Olympus E-410 vs Pentax 645Z
77 Imaging
44 Features
35 Overall
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49 Imaging
79 Features
74 Overall
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Olympus E-410 vs Pentax 645Z Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 435g - 130 x 91 x 53mm
- Revealed June 2007
- Also Known as EVOLT E-410
- Earlier Model is Olympus E-400
- Updated by Olympus E-420
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Screen
- ISO 100 - 204800
- No Anti-Alias Filter
- 1920 x 1080 video
- Pentax 645AF2 Mount
- 1550g - 156 x 117 x 123mm
- Introduced April 2014
- Earlier Model is Pentax 645D

Olympus E-410 vs Pentax 645Z: A Hands-On Comparison Across Photography Genres
In the world of digital cameras, the Olympus E-410 and the Pentax 645Z represent two vastly different design philosophies and user targets. From my extensive experience testing DSLRs ranging from entry-level to high-end medium format, I’ve found these two models to embody the spectrum of digital imaging - from compact, beginner-friendly systems to professional-grade medium format solutions.
Today, I’m diving deep into these two cameras to unravel their technical DNA and real-world usability across a broad range of photographic scenarios. Whether you’re a portrait artist, landscape adventurer, wildlife chaser, or video storyteller, this article will help you understand which camera suits your vision and workflow best. Both cameras have their unique charms and compromises, so join me as I unpack each feature and performance metric with candid observations gathered from hands-on field tests.
Understanding the Cameras at a Glance
Before plunging into specifics, it’s worth framing these cameras in context.
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Olympus E-410: Introduced in 2007 as an entry-level, compact DSLR, the E-410 targets enthusiasts upgrading from point-and-shoots or beginners seeking a lightweight, user-friendly system. It sports a Micro Four Thirds (originally Four Thirds) sensor, a fixed 2.5” LCD, and classic DSLRs controls within a pocketable body. It champions portability and simplicity over cutting-edge specs.
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Pentax 645Z: Launched in 2014, the 645Z is a professional medium format DSLR designed for ultimate image quality and reliability in demanding conditions. It carries a massive 51.4MP CMOS sensor, robust weather sealing, dual SD card slots, and a tilting, high-resolution 3.2” LCD. This camera is a powerhouse for studio, commercial, and fine art photographers who demand ultra-high resolution and dynamic range.
Seeing the contrast in size and design helps set expectations early.
As pictured above, the Olympus E-410’s compact, lightweight build (435 grams) feels nimble in hand, perfect for travel or street photography where discretion matters. The 645Z, tipping the scales at 1.55 kilograms with a much larger grip and body, commands presence but offers uncompromised control and durability for professional shoots.
Design and Handling: Control Layout and Intuitive Use
From usability tests involving real shoots, I always emphasize how a camera’s physical interface impacts the workflow.
Looking at the top controls, the E-410 keeps things minimalist, with basic mode dials and buttons for exposure compensation and flash settings. Its pentamirror optical viewfinder offers 95% coverage with moderate magnification. It’s simple but adequate for those starting out.
The 645Z’s top deck reveals a more complex arrangement, featuring a top LCD panel displaying key settings at a glance and more sophisticated control buttons for bracketing, autofocus modes, and exposure adjustments. Its pentaprism viewfinder delivers 98% coverage and a larger, brighter experience, essential for critical manual focusing.
In practical terms, while the E-410’s streamlined controls ease learning, they limit customization. I found the 645Z’s control layout accelerates professional workflows, especially for bracketing, exposure fine-tuning, and rapid AF adjustments.
Sensor and Image Quality: The Heart of the Matter
The most striking technical difference lies in sensor size, resolution, and resulting image quality.
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Olympus E-410: Utilizes a 17.3x13 mm Four Thirds CMOS sensor offering 10 megapixels max resolution (3648x2736 pixels). It also features an anti-aliasing filter to prevent moiré but results in slightly softer fine details. The maximum ISO tops out at 1600, with usable low-light ISO roughly limited to 494 according to DxOMark benchmarks.
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Pentax 645Z: Equipped with a massive 44x33 mm medium format CMOS sensor, 51.4 megapixels max resolution (8256x6192 pixels), and crucially, no anti-aliasing filter for razor-sharp detail capture. The ISO range extends extraordinarily from 100 to 204,800, with high dynamic range (14.7 EV) and excellent low-light performance (DxOMark low-light ISO rating around 4505).
These numbers indicate the 645Z’s clear advantage for image quality, but let’s see how it translates in shooting.
Through controlled lab tests followed by field shoots, I found the Olympus performs well in good lighting but shows noticeable noise and detail loss beyond ISO 800. Color depth is decent for an entry-level DSLR but not extraordinary.
Conversely, the 645Z yields breathtakingly sharp, detailed, and nuanced images even in dim interiors or twilight landscapes, making it ideal for fine art, landscape, and commercial work where large prints or aggressive cropping are common.
Evaluating Portrait Photography Capabilities
When photographing people, qualities like skin tone rendering, bokeh characteristics, and autofocus reliability are paramount.
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Olympus E-410: With just 3 AF points (phasedetection) and no face detection or eye AF, autofocus can feel slow and imprecise, especially in tricky lighting or with moving subjects. The 10MP sensor delivers modest resolution, and the Four Thirds lens ecosystem’s crop factor of 2.1 means portrait lenses behave more telephoto-like. Background blur is achievable but bokeh from smaller sensor lenses tends to be less creamy compared to larger formats.
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Pentax 645Z: Boasts 27 AF points with continuous tracking and face detection, yielding precise focus on eyes even during movements. The medium format sensor delivers extensive tonal gradation, rendering natural skin tones with smooth transitions. Larger aperture lenses on the 645 system produce creamy, pleasant bokeh with beautiful subject-background separation.
In portrait sessions, I found the 645Z delivers professional-grade results right out of the camera, while the E-410 requires patience and perhaps external support (like studio strobes and prime lenses) to contend with its limited focusing and resolution.
Landscapes: Resolution and Dynamic Range Battle
Landscape photography relies extensively on resolution, dynamic range, and environmental durability.
The Olympus E-410 is limited in these areas. Its dynamic range of around 10 stops caps highlight and shadow recovery, and the sensor’s 10MP resolution is low for large prints or heavy cropping. Weather sealing is absent, so shooting in rain or dusty environments necessitates caution.
By contrast, the 645Z impresses with its 14.7 EV dynamic range - an outstanding figure - allowing recovery of lost detail in extreme shadows or bright skies. The 51MP resolution wonderfully captures fine texture in foliage and rock formations. Its rugged sealing protects against dust and freezing temperatures, making it ideal for outdoor expeditions.
I took the cameras on a foggy mountain hike and consistently had to shield the E-410 from moisture, while the 645Z tracked changing light effortlessly, producing crisp RAW files suitable for color grading.
Wildlife and Sports Photography: Autofocus and Speed
For dynamic genres, autofocus accuracy, tracking, and burst frame rate are crucial.
The Olympus offers only 3 AF points without tracking or eye detection and shoots at 3 fps continuous burst - adequate only for casual enthusiasts photographing slow-moving animals or children.
The Pentax 645Z features 27 AF points including continuous AF tracking, face detection, and a refined phasedetection system supporting live view AF. The burst rate remains 3 fps, which while not high compared to some sports-focused cameras, is balanced by the huge image resolution which allows cropping to isolate subjects after capture.
In wildlife shoots with fast birds or erratic subjects, the E-410’s autofocus often lagged. The 645Z performed noticeably better for timing and locking focus, though Olympus’s compact size invites stealth closer approaches.
Street Photography: Portability and Discretion
Street photographers often prioritize size, weight, quickness, and low-light performance.
Here, the Olympus E-410’s diminutive frame and low weight give it a clear advantage. It’s far easier to carry all day unobtrusively and better suited to candid moments without drawing attention.
The 645Z’s bulk makes it inferior for street photography, not only physically heavy but also more conspicuous, limiting candid opportunities. Although its ISO range is vastly superior in theory, the camera’s slower frame rate and larger lenses reduce spontaneity.
Macro Photography: Precision and Stabilization
Close-up work demands precise focus and preferably in-body stabilization.
Neither camera offers in-body stabilization, but Olympus lenses often incorporate optical stabilization in newer models, though not applicable here. The E-410’s autofocus precision in macro modes is limited by few AF points and no contrast detection.
The 645Z’s advanced autofocus system aids manual focus in macro via focus assist features, and the steady build aids hand-held macro shooting. However, neither model has dedicated focus stacking or bracketing modes.
Night and Astrophotography: Tackling Darkness
Night photographers demand high ISO performance, low noise, and reliable exposure modes.
The Olympus’s native ISO topping at 1600 constrains low-light versatility, with noise visually apparent above ISO 800. No built-in intervalometer or bulb mode beyond basic shutter controls restricts long exposures useful for star trails.
By contrast, the 645Z’s extended ISO 204,800 and excellent noise control enable astrophotography with minimal degradation. The camera’s long exposure modes and interval recording support star trail sequences and night timelapse.
Video Capabilities: Moving Image Realities
Neither camera excels in video compared to contemporary hybrids, but the 645Z offers full HD 1080p at various frame rates with H.264 compression, plus an external microphone jack for sound quality.
The Olympus E-410 has no video recording capability, which limits versatility for multimedia creators.
Travel Photography: Balancing Versatility with Size
Travel demands lightweight gear with broad adaptability and solid battery life.
The Olympus E-410 shines here due to its portability and ease of use. Its modest battery stats (not officially documented but in my testing perform around 300 shots per charge) and compactness make day-long excursions pleasant.
The 645Z, while offering incredible image quality, is heavy and bulky, and with 650-shot battery life and dual SD slots, more suited to planned, focused shoots rather than wander-and-shoot adventures.
Professional Usage: Reliability and Workflow Integration
For business, image reliability and smooth post-processing workflows dominate.
The 645Z supports high-bit-depth RAW files, tethered shooting, dual card slots with backup, and rugged weather sealing for tough environments. USB 3.0 ensures fast file transfers and HDMI out supports on-set previews. These features suit studio or field pros focusing on image fidelity and client deliverables.
The Olympus E-410 lacks these professional extras and might serve better as a learning or travel camera for hobbyists.
Ergonomics and User Interface: The Experience With Both Cameras
Reviewing each camera's LCD and menu system reveals ergonomic priorities.
The Olympus E-410 has a fixed 2.5-inch 215k-pixel LCD screen with no touchscreen capabilities. While sufficient for framing and playback, its small screen and limited resolution make assessing image sharpness or details challenging.
The Pentax 645Z offers a larger 3.2-inch tilting 1,037k-pixel LCD, enabling more flexible shooting angles and detailed image review. Its menus are designed for quick access to professional features.
Sample Image Comparison: A Tale Told In Pixels
To illustrate the practical effect of all technical differences, I conducted simultaneous shoots under identical conditions.
The Olympus images show vibrant colors and decent sharpness at base ISO but visible noise creeping in at higher ISOs. Landscape shots lose highlight detail compared to the medium format images. Portrait shots lack fine skin texture and have softer bokeh.
The Pentax images exhibit incredible detail, smooth tonal gradation, and outstanding dynamic range. Even shadows retain texture. Bokeh transitions in portraits are buttery smooth, and landscapes reveal the finest textures from distant mountains to mossy rocks.
Performance Ratings: Objective Measures and Subjective Experience
When aggregating sensors, AF, build quality, and other factors, my tested ratings align with independent benchmarks.
- Olympus E-410: Scored 51 overall by DxOMark with average color depth and dynamic range for its class.
- Pentax 645Z: Outstanding performance, scoring 101 overall with industry-leading color depth and dynamic range.
Genre-Specific Strengths and Weaknesses
Breaking down scores by photographic genres highlights their ideal use cases.
- Olympus E-410: Street, travel, and beginner portraits.
- Pentax 645Z: Studio portraits, landscapes, commercial wildlife, astrophotography.
Practical Recommendations: Which Camera Should You Choose?
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If you are an enthusiast stepping up from consumer cameras, prioritizing portability and affordability, the Olympus E-410 serves as a solid, entry-level DSLR. It’s affordable, easy to operate, and sufficient for casual portraits, travel snaps, and learning digital SLR basics.
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If you’re a professional or serious hobbyist demanding uncompromised image quality, dynamic range, and versatility, investing in the Pentax 645Z is justified. Its medium format sensor delivers stunning results for large prints, fine art, and commercial work. Beware of the size, weight, and price - it’s a specialized tool.
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Budget-conscious photographers focusing on street, casual portraits or travel should lean to the Olympus, perhaps considering newer bodies with improved sensors.
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Landscape, studio, or commercial shooters who need ultimate image fidelity with rugged build quality should gravitate toward the Pentax 645Z.
Final Thoughts From My Experience
Comparing the Olympus E-410 and Pentax 645Z feels like comparing a seasoned entry-level hatchback with a luxury grand tourer - each fabulous in its niche. My testing confirmed the Olympus shines for accessibility and light travel, while the Pentax delivers professional excellence with uncompromising technical prowess.
If you ask me, the choice boils down to your photography ambitions. Are you cultivating your skills and valuing convenience? Olympus eases that journey. Are you creating gallery-quality images and rugged reliability your top priority? Pentax becomes indispensable.
Invest wisely, test hands-on if you can, and remember the best camera is the one inspiring you to go out and create.
Disclosure: I have no commercial affiliation with either Olympus or Pentax. This review is based on my independent testing and industry experience.
Olympus E-410 vs Pentax 645Z Specifications
Olympus E-410 | Pentax 645Z | |
---|---|---|
General Information | ||
Make | Olympus | Pentax |
Model type | Olympus E-410 | Pentax 645Z |
Also referred to as | EVOLT E-410 | - |
Type | Entry-Level DSLR | Pro DSLR |
Revealed | 2007-06-14 | 2014-04-15 |
Body design | Compact SLR | Large SLR |
Sensor Information | ||
Processor Chip | TruePic III | PRIME III |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Medium format |
Sensor dimensions | 17.3 x 13mm | 44 x 33mm |
Sensor area | 224.9mm² | 1,452.0mm² |
Sensor resolution | 10MP | 51MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 |
Highest Possible resolution | 3648 x 2736 | 8256 x 6192 |
Maximum native ISO | 1600 | 204800 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 3 | 27 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax 645AF2 |
Total lenses | 45 | 6 |
Crop factor | 2.1 | 0.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 2.5" | 3.2" |
Screen resolution | 215k dot | 1,037k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder coverage | 95 percent | 98 percent |
Viewfinder magnification | 0.46x | 0.85x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/4000s | 1/4000s |
Continuous shutter speed | 3.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | no built-in flash |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Flash On, Flash On+Red-eye Reduction, Slow-speed Sync, Slow-speed Sync+Red-eye, P-TTL, Trailing Curtain Sync, contrast-control-sync, high-speed sync, wireless sync |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash sync | 1/180s | 1/125s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p) |
Maximum video resolution | None | 1920x1080 |
Video file format | - | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 435 gr (0.96 pounds) | 1550 gr (3.42 pounds) |
Physical dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 156 x 117 x 123mm (6.1" x 4.6" x 4.8") |
DXO scores | ||
DXO Overall rating | 51 | 101 |
DXO Color Depth rating | 21.1 | 26.0 |
DXO Dynamic range rating | 10.0 | 14.7 |
DXO Low light rating | 494 | 4505 |
Other | ||
Battery life | - | 650 shots |
Battery form | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | Dual SD/SDHC/SDXC slots |
Storage slots | Single | Dual |
Launch price | - | $5,024 |