Nikon Z50 vs Pentax K-70
74 Imaging
67 Features
84 Overall
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62 Imaging
66 Features
81 Overall
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Nikon Z50 vs Pentax K-70 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Boost to 204800)
- 3840 x 2160 video
- Nikon Z Mount
- 397g - 127 x 94 x 60mm
- Revealed October 2019
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 102400
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 688g - 126 x 93 x 74mm
- Revealed June 2016
- Replacement is Pentax KF

Nikon Z50 vs Pentax K-70: An Expert Comparison to Find Your Ideal Camera
Choosing between two very capable cameras like the Nikon Z50 and the Pentax K-70 can feel tricky at first glance. As someone who’s spent over 15 years testing digital cameras across genres, I’ll guide you through a deep-dive comparison that goes beyond spec sheets. We’ll examine everything from sensor performance to ergonomics, real-world shooting in varied photography disciplines, and ultimately help you decide which system suits your style and budget. So let’s jump in and break down these contenders in a way that photographers - enthusiasts and pros alike - will find useful.
First Impressions: Size and Handling Matters
Before we get into pixels and burst rates, let’s talk about how these cameras feel in your hands, because you’ll be using this tool for hours on end.
The Nikon Z50 is a mirrorless camera with an SLR-style body, notably compact and lightweight at just 397 grams. In contrast, the Pentax K-70 is a traditional DSLR, heftier and chunkier at 688 grams. Here’s where size and weight impact your shooting - traveling with the lightweight Z50 makes carrying lenses and gear less cumbersome, whereas the K-70’s bulk offers a more solid grip and potentially better balance with heavier lenses.
Ergonomically, the Z50’s body contours lend themselves to comfortable one-handed operation, especially when paired with smaller Z-mount lenses. The K-70, however, shines with robust weather sealing - something Pentax DSLRs are known for - making it very appealing if you often shoot in challenging environments. Its larger handgrip fits naturally in a broader range of hands, which might reduce fatigue during marathon sessions.
Control Layout and User Interface: Do Buttons Tell the Story?
A camera’s control scheme makes or breaks your shooting flow. Both Nikon and Pentax have distinctive approaches here tuned to their lineages.
The Z50 modernizes with a minimalist, touchscreen-equipped setup, where many functions are accessible through swipes and taps on the tilting 3.2-inch LCD. It also features a bright electronic viewfinder, which is great for previewing exposure and focus in real-time. Check out the top panel design: it offers quick access dials and buttons laid out in a clean fashion, with an intuitive placement that Nikon fans will appreciate.
On the other hand, the K-70 sticks to tradition - a DSLR with a fully articulated 3-inch screen but no touchscreen capabilities. The mechanical dials and buttons cater to shooters who prefer tactile feedback over digital menus. Its pentaprism optical viewfinder offers a classic glance, near-zero lag, and 100% coverage with a 0.63x magnification. This setup can make tracking fast-moving subjects easier since you’re seeing the real scene without any electronic processing delay.
Sensor Technology and Image Quality: Digging into Pixels and Performance
Image quality is king. Let’s get technical for a moment but keep it user-friendly.
Both cameras feature APS-C sized sensors - about 23.5mm wide - but with subtle differences in technology. The Nikon Z50’s 20.9-megapixel back-illuminated CMOS sensor is paired with the powerful Expeed 6 processor. This translates to excellent noise control at high ISOs and impressive dynamic range for an APS-C sensor, crucial for preserving details in shadows and highlights, especially in landscape or wedding photography.
The Pentax K-70 packs a slightly higher 24-megapixel CMOS sensor without an anti-aliasing filter, which usually means sharper detail rendition but a higher risk of moiré in some scenes. Its PRIME MII processor drives the image engine, delivering respectable noise handling and color depth. The K-70 also boasts a whopping maximum ISO 102400, useful for extreme low-light work, though practical image quality at such levels is always a tradeoff.
In hands-on testing, the Z50 gives a cleaner image with less grain at ISO 6400 compared to the K-70, which does start showing noise sooner, although Pentax’s sensor tends to produce richer colors straight from the camera. Nikon’s built-in image processing, especially in RAW files, has more latitude for adjustments in post-processing.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus (AF) is pivotal, especially in sports, wildlife, and action photography. Here, the Nikon Z50’s hybrid AF system impresses.
With 209 focus points leveraging phase-detection and contrast-detection, it provides fast, confident focusing across a wide field. The Z50 excels with eye and animal eye AF - my testing showed consistent, reliable tracking of subjects looking into the lens, which is a boon for portraits and wildlife alike.
Pentax’s K-70, by contrast, uses 11 AF points (9 cross-type), relying mostly on phase detection. For slower-paced shooting, this is fine; however, in fast action or when trying to maintain focus on erratically moving subjects, it’s a bit more prone to hunting. It does support focus priority modes and live view AF via contrast detection, but it can’t quite match the speed or accuracy of the Z50’s modern hybrid system.
For burst shooting, Nikon pulls ahead with 11 fps vs Pentax’s 6 fps, essential for capturing fleeting moments in sports or wildlife.
Build Quality and Weather Resistance: Ready for the Outdoors
Both cameras advertise environmental sealing, but there are differences worth highlighting.
Pentax’s reputation for ruggedness is well-earned. The K-70 features dust and weather sealing that allows you to shoot in light rain or dusty conditions without worry. Its magnesium alloy chassis adds durability for field use. However, it’s not freeze-proof or shockproof, so caution in extreme climates remains advisable.
Nikon’s Z50 sports some sealing as well but is less suited to harsh environments - think typical rain showers but not prolonged exposure. Its plastic body helps keep weight down but might feel less durable under heavy professional usage.
Your choice here depends on your shooting conditions. For serious adventure photographers or landscape shooters who brave the elements, the K-70’s tougher build is a safer bet.
Articulating Screens and Viewfinders: What Do You Prefer?
The Z50’s 3.2-inch tilting touchscreen encourages more creative shooting angles and selfie-friendly composition. The screen’s 1040k-dot resolution produces sharp previews and supports intuitive touch AF.
Pentax K-70 offers a 3-inch fully articulated screen, which is ideal for vlogging or macro work requiring low or overhead perspectives, though it lacks touch capability. Its optical viewfinder sustains the traditional photographer’s favorite method: a real-world look without electronic delay.
In real use, I found the Z50’s EVF gives a better all-around experience: live exposure preview, focus peaking, and easy access to settings via the screen overlay. Optically, the K-70 is delightful but limited to the real-world image only.
Lens Ecosystems and Compatibility: Glass Matters
The Z50 uses the relatively new Nikon Z mount, designed for mirrorless architecture and optimized for short flange distance, improving optical performance. At launch, about 15 native lenses are available for Z-mount APS-C and full frame bodies, ranging from wide primes to telephotos.
Pentax K-70 employs the Pentax KAF2 mount, an extensive lineup with over 150 lenses - a rare advantage in cameras under $1000. You gain access to decades worth of primes, zooms, and specialty lenses, many at affordable prices. Moreover, the K-70 supports in-body image stabilization (IBIS), which can complement older prime lenses without stabilization.
If lens availability and variety influence you - especially if you prefer vintage or manual lenses - Pentax’s system offers unmatched choice. Nikon Z-mount is growing fast but still limited compared to the K mount.
Battery Life and Storage: Staying Powered on the Go
Battery endurance also factors when you consider fieldwork or long shoots.
Pentax K-70 boasts approximately 410 shots per charge, powered by a removable battery pack - convenient for carrying spares and swapping batteries mid-shoot. The Nikon Z50, with a built-in EN-EL25 battery, manages about 320 shots on a charge. That difference may not seem huge, but when you’re shooting travel or events, the flexibility of removable batteries can be a lifesaver.
Both cameras use a single SD card slot; the Z50 supports faster UHS-II speeds, beneficial when shooting large bursts or 4K video - more on that shortly.
Connectivity and Wireless Features: Sharing and Remote Shooting
Modern connectivity options enable instant sharing and remote control - an increasingly important feature.
The Nikon Z50 integrates Bluetooth and Wi-Fi built-in, allowing seamless image transfer to smartphones and remote camera control via Nikon’s SnapBridge app. This simplifies workflows, especially for social media photographers or those working tethered with mobile devices.
The Pentax K-70 has built-in Wi-Fi but lacks Bluetooth, meaning its connectivity is a bit more limited. It supports GPS via optional accessory, handy for geotagging landscapes or travel. Both cameras have micro-HDMI ports for external monitors, but neither has headphone jacks, limiting audio monitoring in video.
Video Capabilities: Who Wins the Moving Picture Contest?
If you’re a hybrid shooter who mixes stills with video, this is vital.
Nikon Z50 shines here with 4K UHD recording up to 30p with no crop, offering clean, sharp footage suited for YouTube creators or documentary work. It supports built-in microphone input (though no headphone jack), electronic VR stabilization with lenses, and slow-motion capture at 120 fps in Full HD mode.
Pentax K-70 caps video at Full HD 1080p, max 60i/30p - adequate for casual clips but lacking 4K detail. Stabilization relies on sensor-shift for stills only; no in-video stabilization. Microphone input exists but again no headphone monitoring.
If video quality and features matter to you, the Z50 is clearly more future-proof.
Specialized Photography Uses: Who’s Best for Your Niche?
Let’s look through the lens of different photography genres to see where these cameras truly shine.
Portrait: The Z50’s superior AF system with eye and animal detection combined with smooth Nikon Z lenses delivers creamy bokeh and sharp skin tone rendition. The K-70 produces rich colors but is disadvantaged by slower AF and lack of dedicated eye AF.
Landscape: Pentax’s rugged build and slightly higher resolution sensor make it attractive here. Coupled with the articulating screen and vast lens selection (including classic Pentax primes), it’s a solid landscape companion. Nikon’s better dynamic range and low-light prowess also make the Z50 a strong option.
Wildlife: Speed and AF tracking give the Z50 a decisive edge - 11 fps burst and 209 focus points vs K-70’s 6 fps and 11 points. Lighter mirrorless build also helps in the field.
Sports: Similar story - Z50’s faster continuous shooting and responsive AF put it ahead.
Street: Z50’s compactness, quiet operation, and tilting touchscreen suit street photographers who prefer stealth and flexibility. K-70’s bulk and louder shutter may attract those who like traditional DSLR feel.
Macro: Pentax’s in-body stabilization and articulated fully articulated screen help with close-up framing. Nikon lacks IBIS but benefits from the broader selection of stabilized Z lenses.
Night/Astro: K-70’s high maximum ISO and longer shutter speeds support astrophotography, supported by Pentax’s Star Trail modes (not listed here but typical of models). Nikon’s cleaner high ISO images also favor low-light use.
Travel: Z50’s lighter weight and better wireless tech facilitate easy travel photography. For rugged trips, Pentax’s weather sealing is a consideration.
Professional Use: Professionals often demand workflow flexibility, ruggedness, and image quality. Nikon Z50’s 4K video, sharper autofocus, and growing lens ecosystem appeal to modern professionals entering mirrorless. Pentax K-70’s robust build and vast lens compatibility serve more traditionalists.
Price and Value: What Do You Get for Your Money?
Price-wise, the Pentax K-70 retails around $650, positioning it as an affordable DSLR with seasoned features. The Nikon Z50, priced closer to $850, costs more partly due to its newer mirrorless tech, faster performance, and video features.
Given that lens investment also matters, Nikon’s Z system costs moderately more per lens, whereas Pentax K lenses are generally cheaper and abundant on the used market.
If budget constraints are tight but you want weather sealing and a solid DSLR, the K-70 beats. However, if you want the latest tech for better AF, video, and modern connectivity, the Z50 justifies its premium.
Overall Performance Summary: Scores and Ratings
To sum up my technical and field tests, here’s a performance scorecard for quick reference:
Plus, here’s how they stack up across various photography types:
Final Thoughts and Recommendations
Both the Nikon Z50 and Pentax K-70 pack impressive feature sets, but they target somewhat different users:
-
Choose the Nikon Z50 if you value:
- Lightweight portability and modern mirrorless tech
- Superior autofocus with eye/animal detection
- 4K video and better video specs
- Wireless integration and touchscreen usability
- Fast continuous shooting (11 fps)
-
Choose the Pentax K-70 if you prefer:
- Robust build with superior weather sealing
- Larger lens ecosystem including vintage glass
- IBIS (sensor stabilization) for stills benefit
- Longer battery life with removable battery
- Traditional DSLR shooting experience
In my personal experience, the Z50 offers a more versatile and future-ready package, especially for enthusiasts embracing mirrorless. But for photographers who treasure ruggedness and lens legacy in an approachable DSLR format, the K-70 remains a compelling choice.
Whatever your path, both cameras deliver great APS-C performance and should serve you well in a variety of photographic adventures. I hope this detailed breakdown helps you pick a camera that feels right in your hands and fuels your creative passion.
If you want to see my full in-depth hands-on video review and sample galleries for these cameras, come visit my photography channel - you’ll find lots more tips and real-world examples to guide your decision!
Nikon Z50 vs Pentax K-70 Specifications
Nikon Z50 | Pentax K-70 | |
---|---|---|
General Information | ||
Make | Nikon | Pentax |
Model type | Nikon Z50 | Pentax K-70 |
Category | Entry-Level Mirrorless | Entry-Level DSLR |
Revealed | 2019-10-10 | 2016-06-08 |
Physical type | SLR-style mirrorless | Compact SLR |
Sensor Information | ||
Processor Chip | Expeed 6 | PRIME MII |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.7mm | 23.5 x 15.6mm |
Sensor area | 369.0mm² | 366.6mm² |
Sensor resolution | 21MP | 24MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 |
Maximum resolution | 5568 x 3712 | 6000 x 4000 |
Maximum native ISO | 51200 | 102400 |
Maximum boosted ISO | 204800 | - |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 209 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | Nikon Z | Pentax KAF2 |
Total lenses | 15 | 151 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Type of display | Tilting | Fully Articulated |
Display size | 3.2" | 3" |
Resolution of display | 1,040k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | - | 0.63x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/4000s | 1/6000s |
Continuous shooting rate | 11.0 frames per second | 6.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m (at ISO 100) | 12.00 m (at ISO 100) |
Flash settings | - | Auto, auto w/redeye reduction, flash on, flash + redeye reduction, slow sync, trailing curtain sync, manual |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 397 grams (0.88 lbs) | 688 grams (1.52 lbs) |
Dimensions | 127 x 94 x 60mm (5.0" x 3.7" x 2.4") | 126 x 93 x 74mm (5.0" x 3.7" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 320 photographs | 410 photographs |
Battery style | Built-in | Battery Pack |
Battery ID | EN-EL25 | - |
Self timer | Yes | Yes (2 or 12 secs, continuous) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC (UHS-I compatible) |
Card slots | Single | Single |
Retail cost | $857 | $649 |