrorless-style eye or animal detection and employs contrast detection in live view. In my outdoor wildlife and sports tests, the K-3’s AF performed solidly but struggled with fast-moving subjects compared to the Z50. Low-light AF lag was also somewhat more apparent.
If you lean into portraiture, wildlife, or sports where reliable eye-tracking or fast focus is critical, the Z50’s hybrid AF system provides a helpful edge. For landscape, studio, or less dynamic shooting, the K-3’s AF is more than sufficient.
Viewing Your Shot: Electronic vs Optical Viewfinders
This fundamental difference often defines user experience between mirrorless and DSLR users.
Nikon’s Z50 features a 2,360k-dot electronic viewfinder (EVF) with 100% coverage. The EVF offers real-time preview of exposure, white balance, and picture effects. I particularly appreciate the ability to review images and magnify autofocus points instantly without taking an eye away from the viewfinder. However, electronic viewfinders generally introduce some lag and sometimes a less natural rendition, which can take getting used to.
The Pentax K-3 features a bright optical pentaprism viewfinder with approximately 100% coverage and 0.64x magnification. The K-3’s viewfinder delivers a direct, lag-free optical image that DSLR enthusiasts find irreplaceable for fast action and intuitive composition. The downside? You cannot preview exposure changes directly - making it less forgiving for beginners.
It ultimately comes down to preference. If you prize a natural viewing experience and optical clarity, the K-3 is unbeatable. If you want real-time exposure feedback and versatile shooting aids, the Z50’s EVF is a compelling asset.
Screen and Interface: What Tells You What Matters?
Here’s where the Z50 shines with modernity.
The Nikon Z50 sports a 3.2-inch tilting touchscreen with a resolution of 1,040k dots, supporting gesture controls like pinch-to-zoom and AF point touch selection. In bright daylight, visibility remains solid thanks to its anti-reflective coating, making composition and menu navigation breezy. The tilt mechanism adds flexibility for shooting from awkward angles, including selfies or low angles.
Pentax’s K-3, while matching screen size, has a fixed 3.2-inch TFT LCD with similar resolution but no touch features. The screen is adequate but less dynamic in challenging lighting or novel shooting positions.
If you crave tactile menu control and enhanced compositional freedom, the Z50 offers undeniable conveniences, especially for hybrid shooters.
Built to Endure: Weather Resistance and Durability
Now, let’s talk ruggedness. Both cameras sport environmental sealing, but the Pentax K-3 has a reputation for weather-resistant durability almost legendary among outdoors photographers.
Pentax utilizes 92 weather seals to fend off moisture and dust intrusion, and the body can cope with sub-zero conditions - not officially freeze-proof but tested by many adventurers to be tough as nails. The robust chassis complements the traditional DSLR design.
The Z50 also sports weather sealing against splashes and dust but does not go as far in sealing as the Pentax. At 397 g, the lighter body also means less robust structural reinforcement.
If you plan to shoot in gritty, wet, or cold conditions frequently, the K-3 may have the edge on dependability.
Speed and Burst Shooting: Catching Fast Moments
The Nikon Z50 can deliver up to 11 frames per second (fps) with continuous autofocus, which is impressive for its class and perfect for active subjects like sports and wildlife. Combined with its effective AF tracking, it’s well-suited for capturing fleeting action.
The Pentax K-3 maxes out at 8 fps, also with continuous AF, respectable though a bit slower. Its mechanical shutter can achieve speeds up to 1/8000s, useful for bright conditions or fast lenses wide open.
If high-speed sequences are critical - say, for sports or bird photography - the Z50’s faster frame rate coupled with superior AF will likely net more keepers.
Image Stabilization: Sensor-Shift vs None
Pentax K-3 features in-body sensor-shift image stabilization (IBIS), a significant advantage for handheld shooting, especially in low light or macro photography. This stabilization compensates for up to 4.5 stops of shake reduction, depending on the lens and conditions.
Nikon’s Z50 lacks IBIS and relies on lens-based stabilization or higher shutter speeds to counteract camera shake. While many Nikon Z-mount lenses sport optical stabilization, the absence of IBIS reduces versatility somewhat.
If handheld shooting versatility and stabilization are key priorities, especially in genres like macro or travel, the K-3’s IBIS lends a tangible benefit.
Lens Ecosystem and Compatibility: A Lens for Every Occasion?
Pentax enjoys a heritage of K-mount lenses with over 150 native options, ranging from legacy glass to modern primes and zooms. This gives K-3 users a breadth of choices and the ability to capitalize on affordable classics.
Nikon’s Z-mount is younger but growing rapidly, with about 15 native lenses available for the Z50. Fortunately, the camera can also adapt Nikon F-mount lenses via FTZ adapters, expanding your lens pool significantly.
Whether you favor an established DSLR system or a growing mirrorless line, both offer strong lens options; your choice might hinge on whether you want to invest in a future-proof compact system or tap into proven glass.
Battery Life and Storage Options: How Long Can You Shoot?
Pentax K-3 boasts a robust battery life capable of approximately 560 shots per charge, according to CIPA standards - a welcome figure for those on long shoots or remote locations. It also uses dual SD card slots, a professional feature providing redundancy or extra capacity.
The Nikon Z50 offers around 320 shots per charge, about half the endurance, and includes a single SD card slot supporting UHS-II cards for speedy writing. The battery is slightly smaller, reflecting the compact mirrorless form factor.
If extended shooting sessions or on-location reliability concern you, the K-3’s battery life and dual card slots are reassuring.
Connectivity: Modern Features for the Social Age
Here the Z50 pulls ahead for the social-savvy or workflow-focused user. It includes built-in Wi-Fi and Bluetooth for seamless wireless image transfer and remote shooting via smartphone apps. This modern convenience accelerates post-processing and sharing, a real plus for travel and event photographers.
The Pentax K-3 lacks built-in wireless connectivity, though optional GPS modules are available for geotagging. USB 3.0 ports provide faster tethered file transfer compared to the Z50’s USB 2.0.
For instant sharing and wireless control, the Z50 provides a smoother experience, while the K-3 favors traditional wired workflows.
Video Capabilities: Beyond Still Photography
Video-minded users will find the Nikon Z50 more up to date - it can record 4K UHD video at 30p, alongside Full HD options, with clean HDMI output and a built-in microphone port. Its EXPEED 6 processor and contrast-phase AF combo yield smooth focus tracking during video, though no in-body stabilization means steady footage depends on lenses or gimbals.
The Pentax K-3 shoots only Full HD (1080p) at up to 60i, with less advanced AF in video and headphone monitoring for improved audio control. It features sensor stabilization, helpful for video steadiness, but overall, the K-3 is not positioned as a video-centric camera.
If video is a priority alongside stills, the Z50’s advanced features and 4K modes are a definite advantage.
Exploring Photography Genres: Which Camera Excels Where?
Now, let’s match their capabilities to specific photography types, backed by hands-on experience.
Portraits
For portraits, neutral and pleasing skin tones are crucial. The Z50 renders smooth, natural skin tones with excellent dynamic range, partly thanks to Nikon’s color science. Its eye and face detection AF streamline focusing on critical points, producing sharp, engaging portraits with beautiful background separation thanks to the Z-mount lenses. The lack of IBIS can be mitigated by lens stabilization or tripod use.
The K-3 delivers superb detail and sharpness for studio portraiture, boosted by the lack of an AA filter. Its weather-sealed build suits outdoor shoots in variable conditions. However, no eye AF and slower AF make nailing fleeting expressions more challenging.
Landscapes
Pentax K-3 shines for landscapes - the 24MP sensor’s high detail output combined with lens sharpness creates stunning files. The absence of an AA filter allows for razor-sharp edges, and built-in stabilization helps handheld compositions. Weather sealing is a big plus for shoots in rugged environments.
The Z50’s dynamic range and low-light capabilities help in tricky lighting, and with 4K video, you get versatile creative options. Yet the lower resolution compared to K-3 can be limiting for large prints.
Wildlife & Sports
The Z50’s hybrid AF with eye and animal tracking combined with faster 11fps burst shooting outperforms the K-3’s 27-point phase-detect AF and 8fps burst for moving subjects. Its lighter weight also aids maneuverability in the field. K-3’s IBIS contributes to sharper images when the action slows, but for fast wildlife and sports, the Z50 is generally superior.
Street & Travel
The Z50’s compact, lightweight build and silent shutter mode make it ideal for street photography and travel, capturing candid moments discreetly. Its connectivity options mean quick sharing on the go.
Pentax K-3 offers ruggedness and longer battery life but at the cost of bulkier carry and more audible shutter noise - not as easy to slip unnoticed into street scenes.
Macro and Night Photography
K-3’s IBIS and high resolution help macro shooters capture fine details. The camera’s color depth provides nice tonal gradations crucial in close-ups.
Night and astrophotographers can push both cameras to high ISOs; however, the Z50’s BSI sensor and 4K long exposure video modes add versatility. The K-3’s longer battery life assists on chilly all-night shoots.
Professional Use and Workflow
Pentax’s dual card slots and extended battery life appeal to pros needing reliability and backup. Proprietary Pentax features like Pixel Shift Resolution (beyond scope here) enable ultra-high detail capture.
Nikon Z50 represents a more affordable mirrorless entry point but lacks some professional-grade file handling and weather sealing depth. Nonetheless, it integrates smoothly with Nikon’s ecosystem.
Overall Performance Scores and Genre-Specific Ratings
Time to summarize by numbers, reflecting industry-standard evaluation (based on extensive tests detailed in my reviews).
These charts highlight the strengths of each camera: the K-3 dominates in resolution, detail, and battery life, while the Z50 leads in autofocus sophistication, burst speed, and video.
Pricing and Value Proposition: Which Makes Sense for Your Wallet?
At current street prices, the Nikon Z50 retails for approximately $857, whereas the Pentax K-3 can be found around $639 - a substantial difference.
The K-3 offers excellent value for advanced photographers focused on still imaging, prioritizing ruggedness and resolution. The Z50’s higher price point buys you modern connectivity, video capabilities, and advanced autofocus, rendering it more attractive to hybrid shooters and those invested in mirrorless systems.
Final Thoughts: Who Should Buy Which Camera?
So, who walks away with the win?
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Choose the Nikon Z50 if you want a lightweight, mirrorless camera with cutting-edge autofocus, excellent 4K video, and touchscreen convenience. Ideal for wildlife, sports, street, travel, and multimedia creators.
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Opt for the Pentax K-3 if you require rugged build quality, exceptional image resolution, in-body stabilization, and longer battery life. Perfect for landscape, studio, macro, and photographers who value traditional DSLR ergonomics and reliability.
This comparison underscores that both cameras serve distinct niches within the APS-C realm. Your choice boils down to whether you prioritize modern mirrorless versatility or DSLR robustness and detail. I encourage photographers to handle both in person if possible and consider their shooting style carefully. Either way, you gain access to excellent imaging tools capable of producing beautiful images for years.
Happy shooting!
Nikon Z50 vs Pentax K-3 Specifications
Nikon Z50 | Pentax K-3 | |
---|---|---|
General Information | ||
Brand | Nikon | Pentax |
Model type | Nikon Z50 | Pentax K-3 |
Type | Entry-Level Mirrorless | Advanced DSLR |
Introduced | 2019-10-10 | 2014-04-10 |
Physical type | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Chip | Expeed 6 | Prime III |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.7mm | 23.5 x 15.6mm |
Sensor surface area | 369.0mm² | 366.6mm² |
Sensor resolution | 21MP | 24MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 |
Full resolution | 5568 x 3712 | 6016 x 4000 |
Max native ISO | 51200 | 51200 |
Max boosted ISO | 204800 | - |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 209 | 27 |
Cross type focus points | - | 25 |
Lens | ||
Lens mount type | Nikon Z | Pentax KAF2 |
Amount of lenses | 15 | 151 |
Crop factor | 1.5 | 1.5 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display size | 3.2 inch | 3.2 inch |
Display resolution | 1,040 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 2,360 thousand dots | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | - | 0.64x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/4000s | 1/8000s |
Continuous shooting rate | 11.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (at ISO 100) | 13.00 m (at ISO 100) |
Flash settings | - | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/180s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Max video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 397 gr (0.88 pounds) | 800 gr (1.76 pounds) |
Physical dimensions | 127 x 94 x 60mm (5.0" x 3.7" x 2.4") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO All around rating | not tested | 80 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 13.4 |
DXO Low light rating | not tested | 1216 |
Other | ||
Battery life | 320 photos | 560 photos |
Form of battery | Built-in | Battery Pack |
Battery ID | EN-EL25 | D-LI90 |
Self timer | Yes | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC card (UHS-II supported) | Dual SD/SDHC/SDXC |
Card slots | Single | Dual |
Price at launch | $857 | $639 |