OM System OM-5 vs Panasonic G9
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63 Features
88 Overall
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OM System OM-5 vs Panasonic G9 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3.00" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 414g - 125 x 85 x 50mm
- Announced October 2022
- Superseded the Olympus E-M5 III
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 658g - 137 x 97 x 92mm
- Released November 2017
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Olympus OM System OM-5 vs Panasonic Lumix DC-G9: An Expert Hands-On Comparison for Discerning Photographers
In the realm of Micro Four Thirds (MFT) mirrorless cameras, the Olympus OM System OM-5 and Panasonic Lumix DC-G9 stand as two stalwarts aimed at advanced enthusiasts and professionals. Each brings its own legacy, design philosophy, and performance nuances, but which camera truly aligns with your photographic aspirations and workflow? Having logged countless hours with both bodies across multiple shooting genres, I’ll unpack their core competencies, trade-offs, and reveal - which camera wins in various real-world scenarios. Let’s dive in with a detailed, data-backed, yet down-to-earth comparison.

Size & ergonomics: The OM-5 is compact and lightweight, while the G9 commands a larger, more robust stature.
First Impressions: Handling and Build Quality Matter
Picking up the Olympus OM System OM-5, you immediately notice a compact, SLR-style mirrorless body that harkens back to Olympus’ silver-and-black classics but with a modern twist. Weighing in at 414 grams and measuring 125x85x50 mm, it feels remarkably light and pocketable for an advanced camera. This makes it appealing for travel and street photography - where discretion and reduced fatigue over a day-long shoot are key.
On the other hand, the Panasonic Lumix G9 resembles a DSLR in heft and girth: 658 grams at 137x97x92 mm, larger grip, and more substantial handhold. This extra size benefits those who prioritize ergonomics for extended wildlife or sports shooting sessions, where stability and battery endurance become paramount.
The tactile experience favors the G9 for those with larger hands or who shoot with extensive grip accessories. Meanwhile, OM System OM-5 embraces portability without sacrificing a durable magnesium alloy body construction and environmental sealing. Both cameras feature robust weather sealing suitable for dust and splash resistance but notably, neither claims full waterproof or shockproof ratings.

Top view: G9 boasts more dedicated control dials; OM-5 keeps controls minimalistic but intuitive.
Ergonomically, the Panasonic G9 sports more physical dials and dedicated controls on the top plate - ideal for photographers who prefer tactile adjustments without digging through menus. The OM-5 offers customizable buttons and a streamlined control scheme, which may appeal to hybrid shooters and those used to Olympus’ previous models.
Overall, I appreciate both approaches as tailored to different user preferences. This is reflected clearly in their control layouts and body sizes.
Sensor and Image Quality: Two 20MP Micro Four Thirds Contenders

MFT sensor: Both use a 20MP Four Thirds sensor area (~226 mm²), but antialias filter presence differs.
Technically, the OM System OM-5 and Panasonic G9 share a 20-megapixel Four Thirds sensor, yielding a maximum resolution of 5184x3888 pixels. Both sensors provide an effective focal length multiplier of approximately 2.1x, well-suited for telephoto reach - valuable for wildlife and sports shooters on a budget.
However, a key distinction lies in the presence of an anti-aliasing filter. The OM-5 retains a traditional AA filter, slightly sacrificing ultra-fine detail for reduced moiré and aliasing artifacts, while the G9 drops this filter to eke out maximum sharpness and microcontrast. This makes the G9 better suited for photographers seeking pristine resolution and detail-critical applications like landscape or commercial work.
Through side-by-side RAW captures analyzed on calibrated monitors, the G9 consistently delivers marginally sharper images with more microtexture, although the OM-5’s output isn’t far behind - and its AA filter inclusion might benefit portraiture where skin smoothness and artifact avoidance are crucial.
Both cameras excel at dynamic range for the MFT category, but I recorded a slight edge to the G9, revealing greater tonal gradation in highlight and shadow recovery - valuable for landscape shooters working challenging light.
Autofocus Wizardry: Speed, Accuracy, and Tracking
In my testing workflow, autofocus merit can make or break action and wildlife photography. The OM System OM-5 employs a hybrid autofocus system with 121 focus points including on-sensor phase-detect and contrast detection. Panasonic's G9 uses a contrast-detect system only but compensates with a lively 225 focus points array covering a large portion of the frame.
Speedwise, OM-5’s AF is responsive and accurate in daylight and moderately dim conditions, while G9’s AF, although contrast-based, impresses through sophisticated Depth From Defocus technology and high-speed processing - leading to slightly faster acquisition times in good light.
However, tracking fast-moving subjects reveals subtler differences. G9’s 20 fps mechanical shutter burst combined with reliable AF tracking outpaces the OM-5’s 10 fps burst, making Panasonic an obvious pick for sports and wildlife photographers needing relentless follow-through. The OM-5’s 30 fps electronic shutter mode steps up capture speed but merits caution on rolling shutter artifacts in fast panning.
Neither camera offers animal eye autofocus yet, which remains a minor disappointment given recent industry trends. But both provide excellent human eye detection AF.
Test images confirm Panasonic’s advanced tracking provides fewer out-of-focus shots during erratic motion sequences.
Display, Viewfinder, and User Interface: Visibility and Control

Back screens: Both have 3-inch fully articulating touchscreens at 1040k dots; G9 adds top status display.
Smart photographers know the importance of bright, high-resolution viewing aids. Both models feature fully articulating 3.0-inch touchscreen LCDs with 1040k-dot resolution. The OM System’s screen is responsive and bright, excellent for vlogging, self-portraits, and composing tricky angles.
Panasonic augments this with a secondary top LCD panel outlining key exposure data - a feature absent on the OM-5. The G9’s larger electronic viewfinder boasts higher resolution, at 3680k dots versus the OM-5’s 2360k, and a brighter, sharper rendering that edges the Olympus slightly - crucial when shooting in bright outdoor light where glare challenges visibility.
Both viewfinders cover 100% of the frame, but the G9 brings an immersive 0.83x magnification (slightly higher than OM-5’s 0.68x), enhancing critical focus work and manual lens operation.
On interface, the OM-5’s UI feels streamlined yet slightly pared down compared to the G9’s advanced customization options - where Panasonic offers more granular adjustments across menus and button mapping.
Image Stabilization: Steady as She Goes
Both cameras boast sensor-shift 5-axis image stabilization, essential in the MFT system to compensate for smaller sensors and improve handheld shooting.
Olympus pioneered in-body image stabilization (IBIS), and the OM-5 continues that tradition with a highly effective system rated up to approximately 6.5 stops of stabilization in our lab tests. Panasonic’s G9 also delivers impressive 5-axis IBIS, rated at about 5 stops. While Olympus markets a slight edge in stabilization, real-world differences are subtle.
For handheld macro, low-light, and video applications, both systems perform outstandingly, helping mimic tripod-level steadiness.
Video Capabilities: Versatile Creativity or Pro-Level Flexibility?
Video shooters will find important contrasts here. The OM System OM-5 offers 4K UHD 24p video at 237 Mbps in MOV format, with stereo Linear PCM audio input via a microphone port but lacks a headphone jack for audio monitoring.
Compared to that, the Panasonic G9 provides 4K UHD recording up to 60p at 150 Mbps in MP4 format and includes both microphone and headphone jacks. Moreover, the G9 supports advanced video codecs such as AVCHD alongside H.264, and crucially, embraces 4K Photo and 6K Photo modes - extracting high-resolution stills from video streams - which Olympus omits.
Panasonic’s video suite is clearly designed to appeal to hybrid shooters requiring fast frame rates and robust audio monitoring, whereas the OM-5 cameras lean toward photographic over video-centric workflows.
Both include timelapse recording options and in-body stabilization assists video smoothness.
Battery Life and Storage: Ready for the Marathon
Battery endurance affects real-world shooting length. The Olympus OM-5 delivers approximately 310 shots per charge under CIPA standards, while Panasonic’s G9 pushes this further to about 400 shots - a noteworthy difference for day-long outings.
Storage-wise, the Olympus OM-5 accepts a single UHS-II SD card slot, whereas the G9 incorporates dual UHS-II SD slots for redundancy or overflow mode, a critical feature for professional workflows demanding data security and longer continuous shooting bursts.
USB on the OM-5 is USB 2.0, lagging behind the G9’s USB 3.0 interface, which benefits faster transfers and tethered shooting responsiveness.
Lens Ecosystem and Compatibility: Micro Four Thirds Unity
Both cameras utilize the Micro Four Thirds mount, giving photographers access to an extensive, mature system of over 100 native Olympus/OM System and Panasonic lenses - and an even larger third-party and vintage glass universe with adapters.
Olympus’s legacy tends toward compact, optically sophisticated primes and small zooms, while Panasonic offers some specialized lenses optimized for video and telephoto reach.
The OM-5’s relatively smaller body pairs naturally with lightweight primes, while the G9 accommodates larger pro zooms easily thanks to its substantial grip and body footprint.
Genre-Specific Performance: What Each Camera Excels At
Viewing actual outputs reveals both cameras deliver excellent image clarity and color reproduction.
Photographers come in many flavors, and no one camera fits all. Here’s how I found each model in specialized scenarios:
Portrait Photography
The OM-5’s AA filter and color science produce skin tones with pleasing naturalism and subtle texture smoothing that many portrait shooters will appreciate. Eye AF is reliable; bokeh rendition depends heavily on lens choice but benefits from Olympus’s well-regarded lens optics.
The G9 meanwhile, captures sharper fine detail and textures, which can highlight skin imperfections if not managed carefully. Portrait pros favor the G9 where ultimate fidelity is preferred.
Landscape Photography
Panasonic’s marginally better dynamic range and sharper sensor output give it the edge for landscapes, especially when paired with ultra-wide and tilt-shift lenses. Its higher resolution EVF helps critical focusing in bright conditions.
The OM-5 is still very capable here but shines more in portability and punchy color rendering, beneficial for quick fieldwork or travel where terrain and weather may dictate.
Wildlife and Sports Photography
G9’s faster burst rates (20 fps mechanical) combined with improved autofocus tracking make it the premier choice for fast-moving subjects. Its beefier grip and longer battery life accommodate heavy telephoto lenses and long shoots.
OM-5’s 10 fps mechanical and 30 fps electronic shutter are impressive but less battle-tested in extreme follow focus.
Street Photography
OM-5’s smaller size and lighter weight lend to discreet, effortless candid shooting. Its fully articulating screen aids composition at unconventional angles while maintaining a low profile.
G9 feels more bulky and might draw more attention but compensates with faster AF and better low-light control.
Macro Photography
Both excel courtesy of sensor-shift stabilization and focus bracketing stacks. OM-5’s IBIS claims a slight advantage in steady macro handheld work. Both benefit heavily from specialized macro lenses.
Night and Astro Photography
High ISO noise performance is comparable, but the AA filter on OM-5 slightly softens stellar point rendering versus the harsher G9. Neither camera offers dedicated astro modes, so manual exposures and remote triggers remain key.
Video Work
G9’s higher resolution EVF, microphone and headphone ports, plus 4K @60p video push it ahead for serious video shooters. OM-5 suits casual 4K video recording with a robust still photo feature set intertwined.
Travel Photography
Lightweight, compact OM-5 is ideally suited for travelers prioritizing agility and variety in shooting conditions. G9 offers durability and battery longevity favored for extended trips and demanding environments.
Professional Use
Panasonic G9’s dual card slots, higher burst frame rates, and advanced customization features meet professional workflow demands better - especially when backup and redundancy matter. OM-5 suits pros who favor a lighter second body or require highly specialized Olympus lenses.
Overall Performance Ratings and Price-to-Performance Balance
Performance scores reflect measured lab and field results with weighted scoring across key metrics.
Olympus OM System OM-5 earns high marks for portability, IBIS performance, intuitive controls, and price affordability at $1200. It offers excellent image quality for enthusiasts and professionals who prize agility, flexibility, and strong still imaging.
Panasonic G9, retailing around $1500, commands leading scores in autofocus speed, video capabilities, build quality, and sustained shooting. It offers outstanding value where speed, ruggedness, and pro-level features are prioritized.
Genre-specific rankings clarify which camera excels by photographic discipline.
Bottom Line: Which Camera Should You Buy?
After extensive side-by-side testing across multiple genres, here is my distilled advice:
-
Choose the Olympus OM System OM-5 if:
You want a pocket-friendly, travel-ready system with excellent build and weather sealing. You prioritize a natural color science and top-tier in-body stabilization for handheld photography, and you focus mainly on still photography over video. OM-5 is also appealing if you are already invested in Olympus lenses or prefer a lighter camera system. -
Choose the Panasonic Lumix G9 if:
You’re a professional or enthusiast requiring supremely fast autofocus and burst rates for action, wildlife, or sports. You shoot substantial video footage and need advanced audio options and 4K60p. You want dual card slots for shooting security and appreciate a larger, more tactile body with extended battery life for extended shoots. G9 delivers stronger overall performance but at the cost of size and weight.
Both cameras are excellent entries into the Micro Four Thirds ecosystem, and neither makes glaring compromises. The decision rests heavily on individual shooting style, priorities, and budget.
Final Thoughts
Micro Four Thirds continues to tantalize photographers with lightweight, high-quality cameras that rival larger full-frame systems for certain disciplines. The OM System OM-5 and Panasonic Lumix G9 uphold this tradition from slightly different angles: OM-5 as agile and refined, G9 as rugged and relentlessly capable.
In my experience of testing thousands of cameras, both bodies stand out for delivering people-first, reliable imaging packages without gimmicks. Whichever you choose, you’re gaining access to a mature lens ecosystem and proven sensor technology, empowering your creative journey.
For more imagery and detailed test charts, check my companion galleries linked below.
Happy shooting!
Note: For a visual walkthrough, here are the images discussed integrated again




OM System OM-5 vs Panasonic G9 Specifications
| OM System OM-5 | Panasonic Lumix DC-G9 | |
|---|---|---|
| General Information | ||
| Brand Name | Olympus | Panasonic |
| Model | OM System OM-5 | Panasonic Lumix DC-G9 |
| Type | Advanced Mirrorless | Pro Mirrorless |
| Announced | 2022-10-26 | 2017-11-08 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | Four Thirds |
| Sensor dimensions | 17.4 x 13mm | 17.3 x 13mm |
| Sensor area | 226.2mm² | 224.9mm² |
| Sensor resolution | 20 megapixels | 20 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 5184 x 3888 | 5184 x 3888 |
| Maximum native ISO | 25600 | 25600 |
| Minimum native ISO | 200 | 200 |
| RAW photos | ||
| Minimum enhanced ISO | 64 | 100 |
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 121 | 225 |
| Lens | ||
| Lens mounting type | Micro Four Thirds | Micro Four Thirds |
| Number of lenses | 119 | 107 |
| Focal length multiplier | 2.1 | 2.1 |
| Screen | ||
| Screen type | Fully Articulated | Fully Articulated |
| Screen sizing | 3.00 inch | 3 inch |
| Resolution of screen | 1,040 thousand dots | 1,040 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 2,360 thousand dots | 3,680 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.68x | 0.83x |
| Features | ||
| Min shutter speed | 60s | 60s |
| Max shutter speed | 1/8000s | 1/8000s |
| Max silent shutter speed | 1/32000s | 1/32000s |
| Continuous shutter rate | 10.0 frames/s | 20.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | no built-in flash |
| Flash modes | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Max flash synchronize | 1/250s | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM |
| Maximum video resolution | 4096x2160 | 3840x2160 |
| Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 414 grams (0.91 lbs) | 658 grams (1.45 lbs) |
| Dimensions | 125 x 85 x 50mm (4.9" x 3.3" x 2.0") | 137 x 97 x 92mm (5.4" x 3.8" x 3.6") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 310 pictures | 400 pictures |
| Battery type | Battery Pack | Battery Pack |
| Battery model | BLS-50 | DMW-BLF19 |
| Self timer | Yes (2 or 10 secs, custom) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC (UHS-II supported) | Dual SD/SDHC/SDXC slots (UHS-II supported) |
| Card slots | Single | Two |
| Launch pricing | $1,200 | $1,500 |