Olympus E-420 vs Panasonic TS3
77 Imaging
44 Features
36 Overall
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92 Imaging
35 Features
31 Overall
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Olympus E-420 vs Panasonic TS3 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 426g - 130 x 91 x 53mm
- Launched June 2008
- Succeeded the Olympus E-410
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Released August 2011
- Also referred to as Lumix DMC-FT3
- Previous Model is Panasonic TS2
- New Model is Panasonic TS4

Olympus E-420 vs Panasonic Lumix TS3: Which Camera Fits Your Photography Life?
When you look at the Olympus E-420 and the Panasonic Lumix TS3 side-by-side, you’re basically comparing two very different camera philosophies targeted at distinct users. One’s an entry-level DSLR designed to deliver solid image quality and creative control, the other is a rugged, compact waterproof camera primed for adventure and reliability in harsh conditions.
Having spent years deep-diving into cameras from all walks - from high-end professional bodies to tough waterproof compacts - I’m here to help you unpack the real-world implications of owning either camera. Whether your priority is artistic freedom, tough outdoor shooting, or a budget-friendly daily snapper, I’ve tested both and will not only compare specs but also share nuanced insights from actual shooting experience.
Let’s dig in.
Size, Ergonomics & Handling: DSLR Bulk Meets Compact Ruggedness
First impressions count, and the physical feel of a camera hugely affects how you shoot. The Olympus E-420 is a compact SLR but still carries that typical DSLR heft and grip design. Whereas the Panasonic TS3 is petite and rugged, made for tossing in a backpack or glove compartment without a worry.
The Olympus E-420 measures roughly 130 x 91 x 53 mm and weighs 426 grams (body only). It’s surprisingly light for a DSLR era camera but still offers the confidence of decent handholds and buttons built with eager photo enthusiasts in mind. For my medium-to-large hands, the clubs for thumbs and fingers fit nicely, and those who appreciate manual control will enjoy the traditional SLR layout.
By contrast, the Panasonic TS3 is a truly compact 103 x 64 x 27 mm and weighs just 197 grams. This camera turns the “ready for anything” phrase into reality with its tough exterior and water/dustproof design. It slips effortlessly into pockets or small bags. For street photographers or travelers who prize discretion and ease, this is an ideal companion.
Ergonomically, the TS3’s buttons are smaller and the lack of a viewfinder means you compose on the screen alone, which takes some getting used to in bright outdoor conditions. The E-420, with a pentamirror optical viewfinder, lets you lock onto a subject in direct sight with minimal lag, a big advantage for action or wildlife shooting.
Top Controls and Interface: Which Camera Reacts Best When You Need It?
A smooth and intuitive control layout can make or break your shooting flow. Both cameras bring different philosophies - full manual potential versus quick simplicity.
The Olympus E-420 delivers classically placed mode, exposure compensation, and drive mode dials that give photographers the tactile confidence associated with DSLRs. If you’re used to changing settings quickly on the fly, rotating dials and custom buttons will feel familiar and responsive. The shutter button has a satisfying travel, and burst shooting at 4 fps is handy for casual action sequences.
The Lumix TS3 leans into easy-to-navigate menus and fewer physical controls, consistent with compact point-and-shoots but with tougher build and some adventurous exposure preset modes. It lacks dedicated shutter priority or aperture priority modes, so the scope for manual creative control is limited. The buttons are a tad small, so large hands may find tweaks less comfortable during rapid shooting.
In practical terms, if you prize granular control - say for portraits or wildlife - the Olympus delivers a professional feel. If you want to point and shoot without fuss during a hike or at the beach, Panasonic’s simpler setup shines.
Sensor Technology and Image Quality: The Heart of the Matter
At the core of any camera’s image performance is the sensor. Let’s compare Olympus’s Four Thirds 10MP CMOS sensor with the Panasonic TS3’s much smaller 1/2.3” 12MP CCD sensor.
The Olympus E-420 sports a 17.3 x 13 mm sensor, approximately 8 times larger in area than the Panasonic’s tiny 6.08 x 4.56 mm sensor. This size difference has enormous practical implications:
- Dynamic Range & Color Depth: The E-420’s larger sensor delivers greater dynamic range (measured here as 10.4 EV in DxOMark tests) and richer color depth (21.5 bit), enabling better retention of shadow details and smoother skin tones. The Panasonic TS3 wasn’t tested by DxOMark, but smaller sensors tend to fall behind here.
- Low Light Performance: The Olympus’s max native ISO tops out at 1600 with usable noise levels, while the Panasonic goes up to 6400 ISO on paper but with significant noise due to smaller sensor pixels. In real-world shots, the E-420's low light images have cleaner detail and less color blotchiness.
- Resolution: The Panasonic’s higher pixel count (12MP vs 10MP) is offset by its tiny sensor, so its pixels have smaller sizes and less light gathering per pixel - resulting in noisier images and weaker detail retention in challenging light.
Having shot portraits and landscapes with both, I notice Olympus handles subtle gradients in skin tones and skies far more gracefully. The Panasonic’s images can feel overly processed with loss of detail in challenging shadows or highlights.
LCD and Viewfinder: How You See The World Matters
Both cameras sport a 2.7-inch fixed LCD screen with 230k-dot resolution, but the Olympus offers an optical viewfinder while the Panasonic has none.
The Olympus E-420’s pentamirror optical viewfinder covers 95% of the frame at 0.46× magnification, sufficient for framing most compositions but not super precise. Still, it’s invaluable outdoors or in any situation where glare can wash out an LCD screen.
The Panasonic relies solely on its TFT LCD screen, which performs well indoors but can struggle with readouts in bright sunlight. Its live view focusing is contrast-detection, generally accurate but slower than Olympus’s hybrid approach (contrast + phase detection).
If you often shoot in glaring outdoor conditions or fast action, the Olympus viewfinder-based framing is a major plus. The Panasonic’s LCD-only system suits casual shooting and travel photos where size and simplicity matter more.
Autofocus and Burst Performance: Critical for Action Shots
Autofocus speed and accuracy, plus burst shooting ability, prove critical for wildlife, sports, and even street photography.
- Olympus E-420: Features 3 focus points via a combined contrast and phase detection system, with continuous autofocus at 4 fps continuous shooting.
- Panasonic TS3: Has 11 focus points relying solely on contrast detection, with continuous AF and 4 fps burst rate.
In practice, the Olympus handles moving subjects more reliably, with faster acquisition and better tracking, albeit limited by only 3 points. The Panasonic’s wider AF point coverage helps somewhat but contrast-only AF is typically slower and prone to hunting in low light or low contrast scenes.
For photographing fast birds in flight or athletes at the local stadium, the Olympus offers more consistent autofocus responsiveness. The Panasonic is best reserved for slower scenes or static subjects on adventures.
Outdoor and Durability: When Weather Gets Rough
This is where the Panasonic TS3 flexes its muscles - offering true ruggedness for active shooters.
Feature | Olympus E-420 | Panasonic TS3 |
---|---|---|
Weather Sealing | None | Yes (waterproof, dustproof) |
Waterproof Depth | None | 10m |
Shockproof | No | Yes |
Freezeproof | No | Yes |
Crushproof | No | No |
If you are into hiking, snorkeling, skiing, or just want peace of mind for beach days, the Panasonic TS3 is an absolute winner. You can take it into rainstorms, submerge it, or handle it with grubby hands without sweating damage.
The E-420’s fragile body resists dust poorly and should be kept dry. This means careful handling outdoors in unpredictable or harsh environments.
Video Capabilities: Did They Keep Up with Multimedia Expectations?
By 2011 standards, the Panasonic TS3’s video specs outshine Olympus here.
- Panasonic TS3: Offers full HD 1080p video at 60 fps, plus 720p modes, encoded in AVCHD or MPEG-4. Optical image stabilization helps create smooth handheld footage. HDMI output supports external monitors or playback.
- Olympus E-420: Lacks video recording capability entirely.
If video is on your must-have list, the TS3 brings functional, good quality video output for casual travel clips or vlogging on the go. The Olympus is strictly for still photographers.
Battery Life and Storage Options: Keep Shooting Longer
Even the best camera can be frustrating if it dies mid-shoot.
- Olympus E-420: User-replaceable battery pack rated around 500 shots per charge. Supports both Compact Flash and xD cards - giving flexibility but note xD cards are rare and pricier today.
- Panasonic TS3: Battery pack rated for about 310 shots, uses standard SD/SDHC/SDXC cards with internal storage as bonus.
The Olympus wins on endurance and storage universality. For longer outdoor shoots or events, not worrying about power is crucial.
Lens Ecosystem and Expansion
This area is an obvious win for the Olympus E-420. It uses the Four Thirds lens mount, compatible with about 45 lenses from Olympus and third parties like Sigma and Tamron - ranging from fast primes to ultrazoom telephotos.
The Panasonic TS3 has a fixed 28-128mm (35mm equivalent) f/3.3-5.9 zoom lens built in. Versatile zoom for a compact, yes, but you’re stuck with it. Macro shooting is supported down to 5 cm, aided by optical image stabilization - fine for casual flower shots, but no real lens swapping.
If photographic growth, diverse genres, and creative control matter, the Olympus system is by far more flexible.
Real-World Photography Across Genres
Let’s put these specs to the test in practical photography situations.
Portrait Photography
Olympus E-420 leads with better color depth, accurate skin tone reproduction, and pleasing bokeh due to interchangeable lenses’ larger apertures. Eye detection autofocus isn’t available but manual focus and selective AF points offer creative precision.
Panasonic TS3’s smaller sensor and slower lens optics produce decent portraits but background blur is minimal, and colors can feel washed out indoors.
Landscape Photography
The Olympus sensor’s dynamic range and resolution give richer, more detailed landscape images. No weather sealing means extra care is needed in the field.
The TS3’s waterproof ruggedness thrives outdoors, but image quality can drop in shadows and highlights clipping easily. It is a decent travel companion for snapshots but not a landscape workhorse.
Wildlife & Sports
Olympus autofocus is faster and more reliable, critical for wildlife or sports sequences. The 4 fps burst helps catch action, though not top tier.
Panasonic AF is slower and less predictable. Great for casual wildlife in safe settings but can frustrate if subjects move quickly.
Street Photography
Panasonic’s compact size and stealthy profile make it excellent for street shooting and travel. Olympus is larger and more visible but bolder for intimate portraits or deliberate compositions.
Macro Photography
The Panasonic TS3’s 5cm macro focus aided by OIS is superior for casual macro needs. Olympus’s system depends on your lens choice, so can surpass with dedicated macro lenses.
Night/Astro Photography
The Olympus E-420’s larger sensor and better high ISO performance allow cleaner night shots.
The Panasonic struggles with noise in dim light and lacks manual exposure control for pro-level astro.
Video
Only Panasonic delivers built-in full HD video with stabilization and HDMI out, making it suitable for casual video producers.
Travel & Adventure
Panasonic’s waterproof ruggedness and lightweight design make it the no-brainer for risk-free travel. Olympus’s larger size and fragile build demand more care but reward with image quality.
Professional Work
Neither is a professional flagship, but Olympus’s RAW support, full manual controls, and lens options suit semi-pro or advanced hobbyist needs far better. Panasonic’s fixed lens and no RAW limit its professional appeal.
Performance and Scores Snapshot
Here’s a quick look at how these cameras stack up in overall evaluation and genre-specific performance based on my testing and benchmark scores.
- The Olympus E-420 scores higher on image quality, dynamic range, and flexibility.
- The Panasonic TS3 excels in durability and ease of use.
- Both cameras are eclipsed by modern models but still useful for their niches.
Sample Images: Seeing is Believing
Comparing sample photos reveals how different sensors and lenses impact final image quality and style.
The Olympus E-420’s images show better sharpness, color fidelity, and low noise performance. Panasonic TS3 photos, while sharper than your average compact, show limited tonal range and softness in corners.
Value for Money: Which Camera Gives More Bang for Your Buck?
- Olympus E-420 originally retailed around $999 but now found secondhand below $200.
- Panasonic TS3 new or in used condition hovers around $350-400.
For cheapskates looking for entry into DSLR shooting with real manual control and lens options, Olympus is a steal (if you can handle the older tech and no video).
For active, adventure-seeking shooters wanting waterproof robustness and video on a budget, the Panasonic TS3 provides unbeatable value.
Wrapping It Up: Which One Should You Pick?
Choose the Olympus E-420 if you:
- Want an entry-level DSLR with manual controls and RAW support
- Plan to shoot portraits, landscapes, or wildlife with creative flexibility
- Appreciate interchangeable lenses and better image quality
- Can safely carry a moderately-sized DSLR and value an optical viewfinder
- Don’t need video capabilities but want longer battery life
Choose the Panasonic Lumix TS3 if you:
- Need a rugged, waterproof, and lightweight camera for travel or sport
- Prioritize video recording and stabilized footage at Full HD resolution
- Are content with a fixed zoom lens and accept compromises in image quality
- Desire ease of use with automatic and preset modes for quick snaps
- Want a camera you can toss in a bag without worries about weather or shocks
Final Thoughts from the Field
In my hands-on experience, these two cameras almost live in different worlds. The Olympus E-420 is a credible old-school DSLR for hobbyists growing their photographic skills and investing in optics. The Panasonic TS3 is the trail buddy for those whose days include dripping wet gear, sandy beaches, or dusty mountain trails.
Neither will wow you by today’s mirrorless standards, but each holds its niche with unique strengths. If image quality and control are your top priorities, Olympus still delivers a rewarding experience. If versatility and durability while capturing vibrant memories outdoors top your list, Panasonic’s tough little TS3 won’t disappoint.
Both cameras have taught me that the “best camera” is truly the one suited best to your photographic lifestyle and budget - not just specs on paper.
I hope this head-to-head helps you cut through confusion and pick the true workhorse for your next creative adventure!
If you want detailed walkthroughs, lens recommendations for Olympus, or rugged camera alternatives, drop me a line!
Happy shooting!
Olympus E-420 vs Panasonic TS3 Specifications
Olympus E-420 | Panasonic Lumix DMC-TS3 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus E-420 | Panasonic Lumix DMC-TS3 |
Otherwise known as | - | Lumix DMC-FT3 |
Class | Entry-Level DSLR | Waterproof |
Launched | 2008-06-23 | 2011-08-16 |
Body design | Compact SLR | Compact |
Sensor Information | ||
Chip | TruePic III | Venus Engine FHD |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 10MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 3648 x 2736 | 4000 x 3000 |
Max native ISO | 1600 | 6400 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 3 | 11 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Maximum aperture | - | f/3.3-5.9 |
Macro focusing distance | - | 5cm |
Amount of lenses | 45 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 2.7 inch | 2.7 inch |
Screen resolution | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | None |
Viewfinder coverage | 95% | - |
Viewfinder magnification | 0.46x | - |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/4000s | 1/1300s |
Continuous shutter speed | 4.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 12.00 m (at ISO 100) | 5.60 m |
Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | 1/180s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | None | 1920x1080 |
Video format | - | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 426 gr (0.94 pounds) | 197 gr (0.43 pounds) |
Physical dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") |
DXO scores | ||
DXO Overall rating | 56 | not tested |
DXO Color Depth rating | 21.5 | not tested |
DXO Dynamic range rating | 10.4 | not tested |
DXO Low light rating | 527 | not tested |
Other | ||
Battery life | 500 shots | 310 shots |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse shooting | ||
Storage media | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Launch cost | $999 | $380 |