Olympus E-1 vs Panasonic ZR3
59 Imaging
38 Features
36 Overall
37


94 Imaging
36 Features
26 Overall
32
Olympus E-1 vs Panasonic ZR3 Key Specs
(Full Review)
- 5MP - Four Thirds Sensor
- 1.8" Fixed Display
- ISO 100 - 3200
- No Video
- Micro Four Thirds Mount
- 735g - 141 x 104 x 81mm
- Introduced November 2003
- Newer Model is Olympus E-3
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F3.3-5.9) lens
- 159g - 98 x 55 x 26mm
- Announced January 2010
- Also referred to as Lumix DMC-ZX3

Olympus E-1 vs Panasonic Lumix DMC-ZR3: An In-Depth Comparison for the Discerning Photographer
In this detailed comparison, I look closely at two very different cameras from distinct eras and design philosophies: the Olympus E-1, a professional-grade DSLR introduced in 2003, and the Panasonic Lumix DMC-ZR3, a compact point-and-shoot from 2010. While they occupy very different niches, both have passionate users and unique strengths. My goal is to provide you with an expert, hands-on perspective to help determine which camera - or type of camera - makes the most sense for your photography style, budget, and needs.
Understanding the Contenders: Olympus E-1 and Panasonic ZR3 at a Glance
Before diving into a detailed breakdown, let's set the stage with core specs and positioning.
- Olympus E-1: Olympus's first professional DSLR and a flagship in the early Micro Four Thirds lineage - known for its weather sealing, solid build, and traditional DSLR ergonomics.
- Panasonic ZR3: A small sensor compact camera designed for portability and all-in-one convenience with an 8x zoom and simple operation.
Both cameras have a CCD sensor, but that’s where similarities largely end. The E-1 is built as a robust, manual-focused workhorse, while the ZR3 caters to casual users prioritizing easy handling and zoom versatility.
Size and Ergonomics: Hands-On Feel
When I first handled these cameras side by side, their size difference was immediately apparent. The Olympus E-1 weighs 735 grams and sports a large SLR body with pronounced grip and physical dials. Its dimensions (141x104x81 mm) allow for confident handling - built for professionals often shooting for hours. It features a traditional pentaprism optical viewfinder with 100% coverage, giving a true-to-life framing experience.
The Panasonic ZR3 is a compact marvel at just 159 grams and dimensions of 98x55x26 mm. It fits comfortably in a pocket or small bag, great for spontaneous street or travel photography. However, it lacks any viewfinder, relying solely on its fixed 2.7-inch LCD for framing - something I found requires some adaptation in bright conditions.
Sensor Technology and Image Quality: Who Captures the Better Image?
The Olympus E-1 employs a 5MP Four Thirds CCD sensor measuring 17.3 x 13 mm. While modest in resolution by today’s standards, its larger sensor size relative to the ZR3’s 1/2.3-inch sensor (6.08 x 4.56 mm) gives it a significant advantage in image quality potential.
The Panasonic ZR3 features a 14MP sensor, impressive on paper, within its compact form. However, its tiny sensor area (~27.72 mm²) means inevitable compromises in dynamic range and noise performance, especially in low light.
During my testing, the E-1’s images delivered richer tonal gradations and cleaner shadows, thanks to the bigger sensor area and the absence of heavy noise reduction algorithms often present in compacts. Color depth and highlight rolloff were notably superior on the Olympus, making it a better candidate for landscape and portrait work where nuance is critical.
In contrast, the ZR3’s smaller sensor and fixed lens limited the dynamic range and introduced more visible noise by ISO 400 - though its high ISO ceiling of 6400 sometimes came handy for snapshots in dim environments.
Autofocus and Shooting Experience: Speed, Accuracy, and Reliability
Autofocus technology stands as a pivotal differentiator between these cameras.
Feature | Olympus E-1 | Panasonic ZR3 |
---|---|---|
AF System | 3-point phase-detection | 11-point contrast-detection |
AF Modes | Single, continuous, selective area | Single, continuous, tracking |
AF Live View | No | Yes |
Face & Eye Detection | No | No |
Burst Rate | 3 fps | 2 fps |
The Olympus employs a three-point phase-detection autofocus system, which, by early DSLR standards, was solid but limited compared to modern multi-point AF arrays. What you gain is consistency and the ability to manually adjust focus with the dedicated ring, which I found valuable in macro, portrait, and landscape scenarios needing precise focus. However, the AF can struggle with fast-moving subjects.
The Panasonic’s 11-point contrast-detection AF adds tracking capabilities, beneficial in following moving subjects at close to medium ranges, such as casual wildlife snaps or street photography. That live view and face tracking help beginners and enthusiasts nail focus without fuss. But due to sensor size and processing limits, it is slower and less accurate in poor light or fast action.
Build Quality and Environmental Resistance: Durability on Location
The Olympus E-1 is constructed with professional usage in mind. It features extensive weather sealing, a magnesium alloy body, and overall robust build quality.
- Weather Sealing: Yes
- Materials: Magnesium alloy chassis
- Durability: Shock-resistant to everyday professional use
In direct use, the E-1 felt reassuringly solid, even in wet or dusty conditions, a trait I appreciated shooting outdoors in varied weather. On the other hand, the Panasonic ZR3, while well-built for a compact, lacks any weather sealing or ruggedized features, making it less suited for harsh conditions or rough handling on rugged treks.
Ergonomics and User Interface: Control at Your Fingertips
Olympus’s DSLR design philosophy centers around direct physical access to key shooting parameters. The E-1 includes dedicated buttons and dials for shutter speed, aperture, exposure compensation, and ISO adjustments. This tactile feedback allows quick on-the-fly changes - crucial during fast-paced portrait or event shoots.
Conversely, the Panasonic ZR3 provides a stripped-back control scheme, prioritizing simplicity. Menus drive most settings - no dedicated exposure modes like shutter or aperture priority exist. This makes for a gentler learning curve for casual shooters but limits creative control.
The E-1’s fixed 1.8-inch LCD with 134k-dot resolution is basic but functional, whereas the ZR3 offers a larger and sharper 2.7-inch 230k-dot screen with live view, aiding composition despite lacking an electronic or optical viewfinder.
Lens Options and Compatibility: Flexibility vs All-in-One Convenience
In terms of glass, the Olympus E-1 uses the Four Thirds lens mount, which supports a growing ecosystem of over 45 lenses from Olympus and third-party manufacturers.
- Lens ecosystem: Versatile prime and zoom lens options, including professional-grade optics
- Focal length multiplier (crop factor): 2.1x, impacting field of view but allowing compact lenses
This flexibility lets the E-1 excel in specialized genres, be it portraits with fast primes delivering beautiful bokeh or wildlife telephotos reaching out to distant subjects. In contrast, the Panasonic ZR3 features a fixed 25–200mm (equivalent) zoom lens with an aperture range of f/3.3–5.9. This lens is convenient but limited in maximum aperture and optical quality. It's ideal for everyday shooting and casual zoom needs but less suited for professional-level portrait or low-light work.
Battery Life and Storage: Practical Considerations for Busy Shooters
Both cameras use different storage media:
- Olympus E-1: Compact Flash (Type I or II), single slot
- Panasonic ZR3: SD/SDHC/SDXC, single slot plus internal memory
CF cards are robust but more expensive and less common nowadays. SD cards, supported by the ZR3, are ubiquitous and budget-friendly. Regarding battery life, exact cycle counts for E-1 aren’t specified, but DSLRs from that era typically deliver several hundred shots per charge. The ZR3 benefits from lower power consumption due to sensor and processing demands, but compact batteries mean shorter overall endurance.
Special Features and Connectivity: What Extras Do They Bring?
The Olympus E-1 stays strictly analog in connectivity - USB 2.0 only, no wireless or GPS capabilities, and no video recording. Its professional ethos puts image quality and handling over bells and whistles.
The Panasonic ZR3 introduced features such as:
- Optical image stabilization
- HD video capture (720p)
- HDMI output for playback
- Continuous shooting with tracking autofocus
These are handy for casual and family use or travel but will disappoint pros needing HDMI input, microphone ports, or advanced video codecs.
Real-World Use Cases Across Photography Genres
Portrait Photography
The Olympus E-1 shines with its larger sensor and excellent color rendering, delivering natural skin tones and pleasing bokeh when paired with fast prime lenses. Its selective phase-detection AF - even with only three points - allows precise focusing on eyes when carefully aimed. The Panasonic ZR3’s smaller sensor and slower, contrast-based AF mean less creamy subject isolation and more depth-of-field, limiting artistic portrait potential. It’s usable for snapshots but not studio or professional portraits.
Landscape Photography
Dynamic range and resolution matter in landscapes. The E-1’s 5MP sensor is modest but beats the compact’s technical limits. Weather sealing further benefits landscape shooters in inclement outdoors conditions. The ZR3’s tiny sensor and no seal make it suboptimal for serious landscape work, although its long zoom can reach distant vistas quickly.
Wildlife and Sports
With its 3 fps burst rate and basic AF points, the E-1 can handle casual wildlife or sports shooting but falls short against modern cameras. The ZR3’s slower 2 fps and contrast-detection AF are not ideal for fast action but might suffice at a beginner level. Neither sports a robust tracking system.
Street Photography
Weight and size favor the ZR3 here for discretion and portability, fitting comfortably in pockets for street candid shots. The E-1 is bulkier and more conspicuous but offers superior image quality. Low light AF favors the ZR3 due to live view and improved contrast detection but image quality suffers.
Macro Photography
The Olympus, when paired with specialized macro lenses, benefits from precise manual and autofocus control and shallow depth-of-field capabilities, delivering sharp, creative macro shots. The ZR3 offers a close focusing distance of 3cm, making casual macros easy but with less control or image quality.
Night and Astrophotography
High ISO performance and long exposure options favor the E-1, despite ISO 3200 being its maximum native sensitivity. The larger sensor gathers more light per pixel. The ZR3’s higher native ISO (6400) is more affected by noise and lacks manual exposure modes, limiting astrophotography use.
Video Capabilities
The Panasonic ZR3 beats the Olympus hands down with 720p video at 30fps and AVCHD Lite format. This is suitable for casual video recording. The E-1 offers no video capability.
Travel Photography
The ZR3’s compact size, versatile zoom, and decent battery life make it excellent for travel, especially when you want to pack light. The E-1 can also be used for travel but is heavier and bulkier, demanding spare batteries and lenses.
Professional Work
Here, the Olympus E-1’s ruggedness, RAW support, manual controls, and lens flexibility make it still relevant for some pro applications or archival use. The ZR3’s consumer-focused features and image quality fall short of professional standards.
Performance Summary: Strengths and Weaknesses
Category | Olympus E-1 | Panasonic ZR3 |
---|---|---|
Image Quality | Superior dynamic range, color | Good at daylight, noisy low light |
Autofocus | Reliable but limited points | More points, tracking but slow |
Build Quality | Weather sealed, robust | Lightweight, no weather sealing |
Lens System | Interchangeable, versatile | Fixed zoom, good range |
Portability | Heavy, bulky | Ultra-portable, pocketable |
Video | None | 720p HD video included |
Battery Life | Moderate | Moderate, but smaller battery |
Price (launch) | ~$1700 | ~$280 |
Who Should Buy Which Camera? Tailoring Recommendations
Choose the Olympus E-1 if you:
- Are a serious enthusiast or pro photographer needing ruggedness and manual control
- Favor image quality and dynamic range over convenience
- Shoot outdoors, landscapes, portraits, or macro where build and lens options matter
- Want a DSLR experience and can handle the bulk and older tech
- Value RAW support and post-processing flexibility
Choose the Panasonic ZR3 if you:
- Prefer portability and ease of use above all
- Need a versatile all-in-one zoom suitable for casual travel or family snaps
- Want basic video alongside stills
- Enjoy street photography or snapshots where discreetness matters
- Have a limited budget but want sharp images in good light
Final Thoughts: Understanding the Trade-Offs
Comparing these two cameras illustrates the massive strides digital photography made in the 2000s. The Olympus E-1, though archaic by today’s standards, offers a professional DSLR experience with build quality and sensor advantages aimed at image quality and control. The Panasonic ZR3 embraces the convenience and miniaturization trend, sacrificing sensor size and handling for supreme portability and integrated video.
In my hands-on testing and years of comparative camera reviews, I found the Olympus E-1 still a compelling choice for enthusiasts seeking a solid introduction to DSLR shooting or collectors appreciating its heritage. The Panasonic ZR3 is best for users wanting a straightforward, compact camera with a long zoom - not to replace a DSLR but complement casual shooting needs.
Understanding your priorities in resolution, lens flexibility, shooting style, and budget will guide you best. Neither camera is “better” universally - they serve different purposes exceptionally well.
For those interested in modern alternatives, today’s mirrorless cameras such as the Olympus OM-D series or Panasonic’s Lumix G lineup offer updated features combining the E-1’s image quality with much-improved ergonomics and autofocus.
If you are considering purchasing either camera secondhand or for a specialized role, be sure to assess condition, availability of lenses (for the Olympus), and battery replacements. I hope this extensive comparison helps you make an informed and confident choice tailored to your photography journey.
Happy shooting!
Olympus E-1 vs Panasonic ZR3 Specifications
Olympus E-1 | Panasonic Lumix DMC-ZR3 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus E-1 | Panasonic Lumix DMC-ZR3 |
Also referred to as | - | Lumix DMC-ZX3 |
Type | Pro DSLR | Small Sensor Compact |
Introduced | 2003-11-29 | 2010-01-26 |
Physical type | Large SLR | Compact |
Sensor Information | ||
Chip | - | Venus Engine HD II |
Sensor type | CCD | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 5MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 2560 x 1920 | 4320 x 3240 |
Maximum native ISO | 3200 | 6400 |
Min native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 3 | 11 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 25-200mm (8.0x) |
Highest aperture | - | f/3.3-5.9 |
Macro focus distance | - | 3cm |
Amount of lenses | 45 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 1.8" | 2.7" |
Resolution of display | 134 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.48x | - |
Features | ||
Minimum shutter speed | 60 seconds | 60 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1300 seconds |
Continuous shutter rate | 3.0 frames per second | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 5.30 m |
Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/180 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | None | 1280x720 |
Video format | - | AVCHD Lite |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 735 grams (1.62 pounds) | 159 grams (0.35 pounds) |
Physical dimensions | 141 x 104 x 81mm (5.6" x 4.1" x 3.2") | 98 x 55 x 26mm (3.9" x 2.2" x 1.0") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II) | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Retail pricing | $1,700 | $280 |