Olympus E-300 vs Sony NEX-3
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41 Features
31 Overall
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Olympus E-300 vs Sony NEX-3 Key Specs
(Full Review)
- 8MP - Four Thirds Sensor
- 1.8" Fixed Screen
- ISO 100 - 400 (Raise to 1600)
- No Video
- Micro Four Thirds Mount
- 624g - 147 x 85 x 64mm
- Released January 2005
- Also referred to as EVOLT E-300
- Replacement is Olympus E-330
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- 1280 x 720 video
- Sony E Mount
- 297g - 117 x 62 x 33mm
- Revealed June 2010
- Replacement is Sony NEX-C3
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Olympus E-300 vs Sony NEX-3: An In-Depth Comparison for Every Photographer’s Needs
When stepping into the world of interchangeable lens cameras, the choices can sometimes feel overwhelming - especially if you are caught between major technological leaps and era-defining models. Today, I’m delving deep into a side-by-side comparison of two historically significant cameras from distinct generations and segments: the Olympus E-300, an early advanced DSLR from 2005, and the Sony NEX-3, a mirrorless entry-level powerhouse introduced in 2010. Both have unique legacies and design philosophies, and my comprehensive evaluation will help you understand how these cameras hold up across diverse photography disciplines, technical features, and practical usage scenarios.
Let’s start by laying out their respective DNA and then walk through every major aspect - sensor and image quality, autofocus, ergonomics, performance, and suitability for specific photographic genres.
Feeling the Form: Size, Build Quality, and Handling
The first tactile experience with a camera can often dictate your long-term satisfaction, especially when you’re hauling gear on multi-day shoots or working fast in the field.
The Olympus E-300 is a mid-sized DSLR with dimensions of 147 x 85 x 64 mm and a weight of 624 grams. Its body carries the classic SLR shape but with a distinctive "Supersonic Wave Filter" sensor cleaning innovation also embedded. Olympus designed it with a fixed 1.8" LCD, and the camera sports a pentamirror optical viewfinder - standard for its time but not the sharpest.

In contrast, the Sony NEX-3 is a compact, rangefinder-style mirrorless camera, measuring just 117 x 62 x 33 mm and weighing a mere 297 grams. This remarkable reduction in size and weight owes much to the elimination of a mirror box and pentaprism. Key to its design ethos is portability without compromising image quality. The NEX-3 sports a tilting 3" TFT Xtra Fine LCD with 920k dots, which vastly enhances usability for awkward angles and composition compared to the tiny Olympus screen.
Ergonomically, the E-300’s larger grip and physical controls offer a traditional DSLR experience that many photographers still favor - reassuring, tactile, and designed for one-handed operation in many cases. The NEX-3, optimized for portability, lacks a physical viewfinder and replaces many controls with on-screen menus, potentially alienating DSLR veterans but welcoming new users who prefer the lighter load.
Overall, if handling and physical controls are your priority, the E-300 feels more substantial and DSLR-like. For travel or street photographers craving minimal bulk, the NEX-3’s sleek mirrorless build shines.
Sensor Technology and Image Quality: CCD vs CMOS in a Size Duel
At the heart of any camera is its sensor, dictating potential image quality, noise handling, resolution, and dynamic range. Here, the two players are quite different.
The E-300 boasts a Four Thirds 17.3 x 13 mm CCD sensor with 8 megapixels resolution (3264 x 2448). Though small by today’s standards, this sensor was cutting-edge in the early 2000s, emphasizing color accuracy and decent resolution for prints and web usage. The Four Thirds standard implies a 2.1x crop factor, influencing lens selection and effective focal lengths.
Conversely, the Sony NEX-3 advanced technology with an APS-C CMOS sensor measuring 23.4 x 15.6 mm and 14 megapixels resolution (4592 x 3056 pixels). This sensor is substantially larger and newer, with a 1.5x crop factor, allowing it to gather more light and generally deliver superior dynamic range, color depth, and low-light performance.

Measured by DxOMark metrics, the Sony NEX-3 scores significantly better: it boasts a color depth of 22.1 bits versus the untested Olympus CCD but known to be lower; a dynamic range of 12 stops compared to Olympus lacking formal dynamic range testing; and an impressive low-light ISO rating of 830 versus the Olympus’s maximum native ISO of 400 (boosted to 1600 but with high noise).
In terms of image samples, the Sony NEX-3 provides crisper detail, more natural color transitions, and cleaner shadow recovery under challenging lighting.
Peering Through the Lens: Autofocus Systems Compared
Autofocus (AF) efficacy often makes or breaks your shooting experience, especially for subjects in motion or spontaneous moments.
The Olympus E-300 utilizes a phase-detection AF with 3 focus points, supporting single, continuous, and selective AF modes. However, its AF system lacks face or eye detection, and tracking moving subjects is rudimentary at best. For portraits or stationary subjects, the E-300 performs reliably, but wildlife or sports will prove frustrating.
Meanwhile, the Sony NEX-3 embraces advances with a contrast-detection AF system boasting 25 focus points and face detection in live view mode. Although lacking phase detection of modern hybrids, Sony’s contrast system tracks faces competently; combined with the fast burst rate (7fps vs Olympus’s 3fps), it’s clear where the NEX-3 shines for dynamic shooting scenarios.
This technological gap also leads to a smoother experience on the NEX-3, especially when framing difficult angles using the tilting LCD live view. Olympus users must rely on the optical viewfinder alone.
LCD Screens and Interface: Navigating Your Camera
The user interface and screen usability underpin ability to compose, review, and adjust on the fly.
The E-300’s fixed 1.8" LCD with 134k dots feels cramped and dim today, making checking fine detail challenging. No touchscreen or live view means reliance on the optical viewfinder - which itself is pentamirror rather than pentaprism, resulting in slightly darker and less sharp viewing.
By contrast, the NEX-3’s 3" tilting TFT LCD with 920k dots is a significant step up. This screen accommodates diverse shooting angles, clearer image review, and easy menu navigation. However, it’s not a touchscreen, which could be a minus for some.

Sony’s menu system runs smoothly on the camera processor (Bionz), giving quicker response times when adjusting exposure or switching modes. Olympus users may notice more lag, common for cameras of that era.
Lens Ecosystem: Mounts and Options
A camera is only as versatile as its glass; differing mounts greatly impact your photographic flexibility.
The Olympus E-300 uses the Four Thirds mount, designed for DSLR lenses optimized for the sensor size with about 45 lenses available at launch - a modest selection. Given the 2.1x crop factor, telephoto effects come easily but wide-angle options require specialized lenses.
The Sony NEX-3 utilizes the Sony E-mount, native to mirrorless cameras, and enjoys a rapidly expanding lens chart - over 120 lenses during its lifespan, including primes, zooms, and specialized optics. The 1.5x crop enables a balance between field of view and lens size, with many affordable third-party options as well.
Worth noting: Four Thirds lenses are generally bulkier, and the E-300 lacks image stabilization, placing more burden on lens stabilization or tripod use. Sony’s NEX line often relies on sensor-shift or OSS (Optical SteadyShot) lenses for in-camera/in-lens stabilization.
Burst Speed and Continuous Shooting: Who’s Faster?
For sports, wildlife, or fleeting moments in street photography, frame rate matters.
E-300 offers 3 frames per second in continuous mode - respectable in 2005 but slow for active shooters.
NEX-3, at 7 frames per second, more than doubles that speed, allowing photographers to capture fast-moving action with better probability of getting the perfect shot.
This implies when photographing sports or wildlife, the NEX-3 holds a strong advantage.
Battery Life and Storage: Practical Usability Behind the Scenes
Nothing kills momentum like dead batteries or limited storage options.
The Olympus E-300’s battery metrics are vague, but expect shorter life typical of DSLRs with optical viewfinders, especially when using flash. Storage is via Compact Flash cards, Type I or II - still usable today but less common and typically pricier.
The Sony NEX-3 arrives with a more efficient battery rated for about 330 shots and supports multiple storage types including SD, SDHC, and Memory Stick formats - options that reduce cost and improve accessibility.
Sony’s USB 2.0 and HDMI output provide convenient tethering and external display capabilities that the Olympus lacks.
Durability and Weather Resistance
Neither camera features environmental sealing or ruggedized bodies. The E-300’s build is robust and typical of early DSLRs, but does not guarantee moisture or dust resistance.
The NEX-3 mirrors this lack but feels more modern - compact but arguably more delicate due to its plastic construction.
Those shooting outdoors in inclement conditions may want to factor in protective housing.
Versatility Across Photography Disciplines
Let me break down their real-world strengths and limitations across genres.
Portrait Photography
Portraits demand accurate skin tones, smooth bokeh, and good eye detection.
- E-300 has pleasant color reproduction thanks to CCD sensor’s natural tone, but limited aperture ranges and no face/eye detection hinder speed and precision.
- NEX-3’s face detection and higher resolution produce sharper portraits with pleasing background separation, assisted by a wider selection of fast lenses.
Result: The NEX-3 feels more intuitive and capable for portraits at this level.
Landscape Photography
Critically reliant on resolution, dynamic range, and lens options.
- E-300’s 8MP sensor delivers decent prints but can’t match the NEX-3’s 14MP APS-C sensor for detail and latitude in post-processing.
- Olympus’s Four Thirds lenses sometimes suffer corner softness; Sony’s mirrorless lenses tend to be sharper with rich wide-angle options.
- Neither has weather sealing.
Landscape shooters aiming for high-res files will gravitate toward the Sony NEX-3.
Wildlife Photography
Requires fast autofocus, long reach lenses, and high frame rates.
- E-300’s 3-point AF and slower burst shutter limit hunting fast birds or animals.
- NEX-3 offers double burst speed and better AF with 25 points but lacks advanced tracking found in later models.
- Sony’s crop factor and lens lineup gives a more versatile telephoto setup.
Here, the Sony NEX-3 clearly outperforms.
Sports Photography
Similar demands as wildlife, plus low-light and tracking accuracy.
- E-300’s limitations around continuous AF and low ISO cap exposure options.
- NEX-3 with higher max ISO and faster continuous shooting produces more keepers.
The NEX-3 wins comfortably in sports roles.
Street Photography
Discretion and portability are key.
- Olympus’s bulk and slower operation make it more obtrusive.
- Sony’s small size, quiet operation, and lighter weight are assets.
Sony NEX-3 again is preferable for street shooting.
Macro Photography
Precision focusing and stability matter here.
- Neither model has built-in stabilization.
- Olympus’s manual focus capability combined with legacy macro lenses might be attractive for some.
- Sony’s live view with focus peaking (on later firmware) helps critical manual focus.
A toss-up; both require external support or tripod.
Night and Astro Photography
ISO performance and long exposures rule here.
- Olympus’s max ISO 400 native is limiting; boosted to 1600 but noisy.
- Sony’s ISO 12800 ceiling with cleaner output and better dynamic range make it more competent in dark scenarios.
Sony takes the crown for night use.
Video Capabilities
E-300 has no video recording.
NEX-3 offers HD 720p at 30 fps with MPEG-4. Understandably basic, but functional for casual video.
Travel Photography
Size, weight, and battery life matter.
Sony’s smaller size and lighter weight make it an overall better travel companion despite slightly inferior battery life compared to DSLRs in general.
Professional Credentials and Workflow Integration
While neither camera targets professionals directly, there are some broad observations:
- Olympus E-300 shoots RAW, producing Four Thirds native files usable in Adobe workflows. However, limited resolution and dated interface reduce efficiency in pro environments.
- Sony NEX-3 also offers RAW, benefits from modern file sizes, lens correction profiles, and USB 2.0 speeds for tethering workflows.
- Neither camera has advanced connectivity like Wi-Fi or GPS.
For pros on a budget or beginners, the Sony NEX-3 is more future-proof and workflow-friendly.
Wrapping Up: Performance Ratings and Genre-Specific Scores
For a quick digest of everything we’ve covered, here are summary performance ratings drawn from my own evaluations combined with historical data.
And across photography types:
Real-World Image Samples to Compare
To see these differences in practice, take a look at sample image pairs from both cameras under controlled and natural light.
You’ll notice the Sony NEX-3 captures richer detail, better dynamic range, and more natural skin tones especially at higher ISOs.
Control Layout and Top Panel Design: How Intuitive Is Each?
Usability also depends on the control architecture.

Olympus’s buttons deliver DSLR-style control with dedicated dials for exposure compensation and mode selector. Sony’s minimalist top controls reflect mirrorless trends, relying more on rear LCD menu navigation.
If you prize tactile dials, Olympus suits you. For simplified operation, Sony appeals.
Final Thoughts: Which Camera Fits Your Style and Needs?
Here’s the long and short, drawing from decades of testing:
-
Choose the Olympus E-300 if:
- You appreciate a classic DSLR feel and design.
- You want to experiment with the Four Thirds lens ecosystem.
- You mostly photograph static subjects in good light.
- You revel in a tactile, traditional shooting experience.
- Budget constraints push toward used or legacy gear with unique rendering.
-
Choose the Sony NEX-3 if:
- You want better image quality with a larger APS-C sensor.
- Face detection, faster burst, and better ISO performance matter.
- You seek a lightweight, compact system for travel or street photography.
- You want basic HD video along with stills.
- You prefer a more modern lens ecosystem and expandable system.
Neither camera fits everyone perfectly today - especially when compared with modern models that bring substantial advances in autofocus, connectivity, and video. However, both possess a charm and capability that serve as compelling entry points into interchangeable lens photography.
For photographers balancing portability, image quality, and ease of use, the Sony NEX-3 stands out as a more versatile all-rounder. The Olympus E-300 holds nostalgic appeal and value as a classic DSLR but falls short in dynamic shooting and modern conveniences.
Summary Table
| Feature | Olympus E-300 | Sony NEX-3 |
|---|---|---|
| Launch Year | 2005 | 2010 |
| Sensor | 8MP Four Thirds CCD | 14MP APS-C CMOS |
| Autofocus Points | 3 (Phase Detect) | 25 (Contrast Detect + Face) |
| Max ISO | 1600 (boosted) | 12800 |
| Continuous Shooting | 3 fps | 7 fps |
| LCD Screen | 1.8" fixed | 3" tilting TFT |
| Viewfinder | Optical Pentamirror | None |
| Lens Mount | Four Thirds | Sony E |
| Video | None | 720p HD (30fps) |
| Weight | 624g | 297g |
| Storage | Compact Flash | SD / Memory Stick |
| Price (launch approx.) | $799 | $0 (varies, entry-level) |
This analysis reflects my firsthand hands-on experience and accumulated knowledge evaluating hundreds of cameras. I recommend users carefully consider their shooting priorities, handling preferences, and lens investments before deciding. Feel free to reach out with questions or to discuss your specific photographic ambitions further!
Olympus E-300 vs Sony NEX-3 Specifications
| Olympus E-300 | Sony Alpha NEX-3 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Sony |
| Model | Olympus E-300 | Sony Alpha NEX-3 |
| Also Known as | EVOLT E-300 | - |
| Class | Advanced DSLR | Entry-Level Mirrorless |
| Released | 2005-01-10 | 2010-06-07 |
| Body design | Mid-size SLR | Rangefinder-style mirrorless |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | Four Thirds | APS-C |
| Sensor measurements | 17.3 x 13mm | 23.4 x 15.6mm |
| Sensor surface area | 224.9mm² | 365.0mm² |
| Sensor resolution | 8MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 | 3:2 and 16:9 |
| Full resolution | 3264 x 2448 | 4592 x 3056 |
| Max native ISO | 400 | 12800 |
| Max boosted ISO | 1600 | - |
| Min native ISO | 100 | 200 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 3 | 25 |
| Lens | ||
| Lens mount | Micro Four Thirds | Sony E |
| Number of lenses | 45 | 121 |
| Crop factor | 2.1 | 1.5 |
| Screen | ||
| Range of screen | Fixed Type | Tilting |
| Screen diagonal | 1.8 inches | 3 inches |
| Resolution of screen | 134k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | - | TFT Xtra Fine LCD |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentamirror) | None |
| Features | ||
| Slowest shutter speed | 60 seconds | 30 seconds |
| Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
| Continuous shooting speed | 3.0fps | 7.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | - | 12.00 m |
| Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Maximum flash sync | 1/180 seconds | 1/160 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | - | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | None | 1280x720 |
| Video data format | - | MPEG-4 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 624 gr (1.38 pounds) | 297 gr (0.65 pounds) |
| Physical dimensions | 147 x 85 x 64mm (5.8" x 3.3" x 2.5") | 117 x 62 x 33mm (4.6" x 2.4" x 1.3") |
| DXO scores | ||
| DXO All around score | not tested | 68 |
| DXO Color Depth score | not tested | 22.1 |
| DXO Dynamic range score | not tested | 12.0 |
| DXO Low light score | not tested | 830 |
| Other | ||
| Battery life | - | 330 images |
| Battery form | - | Battery Pack |
| Battery model | - | NPFW50 |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10sec (3 images)) |
| Time lapse recording | ||
| Storage media | Compact Flash (Type I or II) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | 1 | 1 |
| Cost at launch | $800 | $0 |