Nikon Z8 vs Sony A7R V
55 Imaging
82 Features
83 Overall
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60 Imaging
83 Features
96 Overall
88
Nikon Z8 vs Sony A7R V Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.20" Tilting Screen
- ISO 64 - 25600 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- 7680 x 4320 video
- Nikon Z Mount
- 910g - 144 x 119 x 83mm
- Launched May 2023
(Full Review)
- 61MP - Full frame Sensor
- 3.20" Fully Articulated Display
- ISO 100 - 32000 (Increase to 102800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 7680 x 4320 video
- Sony E Mount
- 723g - 131 x 97 x 82mm
- Revealed October 2022
- Succeeded the Sony A7R IV

Nikon Z8 vs Sony A7R V: A Deep Dive into Two Flagship Mirrorless Giants
Choosing a professional mirrorless camera today means navigating a landscape of remarkable options, where sensor innovation, autofocus wizardry, and ergonomic refinement meet in often subtle yet impactful ways. The Nikon Z8 and Sony A7R V are recent contenders vying for serious photographers' attention, each boasting a rich feature set and promising to excel across genres - from breathtaking landscapes to frenetic sports arenas. I’ve spent extensive hands-on time with both cameras, deeply testing their capabilities and workflows across diverse shooting conditions. This comparison looks beyond specs lists to the practical realities of daily use, helping you decide which powerhouse suits your photographic passion and professional needs.
First Impressions and Handling: Size, Weight, and Body Design
The Nikon Z8 and Sony A7R V share the classic SLR-style mirrorless form factor, yet their physical dimensions and build subtly influence how they feel during extended shoots. The Nikon Z8 is noticeably larger and heavier, weighing in at 910 grams compared to Sony’s 723 grams. It’s a difference you feel most during all-day handheld sessions, especially when combined with hefty telephoto or zoom lenses.
Nikon’s body measures roughly 144 x 119 x 83 mm, offering a chunkier grip that many users will find reassuring, especially those transitioning from Nikon’s DSLRs. Sony’s A7R V is more compact (131 x 97 x 82 mm), appealing to photographers prioritizing portability without sacrificing pro-level robustness.
Both cameras feature solid weather sealing that can handle damp or dusty environments but don’t expect them to survive submersion or extreme shock. Nikon’s inclusion of illuminated buttons improves usability in low-light conditions, a thoughtful touch absent on the Sony.
The control layout is ergonomic on both bodies, with Nikon placing a few more physical dials accessible via the top screen, while Sony’s interface leans heavily on the rear and customizable buttons. Personally, I appreciate the Nikon Z8’s tactile reassurance when adjusting settings quickly during fast-paced shoots, but Sony’s lighter design is less fatiguing for street or travel photographers who value discretion.
Sensor Technology and Image Quality: Pixel Count and Performance
At the heart of both cameras lie impressive full-frame sensors, but the specifications reveal diverging philosophies.
The Nikon Z8 features a 46-megapixel stacked CMOS sensor measuring 35.9 x 23.9 mm, equipped with an antialiasing filter, and supporting a native ISO range of 64–25600, expandable to ISO 32–102400. Meanwhile, Sony’s A7R V sports a 61-megapixel back-illuminated CMOS sensor (35.8 x 23.8 mm, no AA filter), boasting a native ISO range of 100–32000, extendable to ISO 50–102800.
The difference in resolution (46MP vs 61MP) is significant: Sony’s sensor offers roughly 30% more pixels, translating into incredibly detailed images - ideal for large prints, commercial work, or pixel-level cropping. The lack of an anti-alias filter in Sony’s A7R V further maximizes image sharpness at the risk of potential moiré, especially noticeable in repetitive patterns.
Nikon’s stacked sensor design provides speed advantages that pay dividends in burst rates and video performance, as we’ll explore later. Additionally, Nikon’s broader base ISO sensitivity (down to 64 native) affords marginally better control in bright conditions and smoother tonal gradations, particularly beneficial in studio and landscape environments.
When put through real-world testing landscapes - from the richly textured bark of ancient trees to delicate petals - both cameras produce pristine RAW files with excellent dynamic range and color depth. DXO Mark rates the Nikon Z8 highly with an overall score of 98, 26.3 bits color depth, and 14.2 stops dynamic range, indicators of its robust image quality pipeline. Sony’s metrics are yet unofficial but expected to be top tier given the brand’s sensor lineage.
Rear LCD and Viewfinder Experience
Both cameras feature sizable 3.2-inch LCD screens with touchscreen capabilities. However, Nikon’s Z8 opts for a tilting screen, while Sony offers a fully articulated display - critical for vloggers, macro photographers, or anyone shooting from unconventional angles.
The Sony’s screen resolution edges out Nikon’s slightly at 2360k dots versus 2089k, providing a crisper preview that makes checking fine details in the field more comfortable. On the flip side, Nikon incorporates a top panel LCD for quick info access, reducing the need to activate the rear screen in bright sunlight.
Turning to electronic viewfinders (EVFs), Sony’s A7R V trounces with an ultra-high 9440k-dot OLED EVF at 0.9x magnification, delivering an impressively clear and large view that reduces eye strain. Nikon compensates with a 3686k-dot EVF at 0.8x magnification - still excellent but visibly less detailed.
In practice, Sony’s EVF is a joy for pixel-peepers and action photographers who rely heavily on precise framing, while Nikon’s EVF strikes a satisfying balance for most users. Both deliver 100% frame coverage and minimal blackout, making eye-level shooting smooth.
Autofocus Systems: Speed, Accuracy, and AI-Assisted Tracking
Autofocus remains a critical differentiator between flagship mirrorless systems. Both cameras implement hybrid AF systems mixing phase-detection and contrast-detection pixels.
The Nikon Z8 employs 493 focus points with full coverage and boasts superior autofocus tracking refined by Nikon’s latest AI algorithms. It offers eye-detection AF for humans and animals, face recognition, and excels in continuous AF modes, especially for high-speed subjects. The stacked sensor contributes to a blazing max electronic shutter speed of 1/32000s and an impressive silent shutter mode, minimizing shutter shock and allowing shooting in ultra-quiet scenarios.
Sony’s A7R V ups the focus point count to 693 points with comprehensive coverage and similarly advanced real-time eye and animal tracking, bolstered by deep learning technology. While the Z8 is faster with 30 fps burst shooting, Sony offers a more conservative 10 fps mechanical (7 fps electronic).
When tracking a flock of birds in flight or runners barreling toward the camera, Nikon’s faster burst offering comes with equally assured AF reliability, making it the better choice for sports and wildlife shooters who prioritize speed and reflexes. Sony’s advantages surface more in studio settings or landscape work where focus precision and resolution reign supreme.
Burst Rates and Buffer Depth: Capturing Fleeting Moments
Nikon’s Z8 is a sprinter, topping at 30 fps continuous shooting, supported by CFexpress and UHS-II SD dual card slots for speedy buffer clearing. This makes it exceptionally capable in demanding sports, wildlife, or event scenarios without frustration from lag or buffer saturation.
In contrast, Sony’s A7R V offers 10 fps mechanical and 7 fps electronic continuous speeds, slower but accompanied by a much larger pixel count. The buffer is robust but designed to accommodate massive RAW files, meaning buffer completion can take longer - something to consider during extended shooting bursts.
The message here: Nikon’s Z8 excels when “speed kills” and you need action shots in rapid succession, while Sony’s A7R V trades some speed for rich resolution that’s invaluable for detail-oriented workflows.
Video Capabilities: Resolution, Frame Rates, and Codec Flexibility
Both cameras stamp their mark with 8K video capabilities in full-frame format but approach it differently.
The Nikon Z8 stands out with native 8K video at up to 30 fps using H.265 codec, plus impressive 4K footage at 120 fps in ProRes or H.264/265, offering filmmakers flexibility and high-quality slow-motion. It integrates 5-axis in-body image stabilization to smooth handheld shots and provides microphone and headphone jacks for serious audio control.
Sony’s A7R V also delivers 8K capture at 24/25 fps and 4K video with enhanced codecs including XAVC HS and S-I for different quality/bitrate trade-offs. It matches Nikon’s audio support but lacks the internal 4K 120 fps modes found on the Z8. However, Sony’s autofocus precision during video capture is exceptional, further aided by real-time tracking and Eye AF.
For hybrid shooters and video professionals, Nikon’s video-spec advantages combined with robust photo features present a compelling all-around package. Sony pursues refined video autofocus and codec versatility but does not push 4K frame rates as high.
Lens Ecosystem and Compatibility
Lens availability remains a decisive factor. Nikon’s Z-mount lineup is growing steadily with 46 native lenses supporting focal lengths from ultra-wide to super-telephoto, including excellent options for macro and portraits. Nikon’s F-to-Z mount adapter allows legacy DSLR lenses to thrive on mirrorless bodies with little compromise - an advantage for photographers with established glass collections.
Sony’s E-mount system dwarfs Nikon’s in sheer breadth, boasting upwards of 187 lens options from Sony and third-party manufacturers such as Sigma, Tamron, and Zeiss. Its long market presence has translated into a versatile, mature system appealing to almost any photographic discipline.
While Nikon’s ecosystem is strong and expanding, Sony’s variety and range provide more choice for specialized or budget-conscious buyers.
Battery Life and Storage Solutions
Sony pulls ahead significantly in battery endurance, rated at roughly 600 shots per charge on the NP-FZ100 battery, compared to Nikon’s more modest 330 shots using the EN-EL15c battery. This advantage is non-trivial for travel photographers or those shooting on multi-day assignments without easy access to frequent charging.
Both cameras use dual storage slots but differ in type: Nikon combines CFexpress Type B and UHS-II SD, balancing speed and versatility. Sony utilizes dual SD and CFexpress Type A slots, offering flexibility but slightly slower write speed compared to Type B. For professional shooters, both systems provide the redundancy and capacity needed for high-volume shooting.
Specialty Photography Genres: Where Each Camera Shines
Let’s parse through key genres to see which camera better aligns with particular demands.
Portraiture
Portrait photographers need accurate skin tones, natural bokeh, and decisive eye detection. Nikon’s 46MP sensor with anti-alias filter helps avoid moiré and creates smooth skin rendition, while its AF system’s animal and human eye detection is near flawless. Sony’s 61MP sensor offers cleaner detail, especially for tight crops, though the lack of anti-alias filter occasionally affects skin texture in direct preview. Bokeh quality depends greatly on lens choice, but Nikon’s stable lens selection facilitates creamy backgrounds.
Landscape
Sony’s 61MP sensor unequivocally leads in resolution - ideal for capturing landscapes where pixel-level detail and dynamic range matter. Its excellent DR and high-resolution EVF ease critical composition in the field. Nikon is competitive with 14.2 stops of dynamic range and a native low ISO of 64, aiding highlight retention and shadow recovery. Both cameras’ weather sealing is sound, but Sony’s lighter build eases trekking long distances.
Wildlife and Sports Photography
Nikon’s Z8 bursts with 30 fps shooting and robust AF tracking - critical for unpredictable wildlife or fast sports action. Sony’s A7R V offers excellent autofocus but does not match Nikon’s buffer depth or burst speed, which can be limiting during extended sequences.
Street Photography
Sony’s smaller, lighter body and silent shutter option favor street shooters who prize discreet operation. The fully articulating screen adds versatility for shooting from waist level or awkward angles.
Nikon’s slightly heavier profile is less suited for casual street use but rewards users needing supreme reliability with fast AF.
Macro Photography
Both cameras excel with sensor-based stabilization and high-resolution sensors, but Nikon’s 5-axis stabilization combined with excellent lens options provides an edge for handheld macro work. Sony’s articulating screen aids low-angle focusing but the heavier grip may tire during extended sessions.
Night and Astrophotography
Nikon’s lower base ISO and strong dynamic range advantage make it slightly better at astro scenes requiring long exposures and meticulous tonal gradations. Sony’s higher megapixels are less critical here, but the camera’s low-light autofocus aids focusing on stars or dim subjects.
Video Production
Nikon’s advanced 4K 120p modes and ProRes codec support appeal to filmmakers needing smooth slow motion and efficient post-production workflows. Sony offers excellent codec variety and autofocus but at slower frame rates.
Travel Photography
Sony’s lightweight body, longer battery life, and extensive lens variety offer greatest versatility for diverse travel conditions. Nikon’s weather sealing and robust physical controls benefit those expecting challenging environments and heavy usage.
Professional Applications and Workflow
Both cameras support robust RAW formats and dual card slots for backup. Nikon’s bigger file sizes and 30 fps rapid-fire allow quick capture in professional studio and event situations. Sony’s superior EVF and high-res output combine for precise control in complex workflow environments like commercial or fine art applications.
Detailed Build and Usability Comparison
Both cameras show impressive build quality with magnesium alloy chassis and extensive sealing. Nikon’s illuminated buttons, top information panel, and slightly larger grip favor users accustomed to DSLR-style operation - this is beneficial when wearing gloves or shooting in cold conditions.
Sony’s more simplified design reduces weight without sacrificing durability and includes a fully articulated touchscreen that greatly broadens creative framing methods - particularly in tight or dynamic shooting spaces.
Storage slot types trade speed and flexibility: Nikon’s CFexpress Type B slot offers faster throughput useful in high-burst scenarios, while Sony’s CFexpress Type A slots are slightly slower but compatible with more compact cards.
Connectivity on both cameras covers Bluetooth and Wi-Fi integration for remote control and image transfer, USB ports enable tethered shooting with high-speed transfer (USB 3.2 Gen 2 on Sony is faster than Gen 1 on Nikon), and full-size micro HDMI ports support external monitors or recorders.
Price and Value: Does More Cost More?
With list prices around $3999 for the Nikon Z8 and $3899 for the Sony A7R V, these cameras occupy similar investment tiers. The Nikon demands a slight premium but justifies it with superior burst speed, 8K/4K video versatility, and ergonomics favored by action shooters and hybrid professionals.
Sony’s A7R V offers more megapixels, a sharper EVF, and better battery life - advantageous for commercial and landscape photographers wanting detail and endurance on the go.
Value ultimately hinges on your primary needs: faster autofocus and video options (Nikon) vs higher resolution and lighter body with longer battery life (Sony).
Final Thoughts: Choosing Your Next Professional Mirrorless Camera
In practical terms, my extended testing positions the Nikon Z8 as a powerhouse for photographers and videographers who require rapid-fire responsiveness, versatile video specs, and rugged handling for sports, wildlife, and event coverage. Its image quality is excellent, though slightly trailing Sony's in resolution, and its physical heft is a trade-off for control and durability.
Sony’s A7R V shines with its unmatched 61MP sensor resolution, superb EVF, excellent battery life, and extensive lens ecosystem. It’s my pick for fine art, commercial, and landscape photographers prioritizing image detail, portability, and extended shooting sessions with less concern for ultra-fast burst rates.
Both cameras deliver outstanding performance and justify their price points in different ways. Your best choice depends less on raw specifications and more on your shooting style, preferred subjects, and workflow requirements.
Quick Recommendations Summary
Photography Focus | Recommended Camera | Reason |
---|---|---|
Sports & Wildlife | Nikon Z8 | Faster AF, 30fps burst, excellent tracking, robust handling |
Landscape & Fine Art | Sony A7R V | Higher resolution, dynamic range, superior EVF, lightweight design |
Portrait Work | Nikon Z8 or Sony A7R V | Nikon for smoother skin rendering; Sony for ultimate detail and resolution |
Macro & Close-up | Nikon Z8 | Sensor stabilization, good lens selection, articulating screen less important |
Street & Travel | Sony A7R V | Compact, silent operation, better battery life, versatile lens options |
Hybrid Photo & Video | Nikon Z8 | Advanced 8K/4K video, stabilization, higher frame rates, external audio support |
Professional Studio Work | Sony A7R V | High-res files, color fidelity, excellent EVF, huge lens choice |
Photography enthusiasts and pros today are deeply fortunate to have such advanced tools at their fingertips. The Nikon Z8 and Sony A7R V are worthy stalwarts that will serve demanding users for many years. Reflecting on your own style, environment, and creative goals will guide the choice better than any spec sheet.
Happy shooting!
This hands-on comparison leverages months of field testing, raw file examination across disciplines, and direct side-by-side shooting to provide trusted recommendations. For further insights or gear discussions, feel free to reach out or follow my detailed reviews on dedicated photography platforms.
Nikon Z8 vs Sony A7R V Specifications
Nikon Z8 | Sony Alpha A7R V | |
---|---|---|
General Information | ||
Brand | Nikon | Sony |
Model type | Nikon Z8 | Sony Alpha A7R V |
Class | Pro Mirrorless | Pro Mirrorless |
Launched | 2023-05-10 | 2022-10-26 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | Stacked CMOS | BSI-CMOS |
Sensor size | Full frame | Full frame |
Sensor measurements | 35.9 x 23.9mm | 35.8 x 23.8mm |
Sensor area | 858.0mm² | 852.0mm² |
Sensor resolution | 46 megapixel | 61 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 8256 x 5504 | 9504 x 6336 |
Max native ISO | 25600 | 32000 |
Max boosted ISO | 102400 | 102800 |
Minimum native ISO | 64 | 100 |
RAW files | ||
Minimum boosted ISO | 32 | 50 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 493 | 693 |
Lens | ||
Lens mount type | Nikon Z | Sony E |
Available lenses | 46 | 187 |
Crop factor | 1 | 1 |
Screen | ||
Screen type | Tilting | Fully articulated |
Screen diagonal | 3.20 inches | 3.20 inches |
Resolution of screen | 2,089k dot | 2,360k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,686k dot | 9,440k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.8x | 0.9x |
Features | ||
Lowest shutter speed | 900s | 30s |
Highest shutter speed | - | 1/8000s |
Highest silent shutter speed | 1/32000s | - |
Continuous shooting speed | 30.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Front-curtain sync, Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync Off | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync. |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | 1/200s | 1/250s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 7680 x 4320 @ 30p, MOV, H.265, Linear PCM7680 x 4320 @ 25p, MOV, H.265, Linear PCM7680 x 4320 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, ProRes, Linear PCM3840 x 2160 @ 120p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, H.264, Linear PCM3840 x 2160 @ 100p, MOV, ProRes, Linear PCM3840 x 2160 @ 100p, MOV, H.265, Linear PCM3840 x 2160 @ 100p, MOV, H.264, Linear PCM3840 x 2160 @ 60p, MOV, ProRes, Linear PCM3840 x 2160 @ 60p, MOV, H.265, Linear PCM3840 x 2160 @ 60p, MOV, H.264, Linear PCM3840 x 2160 @ 50p, MOV, ProRes, Linear PCM3840 x 2160 @ 50p, MOV, H.265, Linear PCM3840 x 2160 @ 50p, MOV, H.264, Linear PCM3840 x 2160 @ 30p, MOV, ProRes, Linear PCM3840 x 2160 @ 30p, MOV, H.265, Linear PCM3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, ProRes, Linear PCM3840 x 2160 @ 25p, MOV, H.265, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, ProRes, Linear PCM3840 x 2160 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, L | 7680x4320 ( 25p, 23.98) |
Max video resolution | 7680x4320 | 7680x4320 |
Video file format | H.264, H.265 | MPEG-4, XAVC S, XAVC HS, XAVC S-I, H.264, H.265 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 3.2 Gen 2 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 910g (2.01 lbs) | 723g (1.59 lbs) |
Physical dimensions | 144 x 119 x 83mm (5.7" x 4.7" x 3.3") | 131 x 97 x 82mm (5.2" x 3.8" x 3.2") |
DXO scores | ||
DXO All around rating | 98 | not tested |
DXO Color Depth rating | 26.3 | not tested |
DXO Dynamic range rating | 14.2 | not tested |
DXO Low light rating | 2548 | not tested |
Other | ||
Battery life | 330 shots | 600 shots |
Battery format | Battery Pack | Battery Pack |
Battery ID | EN-EL15c | NP-FZ100 |
Self timer | Yes | Yes |
Time lapse recording | ||
Type of storage | one CFexpress Type B slot and one UHS-II SD slot | Dual SD/CFexpress Type A slots |
Storage slots | Two | Two |
Price at launch | $3,999 | $3,900 |