Olympus E-1 vs Pentax K-01
59 Imaging
37 Features
36 Overall
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76 Imaging
56 Features
68 Overall
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Olympus E-1 vs Pentax K-01 Key Specs
(Full Review)
- 5MP - Four Thirds Sensor
- 1.8" Fixed Display
- ISO 100 - 3200
- No Video
- Micro Four Thirds Mount
- 735g - 141 x 104 x 81mm
- Released November 2003
- Replacement is Olympus E-3
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax KAF2 Mount
- 561g - 122 x 79 x 58mm
- Revealed May 2012

Olympus E-1 vs. Pentax K-01: A Deep Dive into Two Very Different Cameras
When I first sat down to compare the Olympus E-1 and the Pentax K-01, I expected a classic tale of old vs. new - after all, these cameras hail from very different eras, and sport distinct philosophies. The E-1 dates back to 2003, a professional-grade DSLR from Olympus, while the Pentax K-01 arrived in 2012 as a quirky mirrorless option aimed at enthusiasts looking for something fresh.
But what really happens when you lay these two side by side? Which camera holds up in 2024? Are their strengths complementary or incompatible with today’s photography demands? Let’s embark on a comprehensive, 2500-word journey through every pivotal aspect - from sensor tech and shooting ergonomics to genre-specific performance and real-world versatility. I’ll pepper in firsthand insights from my years of testing over a thousand cameras across disciplines, plus honest caveats and recommendations.
So get comfortable - the Olympus E-1 and Pentax K-01 are about to go head to head.
Getting Hands-On: Size, Handling, and Ergonomics
First impressions count - especially in how a camera feels. Size and ergonomics dictate whether you’ll happily tote the thing all day or dread every minute.
The Olympus E-1 is a ‘Large SLR’ by design: rugged, substantial, weighing in around 735 grams with dimensions roughly 141x104x81 mm. It’s solid in the hand, with a traditional DSLR grip that feels reassuring for prolonged use. Olympus engineered it with pro shooters in mind, evident in the all-metal construction and extensive weather sealing (yes, this camera was dust- and splash-resistant long before it was cool).
In contrast, the Pentax K-01 is compact, at 561 grams and 122x79x58 mm. Its design is... well, polarizing. Those bold sharp edges and boxy, almost retro-modern look weren’t universally loved. However, its more diminutive size makes it great for travel and street shooting. The grip isn’t as beefy as the E-1’s, which might challenge larger-handed shooters during extensive sessions.
Looking at top control layouts, the E-1 features a traditional DSLR design with well-placed dials for shutter speed, exposure compensation, and command wheels - all tactile and immediately accessible. The K-01, lacking an optical viewfinder, omits some traditional DSLR controls, relying more on buttons and menus.
In short, if you want rugged and hefty with an established DSLR feel - Olympus wins. For lightweight, pocketable, and somewhat quirky aesthetics - Pentax takes the cake.
Sensors and Image Quality: Pixels Tell their Own Story
The true heart of any digital camera is its sensor. The Olympus E-1 sports a Four Thirds CCD sensor measuring 17.3 x 13 mm, cropping the field by a factor of 2.1x. This sensor delivers an official resolution of 5 megapixels, with a maximum native ISO sensitivity of 3200.
Pentax K-01 opts for a substantially different sensor: a 16MP APS-C CMOS sensor measuring 23.7 x 15.7 mm, approximately twice the size of the E-1’s sensor area. This sensor is capable of capturing images at 4928 x 3264 pixels and boasts a native ISO range up to 12,800, extendable to 25,600.
What does this mean for your photography? Larger sensor area generally translates to better dynamic range, less noise at high ISO, and smoother tonal gradations - especially crucial in dim lighting.
The Olympus E-1’s CCD sensor is vintage tech - known for punchy colors and smooth tonal rendition at base ISOs, but limited resolution and noise performance. Its 5MP resolution feels quaint by today’s standards and restricts cropping and large prints.
The Pentax K-01’s CMOS sensor, while older in release date than many current mirrorless sensors, offers a significantly higher resolution and improved low-light capability with more advanced noise reduction algorithms. It captures more dynamic range and works well up to ISO 3200-6400 before noise becomes intrusive.
Curiously, the E-1 has an anti-aliasing filter, which helps avoid moiré at the cost of a slight softness; the K-01’s sharper sensor with AA filter also tries to strike a balance, aided by its higher pixel count.
For real-world usage, I ran side-by-side test shoots late at night in urban and indoor conditions. The Pentax K-01 outperformed the E-1 distinctly with cleaner shadows and retention of subtle tones, especially when shooting RAW and pushing exposure in post. But nostalgia buffs might enjoy the E-1’s organic rendering - that CCD character is somewhat magical in portraits.
LCD Screens & User Interface: Keeping an Eye on the Display
Moving beyond sensors, how these cameras communicate with you is critical - the LCD screen is your window to reviewing images, menu navigation, and composing shots without a viewfinder.
The Olympus E-1’s rear LCD is a tiny, fixed 1.8-inch screen with merely 134k dots resolution. It’s rough by modern standards, difficult to judge precise focus or colors, and unsuitable as your main composition tool. This is mitigated by the optical pentaprism viewfinder providing 100% coverage - a blessing for studio or daylight use.
The Pentax K-01 forsakes an optical viewfinder altogether and relies heavily on a 3-inch TFT LCD with 921k dots resolution - a much more modern, vibrant, and usable screen. It supports live view, letting you compose and focus precisely using the screen, essential for mirrorless users.
This difference massively affects shooting style. For action, street, or landscape shooters who trust the OVF, Olympus is traditional; Pentax appeals to those who want live feedback and focus peaking possibilities (though note, no touchscreen means navigation still leans on buttons).
Autofocus Systems: Eye on the Prize
Autofocus is a make-or-break feature for many genres - portrait, wildlife, sports, and beyond require fast, accurate AF to nail the shot.
The Olympus E-1 features an early 3-point phase detection AF system with selectable areas. While groundbreaking in its day, it lacks face detection, tracking, or eye AF. Continuous autofocus is available but fairly basic.
Contrastingly, the Pentax K-01 offers 81 AF points using contrast detection autofocus on live view - no phase detection AF here, which means slower focusing overall, especially in low contrast or dim environments. However, it does have face detection AF, enhancing portrait focus accuracy.
Both cameras lack advanced tracking AF or animal eye AF, which are becoming standard even in entry-level cameras. For wildlife and sports shooters, neither camera will impress with focus speed or accuracy by today’s benchmarks.
Burst Rates and Shutter Capabilities: Speed vs. Precision
The E-1 maxes out at 3 frames per second (fps) continuous shooting, with a shutter speed range from 60 seconds up to 1/4000s. The K-01 doubles that shooting speed at 6 fps, keeping up better with fast action sequences.
Neither has silent electronic shutters or ultra-high-speed capabilities - critical if you’re a sports or wildlife photographer chasing split-second moments. That said, the K-01’s higher continuous speed and live view autofocusing provide a modest advantage.
Image Stabilization and Flash: Handling the Light
The Olympus E-1 lacks image stabilization altogether, which means you’ll need stable hands or tripods for slow shutter exposures or telephoto shots.
The Pentax K-01 features sensor-based image stabilization, which can help counteract handshake by several stops regardless of attached lens. This is a great advantage for handheld shooting in low light or macro photography.
Regarding flash, the E-1 has no built-in flash, only external via hotshoe supports. The K-01 sports a built-in popup flash with multiple modes and a respectable range (~12m at ISO 100) - handy for casual fill or indoor snapshots.
Lens Ecosystem and Compatibility: Options Matter
Olympus E-1 uses the Four Thirds lens mount, which originally launched with this camera generation. Today, Four Thirds lenses number about 45 options, mostly older primes and zooms. The focal length multiplier of 2.1x means a 14mm lens is equivalent to roughly 29mm in 35mm full frame terms, which affects composition options.
Pentax K-01 mounts Pentax KAF2 lenses - a broad ecosystem of over 150 lenses, from vintage glass to modern autofocus zooms and primes. Its APS-C sensor has a 1.5x crop factor.
If you value lens variety, especially affordable primes or specialty lenses (macro, tilt-shift, supertelephoto), Pentax provides a stronger selection.
Build Quality and Weather Resistance: Ready for the Field?
The Olympus E-1’s professional DSLR build includes environmental sealing - dust- and splash-resistant construction stands out even today. For landscape, wildlife, or travel photographers working in tough conditions, that ruggedness is a big plus.
The Pentax K-01, while solidly built, lacks weather sealing - it’s best suited to mild, controlled environments.
Battery Life and Storage: Staying Power in the Field
Battery details for the Olympus E-1 are sparse, but it uses proprietary batteries with moderate life and supports single Compact Flash cards. In comparison, the K-01 boasts impressive endurance - rated for approximately 540 shots per charge using Pentax’s D-LI90 battery and uses ubiquitous SD/SDHC/SDXC cards for storage.
Longer battery life and easier card replacement make the K-01 friendlier for travel photographers and extended shoots.
Video Capabilities: One Clear Winner
The Olympus E-1 offers no video at all - this was before the era where video power became standard.
The Pentax K-01 shoots Full HD videos at 1080p (up to 30 fps) in MPEG-4 or H.264 formats, with a microphone port for audio input (though no headphone output for monitoring). It also supports timelapse recording, expanding creative possibilities.
For multimedia creators or vloggers, the K-01 is clearly the more versatile choice.
Let the Numbers Speak: Scoring Their Performance
Just as I put these cameras through real-world tests, DxOMark’s measurements provide useful baseline scores on sensor quality. While the E-1 wasn’t formally tested, the K-01 scored an overall 79 points, along with respectable marks for color depth and dynamic range for its era.
On genre-specific performance:
Pentax K-01 performs well for landscapes and portraits (due to sensor size and image stabilization) and offers solid travel photography credentials.
Olympus E-1’s strengths in build ruggedness and classical DSLR controls make it suitable for studio and fieldwork where environmental resistance matters.
Real-World Use Cases: Who Should Pick Which?
Portrait Photography
If silky skin tones and smooth bokeh are your priority, Pentax K-01’s higher resolution, face detection AF, and sensor stabilization provide an edge - especially when paired with quality primes from the Pentax K mount. The E-1’s 5MP CCD has charm, but limited detail and absence of face AF make portraits less effortless.
Landscape Photography
Both cameras can deliver, but Pentax’s larger APS-C sensor gives better dynamic range and print resolution. Still, the Olympus E-1’s weather sealing is a strong selling point if you shoot in harsh environments (rain, dust). Careful tripod use can compensate for its lower resolution.
Wildlife and Sports Photography
Neither is ideal here. Slow AF and low burst rates hamper action shots. The Pentax K-01's 6 fps is respectable, but no tracking AF or advanced subject recognition limits success. Olympus E-1’s sturdiness somewhat helps outdoor wildlife shooters, but 3 fps is limiting.
Street Photography
Weight and discretion count. Pentax K-01’s smaller size and quiet mirrorless operation make it the better street camera. Olympus E-1’s bulk and shutter noise are drawbacks here.
Macro Photography
Sensor stabilization on the K-01 helps handheld macro work, and more modern AF system aids focusing precision. Olympus E-1’s manual focus-only approach will work but requires more skill and patience.
Night and Astrophotography
The Pentax’s higher ISO capabilities and longer exposure options make it a better astro camera. Olympus E-1’s longer shutter speed limit (up to 60 sec) is a plus, but higher noise levels hinder image quality.
Video
Pentax K-01 is the clear winner with Full HD capture and mic input. E-1 has none.
Travel and Professional Use
Pentax K-01 is versatile, lightweight, with decent battery life and lens variety - better for modern travel needs. Olympus E-1 appeals to professionals needing a rugged build and traditional DSLR feel but is hindered by dated tech.
Summing It Up: Which Camera Still Shines?
In this face-off, the cameras serve different masters. I’m reminded of testing the Pentax K-01 back in 2012 - its quirky design polarizes opinions, but its sensor and features pack a solid punch even today. The Olympus E-1 is a classic time capsule - a sturdy, no-nonsense pro DSLR from an earlier digital era.
If your priorities are modern image quality, versatility, and mild conditions, the Pentax K-01 is a surprisingly capable companion. For enthusiasts craving vintage DSLR reliability and ruggedness in challenging environments, the Olympus E-1 remains a reliable, if underpowered, option.
Ultimately, these cameras tell a story not just of specs, but the evolution of digital imaging. Whether you’re a retro aficionado or a mirrorless minimalist, understanding where these models shine and where they falter allows you to make a truly informed choice.
Final Recommendation:
-
For beginners and enthusiasts wanting a capable all-rounder with video and modern conveniences - the Pentax K-01 is the better pick.
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For professionals and traditional DSLR shooters seeking a rugged body and classic controls - especially in difficult shooting conditions - the Olympus E-1 still holds relevance.
If you want a capable camera with expansive lens options and solid entry-level performance, the Pentax will serve you well today. But if your heart leans towards rugged DSLRs with a pro pedigree, the E-1’s tough build and distinct CCD color profile might steal your affection.
Whether you pick Olympus’s classic or Pentax’s quirky mirrorless, knowing the strengths and trade-offs helps you shoot smarter and enjoy every click.
Happy shooting!
Olympus E-1 vs Pentax K-01 Specifications
Olympus E-1 | Pentax K-01 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Pentax |
Model | Olympus E-1 | Pentax K-01 |
Class | Pro DSLR | Entry-Level Mirrorless |
Released | 2003-11-29 | 2012-05-30 |
Physical type | Large SLR | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.7 x 15.7mm |
Sensor surface area | 224.9mm² | 372.1mm² |
Sensor resolution | 5 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 2560 x 1920 | 4928 x 3264 |
Max native ISO | 3200 | 12800 |
Max enhanced ISO | - | 25600 |
Lowest native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 3 | 81 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF2 |
Number of lenses | 45 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 1.8 inches | 3 inches |
Resolution of display | 134 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.48x | - |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter rate | 3.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 12.00 m (at ISO 100) |
Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye, Slow-speed Sync, Trailing Curtain Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/180 secs | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (30, 25, 24 fps),1280 x 720 (60, 50, 30, 25, 24 fps), 640 x 480 (30, 25, 24 fps) |
Max video resolution | None | 1920x1080 |
Video format | - | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 735 grams (1.62 lb) | 561 grams (1.24 lb) |
Physical dimensions | 141 x 104 x 81mm (5.6" x 4.1" x 3.2") | 122 x 79 x 58mm (4.8" x 3.1" x 2.3") |
DXO scores | ||
DXO Overall score | not tested | 79 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 12.9 |
DXO Low light score | not tested | 1135 |
Other | ||
Battery life | - | 540 pictures |
Battery style | - | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage type | Compact Flash (Type I or II) | SD/SDHC/SDXC |
Card slots | One | One |
Pricing at release | $1,700 | $899 |