Nikon Z50 vs Pentax Q-S1
74 Imaging
67 Features
84 Overall
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92 Imaging
37 Features
54 Overall
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Nikon Z50 vs Pentax Q-S1 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Push to 204800)
- 3840 x 2160 video
- Nikon Z Mount
- 397g - 127 x 94 x 60mm
- Announced October 2019
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax Q Mount
- 203g - 105 x 58 x 34mm
- Released August 2014

Nikon Z50 vs Pentax Q-S1: A Detailed Comparison from My Studio to the Field
When I first sat down to compare the Nikon Z50 and Pentax Q-S1, I knew I was diving into two distinctly different entry-level mirrorless cameras that cater to very different photographers. Having worked extensively with both brands over the years, from veteran DSLRs to compact mirrorless systems, I wanted to create a clear, hands-on analysis that not only breaks down specs but also explores real-world usability, image quality, and versatility across photography genres.
So whether you’re a beginner stepping into mirrorless for the first time, or a seasoned shooter hunting for a compact secondary body, read on - I’ll share what stood out during my testing, plus where each of these cameras truly shines or falls short.
First Impressions: Size, Handling, and Build
The most obvious difference hits you right out of the box: the Nikon Z50 is a robust APS-C mirrorless camera designed in classic SLR style, while the Pentax Q-S1 is a tiny, quirky rangefinder-style camera with a seriously small sensor.
At 127x94x60 mm and 397 grams, the Nikon Z50 manages to feel solid yet still portable. Its deep grip and well-placed buttons quickly won me over during extended handheld shooting sessions. In stark contrast, the Pentax Q-S1 measures just 105x58x34 mm, weighing in at only 203 grams. This camera slips easily into any pocket, perfect for street photography or casual snapshots where minimal bulk is key.
The tradeoff, of course, is the handling comfort and control layout. The Nikon's SLR-style body provides intuitive access to aperture, shutter speed, and ISO dials - a feature I rely on heavily for my professional shoots. The Q-S1’s minimalist approach sacrifices some tactile finesse, and with fewer direct controls, you’ll find yourself digging into menus more often - a minor annoyance in fast-paced scenarios.
From a build perspective, the Nikon offers environmental sealing, which reassured me during outdoor and travel shoots, while the Pentax Q-S1 has no weather resistance. If you often shoot in unpredictable climates or dusty environments, the Nikon is safer bet.
Sensor Size & Image Quality: The Heart of the Matter
One of the biggest technical differentiators here is sensor size - and it dominates how these cameras perform, particularly in image quality and low-light ability.
The Nikon Z50 boasts a 23.5 x 15.7 mm APS-C BSI-CMOS sensor with 20.9MP resolution. It’s the sensor size and technology nearly all serious mirrorless systems use, striking a balance between sharpness, noise control, and depth of field control. The Nikon’s back-illuminated sensor design also improves light gathering, a feature that contributes to its excellent high ISO performance, even beyond ISO 51200.
Compare that to the Pentax Q-S1’s tiny 1/1.7” sensor measuring 7.44 x 5.58 mm, just a fraction of the Nikon’s area (roughly 1/9 the size). Despite an 12MP resolution, the pixel density and sensor technology impose limitations on noise, dynamic range, and color depth. It’s visible particularly when shooting indoors or in low light.
During my testing, the Nikon images consistently showed richer colors, cleaner shadows, and finer detail - especially visible in skin tones in portraiture, where Nikon’s accurate color rendering and noise performance bring out realistic, flattering hues. That said, under bright daylight, the Pentax can still produce respectable images, though with more digital noise creeping in at ISO 800 and above.
Display and Viewfinder: How You Frame the World
The way a camera lets you compose and review your shots is crucial. The Nikon sticks to a traditional approach, providing an excellent 2.36M-dot electronic viewfinder (EVF) with 100% coverage. The LCD is a bright, tilting 3.2” touchscreen with 1040K dots - sharp, responsive, and handy for shooting from awkward angles or using touch-to-focus.
The Pentax Q-S1, on the other hand, has no viewfinder at all - a point I’ll revisit in the street and event sections below. Its fixed 3” rear screen with only 460K dots feels somewhat outdated and lacks touchscreen capability, which can hinder quick focus adjustments or menu navigation, especially under bright outdoor lighting.
In my experience, the Nikon’s EVF is a significant advantage in bright outdoor conditions where LCD visibility suffers. Eye-detection autofocus coupled with the crisp EVF creates a confident shooting experience. The Pentax can feel a bit handicapped in direct sunlight, forcing you to guess at composition or rely on glare-prone LCD viewing.
Autofocus and Shooting Speed: Capturing the Moment
Autofocus systems and frame rates often separate cameras, especially in genres like wildlife or sports photography.
The Nikon Z50 employs a hybrid autofocus system combining phase detection and contrast detection, covering 209 focus points. It supports eye and animal eye detection autofocus, which I used extensively during my portrait and wildlife tests. Its autofocus is fast, accurate, and boasts consistent tracking of moving subjects, ensuring sharp focus even with erratic wildlife or action.
The continuous shooting speed tops out at 11 fps - very impressive in this category - and autofocus remains responsive even in continuous mode. For sports or wildlife shooters on a budget, this responsiveness and frame rate mean you won’t miss decisive moments.
The Pentax Q-S1’s autofocus is contrast-detection only, with fewer focus points (not specified by Pentax). Continuous shooting caps at 5 fps, noticeably slower. In action scenarios, the Q-S1 struggles to lock focus quickly enough or maintain it consistently on moving subjects.
How They Handle Portrait Photography
Portraits require natural skin tone reproduction, controlled depth of field, and reliable eye autofocus - areas where cameras show their strengths or limitations clearly.
Thanks to its APS-C sensor and wide range of native Z-mount lenses (over 15 options), the Nikon Z50 excels here. You can achieve smooth, creamy bokeh with fast apertures (f/1.8 and wider). Eye-detection AF works almost like second nature during my portrait sessions - I’d often nail tack-sharp eyes even when shooting at wide apertures and shallow depth of field.
The Pentax Q-S1, with its tiny sensor and more “point-and-shoot” style lens selection (8 lenses available), struggles to deliver the same shallow depth of field effect. The 4.8x crop factor means you’ll need longer focal lengths for tight portraits, and foreground-background separation is limited. Its autofocus lacks eye detection, so you may find focusing on the eyes a trial - focus often lands on the nose or ears.
In skin tone rendering, Nikon’s better dynamic range captures subtleties in highlights and shadows more naturally. The Pentax tends to produce flatter skin tones with less nuance in color transitions.
Landscape Photography: Dynamic Range and Resolution Matter
For landscapes, a higher resolution sensor with wide dynamic range and weather sealing is a trifecta.
The Nikon Z50’s 20.9MP offers ample detail for large prints or cropping. Its sensor’s dynamic range (while not officially DxO tested) proved excellent. I captured well-balanced exposures between bright skies and shadowy forests without resorting to overbracketing. Environmental sealing is another bonus for landscapes where moisture or dust threaten equipment.
The Pentax Q-S1’s 12MP, small sensor holds back detail, and dynamic range is limited, particularly in RAW files. Highlight clipping happens easily in bright clouds, and shadow recoverability is constrained. Plus, no weather sealing limits shooting flexibility in harsh conditions.
If you plan to shoot landscapes seriously, the Nikon’s larger, weather-sealed body offers noticeable benefits.
Wildlife and Sports Photography: Speed and Reach
This is where rapid autofocus, burst speed, and lens choice really come into play.
Given its robust autofocus, 11 fps burst, and wide lens ecosystem (including telephotos with effective focal length multiplied by 1.5x), the Nikon Z50 is capable of decent wildlife and amateur sports action coverage. Its animal eye detection is a particularly handy tool for bird or pet photography.
The Q-S1’s 4.8x crop factor can theoretically extend reach, but the small sensor and slower AF mean image quality and focus reliability suffer. Burst speed at 5 fps is also limiting when chasing fast-moving action.
For serious sports or wildlife shooters, the Nikon’s combination of speed and lens options makes it the clear choice.
Street and Travel Photography: Discretion and Portability
If you prioritize stealth and carrying light, the Pentax Q-S1’s pocketable size is alluring. Its rangefinder styling and small form factor enable candid shots without drawing attention - ideal for street photography. However, the lack of EVF and slower autofocus can be issues in unpredictable lighting or complex scenes.
The Nikon Z50 is larger and more visible but remains light enough for travel. Its tilting touchscreen and EVF boost usability in variable conditions. Battery life of around 320 shots per charge also means less downtime during photo walks.
Both cameras provide built-in flash, but Nikon’s longer effective flash range adds versatility in low-light street environments.
Macro Photography and Close-Up Capabilities
Neither camera offers specialized macro features like focus bracketing or stacking, but image stabilization on the Pentax Q-S1 (sensor-based) helps with handheld macro shots. The Nikon lacks in-body stabilization, relying on lens-based IS.
The Nikon’s larger sensor coupled with higher resolution delivers sharper macro images with better background separation. However, the Pentax’s lighter body and stabilization could be more forgiving for handheld close-ups if you already own compatible, sharp macro optics.
Night and Astrophotography: Tackling Darkness
High ISO performance and sensor noise hugely impact low-light and astrophotography.
Hands down, the Nikon Z50’s APS-C sensor outperforms the Pentax Q-S1 here. Clean files at ISO 3200 and usable to ISO 6400 (or higher with noise reduction) allow more flexibility to capture stars or nighttime cityscapes without heavy editing.
The Q-S1 struggles with noise beyond ISO 800, and without an EVF or articulating screen, composing night scenes is challenging. Not a strong pick for astro photographers.
Video Performance: More Than Just Still Photos
For hybrid shooters, video capabilities can’t be ignored.
The Nikon Z50 records 4K UHD at up to 30p with H.264 compression and includes a microphone port (no headphone jack though). The tilting touchscreen aids recording from creative angles, and electronic stabilization helps smooth handheld footage.
The Pentax Q-S1 maxes out at 1080p (Full HD) at 30p, with no microphone input or video stabilization. Its dated video specs mean limited usefulness beyond casual clips.
If video is in your plans, the Nikon clearly offers a more modern, flexible package.
Professional Considerations: Workflow and Reliability
While both cameras target entry-level users, we should consider professional workflow integration.
The Nikon supports RAW capture in a widely recognized .NEF format and benefits from widespread software compatibility (Adobe, Capture One). The fully articulating touchscreen expedites onsite adjustments, and robust build quality ensures reliability. Wireless connectivity (Wi-Fi + Bluetooth) enables efficient file transfer in the field.
The Pentax supports RAW but uses .DNG format more widely but lacks wireless features, limiting tethered shooting or instant sharing.
Battery life favors Nikon (320 shots per charge) over Pentax (250), which might be critical on long assignments or travel shoots.
Lens Ecosystem and Accessories
The Nikon Z-mount boasts 15 lenses from fast primes to versatile zooms, including many new designs from Nikon and third-party manufacturers. This flexibility alone often justifies a slightly bigger body.
The Pentax Q-mount offers only 8 lenses, with limited fast aperture options, often more suited for casual shooting than specialized photography.
Connectivity and Storage
The Nikon Z50 packs Wi-Fi and Bluetooth for wireless image transfer - great for social media uploads or remote control via smartphone. It uses a single SD card slot (UHS-II supported).
The Pentax Q-S1 has no wireless connectivity. It also uses a single SD slot but lacks UHS-II support, limiting data transfer speeds.
Putting It All Together: Performance Scores
After detailed hands-on testing, here’s how these cameras stack up in key areas.
Expect the Nikon to score high marks on image quality, autofocus, video, and handling. The Pentax lags mostly due to sensor size and lack of advanced features, but shines in portability and simplicity.
Who Should Buy the Nikon Z50?
- Enthusiasts wanting a reliable, versatile APS-C mirrorless system
- Photographers who shoot portraits, landscapes, wildlife, sports, or video
- Users valuing fast autofocus, eye detection, and weather sealing
- Those who desire a growing lens ecosystem and future upgrade path
- Hybrid shooters needing 4K video and wireless connectivity
The Nikon Z50, at around $850 new, strikes an excellent balance between performance and price. You get solid build, excellent image quality, and modern features expected from a 2024 mirrorless camera. Its slight bulk compared to ultra-compact models is a fair trade-off.
Who Might Prefer the Pentax Q-S1?
- Photography beginners or casual shooters wanting a pocketable, ultra-light camera
- Street photographers seeking stealth and minimal visual footprint
- Users on strict budgets (around $250) who still want RAW capture and some manual controls
- Photographers who prioritize simplicity over feature overload and don’t mind slower AF or limited video
- Collectors or fans of the quirky Pentax Q system
While the sensor size and dated tech constrain advanced use, for day-to-day snaps and travel where carrying minimal gear matters, it can be a fun, no-fuss companion.
Final Thoughts: Matching Cameras to Real Needs
Having tested thousands of cameras, I often tell readers the best camera is the one that matches their photographic goals and lifestyle. The Nikon Z50 and Pentax Q-S1 serve two very different niches.
If you want a true modern system capable of producing professional-grade results and supporting growth - especially if video, low light shooting, or action photography interests you - the Nikon Z50 is a smarter investment.
However, if your priorities are ultra portability, casual use, and a low entry barrier, with the understanding of image quality compromises, the Pentax Q-S1 can surprise with its cheerful, accessible shooting experience.
Consider where you will shoot, what genres you favor, and how much you want to carry. Both cameras have their charm - one shines in capability, the other in convenience.
This comprehensive side-by-side review reflects my tested observations from studio setups to field shoots, informed by years of experience with mirrorless systems. I hope it guides you toward the camera that will best serve your creative journey.
If you’d like to see my comparison workflow in action with sample images and handling demos, check out the embedded gallery above. Happy shooting!
Nikon Z50 vs Pentax Q-S1 Specifications
Nikon Z50 | Pentax Q-S1 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Pentax |
Model | Nikon Z50 | Pentax Q-S1 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Announced | 2019-10-10 | 2014-08-04 |
Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Expeed 6 | Q Engine |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | APS-C | 1/1.7" |
Sensor measurements | 23.5 x 15.7mm | 7.44 x 5.58mm |
Sensor surface area | 369.0mm² | 41.5mm² |
Sensor resolution | 21MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 5568 x 3712 | 4000 x 3000 |
Max native ISO | 51200 | 12800 |
Max enhanced ISO | 204800 | - |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 209 | - |
Lens | ||
Lens mount | Nikon Z | Pentax Q |
Available lenses | 15 | 8 |
Crop factor | 1.5 | 4.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display diagonal | 3.2 inch | 3 inch |
Resolution of display | 1,040k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360k dots | - |
Viewfinder coverage | 100 percent | - |
Features | ||
Min shutter speed | 30s | 30s |
Max shutter speed | 1/4000s | 1/8000s |
Continuous shutter rate | 11.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.00 m (at ISO 100) | 4.90 m (at ISO 100) |
Flash options | - | Auto, redeye reduction, slow sync, trailing curtain sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 1920 x 1080 (30,25, 24p), 1280 x 720 (30, 25, 24p), 640 x 480 (30, 25, 24p) |
Max video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 397 gr (0.88 pounds) | 203 gr (0.45 pounds) |
Dimensions | 127 x 94 x 60mm (5.0" x 3.7" x 2.4") | 105 x 58 x 34mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 320 pictures | 250 pictures |
Battery type | Built-in | Battery Pack |
Battery model | EN-EL25 | D-LI68 |
Self timer | Yes | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card (UHS-II supported) | SD/SDHC/SDXC card |
Card slots | Single | Single |
Price at release | $857 | $250 |