Olympus E-3 vs Sony A300
56 Imaging
44 Features
56 Overall
48


64 Imaging
49 Features
45 Overall
47
Olympus E-3 vs Sony A300 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fully Articulated Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Micro Four Thirds Mount
- 890g - 142 x 116 x 75mm
- Introduced February 2008
- Older Model is Olympus E-1
- Renewed by Olympus E-5
(Full Review)
- 10MP - APS-C Sensor
- 2.7" Tilting Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 632g - 131 x 99 x 75mm
- Announced January 2008
- New Model is Sony A330

Exploring Two Historic DSLRs: Olympus E-3 vs Sony Alpha A300 – A Detailed Comparison for Enthusiasts and Professionals
When stepping into the world of DSLR photography, having the right camera can shape your creative output profoundly. Two notable models from the era of mid-to-late 2000s - the Olympus E-3 and the Sony Alpha DSLR-A300 - offer distinct experiences influenced by their class, sensor technology, design philosophy, and target users. As photographers who've personally tested thousands of cameras, we’ll take you on a thorough journey through their capabilities, comparing every crucial aspect from sensor tech to ergonomics, image quality, and autofocus performance, contextualized by real-world applications.
First Impressions: Design and Handling
Olympus E-3: The Professional Workhorse
The Olympus E-3 is a mid-size DSLR that aimed to replace the company’s pioneering E-1. Its robust construction includes environmental sealing, designed to cope with harsher shooting conditions - a feature professionals appreciate. Its physical dimensions (142x116x75 mm) and weight (890 g) place it firmly as a substantial tool that balances durability and usability.
Sony Alpha A300: Entry-Level Yet Compact
Sony’s Alpha A300 clearly targets the entry-level compact SLR segment with lighter weight (632 g) and smaller size (131x99x75 mm). It sacrifices some ruggedness and environmental resistance to achieve portability and accessibility to beginners or casual users.
Ergonomics and Control Layout
Olympus’s design includes a fully articulated 2.5" screen - a significant boon for shooting at awkward angles, especially for macro and travel photographers. The Sony opts for a tilting 2.7" LCD screen, offering some flexibility but not as versatile.
Top-down views reveal that the Olympus E-3’s control layout is geared toward quick access to critical settings, making it more conducive for fast-paced environments like sports or wildlife photography. The aluminum alloy chassis houses thoughtful, if somewhat dated, dials and buttons that prioritize durability and usability. The Sony’s controls are simplified, catering to straightforward operation without overwhelming beginners.
Dive Into Sensor Technology and Image Quality
Image quality often hinges on sensor size, resolution, and technology. Each camera features a 10-megapixel sensor but leverages different sensor types and formats, influencing your final images drastically.
Feature | Olympus E-3 | Sony Alpha A300 |
---|---|---|
Sensor Type | CMOS | CCD |
Sensor Size | Four Thirds (17.3x13 mm) | APS-C (23.6x15.8 mm) |
Sensor Area | 225 mm² | 373 mm² |
Max Resolution | 3648x2736 | 3872x2592 |
ISO Sensitivity Range | 100–3200 (native) | 100–3200 (native) |
Anti-Aliasing Filter | Yes | Yes |
Four Thirds sensors like the E-3’s tend to be smaller than APS-C sensors, meaning less surface area for light capture. This factor influences noise levels and dynamic range. The Olympus’s CMOS sensor was advanced at its time with the TruePic III processing engine, whereas Sony’s Alpha A300 uses CCD technology which historically delivers excellent color fidelity and detail at base ISO but can lag in high ISO performance.
Technically speaking:
-
Dynamic Range: Measured by DxO scores at launch, the Sony’s APS-C sensor offers a superior dynamic range (~11.4 EV) compared to the Olympus (~10.5 EV), enabling better detail retrieval in shadows and highlights. This is particularly beneficial in landscape and high-contrast scenes.
-
Low-Light ISO Performance: Though Olympus boasts a higher ISO rating (up to 3200), its smaller sensor size typically translates to more noise at high ISO. Sony’s larger sensor area provides less noise at similar ISO values despite CCD’s limitations.
-
Color Depth: Sony Alpha A300 edges out slightly with 22.5 bits versus Olympus’s 21.6 bits, offering marginally richer color gradations - a quality portrait and landscape photographers will appreciate.
Real-World Imaging: Sample Images
Photographers often wish to see these specifications reflected in actual image output. Both cameras deliver 10MP raw files, letting you stretch colors and tones during post-processing, but the sensor differences shine through in nuanced circumstances.
-
Portraits: Olympus’s sensor and TruePic III processing render skin tones naturally, aided by its in-body sensor-shift stabilization which helps in lower light while handholding. The images convey pleasant warmth but may exhibit higher noise in shadows.
-
Landscapes: Sony’s superior dynamic range produces better textures and tonal variations in sky gradients and shadowed foliage, making it the choice for demanding landscape shooters.
-
Macro and Detail Work: The articulated LCD on Olympus allows flexible framing, a boon for close work. Stabilization improves your hit rate with sharp macro shots.
Autofocus Systems: Speed and Accuracy under Pressure
Autofocus (AF) systems are critical in determining how cameras perform in fast-moving or changing scenes. Both cameras use phase-detection autofocus but have different implementations and point counts.
Aspect | Olympus E-3 | Sony Alpha A300 |
---|---|---|
AF Points | 11 | 9 |
Cross Type Points | Unspecified | Unspecified |
AF Modes | Single, Continuous, Selective | Single, Continuous, Selective |
AF Tracking | No | No |
Face Detection | No | No |
Live View AF | No | Yes |
The Olympus E-3 offers a reliable 11-point system with selective AF capabilities, whereas Sony has 9 points but benefits from live view autofocus - unique for DSLRs at this time. Unfortunately, neither supports face or animal eye detection, features that modern photographers value for portraits or wildlife.
Practically:
-
Sports and Wildlife: The Olympus, with robust phase-detection AF and higher burst speed (5 fps), better fits demanding action photography, although the lack of AF tracking limits continuous subject lock.
-
Street and Travel: Sony’s live view AF option aids in discreet shooting, crucial for candid street photography where noise and distraction must be minimized.
Shooting Speed and Buffering
Burst shooting capability defines your ability to capture rapid sequences effectively.
-
Olympus: 5 fps continuous shooting allows you to catch fleeting moments.
-
Sony: Slower at 3 fps, which may impact shooting fast-moving subjects.
Neither offers silent electronic shutters, but the Olympus’s shutter speed range is broader (up to 1/8000s) compared to Sony’s max 1/4000s, giving Olympus an edge in managing bright light and action freezing.
Handling and User Interface
The Olympus E-3’s fully articulating 2.5” LCD is fantastic for shooting low angles or selfies, enhancing usability for videographers or macro photographers. The Sony A300’s 2.7” tilting screen provides versatility but less freedom of movement.
Both lack touchscreen functionality, which is now standard but was less common upon release. The Olympus offers a top LCD panel for quick readouts, aiding professional workflows. Sony’s interface aims for simplicity appropriate for beginners with visual live view aids.
Build Quality and Durability
With weather-sealed magnesium alloy construction, the Olympus E-3 confidently stands up to dust and splashes, extending shooting possibilities outdoors and in challenging conditions. Conversely, Sony’s plastic body lacks environmental sealing, suggesting care during use in adverse weather.
Lens Ecosystem: Choosing the Right Glass
Lens availability impacts creatives profoundly.
Camera | Lens Mount | Number of Available Lenses* | Typical Mount Focal Length Multiplier |
---|---|---|---|
Olympus E-3 | Four Thirds | ~45 | 2.1x |
Sony A300 | Sony/Minolta Alpha | ~143 | 1.5x |
*Lens counts reflect available native and third-party options as of camera launch period.
Sony’s extensive lens ecosystem (over 140 lenses) offers unmatched versatility for every genre, from ultra-wide to super-telephoto. Olympus’s Micro Four Thirds mount (note: E-3 employs Four Thirds, not Micro Four Thirds mount; this is an important distinction as E-3 uses the original Four Thirds system) benefits from compact, lightweight lenses, ideal for travel and macro work.
For wildlife or sports where reach is vital, Sony’s 1.5x crop and broad telephoto lens choices provide an advantage. Olympus’s 2.1x multiplier offers longer equivalent focal lengths but tends to exhibit more noise due to sensor size constraints.
Stability and Image Sharpening
Both cameras feature sensor-based image stabilization (IBIS), a significant advantage in reducing camera shake during handheld shooting at slower shutter speeds.
-
Olympus E-3’s TruePic III processor works alongside 5-axis stabilization, which was cutting-edge, improving sharpness without relying solely on lens-based stabilization.
-
Sony A300’s stabilization also works on the sensor but is considered less effective overall, especially in telephoto ranges.
This image stabilization impacts macro photography, travel shooting, and low-light scenarios markedly.
Connectivity and Storage
Both cameras provide USB 2.0 ports for tethered shooting and file transfer. No wireless connectivity like Wi-Fi or Bluetooth is offered - which aligns with their release period but may restrict modern wireless workflows.
Storage-wise:
-
Olympus supports dual media: Compact Flash (CF) and xD Picture Card.
-
Sony uses only Compact Flash, providing consistent storage but less flexibility.
Battery Life and Portability
Battery specifications weren’t prominently published; based on testing experience:
-
Olympus E-3’s heavier, professional-grade battery lasts comfortably for a full day of shooting.
-
Sony A300’s lighter battery suits casual shooting but may demand spares for extensive use.
The weight difference (~890g vs. 632g) will affect travel photographers prioritizing pack weight.
Application in Various Photography Styles
Portraits:
-
Olympus’s sensor-shift stabilization helps create sharper handheld portraits even at lower shutter speeds.
-
Sony’s slightly better color depth benefits nuanced skin tone reproduction.
Both lack face-detection autofocus, so manual focusing techniques or careful AF point selection remain necessary.
Landscape:
-
Sony A300 wins with dynamic range and resolution, capturing detailed shadow and highlight information reliably.
-
Olympus’s weather sealing permits harsh environment use, advantageous for adventure landscape photographers.
Wildlife:
-
Olympus’s higher burst rate and longer focal length multipliers theoretically aid wildlife capture, but limited AF tracking is a drawback.
-
Sony’s expansive telephoto lens lineup and larger sensor better suit demanding wildlife action shots in good light.
Sports:
-
Olympus’s 5 fps and robust build favor sports photography, though AF tracking limitations mean fast, erratic subjects may still be challenging.
-
Sony’s slower frame rate and less rugged build lean it away from dedicated sports work.
Street Photography:
-
Sony’s smaller size, tilting LCD, and live view AF add discretion and flexibility in urban settings.
-
Olympus’s articulating screen is useful but combined with size makes it less unobtrusive.
Macro Photography:
-
Olympus wins here with its highly flexible articulated screen and sensor-shift stabilization.
-
Sony is functional but less specialized for macro shooters.
Night and Astro:
- Sony’s dynamic range and lower noise at base ISO give cleaner night shots; however, neither camera includes dedicated astro-specific exposure modes.
Video Capabilities:
- Neither camera supports video recording, which was typical pre-2008 DSLR models.
Travel Photography:
-
Olympus’s sturdier build handles rough conditions better.
-
Sony’s lighter form is easier to carry but requires more care.
Summarizing Strengths and Weaknesses
Camera | Strengths | Weaknesses |
---|---|---|
Olympus E-3 | Weather sealing, articulated screen, sensor stabilization, fast burst rate, robust controls | Smaller Four Thirds sensor, less dynamic range/noise control, no AF tracking, larger weight |
Sony A300 | Larger APS-C sensor with better dynamic range, wider lens ecosystem, live view AF, compact form factor | No weather sealing, slower burst rate, less robust construction, no articulated screen |
Who Should Choose Which?
If you prioritize durability, weather resistance, and require fast continuous shooting paired with sensor-based stabilization for varying conditions, Olympus E-3 is a strong contender despite its smaller sensor. It caters well to professionals and enthusiasts shooting sports, wildlife, macro, and outdoor portraiture who value ruggedness and physical controls.
If image quality with broader dynamic range, lens versatility, and compact size are your main concerns, especially for landscape, street, and travel photography, Sony Alpha A300 delivers excellent value. It is ideal for beginners or intermediate photographers who want accessible handling, good color fidelity, and the potential for future lens system expansion.
Making the Most of Your Choice
Regardless of choice, both systems encourage experimenting across genres. To truly push image quality and creative horizons:
-
Get to know your autofocus modes and point selection to maximize sharpness and accuracy.
-
Understand your sensor characteristics, especially ISO noise and dynamic range, to plan exposures accordingly.
-
Invest in good quality lenses, especially prime lenses that leverage sensor capabilities best.
-
Use image stabilization effectively in low-light or macro to reduce blur.
-
Consider ergonomics for your shooting style: fully articulated screens benefit certain photographers, while compactness suits others.
Final Thoughts: Timeless Tools for Photography Evolution
Though these cameras date back over a decade, analyzing them today uncovers lessons on how sensor design, build quality, and autofocus evolved - many principles still relevant. The Olympus E-3 was a serious step toward professional Micro Four Thirds DSLR designs, espousing durability and flexibility. Meanwhile, Sony’s Alpha A300 opened doors for accessible APS-C DSLRs with extensive lens support and live view options.
By weighing your priorities - whether ruggedness, sensor size, burst speed, or portability - and understanding their nuanced tradeoffs, you can make an informed choice grounded in hands-on insights. Photography is a journey; so start exploring these classics and the foundations they laid for future innovation!
Ready to dive deeper? We recommend visiting your local camera store to handle both models firsthand where possible, try their controls, and test autofocus responsiveness in your typical shooting environments. Also, explore compatible lenses to build a system best suited for your creative ambitions.
Olympus E-3 vs Sony A300 Specifications
Olympus E-3 | Sony Alpha DSLR-A300 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus E-3 | Sony Alpha DSLR-A300 |
Class | Advanced DSLR | Entry-Level DSLR |
Introduced | 2008-02-20 | 2008-01-30 |
Body design | Mid-size SLR | Compact SLR |
Sensor Information | ||
Processor | TruePic III | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.6 x 15.8mm |
Sensor surface area | 224.9mm² | 372.9mm² |
Sensor resolution | 10MP | 10MP |
Anti alias filter | ||
Aspect ratio | 4:3 | - |
Highest Possible resolution | 3648 x 2736 | 3872 x 2592 |
Maximum native ISO | 3200 | 3200 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 9 |
Lens | ||
Lens support | Micro Four Thirds | Sony/Minolta Alpha |
Available lenses | 45 | 143 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Fully Articulated | Tilting |
Display size | 2.5 inch | 2.7 inch |
Resolution of display | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentamirror) |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.58x | 0.49x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shutter speed | 5.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 13.00 m | 12.00 m (at ISO 100) |
Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/250 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Maximum video resolution | None | None |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 890 gr (1.96 lb) | 632 gr (1.39 lb) |
Dimensions | 142 x 116 x 75mm (5.6" x 4.6" x 3.0") | 131 x 99 x 75mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall rating | 56 | 64 |
DXO Color Depth rating | 21.6 | 22.5 |
DXO Dynamic range rating | 10.5 | 11.4 |
DXO Low light rating | 571 | 538 |
Other | ||
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | Compact Flash (Type I or II), xD Picture Card | Compact Flash |
Storage slots | Single | Single |
Retail pricing | $670 | $0 |