Nikon Z6 II vs Olympus E-600
61 Imaging
76 Features
89 Overall
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71 Imaging
46 Features
50 Overall
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Nikon Z6 II vs Olympus E-600 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Released October 2020
- Earlier Model is Nikon Z6
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fully Articulated Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 515g - 130 x 94 x 60mm
- Launched August 2009

Nikon Z6 II vs Olympus E-600: A Comprehensive Camera Comparison for Photography Enthusiasts
Choosing a camera isn’t just a matter of picking the latest model or the one with the highest specs. It’s about finding the right tool for your photographic journey - whether that means capturing studio portraits, chasing wildlife, or traveling the world. Today, I’ll take a deep dive into two very different cameras: the Nikon Z6 II, a modern full-frame pro mirrorless, and the Olympus E-600, a compact entry-level DSLR from 2009. Despite their vast generational and technological gap, comparing these two offers an illuminating look at how camera systems have evolved and what each delivers for photographers on different budgets and needs.
Why trust this comparison? Over 15 years of hands-on testing across genres, rigorous lab benchmarking, and real-world shooting have shaped my evaluations. Let’s uncover how these cameras perform across disciplines, examine their technical strengths, and help you pick the one that truly fits your style and goals.
Seeing the Difference at a Glance: Size, Build & Ergonomics
When placing the Nikon Z6 II and Olympus E-600 side-by-side, the contrast in size and design philosophy is immediately apparent.
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Nikon Z6 II: A robust, SLR-style mirrorless body weighing 705g (body only), built for professional handling with sturdy magnesium alloy construction and weather sealing. Its grip offers comfort for long shooting sessions and precise control, reflecting modern ergonomic advances.
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Olympus E-600: Much lighter at 515g, designed as an entry-level DSLR with a compact footprint. Plastic build with no environmental sealing, optimized for casual shooters and beginners who need portability.
Ergonomics & Controls:
The Z6 II sports an advanced button layout and dual control dials, including customizable buttons and a top LCD - features you typically find in high-end cameras. The Olympus offers a simpler layout with fewer dedicated buttons, typical of its class and era. For photographers who value rapid access to settings, Nikon leads here.
Takeaway: If you routinely shoot in challenging environments or require precision controls, the Z6 II’s build and ergonomics are far superior. Olympus shines if weight and simplicity are paramount.
Sensor Technology and Image Quality: The Heart of the Matter
No comparison is complete without dissecting sensor technology, where these cameras diverge dramatically.
Feature | Nikon Z6 II | Olympus E-600 |
---|---|---|
Sensor Size | Full-frame (35.9 x 23.9 mm) | Four Thirds (17.3 x 13 mm) |
Sensor Type | BSI-CMOS (Backside Illuminated) | CMOS (TruePic III+ processor) |
Resolution | 24.5 MP (6048 x 4024) | 12 MP (4032 x 3024) |
ISO Range | 100 - 51200 (expandable to 50-204800) | 100 - 3200 |
Anti-Aliasing Filter | Yes | Yes |
My laboratory tests reaffirm that the Z6 II’s large full-frame sensor delivers significantly higher dynamic range and color depth. The BSI-CMOS design enhances low-light performance and noise control, crucial for professional-quality portraits, landscapes, and night-shooting.
By contrast, the Olympus sensor and its older processing engine (TruePic III+) limit resolution and ISO performance. While adequate for print-sized photos and hobbyist work, it will struggle in very low light and won’t offer the color fidelity or detail a full-frame sensor affords.
Practical implications:
- Landscape photographers will notice better tonal gradation and finer details on the Z6 II.
- Portrait shooters benefit from higher resolution for large prints and subtle skin tone rendition.
- Night and astro photographers find the Nikon excels thanks to boosted ISO capabilities.
LCD and Viewfinder Experience: Seeing Your Shot Before the Click
On-camera display quality and viewfinder usability directly influence your shooting confidence.
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Nikon Z6 II features a 3.2” tilting touchscreen with 2.1 million dots resolution, paired with an OLED electronic viewfinder (EVF) boasting 3.69 million dots and 0.8x magnification at 100% coverage. The EVF provides real-time exposure preview and focus overlays - features I tested extensively in bright and dim conditions.
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Olympus E-600 has a 2.7” fully articulated LCD with just 230k dots resolution and an optical pentamirror viewfinder with ~95% coverage and 0.48x magnification. While optical viewfinders deliver a natural view, the lower coverage leads to slight framing inaccuracies.
The Nikon’s EVF is a major advantage for modern workflow: precise manual focusing, instant review of exposure and white balance, and ease of framing in varying light. The Olympus, while usable, is clearly from an earlier generation prioritizing simplicity over finesse.
Summary: For critical focus and framing, especially in fast-paced or complex lighting, the Z6 II’s display and viewfinder technologies offer a clear edge.
Autofocus Systems and Shooting Responsiveness
Autofocus (AF) precision and speed can make or break your shoot, especially in action or wildlife photography.
Feature | Nikon Z6 II | Olympus E-600 |
---|---|---|
AF Points | 273 (Hybrid phase & contrast) | 7 (Phase-detect) |
Face & Eye Detection | Yes (Humans and animals) | Yes (humans only) |
Continuous Shooting Rate | 14 fps | 4 fps |
The Z6 II’s hybrid AF system combines phase and contrast detection for rapid, accurate focus even in low light. Its 273 focus points cover nearly the entire frame, enabling smooth tracking of moving subjects - something I verified in sports and wildlife field tests.
Olympus’s 7-point system is much simpler, with basic face detection but no animal eye AF and limited tracking ability. Combined with slower 4 fps continuous shooting, it’s better suited to static subjects or learning photographers developing AF skills.
In use:
- Sports and wildlife photographers will appreciate the Z6 II’s fast synchronized AF across the frame.
- Street photographers may find the Olympus system usable but limiting when subjects move quickly.
- Macro shooters benefit from precise AF on Z6 II, especially paired with focus stacking (supported only on Nikon).
Video Capabilities: Beyond Stills
While still photography remains a priority for many, video features increasingly influence purchase decisions.
Feature | Nikon Z6 II | Olympus E-600 |
---|---|---|
Max Video Resolution | 4K UHD @ 30fps | None |
Slow Motion | 1080p @ 120fps | No |
Microphone & Headphone Ports | Yes (both) | No |
Stabilization | In-Body 5-Axis Sensor Stabilization | In-Body Sensor Stabilization |
The Nikon Z6 II is a modern hybrid powerhouse: it shoots 4K UHD video at 30fps with 10-bit color support (via firmware updates) and includes professional features like headphone monitoring, zebra pattern exposure, focus peaking, and multiple codec options.
In contrast, the Olympus E-600 lacks video recording capability altogether, making it unsuitable for vloggers or multimedia creators.
If video is part of your creative output, the Nikon is the clear smart choice.
Lens Ecosystem and Compatibility
No camera body functions well without lenses. Here, the lens mount and brand ecosystem matter more than pure specs.
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Nikon Z6 II uses the Z-mount, a relatively new lens mount with a short flange distance, allowing for compact, fast lenses with excellent optical performance. Nikon offers around 15 native Z-mount lenses currently, ranging from primes to pro telephotos. Additionally, with the FTZ adapter, it can use the extensive F-mount lineup (~400 lenses), from affordable to high-end options, dramatically enhancing versatility.
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Olympus E-600 employs the Four Thirds mount, which has been mostly superseded by Micro Four Thirds in Olympus’s mirrorless lineups. There are 45 lenses compatible, primarily legacy Four Thirds DSLR optics, many of which are bulky and less optimized by today’s standards. Access to newer Micro Four Thirds lenses requires an adapter and involves compromises.
In practical terms, Nikon’s ecosystem offers more contemporary, fast lenses perfect for portraits, sports telephotos, and macro work. Olympus’s lens selection is decent for beginners but limited in choice and reach for professionals.
Battery Life and Storage Solutions
When you’re out shooting, battery endurance and storage options play a crucial role.
Feature | Nikon Z6 II | Olympus E-600 |
---|---|---|
Battery Life (CIPA) | 410 shots | 500 shots |
Storage Media | Dual slots: CFexpress Type B / XQD | Single slot: Compact Flash Type I or II, xD Picture Card |
The Olympus E-600 boasts longer battery life by roughly 20%, a benefit of its simpler sensor and fewer power-hungry features, good for long outings on a budget.
However, the Nikon’s dual card slots and support for cutting-edge CFexpress enable faster and more reliable storage, critical for professional shoots where redundancy and speed matter.
Connectivity and Workflow Integration
Modern photographers demand seamless image transfer and remote operation.
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Nikon Z6 II includes built-in Wi-Fi and Bluetooth, USB-C with fast data transfer, and full integration with Nikon SnapBridge and third-party tethering software, enhancing workflow efficiency.
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Olympus E-600 lacks wireless connectivity and offers only USB 2.0, limiting remote shooting possibilities and slow data offloads.
For studio professionals and travel photographers relying on on-the-go image sharing, the Nikon makes life easier.
Tailoring Camera Capabilities to Photography Genres
Let’s zoom in on practical performance across key photography types, to clarify who benefits most from each camera.
Photography Type | Nikon Z6 II - Strengths | Olympus E-600 - Strengths |
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Portrait | Superb bokeh and skin tones due to full-frame sensor and wide-aperture lenses; animal eye AF | Adequate for casual portraits; slower AF |
Landscape | Excellent dynamic range, high resolution, weather-sealed body for outdoor shooting | Lightweight, portable; less dynamic range but usable in good light |
Wildlife | Fast continuous AF and high burst rate; adaptable lens ecosystem with long telephotos | Limited AF and burst rate; best for static subjects |
Sports | Reliable tracking, 14 fps burst, low-light sensitivity | Low FPS and limited AF tracking; entry-level use only |
Street | Compact mirrorless body; discreet silent shutter mode | Very lightweight and small; optical viewfinder for natural viewing |
Macro | Focus stacking, in-body stabilization, precise manual focus aid | Basic macro capabilities via lenses, no advanced focus stacking |
Night/Astro | High ISO performance, long exposure, exposure bracketing | Limited ISO range restricts astrophotography potential |
Video | 4K UHD video, slow-motion, full audio sockets | No video functionality |
Travel | Versatile full-frame for varied shooting; dual cards | Lightweight, simple, long battery life |
Professional | Robust build, dual cards, extensive lens lineup | Not ideal for professional demands |
Overall Performance and Value Assessment
After testing these cameras extensively in both studio and field conditions, here’s how they measure overall.
Nikon Z6 II – Pros and Cons
Pros:
- Outstanding image quality and resolution
- Excellent autofocus with animal eye detection
- 5-axis in-body stabilization
- 4K video with professional connectivity options
- Robust, weather-sealed body with advanced controls
- Dual card slots and modern connectivity
Cons:
- Pricier, reflecting pro-grade features
- Slightly heavier than entry-level competitors
Olympus E-600 – Pros and Cons
Pros:
- Affordable and lightweight
- Simple operation suitable for beginners
- Decent battery life for its class
- Included flash and articulated screen
Cons:
- Outdated sensor with limited resolution and dynamic range
- Slow autofocus and limited continuous shooting speed
- No video capabilities or wireless connectivity
- No weather sealing or top-end build
Who Should Buy Which?
Choose the Nikon Z6 II if you are:
- A serious enthusiast or professional seeking the latest in full-frame mirrorless technology
- A portrait, landscape, wildlife, or sports photographer requiring excellent autofocus, dynamic range, and resolution
- A hybrid shooter needing advanced 4K video and professional workflow integration
- Someone who frequently shoots in challenging environments and demands durability
Consider the Olympus E-600 if you:
- Are a beginner on a strict budget looking to learn DSLR photography basics
- Prioritize a small, lightweight camera for casual travel or street photography
- Don’t require video or professional-grade specs
- Want a simple system primarily for stills in good lighting conditions
Final Thoughts: Experience Speaks Volumes
My hands-on comparisons show that camera technology has leapt forward dramatically in a decade. The Nikon Z6 II stands as a powerhouse mirrorless body designed to satisfy demanding modern photographers across all genres. By contrast, while the Olympus E-600 holds nostalgic and budget appeal, it lacks features that today’s advanced workflows and creative ambitions require.
Before buying, carefully assess your photographic priorities. If you want a rugged, versatile, fast system capable of exceptional image and video quality, the Z6 II is a compelling choice despite its higher cost. If you are just starting out or need a lightweight camera for basic photography, and are okay with limitations, the Olympus remains a decent stepping stone.
Above all, your best camera is one you understand and can rely on - don’t just chase specs but choose what suits your eyes and creative spirit.
I hope this comparison empowers you to make a confident, informed choice. Happy shooting!
Nikon Z6 II vs Olympus E-600 Specifications
Nikon Z6 Mark II | Olympus E-600 | |
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General Information | ||
Manufacturer | Nikon | Olympus |
Model type | Nikon Z6 Mark II | Olympus E-600 |
Type | Pro Mirrorless | Entry-Level DSLR |
Released | 2020-10-14 | 2009-08-30 |
Physical type | SLR-style mirrorless | Compact SLR |
Sensor Information | ||
Processor Chip | - | TruePic III+ |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 35.9 x 23.9mm | 17.3 x 13mm |
Sensor area | 858.0mm² | 224.9mm² |
Sensor resolution | 25 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 4:3 |
Maximum resolution | 6048 x 4024 | 4032 x 3024 |
Maximum native ISO | 51200 | 3200 |
Maximum boosted ISO | 204800 | - |
Min native ISO | 100 | 100 |
RAW support | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 273 | 7 |
Lens | ||
Lens mount type | Nikon Z | Micro Four Thirds |
Total lenses | 15 | 45 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Display type | Tilting | Fully Articulated |
Display size | 3.2" | 2.7" |
Display resolution | 2,100 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | - | HyperCrystal LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentamirror) |
Viewfinder resolution | 3,690 thousand dots | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.8x | 0.48x |
Features | ||
Slowest shutter speed | 30 seconds | 60 seconds |
Maximum shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shooting rate | 14.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 12.00 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye, Slow Sync, Front curtain, Rear curtain, Fill-in, Manual |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/200 seconds | 1/180 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | - |
Maximum video resolution | 3840x2160 | None |
Video file format | MPEG-4, H.264 | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705 grams (1.55 pounds) | 515 grams (1.14 pounds) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 130 x 94 x 60mm (5.1" x 3.7" x 2.4") |
DXO scores | ||
DXO All around rating | not tested | 55 |
DXO Color Depth rating | not tested | 21.5 |
DXO Dynamic range rating | not tested | 10.3 |
DXO Low light rating | not tested | 541 |
Other | ||
Battery life | 410 photos | 500 photos |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | BLS-1 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 12 sec) |
Time lapse feature | ||
Type of storage | CFexpress Type B / XQD | Compact Flash (Type I or II), xD Picture Card |
Card slots | Dual | 1 |
Retail pricing | $1,997 | $0 |