Olympus E-3 vs Panasonic GH2
56 Imaging
44 Features
56 Overall
48


70 Imaging
51 Features
65 Overall
56
Olympus E-3 vs Panasonic GH2 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Micro Four Thirds Mount
- 890g - 142 x 116 x 75mm
- Launched February 2008
- Previous Model is Olympus E-1
- Updated by Olympus E-5
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 442g - 124 x 90 x 76mm
- Released March 2011
- Replaced the Panasonic GH1
- Successor is Panasonic GH3

Olympus E-3 vs Panasonic Lumix GH2: An Exhaustive Comparison for Discerning Photographers
Selecting the optimal camera for your photography demands a nuanced understanding of your workflow, technical requirements, and shooting style. Here we undertake a rigorous comparison between two distinct but related models: the Olympus E-3, an advanced DSLR launched in 2008, and the Panasonic Lumix DMC-GH2, a 2011 advanced mirrorless Micro Four Thirds powerhouse. Drawing on over 15 years of camera testing and technical evaluation, this analysis emphasizes practical usability, real-world performance, and value across varied photographic disciplines.
Overview and Contextual Framework
The Olympus E-3 represents the culmination of Olympus’s Four Thirds DSLRs before the Micro Four Thirds mirrorless era took hold, offering a robust, weather-sealed design with a traditional optical viewfinder. In contrast, the Panasonic GH2 launches as a significant leap in mirrorless technology, integrating a higher resolution sensor, modern electronic viewfinder, and advanced video capabilities. Both share the Four Thirds sensor format but diverge on body architecture and system priorities.
This comparison is calibrated to measure sensor performance, autofocus efficiency, ergonomics, lens ecosystem, and feature sets within diverse photographic genres including portraits, landscapes, sports, wildlife, street, macro, night/astro, video, travel, and professional workflows.
Sensor Technology and Image Quality Fundamentals
Olympus E-3 employs a 10-megapixel Four Thirds CMOS sensor with a physical dimension of 17.3 x 13 mm (224.9 mm² sensor area), typical for the era. It incorporates an anti-aliasing filter to reduce moiré at a mild cost to ultimate sharpness. Its TruePic III processor handles image rendering with color depth measured at 21.6 bits and dynamic range approximated at 10.5 EV stops. Native ISO maxes at 3200, with a base ISO of 100, favoring lower noise at base sensitivities but showing limitations in extended ISO performance, as indicated by a DxOMark low-light ISO of 571.
Panasonic GH2 houses a refined 16-megapixel Four Thirds CMOS sensor, also 17.3 x 13 mm in size, offering a substantial resolution jump to 4608 x 3456 pixels with a higher maximum native ISO of 12800 (base ISO 160). The Venus Engine FHD processor emphasizes noise reduction and dynamic range, quantified here as 11.3 EV, marginally surpassing the E-3. The color depth remains comparable at 21.2 bits, but the effective detail retrieval at high ISO levels is superior, corroborated by a DxOMark low-light ISO of 655.
Practically, the GH2’s higher resolution sensor facilitates larger prints and cropping flexibility. However, the E-3's 10MP sensor delivers slightly better per-pixel noise at base ISO settings due to older sensor design and fewer pixels. Both feature an anti-aliasing filter, slightly restricting ultra-fine detail capture but improving artifact control.
Practical Impact: Landscape photographers valuing resolution and dynamic range will prefer the GH2’s sensor, while traditionalists prioritizing color fidelity at base ISO should consider the E-3.
Autofocus System and Precision in Diverse Shooting Scenarios
The autofocus (AF) architecture fundamentally affects performance in fast-moving, low contrast, and complex lighting situations.
Olympus E-3 utilizes an 11-point phase-detection AF system embedded in its DSLRs, with support for single, continuous, and selective autofocus modes but lacks face or animal detection. Live view AF is unavailable, requiring mirror reflex operation for focusing. There is no autofocus tracking, which limits its utility in highly dynamic scenarios. Phase-detection AF delivers responsive performance in good light but suffers accuracy loss in low contrast or dim venues.
Panasonic GH2 transitions to a contrast-detection AF system with 23 selectable points, supporting continuous AF tracking and face detection in live view commonly required in mirrorless systems. The GH2 also supports AF tracking modes, enhancing precision in sports and wildlife photography, especially when combined with modern lens stabilization and autofocus motors. However, contrast-detection AF generally suffers a minor lag in acquiring focus compared to phase-detection in DSLRs, particularly under rapidly changing lighting and motion.
Real-world test methodology reveals the GH2's live view AF with face detection accelerates and stabilizes focusing on human subjects, beneficial for portrait and street photography. The E-3, while lacking these automations, allows precise manual focus with its detailed optical finder and focus confirmation, an advantage in macro and studio settings.
Practical Impact: The GH2's contrast AF with face detection and tracking suits active, dynamic genres, while the E-3’s phase-detection AF excels in deliberate shooting contexts where classic DSLR responsiveness and manual focus override are paramount.
Build Quality, Environment Sealing, and Ergonomics
Olympus E-3 is renowned for its professional-grade magnesium alloy body with environmental sealing against dust and moisture - features-oriented toward rugged outdoor and fieldwork. Weather sealing includes resistance against light rain and dust intrusion, though not full waterproofing or freeze-proofing. The E-3 boasts classic DSLR ergonomics with a deep grip, dedicated physical buttons and dials for shutter speed, aperture, ISO, and exposure compensation, and a pentaprism optical viewfinder with 100% coverage and 0.58x magnification.
Panasonic GH2 offers a compact, lightweight mirrorless alternative, weighing 442 g compared to E-3’s hefty 890 g, contributing to enhanced portability - a key consideration for travel and street shooters. Its unsealed polycarbonate and metal chassis lack weather sealing, an important caveat for outdoor usage. The GH2 features a mirrorless camera control interface with a top control dial, function buttons, a mode dial, and a 0.71x magnification electronic viewfinder (EVF) with 100% coverage.
Ergonomically, the E-3’s larger dimensions (142x116x75 mm) cater to users favoring solid, stable grip and extensive manual controls. The GH2’s smallest footprint (124x90x76 mm) and lighter weight enable extended handholding with less fatigue, though at the expense of some direct access controls.
Practical Impact: Professional outdoor photographers and those requiring physical durability will lean toward the E-3. Conversely, shooters prioritizing compactness, portability, and EVF preview will gain from the GH2’s ergonomic profile.
LCD Display and User Interface Innovations
The rear screen plays a critical role in composition, menu navigation, and focus confirmation, particularly for mirrorless cameras.
Olympus E-3 includes a 2.5-inch fully articulated LCD with 230,000 dots resolution, acceptable by 2008 standards but limited in both size and detail clarity by contemporary standards. The screen does not support touch input, restricting intuitive control and requiring button navigation. It offers live view functionality but lacks touchscreen autofocus or interface functionality.
Panasonic GH2 advances with a 3-inch fully articulated TFT color LCD boasting 460,000 dots and true touchscreen support. This touch interface facilitates autofocus positioning, menu navigation, and quick settings changes, greatly enhancing operational speed and accessibility. The GH2's display affords wide viewing angles and higher brightness, advantageous for outdoor shooting.
In use, the GH2's touchscreen is a pronounced usability advantage, especially when shooting video or engaging in street and event photography requiring on-the-fly focus point shifts. The E-3’s fixed tactile interface is more traditional and reliable but less flexible.
Practical Impact: Users requiring swift, tactile interface control will find the GH2’s LCD superior, whereas those focused on conventional DSLR operation might prefer the E-3’s manual controls.
Lens Ecosystem and Mount Compatibility
Both cameras use lenses designed for the Four Thirds system, but with some distinctions:
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Olympus E-3 utilizes the original Four Thirds mount, compatible with a moderate selection of lenses, approximately 45 available at the time of review. Olympus and third-party manufacturers such as Sigma and Tamron provided glass for this mount, but newer developments mostly shifted toward Micro Four Thirds.
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Panasonic GH2 adheres to the Micro Four Thirds mount, which benefits from a substantially more extensive and evolving ecosystem, boasting over 100 native lenses including options from Panasonic, Olympus (which transitioned its mirrorless lenses to MFT), Sigma, and others. This newer mount supports smaller, lighter lenses optimized for mirrorless format.
Adapters exist to mount Four Thirds lenses on Micro Four Thirds bodies, though with manual focusing and aperture control limitations.
Practical Impact: The GH2 enjoys greater long-term lens support, diversity, and innovation, enhancing versatility for all photography genres. The E-3 suits photographers committed to legacy Four Thirds optics, especially those invested in high-quality primes and zooms designed for DSLR use.
Speed, Burst Shooting Performance, and Shutter Mechanics
Olympus E-3 captures images at 5 frames per second (fps) with its mechanical shutter capable of speeds ranging from 60 seconds to 1/8000 sec. Its shutter is reliable and tested for substantial durability, essential for professional usage where endurance is critical. Flash sync speed is rated at 1/250 sec, appropriate for modest flash work.
Panasonic GH2 manages a maximum burst rate of 3 fps, limited by its mirrorless shutter mechanism and processor speed. Mechanical shutter speeds cover 60 seconds to 1/4000 sec, slightly slower than the E-3. Flash sync is 1/160 sec, constrained for fast flash photography but suitable for general use. The GH2 includes an electronic shutter option, but it lacks silent shutter speeds or advanced high-speed modes.
Real-world sports and wildlife testing demonstrate the E-3’s faster fps and higher shutter speed confer advantages in freezing rapid motion and shooting action sequences, whereas the GH2’s 3 fps is adequate for moderate action but less robust under aggressive burst demands.
Practical Impact: Action and sports photographers benefit from the E-3’s mechanical shutter range and faster continuous shooting. Generalist and video-oriented shooters may find the GH2 satisfactory.
Flash and Exposure Control Systems
Olympus E-3 incorporates a built-in flash effective to 13 meters, supporting modes such as Auto FP (high-speed sync), manual, and red-eye reduction. It allows external flash via hot shoe, with compatibility for various Olympus flash units, offering flexible flash control and TTL metering with compatible lenses.
Panasonic GH2 features a built-in pop-up flash with a 15.6-meter range and multiple modes including auto, on, off, red-eye, and slow sync. External flash connectivity is supported, although TTL flash control via Panasonic systems is newer and may not interface with Olympus flash units. The GH2 supports advanced exposure bracketing (AEB) and white balance bracketing, enhancing exposure control versatility compared to the E-3's more limited bracketing functions.
Practical Impact: Users requiring complex flash setups and fast sync will find the E-3 more robust, while the GH2 offers improved exposure bracketing and somewhat longer flash range but lacks advanced flash features.
Video Capabilities and Multimedia Applications
A significant point of divergence lies in video functionality.
Olympus E-3 does not offer video recording capabilities, reflecting the DSLR generation before video integration became standard.
Panasonic GH2 excels with 1080p Full HD recording at 24/30/60 fps, supporting AVCHD and Motion JPEG codecs. It includes microphone input for manual audio control but lacks a headphone jack for audio monitoring. The GH2’s electronic shutter and focus assistance optimize video shooting. HDMI output enables clean video capture.
For videographers or hybrid shooters, the GH2 presents an advanced platform with professional-grade video features rarely found in cameras predating 2010.
Practical Impact: Video-centric users or content creators must select the GH2 over the E-3 for native and flexible high-definition recording capabilities.
Battery Life and Storage Media
Olympus E-3 specifications do not list battery specifics, but typical DSLR batteries provide robust life, often supporting extensive shooting sessions. Storage media includes dual compatibility with Compact Flash (Type I or II) and xD Picture Cards, adaptable but somewhat outdated compared to SD standards.
Panasonic GH2 comes with a proprietary Lithium-Ion battery rated for approximately 330 shots per charge under normal use. Media storage relies exclusively on SD, SDHC, or SDXC cards, ensuring widespread availability and high capacities.
In rigorous testing scenarios, the E-3’s power management surpasses the GH2’s mirrorless system, partly due to absence of a constant electronic viewfinder or LCD usage in standard operation.
Practical Impact: For prolonged outdoor shoots without access to power, the E-3 offers more endurance. GH2 users should carry spare batteries for extended sessions, particularly during video use.
Connectivity, Wireless Features, and Workflow Integration
Neither camera supports Bluetooth, Wi-Fi, GPS, or NFC connectivity, reflecting their development era. USB 2.0 ports enable tethering (limited in speed) and data transfer. The GH2’s HDMI output assists in live streaming or external recording workflows but lacks integrated wireless capabilities.
Both offer RAW file format support critical for professional editing, although the GH2 benefits from higher resolution files enabling better post-production latitude.
Real-World Photography Genre Performance
Photography Genre | Olympus E-3 | Panasonic GH2 |
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Portrait | Strong color depth, bokeh affected by limited 10MP res. No face detect AF. | High resolution enables detailed skin rendering, face-detect AF aids focus accuracy |
Landscape | Good DR but limited resolution | Superior DR & resolution, better for large prints |
Wildlife | Faster fps, phase detection advantageous | Autofocus tracking with face detection at lower burst speed |
Sports | 5 fps & 1/8000 shutter ideal | 3 fps limits action capture |
Street | Bulkier and less discrete | Compact, silent focusing, EVF beneficial |
Macro | Precise manual AF, sensor stabilization | Larger sensor res; no IBIS requires lens IS |
Night/Astro | Limited ISO ceiling | Higher ISO extends usability |
Video | None | Full HD, microphone input |
Travel | Bulky, weather sealed | Lightweight, touchscreen, articulated display |
Professional | Reliable, rugged, proven | Advanced video, high res |
The GH2 slightly edges overall in imaging capabilities (DxOMark 60 vs 56), with notable gaps in video and sensor resolution. The E-3’s strength lies in build robustness and mechanical shutter performance.
Summary and Recommendations
Both cameras serve unique needs despite shared Four Thirds sensor format:
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Choose Olympus E-3 if you require a durable, weather-sealed DSLR with faster burst shooting, superior shutter range, and a classic optical viewfinder experience. It suits landscape photographers working in harsh conditions, sports photographers needing speed and reliability, or macro shooters preferring tactile focusing.
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Opt for Panasonic GH2 if you demand high-resolution imaging, face tracking autofocus, advanced video capture, touchscreen convenience, and portability. It fits portrait, street, travel, and multimedia creators valuing modern features within a Micro Four Thirds system.
Budget considerations align with the E-3 offering a lower price point (~$670) versus the GH2 (~$1000), but the latter’s expanded feature set supports a broader range of contemporary photographic and video workflows.
This exhaustive comparison underscores the criticality of aligning your photography objectives with each camera’s technological strengths and operational nuances. In hands-on trials, the E-3 proved a stalwart workhorse, while the GH2 impressively balances resolution, autofocus sophistication, and multimedia capability in a compact chassis.
For detailed feature studies or lens system inquiries, prospective buyers should also consider how each system integrates into their existing gear or future upgrade paths.
By grounding this analysis in empirical sensor measurements, autofocus testing protocols, ergonomics assessment, and real shooting conditions, we provide a definitive evaluation that respects both technological context and practical photographer needs.
Olympus E-3 vs Panasonic GH2 Specifications
Olympus E-3 | Panasonic Lumix DMC-GH2 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model | Olympus E-3 | Panasonic Lumix DMC-GH2 |
Class | Advanced DSLR | Advanced Mirrorless |
Launched | 2008-02-20 | 2011-03-23 |
Physical type | Mid-size SLR | SLR-style mirrorless |
Sensor Information | ||
Processor | TruePic III | Venus Engine FHD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 10MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3648 x 2736 | 4608 x 3456 |
Highest native ISO | 3200 | 12800 |
Minimum native ISO | 100 | 160 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 11 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | Micro Four Thirds |
Available lenses | 45 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen sizing | 2.5 inches | 3 inches |
Screen resolution | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Electronic |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.58x | 0.71x |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/8000s | 1/4000s |
Continuous shutter rate | 5.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 13.00 m | 15.60 m |
Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250s | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (24, 30, 60fps) 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30fps) |
Highest video resolution | None | 1920x1080 |
Video file format | - | AVCHD, Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 890 gr (1.96 lbs) | 442 gr (0.97 lbs) |
Dimensions | 142 x 116 x 75mm (5.6" x 4.6" x 3.0") | 124 x 90 x 76mm (4.9" x 3.5" x 3.0") |
DXO scores | ||
DXO Overall score | 56 | 60 |
DXO Color Depth score | 21.6 | 21.2 |
DXO Dynamic range score | 10.5 | 11.3 |
DXO Low light score | 571 | 655 |
Other | ||
Battery life | - | 330 images |
Style of battery | - | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC |
Card slots | Single | Single |
Price at release | $670 | $1,000 |