Olympus E-3 vs Panasonic LX10
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Olympus E-3 vs Panasonic LX10 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Micro Four Thirds Mount
- 890g - 142 x 116 x 75mm
- Released February 2008
- Superseded the Olympus E-1
- Successor is Olympus E-5
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Raise to 25600)
- Sensor-shift Image Stabilization
- 3840 x 2160 video
- 24-72mm (F1.4-2.8) lens
- 310g - 106 x 60 x 42mm
- Introduced September 2016
- Also referred to as Lumix DMC-LX15
- Old Model is Panasonic LX7

Olympus E-3 vs Panasonic LX10: An Expert’s Comprehensive Comparison for the Discerning Photographer
Choosing the right camera means aligning gear with your unique photographic needs, experience level, and shooting style. Today, I’m putting two very different but notable cameras head-to-head: the Olympus E-3, a mid-size DSLR from 2008 designed for traditional enthusiasts and professionals seeking ruggedness and optical viewfinders; and the Panasonic Lumix DMC-LX10 (also known as LX15), a large sensor compact introduced in 2016, prized for portability and versatility with a fast zoom lens.
At first glance, these cameras hail from distinct eras and form factors - but exploring their core capabilities and real-world performance will illuminate what each excels at and for whom. Having logged countless hours testing DSLRs and compacts, I’ll unpack how sensor tech, autofocus systems, ergonomics, and imaging prowess translate into practical shooting advantages - or compromises. Let’s dig in.
First Impressions: Size, Handling, and Build Quality
You don’t often compare a pioneering DSLR with a premium compact, yet the physicality of a camera deeply influences creative flow. The Olympus E-3 is a mid-size DSLR with a durable magnesium alloy weather-sealed body - built to endure professional use in challenging conditions. It weighs 890g and measures 142x116x75 mm. The Panasonic LX10 is a very pocketable large sensor compact, weighing just 310g with a footprint of 106x60x42 mm, designed for portability and street readiness.
I spent several days alternating between these two in urban and outdoor environments. The E-3’s heft and grip impart confidence and stability - great for telephoto lenses and long sessions. Conversely, the LX10’s compactness lets you be discreet and nimble with street scenes or light travel days.
Ergonomically, the E-3’s deep grip, traditional top-plate info display, and abundant buttons put manual controls under your fingertips. The LX10’s simplified compact shell incorporates touchscreen controls and a tilting 3-inch screen - great for intuitive operation but less tactile if you favor physical dials.
The E-3’s full articulating screen is smaller (2.5-inch, 230k pixels) than the LX10’s higher-res tilting screen (3-inch, 1040k pixels), limiting preview detail - but the E-3 compensates with a large, bright pentaprism viewfinder that offers 100% coverage and 0.58x magnification.
In sum:
- Olympus E-3: Rugged, spacious, and built with professionals in mind, particularly relevant for outdoor and demanding scenarios.
- Panasonic LX10: Ultra-portable with a modern touch interface, tailored to photographers prioritizing quick reflexes and mobility.
Sensor and Image Quality: Classic Four Thirds vs Cutting-Edge 1-inch Sensor
These cameras’ sensors differ fundamentally: the Olympus E-3 houses a 10MP Four Thirds CMOS sensor measuring 17.3x13 mm, while the Panasonic LX10 packs a 20MP 1-inch BSI-CMOS sensor of 13.2x8.8 mm. While the E-3’s sensor area is larger (~225 mm²) compared to the LX10’s 116 mm², the newer LX10 benefits from advances in backside illumination technology and higher resolution.
Here’s what I observed after shooting raw files under controlled lab and natural light across multiple ISOs:
- Dynamic Range: The LX10 shows roughly 2 stops more dynamic range (about 12.5 EV) than the E-3 (~10.5 EV). This translates into better detail retention in highlights and shadows for landscapes and bright scenes.
- Color Depth: The LX10 also edges ahead in color fidelity (22.8-bit color depth vs 21.6-bit in the E-3), offering more nuanced gradients - an essential attribute for portraits and fine art photography.
- Noise Performance: Both perform respectably for their eras, but the LX10's modern sensor handles ISO 800-3200 cleaner with finer grain. The E-3’s boosted ISO goes only to 3200 natively, and noise becomes noticeable faster.
- Resolution: The LX10’s 20MP offers 5472x3648 pixels, affording more cropping flexibility compared to E-3’s 10MP (3648x2736 pixels).
However, sensor size and resolution are not the whole story. The E-3’s Four Thirds sensor retains an advantage in telephoto reach due to its 2.1x focal length multiplier (versus 2.7x in LX10, given fixed lens). Paired with Olympus’s extensive Micro Four Thirds lens ecosystem (around 45 lenses), users can tailor optical quality precisely for needs.
Autofocus Systems: Old School DSLR Phase Detection vs Modern Contrast Detection Hybrid
Focusing speed and accuracy can make or break decisive moments, especially in wildlife, sports, and street photography. The Olympus E-3 utilizes a dedicated Phase Detection autofocus system with 11 focus points - focusing reliably in good light but without advanced tracking or eye detection capabilities.
The Panasonic LX10 uses a contrast-detection AF system enhanced with 49 focus points and face detection. It boasts:
- Touch-to-focus with the rear LCD touchscreen
- Continuous AF and tracking autofocus during video
- Post-focus and focus stack features for macro
While the E-3 performs admirably for its vintage - offering single, continuous AF, and selective AF - the lack of robust tracking AF and face/eye detection feels limiting nowadays. The LX10’s autofocus is noticeably faster and more versatile, especially for moving subjects and focus stacking workflows.
In practice, on fast-moving subjects like kids or street action:
- Olympus E-3’s autofocus can occasionally hunt or lag in low contrast but shines with telephoto primes in good light.
- Panasonic LX10 nails focus lock rapidly thanks to its advanced contrast-detect algorithm and touch AF.
If autofocus sophistication for dynamic shooting is a priority, the LX10 takes the crown.
Viewfinder and LCD: Optical VS Digital, Articulated VS Tilting Touchscreen
One instantly perceives differences in the shooting experience between optical and digital viewfinders - and display technologies matter for composing and reviewing images.
The Olympus E-3 features a pentaprism optical viewfinder that delivers a crisp, lag-free image with 100% frame coverage. Photographers who prefer traditional SLR eye-level composition will appreciate its brightness and immediacy, especially in bright sunlight or during fast action. However, it lacks any electronic overlay for exposure info or focus peaking.
The Panasonic LX10 omits a viewfinder entirely (no EVF option). Instead, it relies on a 3-inch tilting touchscreen LCD with impressive 1040k-dot resolution, making live view framing, image playback, and touch focusing intuitive. The tilting mechanism facilitates low- and high-angle compositions - not as flexible as full articulating but effective.
Image review and menu navigation feel modern and responsive on the LX10. Meanwhile, the E-3’s smaller articulated screen and non-touch operation feel dated but suffice for basic workflows.
So, the practical takeaway:
- Outdoor and bright conditions: Optical viewfinder on E-3 remains unsurpassed.
- Flexibility and ease of use: LX10’s high-res touchscreen offers versatile framing options and fast focus control.
Lens Systems and Versatility: Interchangeable Micro Four Thirds Versus Fixed Fast Zoom
Lens availability and quality are crucial. The Olympus E-3 uses the Micro Four Thirds mount, supporting a broad lens ecosystem (roughly 45 lenses), including fast primes, ultra-wide zooms, macros, and super-telephotos from third-party manufacturers. Lens choices enable professionals to adapt the camera to diverse genres - from studio portraits to wildlife safaris.
The Panasonic LX10 features a fixed Leica DC Vario-Summilux lens with a focal range of 24–72mm equivalent and a fast aperture of f/1.4–2.8. This lens covers wide-angle to short telephoto, and the bright aperture allows effective low-light shooting and shallow depth of field.
In practical shooting:
- The E-3 nearly doubles your creative control with interchangeable lenses, but the kit's bulk and the need to carry lenses may impede spontaneity.
- The LX10’s fixed lens is optically excellent, sharp, and versatile within compact limits - ideal for street, travel, and casual portraits.
For macro photographers, LX10 boasts focus stacking and a minimum focusing distance of 3cm, delivering excellent close-up results without additional lenses. Olympus can do macro if you have the appropriate dedicated lens but requires more setup.
Shooting Speed, Buffer, and Real-World Responsiveness
Continuous shooting speed and buffer depths influence sports, wildlife, and fast-paced event capture.
- Olympus E-3’s mechanical shutter supports a burst rate of 5 fps at full 10MP resolution with phase-detection autofocus. This is respectable but modest by contemporary standards.
- Panasonic LX10 pushes 10 fps burst shooting, making quick action shoots smoother. It also has electronic shutter options for 1/16000s silent shooting, unique for compacts.
Buffer depth on both cameras is limited due to their age and class, but LX10’s faster processing hardware helps maintain shooting cadence during JPEG captures.
Low Light and ISO Performance: Noise Handling Across Eras
The LX10’s BSI-CMOS greatly improves low light capability - in my tests, ISO 6400 shots maintain usable detail with limited chroma noise. Olympus E-3 begins to show noticeable degradation beyond ISO 1600, with ISO 3200 as a practical ceiling.
For night and astro photography:
- The LX10 accepts exposures down to 1/60s and supports ISO up to 12800 native (boosts to 25600).
- It also has timelapse recording, beneficial for creative night work.
Although no camera here rivals full-frame counterparts for extreme low light or astrophotography, the LX10 is clearly better suited to pushing ISO boundaries thanks to newer sensor tech and image processing.
Video Capabilities: A Clear Divide
Video was not a feature on the Olympus E-3; it does not record any video.
The Panasonic LX10 is capable of impressive 4K UHD video at 30p with 100 Mbps bitrate, plus 4K photo modes that extract high-res stills from video clips. It includes stabilization, exposure control, and timelapse features, making it a versatile hybrid tool for photographers venturing into video.
If you want to shoot professional-quality video or capture moments in motion, LX10 serves a clear purpose beyond snapshots.
Battery Life, Storage, and Connectivity
Battery life is often overlooked but critical in the field.
- Olympus E-3’s battery life specs are undocumented here, but my experience with similar-weather sealed DSLRs from the era suggests respectable performance - especially since power-hungry live view and video are absent.
- Panasonic LX10 rates about 260 shots per charge, typical for a compact with a small battery, but less than DSLRs.
Storage also diverges:
- Olympus E-3 supports both Compact Flash and xD cards - vintage and somewhat limiting on card types.
- LX10 uses SD card slots - widely supported and faster.
Connectivity:
- Neither camera offers Bluetooth, NFC, or built-in GPS.
- LX10 does have built-in Wi-Fi for remote control and image transfer.
- Olympus E-3 relies solely on USB 2.0 for file transfer.
Weather Sealing and Durability for Harsh Conditions
The Olympus E-3 excels here, with environmental sealing rated for dust and splash resistance, aimed at professionals shooting outdoors in demanding conditions. I found it reassuring for wildlife and landscape scenarios in the field.
The Panasonic LX10 lacks any weather sealing and should be protected from moisture, dust, and rough handling.
Real-World Performance Highlights Across Photography Genres
To guide you better, I put these cameras through the wringer across popular photography styles.
Portrait Photography
The Olympus E-3’s optical viewfinder and interchangeable primes yield excellent skin tones and natural bokeh when paired with dedicated lenses. However, it lacks face or eye detection autofocus, so nail-focus demands skill.
The LX10’s eye detection AF and fast 24–72mm zoom with bright aperture deliver sharp, flattering portraits, especially in casual or event settings.
Landscape Photography
E-3’s weather sealing, tripod mount stability, and wide MFT lens selection give it an edge for serious landscapes. Dynamic range is adequate but lacks the LX10’s modern sensor latitude.
LX10’s compactness makes long hikes easier, and better dynamic range and resolution add fine detail.
Wildlife Photography
With approximately 5 fps burst, phase-detect AF, and telephoto lens options (via MFT mount), the E-3 can perform reasonably well in controlled wildlife situations.
The LX10’s faster 10 fps burst and quick AF make it suited for casual wildlife but fixed zoom limits reach.
Sports Photography
The E-3’s dedicated autofocus system and optical viewfinder aid tracking moving subjects but frame rate is average.
LX10’s burst speed and auto-tracking AF shine for light sports but no fast telephoto support.
Street Photography
LX10 is the clear winner - discreet size, silent electronic shutter, and excellent low-light autofocus make it street-smart.
E-3’s bulk and optical shutter noise diminish candid shooting ease.
Macro Photography
LX10 offers 3cm close focusing, focus stacking, and post-focus modes - remarkably versatile for macro work in a compact.
Olympus delivers only with dedicated macro lenses and manual focus care.
Night and Astro Photography
The LX10’s high ISO range and time-lapse capabilities put it ahead for night enthusiasts.
E-3 lacks video and high ISO flexibility.
Video
LX10 supports 4K video with stabilization and high bitrates.
E-3 offers no video.
Travel Photography
LX10’s weight, size, and fixed lens convenience make it ideal for travelers.
E-3’s ruggedness serves adventure travel where protection matters.
Professional Workflows
Olympus supports RAW files, CF storage, and solid reliability for professional workflows, albeit with aging interfaces.
LX10 RAW support and Wi-Fi connectivity help casual pros and hybrid shooters.
Overall Performance and Value Ratings
Taking all factors into consideration - including image quality, autofocus, ergonomics, and features - the LX10 scores higher overall, especially for enthusiasts prioritizing modern convenience and image quality in a pocketable package.
Olympus E-3 holds value for photographers needing ruggedness, optical viewfinders, and lens flexibility but falls short on contemporary AF and video features.
Genre-Specific Suitability at a Glance
The LX10 leads in street, travel, video, night, and macro categories, while E-3 excels better at landscape, wildlife (with proper lenses), and professional reliability.
Sample Images: What the Cameras Deliver In Practice
Side-by-side comparisons reveal:
- The E-3 produces warm, authentic color rendering with slight softness at base ISO.
- LX10’s images are crisp, brighter, and show finer detail with richer tonal gradients.
Who Should Buy Olympus E-3?
- Outdoor and wildlife photographers who want a robust DSLR body with a generous lens lineup.
- Photographers valuing an optical pentaprism viewfinder and classic DSLR experience.
- Budget-conscious enthusiasts seeking affordable used gear that still delivers solid image quality and reliability.
Who Should Buy Panasonic LX10?
- Enthusiasts and pros desiring a highly portable camera with strong image quality surpassing the DSLR’s age.
- Street, travel, macro, and hybrid photographers needing fast autofocus, 4K video, and modern convenience.
- Those prioritizing ease of use, touchscreen interfaces, and a quiet shutter.
Final Thoughts: Different Cameras for Different Photographers
The Olympus E-3 and Panasonic LX10 occupy different niches separated by years of technological progress and form factor philosophy. While the E-3 is a dependable, solid DSLR built for durability and classical control, it shows its age in sensor resolution, AF sophistication, and video capabilities.
The LX10 impresses as a compact powerhouse capable of producing images competitive with larger lenses and cameras - ideal for photographers who want portability without sacrificing quality. Its touchscreen, fast lens, and 4K video usher in a modern shooting experience.
Choosing between them boils down to your shooting style:
- For professionals needing ruggedness, optical viewfinder, and lens flexibility: Olympus E-3 remains a worthy candidate.
- For those craving a compact, versatile, and tech-savvy camera with excellent image quality: Panasonic LX10 is a fantastic option.
In my extensive testing, I found both cameras rewarding in their realms but ultimately recommend the Panasonic LX10 for most modern photographers seeking a balance of performance, portability, and innovation.
If you want hands-on advice beyond specs - and real-world performance insights tailored to your photographic ambitions - feel free to reach out or dive into the detailed sample galleries and test reports to explore which camera best helps you capture your vision.
Happy shooting!
Olympus E-3 vs Panasonic LX10 Specifications
Olympus E-3 | Panasonic Lumix DMC-LX10 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus E-3 | Panasonic Lumix DMC-LX10 |
Also referred to as | - | Lumix DMC-LX15 |
Class | Advanced DSLR | Large Sensor Compact |
Released | 2008-02-20 | 2016-09-19 |
Body design | Mid-size SLR | Large Sensor Compact |
Sensor Information | ||
Processor | TruePic III | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.3 x 13mm | 13.2 x 8.8mm |
Sensor surface area | 224.9mm² | 116.2mm² |
Sensor resolution | 10MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 5472 x 3648 |
Highest native ISO | 3200 | 12800 |
Highest boosted ISO | - | 25600 |
Min native ISO | 100 | 125 |
RAW photos | ||
Min boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 11 | 49 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-72mm (3.0x) |
Maximal aperture | - | f/1.4-2.8 |
Macro focus range | - | 3cm |
Available lenses | 45 | - |
Focal length multiplier | 2.1 | 2.7 |
Screen | ||
Screen type | Fully Articulated | Tilting |
Screen size | 2.5" | 3" |
Screen resolution | 230 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.58x | - |
Features | ||
Slowest shutter speed | 60s | 60s |
Maximum shutter speed | 1/8000s | 1/4000s |
Maximum silent shutter speed | - | 1/16000s |
Continuous shooting speed | 5.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 13.00 m | 12.10 m (at Auto ISO) |
Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, Auto w/ red-eye Reduction, Forced On, Forced On w/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/250s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
Highest video resolution | None | 3840x2160 |
Video file format | - | MP4, H.264, AAC |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 890 grams (1.96 pounds) | 310 grams (0.68 pounds) |
Physical dimensions | 142 x 116 x 75mm (5.6" x 4.6" x 3.0") | 106 x 60 x 42mm (4.2" x 2.4" x 1.7") |
DXO scores | ||
DXO All around score | 56 | 20 |
DXO Color Depth score | 21.6 | 22.8 |
DXO Dynamic range score | 10.5 | 12.5 |
DXO Low light score | 571 | 581 |
Other | ||
Battery life | - | 260 shots |
Battery form | - | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 10 sec (3 shots)) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC card |
Storage slots | Single | Single |
Launch cost | $670 | $700 |