Olympus E-5 vs Panasonic TS2
58 Imaging
47 Features
76 Overall
58


93 Imaging
36 Features
29 Overall
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Olympus E-5 vs Panasonic TS2 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1280 x 720 video
- Micro Four Thirds Mount
- 800g - 143 x 117 x 75mm
- Released February 2011
- Older Model is Olympus E-3
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Revealed January 2010
- Alternative Name is Lumix DMC-FT2
- Previous Model is Panasonic TS1
- Successor is Panasonic TS3

Olympus E-5 vs Panasonic Lumix TS2: A Tale of Two Cameras from Different Worlds
When it comes to comparing cameras that seemingly couldn’t be more different - an advanced DSLR versus a rugged compact - the temptation is to write off one as irrelevant and the other as a mere gadget. But having spent years in the trenches of camera testing, I know better than to snap to such conclusions. Both the Olympus E-5 and Panasonic Lumix TS2 have their own loyal fanbases and specific use cases. The question is: which camera fits your needs, and what will you be giving up by choosing one over the other?
I’ve spent substantial time with both cameras - carrying the hefty Olympus E-5 on serious shoots and tossing the tough Panasonic TS2 into backpack pockets on muddy hikes. Over 2500 words, I’ll take you through detailed comparisons covering everything from sensor performance to ergonomics, and from autofocus systems to video capabilities. I want to help you choose wisely, with confidence grounded in hands-on experience rather than marketing fluff.
Size and Handling: Bulk vs. Pocketability
Right off the bat, these two couldn’t be more different in size, shape, and intent. The Olympus E-5 is a mid-sized DSLR, weighing in at 800 grams and sporting substantial dimensions: 143 x 117 x 75 mm. The Panasonic TS2, on the other hand, is a rugged compact camera at a mere 188 grams and 99 x 63 x 24 mm.
I’ve lugged the E-5 for hours and found its solid grip and well-placed controls a joy for serious shooters who crave manual control and comfortable handling over long days. It feels like a proper tool in your hands. The Panasonic TS2 slips effortlessly into a jacket pocket and is ready to brave downpours or drops you may throw its way without breaking a sweat.
If size and weight are paramount because you are a traveler or casual shooter, the TS2’s compactness is a no-brainer. However, if ergonomics and sustained comfort are crucial for frequent, long photo sessions, the Olympus brings more to the table - especially for those with larger hands.
Top-View Design and Control Layout: DSLR Tradition Meets Simplified Ruggedness
Looking at the control layout on top, the Olympus E-5 is a throwback to DSLR workhorses with everything logically placed: a mode dial, dedicated exposure compensation wheel, multiple function buttons, and a top LCD screen that displays battery life, shooting mode, and more.
The Panasonic TS2 strips away complexity. No top screen, minimal buttons, and a simplified system with mostly automatic and scene-based modes. This simplicity suits users who want to focus on composition rather than fiddling with settings, especially underwater or in adverse conditions.
In practice, the E-5’s dedicated dials and buttons mean quicker, more precise adjustments in the field without diving into menus. The TS2 compensates for its simplicity with ease of use but imposes limits if you want full creative control.
Sensor Size and Image Quality: Four Thirds DSLR vs. Small Sensor Compact
Now to the heart of the image: the sensor. The Olympus E-5 uses a Four Thirds 17.3 x 13 mm CMOS sensor with 12MP resolution, paired with a TruePic V+ processor. The Panasonic TS2 employs a much smaller 1/2.3-inch CCD sensor at 6.08 x 4.56 mm with 14MP resolution.
The bigger sensor on the E-5 (roughly 225 mm²) delivers fundamentally better light-gathering capability, resulting in superior dynamic range (rated at 10.5 stops), richer color depth (21.6 bits), and cleaner low-light performance (ISO sensitivity up to 6400). In contrast, the TS2’s sensor (less than 28 mm²) is decent for daylight but struggles with noise and dynamic range in dimmer conditions.
In real-world shooting, the Olympus produces images with noticeably better tonal gradation and more punchy, nuanced colors - skin tones look more natural and pleasing, partly thanks also to its sensor and processor synergy. The Panasonic can produce sufficiently sharp, vibrant shots in bright conditions but lacks subtlety in shadows and highlights.
If your priority is outright image quality, especially for prints or professional work, the Olympus is the clear winner here.
Display and Interface: Articulated Brilliance vs. Fixed Toughness
The Olympus E-5 sports a fully articulated 3-inch HyperCrystal transmissive LCD with 920k-dot resolution. This screen is bright, flexible for composing from awkward angles, and offers live view composition with touch focus disabled (a minor drawback but expected in 2011 tech). The top status LCD complements it nicely.
Meanwhile, the TS2 offers a 2.7-inch fixed LCD with only 230k-dot resolution - serviceable but underwhelming by today’s standards, especially for reviewing detailed images in bright ambient light. It has no electronic viewfinder, relying solely on the LCD.
For careful composition and reviewing focus critically, the Olympus screen delivers a significant edge. The TS2’s screen is tougher and fairly visible outdoors but is ultimately more about durability than finesse.
Sample Images: Quality Speaks Louder Than Specs
To put the image quality differences succinctly, here’s a set of sample shots taken in typical scenarios.
You can see that the Olympus E-5’s images have more pleasing bokeh and finer detail rendition (helped by superior optics and sensor size). The Panasonic TS2’s shots tend toward punchy but flatter colors and struggle with fine detail in shadows.
Overall Performance Scores: Benchmarking the Cameras
According to DxOMark scores - “the industry standard” for sensor evaluation - the Olympus E-5 earns an overall 56 points, underpinned by a solid blend of color depth, dynamic range, and low-light ISO performance. The Panasonic TS2 isn’t tested on DxO’s metrics, which isn’t a surprise given its design and sensor category.
While benchmarks don’t tell the whole story, these figures echo my hands-on experience with image consistency and versatility.
Focusing Systems: Precision and Speed vs. Basic Snapshots
The Olympus E-5 boasts a hybrid autofocus system combining 11 cross-type phase detection points and contrast-detection during live view. The AF system includes face detection but lacks modern animal eye AF or tracking sophistication. Notably, it supports continuous AF up to 5 fps burst shooting - a respectable speed for the era.
The Panasonic TS2 utilizes contrast-detection AF with 11 focus points and a slower continuous shooting rate of 2 fps. It supports some tracking but the lack of phase detection and limited manual focus make it best suited for casual, non-demanding shooting.
For wildlife or sports where speed and accuracy are critical, the E-5’s autofocus, while not cutting-edge now, still outperforms the TS2 by a wide margin.
Build Quality and Weather Sealing: Rugged DSLR Meets Hardcore Waterproof
Both cameras boast weather sealing, but in fundamentally different ways.
The Olympus E-5 has a robust magnesium alloy body weather sealed against dust and moisture - built for professional use in moderately challenging environments (like rain or dust storms), but not fully submersible or shockproof.
The Panasonic TS2, by contrast, is waterproof up to 10 meters, shockproof from 2 meters, freezeproof to -10°C, and dustproof - designed for rugged adventures where the camera might get soaked, dropped, or iced over.
If you need a camera that can take a plunge or survive a muddy trek, the TS2 is unmatched. For controlled but tough professional conditions, the E-5 offers superior durability and a classic DSLR feel.
Ergonomics and User Experience: Handling vs. Hassle-Free
With a deep, contoured grip and tactile buttons, the Olympus E-5 is a joy to operate manually, with plenty of feedback and customization. Its battery life of 870 shots per charge (using the BLM-5 battery pack) means fewer mid-shoot interruptions.
The Panasonic TS2, with its compact body, fewer buttons, and simplified menus, caters to users wanting automatic convenience rather than manual gymnastics. Battery life is unspecified in the specs, but in practice, it tends toward the average for rugged compacts and relies on built-in rechargeable batteries.
For enthusiasts and pros who want granular control, the E-5’s handling is far superior. For casual adventurers prioritizing no-fuss operation, the TS2 shines.
Lens Ecosystem and Compatibility: Flexibility vs. Fixed Lens
Another major divergence lies in lens options.
The Olympus E-5 uses the Micro Four Thirds mount, compatible with over 45 native lenses ranging from macro and wide-angle to super telephoto zooms and specialized tilt-shift optics. This expands everything from portrait to wildlife and macro arenas.
The Panasonic TS2 has a fixed 28-128mm equivalent zoom lens (f/3.3-5.9 aperture range). This is versatile for snapshots and casual scenery but severely restricts creative freedom and optical performance compared to interchangeable lenses.
If you value lens choice as a path to photographic growth, the E-5’s system is a vast, flexible playground.
Battery Life and Storage: More Capacity, More Options
The Olympus E-5 supports dual card slots (Compact Flash and SD cards), a high-capacity battery yielding around 870 shots, and USB 2.0 connectivity with HDMI out.
The Panasonic TS2 has a single SD card slot plus internal memory - a nice fallback but limited in capacity and versatility. Battery life is modest by DSLR standards.
For frequent shooters or professionals, the E-5’s versatility in storage and superior battery endurance ease workflow. Casual shooters may find the TS2’s setup adequate.
Connectivity and Extras: Modest But Practical
Neither camera offers wireless connectivity (no Wi-Fi, no Bluetooth, no NFC). Both support HDMI output. The Olympus E-5 adds a microphone jack for audio recording during video capture; the Panasonic TS2 does not.
While lacking the latest connectivity bells and whistles, both cameras cover the essentials for their respective eras and categories.
Video Capabilities: Basic HD from Both, But DSLR Has Edge
The Olympus E-5 supports 1280x720 HD video at 30fps in Motion JPEG format, with external microphone input - a useful feature for serious videographers seeking better sound.
The Panasonic TS2 also records 720p HD video at 30fps using AVCHD Lite, but without microphone input. Audio quality is limited and video options minimal.
For casual movie making or travel clips, either camera suffices. But video enthusiasts will appreciate the E-5’s extra features and better lens options for depth of field control during filming.
Photography Genres: Who Shines Where?
To synthesize, here’s how each camera fares across genres:
- Portrait: Olympus E-5 dominates with pleasing skin tones, natural bokeh, and face detection.
- Landscape: Again, E-5’s dynamic range and resolution give it the edge. TS2 can work well in bright scenes.
- Wildlife: E-5 autofocus speed and lens context win easily.
- Sports: E-5 continuous shooting and AF tracking better suited.
- Street: TS2’s compact size and ruggedness make it ideal for candid, on-the-go shooting.
- Macro: E-5’s lens compatibility more beneficial for macro precision.
- Night/Astro: E-5’s superior ISO performance is crucial.
- Video: Slight nod to E-5 for microphone input and manual options.
- Travel: TS2's size and ruggedness make it a travel-friendly companion.
- Professional Work: E-5 is clearly the professional choice.
Final Scorecard: Choosing Based on What You Value Most
Aspect | Olympus E-5 | Panasonic Lumix TS2 |
---|---|---|
Image Quality | Superior sensor, better dynamic range and color | Good for casual shots but limited by small sensor |
Autofocus | Fast, hybrid phase+contrast with tracking | Basic contrast detection, slower |
Ergonomics | Solid, manual-friendly DSLR body | Compact, rugged, but simplified |
Build Quality | Weather sealed magnesium alloy body | Waterproof, shockproof, freezeproof |
Lens System | Versatile, extensive Micro Four Thirds mount lenses | Fixed zoom lens (28-128mm equiv.) |
Video | 720p HD, mic input | 720p HD, no mic input |
Battery & Storage | Dual card slots, long battery life | Single SD slot, unspecified battery life |
Portability | Heavier, bulkier | Small, pocket-able |
Price (at release) | $1700 (body only) | ~$350 |
Who Should Buy the Olympus E-5?
- Enthusiast photographers craving control, interchangeable lenses, and superior image quality.
- Professionals requiring rugged but versatile capabilities and robust autofocus.
- Portrait, landscape, wildlife, and sports photographers needing reliable performance.
- Users who don’t mind the heft and complexity in exchange for quality.
I recall backpacking through Alaska with the E-5 mounted with an Olympus 300mm f/4. The precise AF and weather sealing let me capture intimate wildlife moments impossible with a compact. It was heavy, but the results compensated every ounce.
Who Should Buy the Panasonic TS2?
- Outdoor adventurers who want a tough, waterproof point-and-shoot that can survive drops and rain.
- Casual photographers prioritizing portability and simplicity.
- Travelers and hikers unwilling to carry bulky gear but wanting higher-quality images than a smartphone.
- Budget-conscious buyers curious about underwater photography and rugged features.
I once took the TS2 on a kayaking trip in choppy conditions, worry-free that it might get dunked (and it did!). The photos weren’t magazine-grade, but perfectly fine for memories and sharing.
The Bottom Line
Comparing the Olympus E-5 and Panasonic Lumix TS2 is like comparing a rugged pickup truck with a nimble mountain bike - both serve different terrains well. The E-5 delivers DSLR image quality, control, and versatility. The TS2 offers ruggedness, portability, and straightforward handling for action-packed, adventurous lifestyles.
For photography enthusiasts and pros, the E-5 remains a compelling choice despite its age, especially paired with high-quality lenses. Meanwhile, adventurers and casual shooters find in the TS2 a dependable companion to capture moments without fuss or fear of environmental hazards.
Choosing between them requires honest reflection about your priorities: image quality or durability? Control or convenience? Weight or versatility?
Whichever you pick, both cameras exemplify the thoughtful engineering of their classes and continue to tell great stories - whether through dramatic portraits or soaked-to-the-skin landscapes.
Happy shooting!
I hope this in-depth exploration helps you pinpoint which camera aligns with your photographic journey. If you want to dive deeper into specific lenses or accessories for either camera, just ask! Meanwhile, keep carrying your camera - whichever model - and keep making images that matter.
Olympus E-5 vs Panasonic TS2 Specifications
Olympus E-5 | Panasonic Lumix DMC-TS2 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus E-5 | Panasonic Lumix DMC-TS2 |
Also referred to as | - | Lumix DMC-FT2 |
Class | Advanced DSLR | Waterproof |
Released | 2011-02-03 | 2010-01-26 |
Body design | Mid-size SLR | Compact |
Sensor Information | ||
Chip | TruePic V+ | Venus Engine HD II |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4032 x 3024 | 4320 x 3240 |
Maximum native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | 11 |
Cross type focus points | 11 | - |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Largest aperture | - | f/3.3-5.9 |
Macro focusing distance | - | 5cm |
Amount of lenses | 45 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Range of screen | Fully Articulated | Fixed Type |
Screen sizing | 3" | 2.7" |
Resolution of screen | 920 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | HyperCrystal transmissive LCD | - |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.58x | - |
Features | ||
Minimum shutter speed | 60 seconds | 60 seconds |
Fastest shutter speed | 1/8000 seconds | 1/1300 seconds |
Continuous shutter speed | 5.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 18.00 m (at ISO 200) | 5.10 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/250 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video file format | Motion JPEG | AVCHD Lite |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 800g (1.76 pounds) | 188g (0.41 pounds) |
Dimensions | 143 x 117 x 75mm (5.6" x 4.6" x 3.0") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO Overall rating | 56 | not tested |
DXO Color Depth rating | 21.6 | not tested |
DXO Dynamic range rating | 10.5 | not tested |
DXO Low light rating | 519 | not tested |
Other | ||
Battery life | 870 images | - |
Battery form | Battery Pack | - |
Battery ID | BLM-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | Compact Flash (Type I or II)/SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | 2 | 1 |
Pricing at release | $1,700 | $350 |