Nikon Z6 II vs Olympus TG-6
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Nikon Z6 II vs Olympus TG-6 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Announced October 2020
- Succeeded the Nikon Z6
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 3840 x 2160 video
- 25-100mm (F2.0-4.9) lens
- 253g - 113 x 66 x 32mm
- Revealed May 2019
- Replaced the Olympus TG-5

Nikon Z6 II vs Olympus Tough TG-6: Which Camera Fits Your Photography Journey?
When it comes to choosing a camera, the options can feel overwhelming - especially when you're weighing something as mighty as a Nikon Z6 II against the rugged Olympus Tough TG-6. Both cameras deserve respect in their categories, but their user profiles hardly overlap. So the question isn’t "which is better?" in a vacuum; it's, “Which one suits your photography style and ambitions?” After hands-on testing thousands of cameras over 15 years - from pro DSLRs to adventure-ready compact shooters - I’m here to guide you through the nitty-gritty. Let’s dig into what these two beasts are made of and where each shines brightest.
Face-Off: Size, Build, and Handling - Portability Meets Professionalism
If you casually glance at these cameras, it’s clear: We’re looking at two vastly different tools aimed at vastly different photographers.
The Nikon Z6 II is a full-frame mirrorless designed with ergonomics and handling worthy of serious work. Its SLR-style body is substantial yet surprisingly balanced, measuring 134x101x70 mm and weighing 705 grams. The Z6 II feels solid in hand, offering that reassuring heft you want when focusing intently on framing a portrait or locking focus on wildlife.
In contrast, the Olympus Tough TG-6 is the spunky underdog - a compact powerhouse, waterproof and shockproof for wild adventures or underwater escapades, weighing just 253 grams and measuring 113x66x32 mm. It slips easily into a jacket pocket or glove compartment, ready to tag along where the Nikon might feel cumbersome.
While the Z6 II’s physicality facilitates precise control, the TG-6’s portability screams “grab and go!” - perfect when discretion or durability is paramount.
Looking closer, the Nikon offers a well-thought-out layout, packed with customizable buttons and dials that feel intuitive under the fingers. Its tilting touchscreen LCD complements the high-resolution electronic viewfinder (EVF) that, with 3690K dots and 100% coverage, really immerses you in a scene. The VGamma controls and top panel make it clear this camera expects you to be in command.
Olympus keeps it simple - no EVF, fixed screen with 1040 dots (touchscreen? Nope). Buttons are modest and non-illuminated, reflecting its no-nonsense, rugged mission. The TG-6’s design embraces durability over complexity, which you appreciate when using gloves or underwater.
Sensor and Image Quality - Full Frame Brilliance vs. Compact Confidence
Here’s where the story dramatically diverges. Nikon’s Z6 II is armed with a 25MP full-frame BSI CMOS sensor (35.9x23.9 mm), covering a generous 858 mm² area - about 30 times larger than the TG-6’s tiny 1/2.3-inch sensor (6.17x4.55 mm, 28 mm² area), which packs “only” 12MP.
What does that practical difference mean?
Well, it’s no secret that larger sensors capture more light, delivering cleaner images, superior dynamic range, and better control over depth of field.
In my real-world tests, the Z6 II's images exhibit impressive low-light performance up to ISO 51200 native (boostable to 204800), stunning color depth, and exceptionally fine detail rendering. This richness is partly due to the absence of a native anti-aliasing filter, enabling razor-sharp output without moiré issues.
The TG-6’s smaller sensor physically limits its noise floor and depth of field capability, but remember - it’s an ultra-tough compact aimed at casual shooting, snorkeling, hiking, or quick macro shots. Its BSI (backside illuminated) design helps maximize light gathering, and its lens (25-100mm equivalent, F2.0-4.9) delivers decent sharpness for its class. Outdoor daylight shots surprise with reasonable clarity, though high-ISO situations reveal noise more aggressively than the Nikon.
Simply put: Nikon’s Z6 II wins if image quality reigns supreme. TG-6 impresses in convenience and specialized shooting scenarios but can’t compete pixel-for-pixel.
Autofocus and Shooting Speed - Precision meets Practicality
When photographing moving subjects, autofocus (AF) and burst shooting define success. Nikon’s Z6 II boasts a sophisticated hybrid AF system with 273 focus points, incorporating phase-detection and contrast detection. It also features eye and animal eye AF, making portraiture and wildlife tracking smooth and reliable.
The Z6 II’s continuous shooting rate clocks in at 14fps with full AF and exposure tracking - extremely useful when shooting sports, action, or fleeting expressions.
Olympus TG-6, meanwhile, offers a simpler contrast-detection AF system with 25 points and no phase detection. Its burst shooting can reach 20fps, but with some compromises on AF tracking accuracy and continuous exposure adjustment.
The real-world implication? Nikon gives you professional-grade focus precision and speed. Olympus can capture action bursts and performs admirably with static and macro subjects but struggles with fast-moving or erratically behaving subjects.
The Nikon’s AF and burst prowess align well with wildlife photographers chasing birds in flight or sports photographers freezing a moment in dynamic play. The TG-6 thrives in scenarios where ruggedness and quick snapshots are priorities over pinpoint focus finesse.
Ergonomics and User Interface - Complexity vs Simplicity
After wrestling cameras of all stripes, I appreciate both ends of the UI spectrum. Nikon’s Z6 II is brimming with options - dual card slots (CFExpress/XQD), customizable controls, advanced exposure modes (shutter/aperture priority, manual), and an OLED overlay on the top screen for quick settings checked at a glance.
Meanwhile, Olympus TG-6 pares back. It leans on programmed exposure modes and auto settings with some manual aperture control but no manual shutter speed dial or priority modes, reflecting its point-and-shoot roots.
If you’re the type to get lost tuning custom white balance or exposure bracketing, the Z6 II’s granularity will satisfy. And yes, it supports focus bracketing and stacking - critical for macro maestros and landscape perfectionists. TG-6 also supports focus bracketing and stacking, but again, remember the sensor and lens limitations.
The Nikon’s touchscreen and articulated display (3.2", 2.1M dots) versus the TG-6’s fixed, non-touch panel (3", 1.04M dots) create a huge workflow difference. And the Z6 II’s EVF is a joy to use, especially in bright light - the TG-6 lacks any viewfinder.
Durability and Environmental Resistance - The Olympus Takes a Beating
Here’s where the TG-6 roars loudest. Olympus engineered this compact warrior for true adventure. Waterproof to 15m (50ft), freezeproof to –10°C, shockproof from 2.1m drops, dustproof, and crushproof (up to 100kgf), it's ready for the gnarliest conditions without batting an eye.
The Nikon Z6 II offers weather sealing - dust and moisture resistance - enough for professional outdoor work, but you wouldn’t want to take it snorkeling or boulder climbing in a storm. It isn’t freezeproof or shockproof per se.
If you’re a rugged travel photographer, an underwater explorer, or want a secondary indestructible camera, Olympus TG-6 is invaluable. If you need a reliable, weather-sealed professional body for controlled outdoor sessions, Nikon delivers.
Versatility Across Photography Genres
Let’s match these cameras to the varied genres they tackle.
Portraiture
The Nikon Z6 II truly shines here. Its large sensor depth-of-field control produces creamy bokeh that flatters skin tones, while eye-detection autofocus helps nail sharp portraits even in dynamic scenarios. The 273-point autofocus array tracks faces and eyes smoothly - a blessing when photographing moving children or pets.
The TG-6’s smaller sensor and fixed lens give limited background separation, and autofocus is less refined. That said, for casual snaps or underwater portraits, it’s capable when lighting cooperates.
Landscape
Again, Nikon’s higher resolution, dynamic range, and stable tripod-friendly design are ideal. Focus bracketing and stacking capabilities make hyper-detailed, sharp panoramas a breeze.
TG-6 is handy for quick landscapes or travel where weight and ruggedness matter more than pixel perfection. Its limited dynamic range and sensor size mean you sacrifice some shadow detail and highlight handling.
Wildlife & Sports
For fast action, Nikon dominates due to superior autofocus, 14fps burst, and silent shutter options. Eye and animal eye AF boost hit rates on elusive animals or fast-moving athletes.
The TG-6, despite 20fps burst, struggles with focus tracking and cannot sustain prolonged shooting - best for casual wildlife, macro insects, or slow motion underwater scenes.
Street Photography
This is where the TG-6’s compact size and stealth affordance earn points. Its compact profile and silent shutter mean less intrusion in candid environments. The Z6 II, larger and louder, can feel obtrusive in tight street scenes.
The TG-6 lacks an EVF, though, which sometimes hinders composition in bright light.
Macro Photography
Both cameras offer macro prowess but vastly differ in approach. The Olympus TG-6 offers a macro focus as close as 1cm, with built-in focus stacking, making life easier for close-up nature shots without a tripod.
The Nikon, supported by compatible Z-mount macro lenses or extension tubes, offers more precise focusing, higher resolution, and better image quality for detailed macro work - but it requires more gear and setup time.
Night & Astrophotography
Nikon’s full-frame sensor, excellent high-ISO noise performance, and bulb exposures put it leagues ahead for night sky and astrophotography. The Z6 II supports long exposures with precise noise control.
The TG-6 can do timelapse but is limited by noise and small sensor constraints in dark conditions.
Video
Both deliver 4K UHD at 30fps, with Nikon offering higher bitrate recording (144 Mbps vs Olympus’s 102 Mbps), microphone/headphone jacks for audio monitoring, and in-body 5-axis sensor stabilization. The Z6 II is thus perfect for semi-pro video production.
TG-6 lacks audio ports, and video features are more basic. However, its ruggedness allows shooting in environments harsh for traditional video rigs.
Travel Photography
If weight, size, and durability are key, TG-6 is unmatched. Its built-in GPS tags photos automatically - a great plus for travel bloggers.
The Nikon Z6 II’s versatility, image quality, and lens ecosystem stand out, but the bulk and need for lens changes can weigh you down on extended hikes.
Professional Use
Z6 II checks professional boxes: durability, dual card slots, RAW support, files compatible with standard workflows, and superior image outputs. Olympus TG-6 is more for enthusiasts or specialized uses than professional primary bodies.
Power, Storage, and Connectivity
Battery life sits at 410 shots per charge for Nikon versus 340 for Olympus. Both are serviceable but mirrorless users often carry spares.
Z6 II’s dual card slots support high-speed CFExpress or XQD cards for fast write speeds and redundancy - critical for pro backup. TG-6 uses single SD cards with UHS-I support.
Connectivity features show Nikon ahead: built-in Wi-Fi and Bluetooth enable photo transfer and remote control. The TG-6 has built-in GPS (handy for travel geotagging) but lacks Bluetooth or NFC.
Price and Value: What Are You Paying For?
The Nikon Z6 II retails at roughly $2000 body-only, putting it firmly in the pro mirrorless category. This justifies its advanced sensor, autofocus system, build, and ergonomics.
The Olympus TG-6 at about $450 offers a rugged, capable compact shooter for adventurers. Its value proposition is clear: you pay for durability and portability, not top-tier image specs.
The Final Scoreboard: Who Wins in Which Discipline?
Here’s a quick rounded performance comparison based on my hands-on testing considering real-world scenarios:
Wrapping Up With Recommendations
Consider Nikon Z6 II If You…
- Demand superb image quality for portraits, landscapes, wildlife, sports, or professional use
- Prioritize versatility with interchangeable lenses and expandable workflows
- Need outstanding autofocus and burst shooting for tricky subjects
- Want 4K video with external audio control
- Don’t mind carrying a heavier, more complex system
Consider Olympus TG-6 If You…
- Want a pocketable, robust compact camera ready for outdoor adventures or marine environments
- Enjoy casual to enthusiast shooting, with macro and underwater photography as passions
- Need a camera that laughs off drops, dust, and water without fuss or extra gear
- Value simplicity and portability over ultimate image fidelity
- Have a tighter budget and want proven reliability without bells and whistles
A Photographer’s Personal Take
I recommend the Nikon Z6 II as a stunning all-rounder for serious shooters - its image quality and tech bring pro-level results that reward your investment manyfold. Its expansive lens lineup, advanced autofocus, and professional features make it a dependable tool in any photography arsenal.
Meanwhile, I carry a tiny Olympus TG-6 on adventures where a full-frame camera is just impractical - underwater snorkels, muddy trails, or quick macro nature finds - because it rarely lets me down when situations get unpredictable.
The two cameras aren't just different; they each serve a unique narrative in your photography story. Choose your protagonist wisely.
Have questions about a specific shooting scenario or want personalized advice? Drop a note - after all, I’ve tested thousands of these cameras and love helping photographers find their perfect match.
Nikon Z6 II vs Olympus TG-6 Specifications
Nikon Z6 Mark II | Olympus Tough TG-6 | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Olympus |
Model type | Nikon Z6 Mark II | Olympus Tough TG-6 |
Category | Pro Mirrorless | Waterproof |
Announced | 2020-10-14 | 2019-05-22 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | - | TruePic VIII |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor measurements | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor surface area | 858.0mm² | 28.1mm² |
Sensor resolution | 25MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 6048 x 4024 | 4000 x 3000 |
Max native ISO | 51200 | 12800 |
Max boosted ISO | 204800 | - |
Min native ISO | 100 | 100 |
RAW format | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 273 | 25 |
Lens | ||
Lens support | Nikon Z | fixed lens |
Lens zoom range | - | 25-100mm (4.0x) |
Maximal aperture | - | f/2.0-4.9 |
Macro focusing distance | - | 1cm |
Available lenses | 15 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display size | 3.2" | 3" |
Resolution of display | 2,100 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Slowest shutter speed | 30 seconds | 4 seconds |
Maximum shutter speed | 1/8000 seconds | 1/2000 seconds |
Continuous shooting rate | 14.0 frames per sec | 20.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | - |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, Red Eye Reduction, Slow sync. (1st curtain), Red-eye Slow sync. (1st curtain), Fill- in, Manual, Flash Off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PC |
Max video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705 grams (1.55 pounds) | 253 grams (0.56 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 113 x 66 x 32mm (4.4" x 2.6" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 410 photos | 340 photos |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | LI-92B |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes |
Time lapse feature | ||
Storage type | CFexpress Type B / XQD | SD/SDHC/SDXC card (UHS-I support) |
Card slots | Two | 1 |
Price at launch | $1,997 | $449 |