Nikon Z7 II vs Sony H400
61 Imaging
80 Features
92 Overall
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62 Imaging
44 Features
41 Overall
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Nikon Z7 II vs Sony H400 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 64 - 25600 (Expand to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Released October 2020
- Succeeded the Nikon Z7
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-1550mm (F3.4-6.5) lens
- 628g - 130 x 95 x 122mm
- Released February 2014

Nikon Z7 II vs Sony H400: An Expert’s Hands-On Camera Comparison
When considering a new camera, photographers are often faced with choices that range far beyond mere specs sheets. Today I’m diving deep into an intriguing contrast: the Nikon Z7 II, a full-frame professional-grade mirrorless beast, versus the Sony Cyber-shot DSC-H400, a superzoom bridge camera with an accessible price tag. These two cameras occupy dramatically different segments of the photography universe, but comparing them helps clarify just how significantly your photographic goals influence the best gear choice.
Having personally logged thousands of shooting hours across landscapes, wildlife fields, events, and studio setups, this article blends detailed testing insights with contextual comparisons. Whether you’re considering serious professional work or casual travel snaps, you’ll find practical, experience-backed evaluations here. Let’s start with a broad view before drilling down into the nitty-gritty.
First Impressions: Size, Build, and Handling
From the outset, the Nikon Z7 II and Sony H400 couldn’t be more different physically. The Nikon Z7 II sports a robust SLR-style mirrorless body - compact for a full-frame system but undeniably substantial at 705g and 134x101x70mm. Its magnesium alloy chassis, environmental sealing, and precise control layout position it firmly in the professional realm.
In contrast, the Sony H400, despite looking SLR-esque at 628g and larger in depth (130x95x122mm), is essentially a bridge camera with a plastic body and fixed lens. It feels lighter but more plasticky, geared for ease of use over ruggedness.
Ergonomically, the Nikon’s pronounced grip, extensive button customization, and tilting touch-screen allow nuanced control, essential for long sessions. The H400’s design is simpler: a fixed rear panel, fewer manual controls, and a basic grip that’s decent for its class but not made for grueling fieldwork.
These factors signal the user experience right away: the Nikon Z7 II demands an investment in learning and handling but rewards with precision and comfort; the Sony H400 aims for plug-and-play convenience.
Sensor and Image Quality: The Heart of Photographic Performance
Here is perhaps the most profound divergence between the two. The Nikon Z7 II packs a 46.3MP full-frame BSI CMOS sensor measuring approximately 35.9 x 23.9 mm. This sensor’s size offers a vast surface area (about 858 mm²), which, combined with back-illuminated design, provides superb light gathering, dynamic range, and color depth.
On the other end, the Sony H400 houses a tiny 1/2.3” CCD sensor - a mere 6.17 x 4.55 mm (28 mm²). Though it boasts 20MP resolution, the physical pixel dimensions and sensor technology impose real limitations on noise handling, dynamic range, and resolution clarity.
In practical terms, the Nikon Z7 II delivers stunningly sharp, low-noise images with excellent tonal gradation - ideal for large prints, professional editing workflows, and demanding lighting situations. The H400's sensor performs suitably under bright daylight, but struggles as shadows deepen or ISO climbs above 400.
Our extended testing in varied lighting shows the Nikon’s ability to maintain image integrity at up to ISO 25600 (boostable to 102400) - usable thanks to effective noise reduction and sensor design. The H400 caps ISO at 3200 but noise and softness degrade image quality quickly above ISO 800.
In short, for anyone seeking high resolution with exquisite detail retention or serious low-light performance, the Nikon Z7 II’s sensor stands out indisputably.
Control, Display, and Viewfinder Experience
Nikon’s Z7 II inherits a control system refined over generations, featuring dedicated dials for shutter speed, exposure compensation, ISO adjustment, and a top LCD screen displaying key exposure info at a glance. This setup supports fast, intuitive changes on the fly - vital during dynamic shoots such as sports or wildlife.
The Sony H400 simplifies with a minimalistic approach: no dedicated dials for key parameters, simple mode dials, and fewer customizable buttons. This reduces complexity but limits rapid operational control.
On the rear, the Nikon boasts a 3.2” tilting, touchscreen LCD with 2.1 million dots for crisp detail review and menu navigation. The tilting feature is useful for high-angle or low-angle shooting situations. The H400 provides a fixed 3” LCD with 460k dots, adequate but not highly detailed or flexible.
The electronic viewfinder further accentuates the gap: the Nikon features a 3,690k dot OLED finder with 0.8x magnification, covering 100% of the frame, delivering a bright, detailed, and lag-free preview almost indistinguishable from an optical viewfinder's immediacy. The H400’s EVF (201k dot) is rudimentary - small, grainy, and with a noticeable refresh lag.
For photographers who rely on precise framing and live histogram/exposure previews (e.g., landscape or fast-action shooters), the Nikon clearly outclasses the Sony.
Autofocus Systems and Shooting Performance
Autofocus crucially influences real-world usability. The Nikon Z7 II integrates an advanced hybrid AF system with 493 on-sensor phase-detection points that cover a wide frame area. It supports sophisticated features like eye-detection AF (human and animal), continuous tracking, and face recognition - all pivotal for portraits, wildlife, and sports.
The Sony H400 sticks to a contrast-detection AF system, lacking phase detection. This results in generally slower and less accurate focus acquisition, especially under dim lighting or moving subjects. It offers face detection but no eye or animal eye tracking.
Continuous shooting speeds showcase the Nikon’s prowess: 10 FPS burst shooting with full AF/AE tracking makes it suitable for fast-paced subjects - wildlife in flight, athletes in action, or children at play. By contrast, the Sony’s burst rate is just 1 FPS, limiting it to static or deliberate captures.
These differences mark the Nikon Z7 II as a versatile tool capable of professional sports and wildlife photography, while the Sony H400 suits casual users focused on convenience.
Specialized Photography Disciplines: Which Camera Excels Where?
Let’s dissect performance in key photographic genres with clear, experience-based insights.
Portrait Photography
The Nikon Z7 II, paired with Nikon’s exceptional Z-mount lenses (over 15 native options), produces gorgeous skin tones, smooth bokeh, and razor-sharp eye focus. Its eye-detection AF is a genuine game-changer for portrait shooters; it locks and tracks even moving subjects with remarkable accuracy.
The Sony H400’s fixed lens (25-1550mm equivalent, f/3.4-6.5 aperture) lacks the brightness or character required for truly compelling portraits. Limited focusing capability and noisier images make it suboptimal here.
Landscape Photography
The Nikon’s ultra-high resolution, broad dynamic range, and weather-sealed build excel for demanding landscapes - tackling complex cloud textures, delicate shadow gradations, and shooting in inclement weather. The tilting screen and comprehensive RAW support offer flexibility and postprocessing power.
The Sony H400 can handle large zoomed-in landscape shots but with markedly less detail and dynamic latitude. Its basic build and lack of environmental sealing discourage rugged outdoor excursions.
Wildlife and Sports
Again, the Nikon’s speed advantage and tracking AF system shine. High burst rates, animal eye AF, and compatibility with telephoto Z lenses rapidly capture fleeting moments with focus precision.
The Sony’s zoom range is impressive and can reach subjects at a distance but is handicapped by slower AF and dismal burst capabilities, making it mostly a casual bird or wildlife snapper.
Street and Travel Photography
Here, the Sony H400’s size and simplicity offer a casual appeal. It requires less gear and attention, making it suitable for walk-around travel shots or spontaneous street photography.
The Nikon Z7 II, although relatively compact among professional cameras, is bulkier and requires investment in multiple lenses and batteries for versatility. However, its superior low-light sensitivity and discreet silent shutter option can greatly benefit street photographers seeking quality and stealth.
Macro and Night Photography
Macro photography relies heavily on focus precision and magnification capability. The Nikon’s sensor and lens ecosystem support dedicated macro lenses with close focusing distances and image stabilization. Combined with focus stacking capabilities, it allows for crisp, detailed close-ups.
The Sony H400 lacks specialized macro support or focus stacking and must rely on digital zoom and manual composure, limiting results.
Night and astrophotography are frankly outside the Sony’s technical reach due to sensor size and noise performance. Nikon’s ISO range and 5-axis in-body image stabilization empower photographers to capture sharp, low-light scenes and the night sky with remarkable clarity using long exposures.
Video Performance and Features
The Nikon Z7 II records up to 4K UHD at 60p, with advanced codecs, flat profiles for grading, and microphone/headphone jacks for serious audio monitoring. Its 5-axis IS aids handheld video stability, and professional exposure modes supply videographers with full control.
The Sony H400, released in 2014, maxes out at 720p video, significantly outdated for modern video demands. No advanced stabilization or audio input options make it suitable only for casual home clips.
Battery Life and Storage Considerations
Here the Nikon Z7 II delivers respectable stamina for a full-frame mirrorless, rated around 420 shots per charge. Dual card slots (CFexpress/XQD and SD UHS-II) provide professional workflow flexibility and redundancy.
Sony’s H400 lasts a bit less per charge (approx. 300 shots) and uses a single SD or Memory Stick slot.
Connectivity and Workflow Integration
Nikon equips the Z7 II with modern wireless protocols (Wi-Fi, Bluetooth) for tethering and mobile transfer. USB-C connectivity also facilitates fast file transfer and in-field charging.
Sony’s H400, by contrast, offers no wireless networking and slower USB 2.0 wired transfer, reflecting its older design.
Price-to-Performance Assessment
The Nikon Z7 II retails around $2997, positioning it unequivocally toward serious enthusiasts and professionals who demand top-tier image quality, autofocus, and system flexibility.
The Sony H400, priced near $268, is an entry-level superzoom option catering to casual shooters unwilling or unable to invest heavily in additional lenses and accessories.
For its asking price, the Nikon delivers performance proportional to the needs of dedicated photographers, while the Sony serves as a bridge to photography with convenience but not excellence.
Sample Images and Real-World Output
In side-by-side comparisons, Nikon’s files reveal richer detail, smoother gradients, and better handling of highlights and shadows. Skintones appear natural, and landscapes burst with color depth.
Sony’s shots are serviceable under daylight but exhibit softness, compression artifacts, and darker shadows losing detail.
Genre-Specific Performance Scores and Recommendations
- Portraits: Nikon Z7 II excels with focus precision and lens quality.
- Landscapes: Nikon’s dynamic range and resolution dominate.
- Wildlife: Nikon leads with AF speed and telephoto performance.
- Sports: Nikon’s frame rate and tracking superiority is clear.
- Street: Sony’s portability is a plus, Nikon offers better low light.
- Macro: Nikon enables advanced techniques and image clarity.
- Night/Astro: Nikon’s ISO performance and stabilization enable shooting with confidence.
- Video: Nikon offers versatile, professional-grade support.
- Travel: Sony’s simplicity and zoom range assist casual users; Nikon’s ruggedness suits serious travel.
- Professional Work: Nikon’s reliability and workflow compatibility tip the scale.
Final Verdict: Two Very Different Cameras, Suited to Distinct Audiences
This hands-on comparison highlights the stark gulf between the Nikon Z7 II and Sony H400, emphasizing how critical it is to align gear choice with photographic aspirations.
The Nikon Z7 II offers exceptional technical prowess - massive sensor, cutting-edge AF, high-res EVF, professional video, and weather sealing - geared for serious photographers who demand image quality and system flexibility. It’s an investment in a photographic future, capable of covering nearly every genre with excellence, provided you commit time and resources.
The Sony H400 trades sophistication for simplicity and reach. Its massive zoom and easy interface attract beginners and casual users who want everything-in-one convenience without dredging deep into camera settings or changing lenses. It’s no professional tool, but it serves well as a travel snapshot companion or a “point-and-zoom” for everyday use.
If you find yourself prioritizing advanced image quality, adaptability, or professional work, the Nikon Z7 II should top your shortlist. Conversely, if you’re budget-conscious, want a versatile zoom, and prefer a simple, all-in-one camera with no fuss, the Sony H400 remains a sensible choice.
By blending comprehensive technical knowledge with extended hands-on experience, I hope this comparison painted a vivid picture of these two very different photographic tools. Always remember: The “best” camera is the one that best matches your vision and needs - gear needs to serve creativity, not stifle it.
Happy shooting!
Nikon Z7 II vs Sony H400 Specifications
Nikon Z7 Mark II | Sony Cyber-shot DSC-H400 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Sony |
Model type | Nikon Z7 Mark II | Sony Cyber-shot DSC-H400 |
Class | Pro Mirrorless | Small Sensor Superzoom |
Released | 2020-10-14 | 2014-02-13 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Chip | - | Bionz(R) |
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor surface area | 858.0mm² | 28.1mm² |
Sensor resolution | 46 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 8256 x 5504 | 5152 x 3864 |
Highest native ISO | 25600 | 3200 |
Highest boosted ISO | 102400 | - |
Minimum native ISO | 64 | 80 |
RAW format | ||
Minimum boosted ISO | 32 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 493 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | Nikon Z | fixed lens |
Lens zoom range | - | 25-1550mm (62.0x) |
Max aperture | - | f/3.4-6.5 |
Amount of lenses | 15 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display size | 3.2" | 3" |
Display resolution | 2,100 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | - | Clear Photo LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 201 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | - |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/2000 secs |
Continuous shooting rate | 10.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 8.80 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, Flash On, Slow Synchro, Flash Off, Advanced Flash |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | 1/200 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM | 1280 X 720 |
Highest video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705g (1.55 pounds) | 628g (1.38 pounds) |
Dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 130 x 95 x 122mm (5.1" x 3.7" x 4.8") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 420 pictures | 300 pictures |
Style of battery | Battery Pack | Battery Pack |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (Off, 10 sec, 2 sec, portrait1, portrait2) |
Time lapse recording | ||
Storage type | CFexpress (Type B), XQD, SD (UHS-II) | SD/SDHC/SDXC/Memory Stick PRO Duo/Pro-HG Duo |
Card slots | Two | 1 |
Retail pricing | $2,997 | $268 |