Olympus E-5 vs Panasonic FH8
58 Imaging
47 Features
76 Overall
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96 Imaging
39 Features
32 Overall
36
Olympus E-5 vs Panasonic FH8 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1280 x 720 video
- Micro Four Thirds Mount
- 800g - 143 x 117 x 75mm
- Announced February 2011
- Replaced the Olympus E-3
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 123g - 96 x 57 x 19mm
- Launched January 2012

Olympus E-5 vs. Panasonic Lumix DMC-FH8: A Deep Dive into Two Worlds of Photography
In my 15+ years testing cameras, few comparisons highlight the vast spectrum of photographic tools like the Olympus E-5 DSLR and the Panasonic Lumix DMC-FH8 compact. Each represents a distinct philosophy in camera design and usage, appealing to different photographers. Over the next several thousand words, we'll unpack their strengths, weaknesses, and real-world performance across genres, technology, ergonomics, and value. This detailed exploration will help you choose the right camera tailored to your style, budget, and ambitions.
Handling the Giants and the Minis: Ergonomics and Design
Let’s start with the tactile experience - a critical factor many overlook until they shoot extensively. The Olympus E-5 is a decidedly mid-sized DSLR, crafted with weather-sealed magnesium alloy for durability and heft. The Panasonic FH8 is a small, pocketable enthusiast compact, weighing just 123 grams and housing a fixed lens.
In-hand, the Olympus feels substantial with pronounced grips and well-placed buttons, reinforcing confidence during long shoots or challenging conditions. Its dimensions of 143x117x75mm make it far from pocketable but comfortable for extended handling.
Contrast this with the FH8’s ultra-compact 96x57x19mm frame. It's the sort of camera you can effortlessly carry daily without noticing. But naturally, its small size means a compromise in control layout and physical buttons - most settings are menu-driven.
Moving to control ergonomics, the top view reveals Olympus’s dedicated dials for ISO, exposure compensation, drive modes, and custom function buttons - perfect for the photographer who demands quick, tactile adjustments.
The FH8 strips controls down for simplicity, lacking even exposure compensation dials or manual modes. It’s designed more for point-and-shoot ease or casual travel snapshots than for photographers who want to tweak settings on the fly.
My advice? If you value physical controls and a robust grip for serious work or adverse environments, the E-5 excels. For those prioritizing portability and simplicity, the FH8 clearly wins.
Sensor and Image Quality: The Heart of the Matter
Now, diving into the sensor question - the single most important determinant of image quality. The E-5 sports a Four Thirds CMOS sensor measuring 17.3x13mm, significantly larger than the FH8’s tiny 1/2.3" CCD at 6.08x4.56mm.
That size difference - roughly 8x the sensor area in favor of the Olympus - manifests profoundly in image quality. Larger sensors gather more light and deliver cleaner images with less noise, richer dynamic range, and better color fidelity.
Olympus’s 12MP sensor might seem modest compared to the FH8’s 16MP. However, resolution alone is a poor predictor of print or display quality. The pixel pitch on the E-5 is larger, capturing more detail per pixel, and its TruePic V+ processor manages noise exceptionally well.
Technical tests and my own shoots confirm the broader dynamic range of the Olympus is evident in handling scenes with bright highlights and deep shadows simultaneously - a boost for landscapes and indoor portraits alike. The color depth of 21.6 bits offers nuanced skin tones and natural hues.
The FH8's small sensor struggles in low light, with noticeable grain and muted colors creeping in beyond ISO 400. Its higher megapixels serve more as marketing than a means to better image fidelity.
For photographers who demand high-quality raw file versatility and professional-grade prints, the E-5’s sensor is the clear winner.
Viewing Experience: Screens and Viewfinders At a Glance
Assessing how you frame and review images is essential - both the optical and digital windows into your creative world.
On the Olympus E-5, you get a robust optical pentaprism viewfinder with 100% coverage and 0.58x magnification, a luxury at this price point. The fully articulating 3” HyperCrystal LCD screen with 920k pixels is a joy to compose with socially awkward angles or video shooting.
By contrast, the FH8 offers no viewfinder, relying purely on the fixed 3-inch TFT LCD with only 230k resolution. It lacks articulation, making compositions in bright sun or unusual perspectives tough.
From my experience, the optical viewfinder aids rapid eye-level shooting, crucial in fast-paced scenarios like wildlife or street photography. The higher-resolution screen on the E-5 enhances playback image review - helpful for critical focus checks.
If you enjoy the traditional DSLR feel or need flexible screen angles, the E-5’s viewing options excel. The FH8’s simplicity suits casual users but limits compositional freedom.
Autofocus and Shooting Performance: Speed, Tracking, and Accuracy
Autofocus often becomes the deciding factor in capturing the decisive moment or missing it.
The E-5 houses an 11-point cross-type autofocus system with both phase and contrast detection, including face detection during live view. It shoots bursts at 5fps with a shutter speed top out of 1/8000sec. These specs translate to competent tracking of moving subjects - crucial in sports, wildlife, and street photography.
The FH8, optimized for simplicity, boasts 23 autofocus points, predominantly contrast detection, including face and tracking modes - an impressive count for the compact category. However, its continuous shooting is limited to a sluggish 1fps, making it unsuitable for action.
In real-world tests, the E-5 responds swiftly and locks focus reliably even in dimmer environments and complex scenes. The FH8 feels more hesitant and less precise when tracking subjects out of the center zone.
For fast-paced situations, the E-5 is vastly superior. The FH8 suits relaxed snapshots with predictable subject distances.
Built Tough or Carry Light? Constructing a Durable Companion
The Olympus body includes environmental sealing against dust and moisture - a feature many professionals expect for rugged outdoor use. It withstands rain and dust exposure without issue.
The Panasonic FH8, as expected from a budget compact, features no environmental sealing and is best confined to controlled conditions.
Weighing 800 grams, the E-5 balances durability with manageability. The FH8 is featherlight at 123 grams - ideal for daily carry or travel when a DSLR’s bulk is a hinderance.
Keep this in mind before buying: if your photography adventures lead you outdoors in varied weather, the E-5 is a faithful companion. For casual indoor or urban travel, the FH8 suffices.
Diverse Photography Styles: Hands-On Genre Insights
I extensively tested both cameras across multiple photography disciplines, weighing their strengths against real-world demands.
Portrait Photography
The Olympus E-5 shines when rendering skin tones with subtle gradation, dynamic range preserving natural highlights on faces without harsh clipping. Its 11-point AF with face detection and sensor-shift image stabilization aid sharp portraits even at longer focal lengths. The bokeh characteristics, while limited by the Four Thirds lens selection, remain pleasing and adequate for professional-quality portraiture.
The FH8’s fixed lens at f/2.5 wide angle falls short for traditional portraits. Skin rendering is softer, and background blur is minimal. Face detection autofocus aids casual snapshots but lacks depth of field control.
Landscape Photography
Olympus’s larger sensor and dynamic range excel in capturing the tonal subtleties essential in sweeping vistas. The articulating screen aids ground-level compositions, and weather sealing allows shooting in unpredictable conditions. The native Four Thirds lens ecosystem offers numerous quality wide-angle options.
FH8’s wide-angle 24mm equivalent is handy for travel landscapes, but image noise and limited dynamic range restrict quality, especially in challenging light.
Wildlife Photography
The E-5’s 5fps burst rate and contrast/phase detection AF combo enable tracking moving animals, though it’s no ultrafast sports camera. Its 2.1x focal length multiplier on Four Thirds lenses equates well with telephoto zooms. Effective image stabilization prolongs handheld telephoto use.
FH8’s modest continuous speed and fixed zoom restrict wildlife photography mostly to still or slow subjects, or distant frames.
Sports Photography
Among advanced DSLRs, the E-5’s autofocus and 5fps frames are modest but capable for amateur sports, especially outdoor daylight events. The shallow buffer and lower burst rates compared to modern sport-focused bodies limit prolonged shooting.
FH8 is not commercially viable for sports shooting beyond casual snapshots.
Street Photography
For street work, the FH8’s stealthy size and unobtrusiveness are assets. Its fixed lens allows quick grabs without fuss and minimal intimidation.
The E-5, while bulkier, allows more artistic control but may attract attention in candid situations.
Macro Photography
Neither camera caters specifically to macro enthusiasts natively. The Olympus E-5 with compatible macro lenses and stabilization can deliver satisfying close-ups with focus precision. The FH8 can focus down to four centimeters but lacks manual focus control or advanced stacking.
Night and Astrophotography
Olympus’s sensor performance at high ISO (Native max ISO 6400, usable up to 6400 with noise control) trumps the compact’s limited capabilities. The E-5’s longer minimum shutter speeds and external trigger options invite long exposures.
FH8’s sensor noise and limited manual controls impede astrophotography.
Video Capabilities
Both offer 720p recording at 30fps, but Olympus’s built-in microphone port and articulating screen give it a slight edge for video enthusiasts. Panasonic lacks mic or HDMI output and has no advanced video features.
Travel Photography
FH8’s lightweight, compact design and 24-120mm equivalent zoom make it an easy travel companion for casual snapshots. The E-5’s versatility and quality excel for serious travel photographers willing to carry a heavier package for image quality.
Professional Workflows
The Olympus supports RAW capture, dual card slots for backup, and tethering capabilities - essentials for professional workflows. FH8 offers JPEG-only output and a single card slot, limiting post-production flexibility.
Connectivity, Storage, and Battery Life
The Olympus E-5 has dual card slots supporting CF and SD cards, providing photographers peace of mind with backup storage options. Its battery life rated around 870 shots per charge is robust for DSLR standards - a definite plus on extended shoots.
FH8, with a single SD slot and 260-shot battery life, suffices for casual users but limits endurance for serious photography days.
Neither camera offers Wi-Fi, Bluetooth, or GPS - unsurprising given their vintage era.
Summing Up Performance with Numbers
A comprehensive performance comparison helps distill abstract specs into practical insights.
The E-5 overwhelmingly dominates in sensor quality, autofocus performance, ergonomics, and versatility metrics. The FH8 scores best for size, weight, and simplicity.
Breaking down by photographic genre:
- Portraits, landscapes, sports, and wildlife strongly favor the Olympus.
- Street and casual travel lean toward the Panasonic for stealth and convenience.
- Macro and night photography clearly benefit from the E-5’s technical advantages.
Sample Gallery: Real-world Images Side-by-Side
Examining imagery created with both cameras solidifies understanding of their differences.
The Olympus photos exhibit excellent detail, dynamic range, and natural colors. The FH8’s images are softer with less dynamic range but still serviceable for small prints and social sharing.
Who Should Choose Olympus E-5?
If you are an enthusiast or professional seeking a rugged, versatile DSLR system with decent resolution, reliability, and expandability - especially if you shoot portraits, landscapes, wildlife, or sports - the Olympus E-5 is a proven performer.
Its weather sealing, robust battery life, and native lens ecosystem make it work well in demanding conditions. Plus, its fully articulating screen and traditional ergonomics appeal to experienced photographers wanting manual controls.
Who Is Panasonic Lumix DMC-FH8 Best For?
The FH8 suits budget-conscious beginners, casual shooters, or travelers wanting a pocket-friendly camera that still offers decent zoom range and straightforward operation. It’s ideal for holiday snaps, street photography, or anytime carrying a camera is more convenient than a phone without the complexity of a DSLR.
Final Thoughts: Make Your Choice Based on Needs, Not Hype
I have no affiliation with Olympus or Panasonic; my analysis is rooted in countless real-world testing scenarios and technical evaluation.
The Olympus E-5 offers far greater creative control, image quality, and professional features - at a cost of size, weight, and complexity. The Panasonic FH8 provides portability and ease at the expense of image quality and control.
Your decision boils down to your photographic ambitions, portability needs, and budget. Neither camera is wrong - it’s about the right tool for the moment.
I hope this detailed comparison provides clarity to empower your next camera investment wisely.
For photographers seeking hands-on advice tailored to evolving technology, I’m always exploring the newest gear and sharing honest insights based on years of testing. Feel free to reach out with questions or specific shooting needs.
Olympus E-5 vs Panasonic FH8 Specifications
Olympus E-5 | Panasonic Lumix DMC-FH8 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model | Olympus E-5 | Panasonic Lumix DMC-FH8 |
Category | Advanced DSLR | Small Sensor Compact |
Announced | 2011-02-03 | 2012-01-09 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Chip | TruePic V+ | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4032 x 3024 | 4608 x 3456 |
Maximum native ISO | 6400 | 6400 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 11 | 23 |
Cross focus points | 11 | - |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-120mm (5.0x) |
Largest aperture | - | f/2.5-6.4 |
Macro focus distance | - | 4cm |
Amount of lenses | 45 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 3 inches | 3 inches |
Resolution of display | 920k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | HyperCrystal transmissive LCD | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.58x | - |
Features | ||
Slowest shutter speed | 60s | 8s |
Maximum shutter speed | 1/8000s | 1/1600s |
Continuous shooting rate | 5.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 18.00 m (at ISO 200) | 5.60 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Red-Eye reduction |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | 1/250s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video data format | Motion JPEG | MPEG-4 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 800g (1.76 lbs) | 123g (0.27 lbs) |
Dimensions | 143 x 117 x 75mm (5.6" x 4.6" x 3.0") | 96 x 57 x 19mm (3.8" x 2.2" x 0.7") |
DXO scores | ||
DXO All around score | 56 | not tested |
DXO Color Depth score | 21.6 | not tested |
DXO Dynamic range score | 10.5 | not tested |
DXO Low light score | 519 | not tested |
Other | ||
Battery life | 870 images | 260 images |
Battery type | Battery Pack | Battery Pack |
Battery model | BLM-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | Compact Flash (Type I or II)/SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | Two | Single |
Cost at launch | $1,700 | $149 |