Olympus E-510 vs Pentax W90
69 Imaging
44 Features
42 Overall
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94 Imaging
35 Features
21 Overall
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Olympus E-510 vs Pentax W90 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 490g - 136 x 92 x 68mm
- Launched November 2007
- Additionally Known as EVOLT E-510
- Replaced the Olympus E-500
- Replacement is Olympus E-520
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 164g - 108 x 59 x 25mm
- Launched February 2010

Olympus E-510 vs Pentax Optio W90: The Tale of Two Cameras at Different Ends of the Photography Spectrum
Comparing the Olympus E-510 and Pentax Optio W90 might seem a bit like pitting a sturdy old knight against a nimble desert scout - they come from very different worlds: one a mid-size DSLR launched in 2007, the other a waterproof compact introduced a few years later in 2010. Yet, both have their charms and use cases that deserve deeper scrutiny by enthusiasts pondering their next camera buy - or simply curious about how differing specs and designs translate into real-world performance.
Having spent over fifteen years putting cameras through their paces - shooting everything from sun-drenched landscapes to dimly lit concerts and fast-paced wildlife - I’ll guide you through this comparison. We’ll explore physical ergonomics, sensor tech, autofocus wizardry, versatility across genres, and more. Spoiler: these two cameras don’t just differ on paper; they reflect distinct philosophies about photography. Let’s dive in.
Size, Shape, and Handling: A Feel-Test for Ergonomics
First impressions matter, right? How a camera feels in your hand shapes your shooting experience dramatically.
The Olympus E-510 sits as a mid-sized DSLR with a traditional SLR form-factor: substantial but not bulky, weighing 490g, measuring 136x92x68mm. Its body has a reassuring heft and grip shaping that caters to shooters who favor manual controls and a sturdy presence - a factor that pays off during long shoots when stability matters. The micro four-thirds lens mount also encourages system expansion with various primes and zooms, underscoring its photographic seriousness.
Contrast this to the Pentax W90 - a compact waterproof gem with a modest 164g weight and petite dimensions of 108x59x25mm, making it pocket-friendly for travel or rugged outdoor use. Its compact nature means controls and the grip take a backseat to portability and durability. Designed for adventures requiring splash-proofing and dust resistance, the W90 is more a companion for quick snaps and straightforward operation than deep manual control.
The ergonomics of the Olympus feel made for deliberate framing and fast access to exposure settings; the Pentax leans hard into simplicity and survivability, especially in wet or dusty conditions where a bulky camera would be a liability.
Control Layout and User Interface: A Tale of Two Cameras' DNA
Onto the top decks - it’s here that you notice the cameras’ intended user philosophies even more.
The Olympus E-510’s top plate features the classic DSLR essentials - mode dial supporting aperture, shutter priority, full manual modes - and an on/off switch wrapped around a command dial. Exposure compensation, drive modes, and built-in flash controls are easy to reach, emphasizing quick tactile interaction for seasoned photographers who want to “feel” the camera.
Meanwhile, the Pentax W90’s top is noticeably minimalistic; a zoom rocker encircles the shutter button, and a power switch is simplicity itself. No manual exposure modes here: it’s full-auto or some limited program tweaking via menus. There’s no viewfinder, so framing depends entirely on the rear LCD.
Speaking of, as we explore that, the Olympus and Pentax share roughly similar screen specs, if very different intended uses.
Screens and Viewfinders: Digital Windows to Your World
Olympus equips the E-510 with a 2.5-inch fixed LCD boasting 230,000 pixels - not flashy by today’s standards, but quite adequate in 2007. Coupled with an optical pentamirror viewfinder offering 95% coverage, it balances framing accuracy with the option to shoot through the eye - an advantage outdoors under bright light where LCDs can struggle.
The Pentax W90, lacking an optical viewfinder altogether, offers a slightly larger 2.7" screen (same 230k resolution) - which is essential given it's the sole framing method. The screen is reasonably visible outdoors but not exceptional, and the lack of touch interface means navigating menus can feel a bit fiddly.
For photographers accustomed to traditional DSLRs, Olympus’s combo of optical viewfinder and LCD feels reassuring. The W90’s reliance on LCD means you’re always holding it like a compact point-and-shoot, suited for spontaneous snaps rather than deliberate compositions.
Sensor Technology and Image Quality: The Heart of the Matter
No doubt, image quality hinges primarily on the sensor - here the two cameras show their generational and category gap clearly.
Olympus E-510 boasts a Four Thirds-format CMOS sensor sized 17.3x13mm, significantly larger than Pentax’s tiny 1/2.3" CCD chip measuring 6.17x4.55mm. The E-510’s 10-megapixel resolution (~3648x2736), combined with a physical sensor area roughly 8x the size of the W90’s, means it historically provides greater dynamic range, better low-light performance, and less noise - all critical for quality end results, especially in challenging lighting.
Measured by DxOMark, the E-510 scored 52 overall, with a color depth of 21.2 bits and a dynamic range of 10 EV stops - impressive for its generation. Low light ISO performance maxes comfortably at 1600 ISO, allowing some breathing room in dim interiors or dusk scenes.
The W90’s 12MP CCD (4000x3000) packs more pixels on a much smaller sensor, so despite the higher nominal resolution, its image quality suffers due to increased noise in low light and more limited dynamic range. It maxes around ISO 6400, but noise at that ISO is quite pronounced. It recorded no DxOMark data, but real-world use confirms it’s best in good light or flash flash flash.
So, if pixel-level image quality and flexibility for editing matter, the Olympus has a clear upper hand. The Pentax compensates with its durability and convenience but yields to inherent sensor limitations.
Autofocus and Shooting Performance: Speed, Accuracy, and Responsiveness
How quickly and accurately can a camera focus? And how many frames per second can it spit out in a sports chase or wildlife burst?
The Olympus E-510 sports a 3-point phase-detect autofocus system with continuous AF options - modest by today’s multi-point standards but solid in its era. In practice, its phase detection allows faster lock in decent lighting compared to the contrast-detection autofocus on compacts.
Pentax’s W90, lacking phase-detection, relies on a nine-point contrast-detection AF array. This works fine for static or slow subjects but hunts more in low light and moving scenes. It only offers single-shot AF - no continuous tracking - hampering wildlife or sports shooting.
Top burst rates back this limitation: Olympus manages 3 fps, good enough for casual sports or kids-in-motion, while the W90 clocks a leisurely single frame per second maximum. None break ground for professional sports shooters, but the E-510 feels more capable and responsive in dynamic scenarios.
Lens Ecosystem and Versatility: Expand or Fix?
A key advantage of DSLRs/systems is lens flexibility. Olympus, with Micro Four Thirds mount, supports over 45 lenses ranging from ultra-wide primes to long telephotos and macro lenses. This offers an unrivaled versatility in focal lengths and creative control - crucial for portraitists chasing creamy bokeh or landscape shooters needing super-sharp wide fields.
Pentax’s W90 fixes you to a 28-140mm (35mm-equivalent) zoom lens with max apertures of f/3.5-5.5 - a versatile range for everyday shooting but without option for prime lenses or faster glass. For compact shooters prioritizing convenience over glass changes, this isn’t a big loss, but for enthusiasts wanting to experiment or specialize, it’s limiting.
So, Olympus suits those seeking a system to grow with and explore niche genres; Pentax fits casual or rugged travel shooters who want a grab-and-go solution.
Build Quality and Environmental Robustness: Can You Take It Anywhere?
Looking beyond image quality to actual usage, can these cameras survive your adventures?
The Olympus E-510 is a typical DSLR of its day - solid, but no environmental sealing. It’s vulnerable to dust, moisture, and rough handling - think of it as a studio and street camera, less so an all-weather companion.
Conversely, the Pentax W90 really shines here:
- Waterproof to 10m below surface
- Dustproof and shockproof for drops up to 1.5m
- Freezeproof to -10°C
This ruggedness makes the W90 ideal for diving, hiking in rain, or beach days where DSLR risk would be a no-go. It’s truly built for adventure photographers who want worry-free shooting in challenging environments.
If you need a camera that shoots through rain squalls or pool parties, Pentax wins hands down here.
Battery Life and Storage: Shoot More, Worry Less?
Olympus uses Compact Flash and xD Picture Cards for storage - typical for its era but a bit of a relic now. Battery life isn’t explicitly listed in specs, but mid-size DSLRs like this typically offer decent endurance per charge, especially with optical viewfinder use saving LCD power.
Pentax adopts SD/SDHC cards, now the universal standard for compact cameras, and includes internal storage - a convenience bonus. It uses a proprietary D-LI68 battery, offers reasonable (if not spectacular) battery life, but plus points for timelapse recording capabilities.
Storage flexibility goes to Pentax for mainstream media support, but ultimately, DSLR shooters tend to carry spares given professional workflows.
Results in Various Photography Disciplines: Real-World Use Cases
Let’s break down how these cameras perform across typical genres and what kinds of users each suits.
Portrait Photography
Olympus E-510 - Larger sensor helps render natural skin tones with better tonal gradation. The system lenses can produce creamy bokeh, and the DSLR’s manual exposure controls and even limited selective AF point selection support deliberate framing and sharp eye focus in good light. No face detection autofocus limits catchiness in fast portrait sessions, but real skill/service with lens choice compensates.
Pentax W90 - Lens is satisfactory for casual portraits but background blur is minimal due to smaller sensor and slower aperture. AF is contrast-based and slower, so perhaps better for posed shots than candid portraiture. Skin tones are reasonable under good light, but lack of RAW support limits post-processing latitude.
Landscape Photography
E-510 shines with its user-controllable exposure modes and superior dynamic range to wring detail from highlights and shadows. Sensor size and lens system yield high-res sharp images. No weather sealing is a downside outdoors, but carrying weather cover or shooting in mild conditions fits well.
W90, while portable, doesn’t offer the dynamic range or resolution consistency for serious landscapes, and the fixed zoom lens, while versatile, can’t rival sharp wide-angle primes or tilt-shift lenses. Still, nothing beats snapping landscapes worry-free in the rain with Pentax’s ruggedness.
Wildlife Photography
Olympus can leverage more responsive AF and its lens arsenal for telephoto reach with fast lenses, plus respectable burst mode. Not a professional-level option but capable for hobbyists.
Pentax suffers due to slow contrast AF, lack of continuous AF, and only 1 fps. Not suited for tracking fast wildlife moments.
Sports Photography
E-510’s 3 fps and phase detect AF win over W90’s sluggish AF and frame rate. Both are outmatched by modern professional sports cameras, but Olympus gives enthusiasts more chances to capture action.
W90 limited to throw-in-the-towel snapshots at best.
Street Photography
Pentax W90’s compact size and quiet operation lend themselves well here, and its weatherproofing protects against sudden rain or dust in urban exploration. Limited manual controls and slower AF temper creativity, but for quick street shots, it’s adequate.
Olympus E-510’s larger size and louder mirror slap make it less stealthy but more flexible creatively - if you are comfortable carrying a DSLR.
Macro Photography
Olympus’s lens system includes dedicated macro options and sensor stabilization, facilitating close focusing and quality detail capture.
Pentax impresses with macro at 1cm focusing, great for fun snapshots of flowers and insects without extra gear, but limited by small sensor and fixed lens speed.
Night and Astro Photography
Olympus’s higher native ISO and better noise handling aid long exposure shots, while manual modes add control. No built-in bulb mode or astro-specific features but solid fundamentals.
Pentax struggles here due to sensor noise and lack of bulb/manual exposures.
Video Capabilities: Modest Offerings
Neither camera excels at video.
Olympus E-510 lacks video recording altogether.
Pentax W90 includes HD video (1280x720) at 30fps using Motion JPEG - dated standards and relatively limited quality - adequate for casual use but no serious videography.
Neither supports external microphones or HDMI output.
Connectivity: Bare Bones vs Some Wireless Fun
Olympus E-510 offers USB 2.0 for data transfer; no wireless features.
Pentax W90 has interesting early wireless integration with Eye-Fi card compatibility, allowing some wireless image transfer. No Bluetooth, Wi-Fi, or GPS on either.
Price and Value Assessment: What Do You Get for Your Money?
Olympus E-510, originally priced around $550, reflects its then-advanced DSLR status and versatility.
Pentax W90 trades on ruggedness and affordability - about $120 new - making it an impulse buy for outdoor adventurers needing a tough compact.
The investment decision depends heavily on priorities: optical quality and manual control vs durability and convenience.
Scores at a Glance: Overall and Genre Specifics
Olympus E-510 commands superior overall performance marks thanks to sensor, lens flexibility, and shooting responsiveness.
Pentax wins in portability and environmental toughness but lags behind in image quality and creative controls.
Sample Image Gallery: See for Yourself
It always helps to look at real images before deciding.
Olympus images exhibit richer colors, finer detail, and less noise at higher ISOs.
Pentax outputs are crisp and saturated in daylight but noisy and softer indoors or shadows.
Final Thoughts: Which Camera Fits Your Photography Life?
If you crave creative control, finer image quality, and a path toward professional-level shooting - and can accommodate moderate size and fragility - the Olympus E-510 is a versatile DSLR worth considering even years after its release. It excels in portraits, landscapes, macro, and general-purpose photography. Its built-in sensor stabilization and manual exposure modes allow for incremental creative growth. That said, it requires investment in lenses and care in weather.
For outdoorsy travelers, adventure enthusiasts, or casual shooters who prioritize ruggedness, simplicity, and instant grab-and-go convenience, the Pentax W90 offers a no-nonsense, waterproof package that laughs in the face of rain and dust. It’s not for pixel-peepers or pros but works as a tough sidekick capturing memories where a DSLR might get left behind or broken.
Summary Recommendations:
-
Choose Olympus E-510 if:
You want a camera to learn and grow your photography skills, desire sharp, high-quality images with manual controls, plan to shoot portraits, landscapes, or macro photography, and can handle a mid-size DSLR body. -
Choose Pentax W90 if:
You prioritize waterproof, dustproof compactness for hiking, beach, or snowy conditions, want a lightweight all-in-one with decent zoom, and mostly take snapshots in good lighting.
Photography is deeply personal - a camera is an extension of creativity. Both Olympus E-510 and Pentax W90 embody different aspects of that artistry. Hopefully, this deep dive sheds light on which camera matches your style and ambitions.
If you have questions about lenses for the E-510 or waterproof camera alternatives, feel free to ask. Meanwhile, happy shooting - whichever you choose!
Olympus E-510 vs Pentax W90 Specifications
Olympus E-510 | Pentax Optio W90 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model type | Olympus E-510 | Pentax Optio W90 |
Also referred to as | EVOLT E-510 | - |
Type | Advanced DSLR | Waterproof |
Launched | 2007-11-23 | 2010-02-24 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Powered by | - | Prime |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 10 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Max resolution | 3648 x 2736 | 4000 x 3000 |
Max native ISO | 1600 | 6400 |
Minimum native ISO | 100 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 3 | 9 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-140mm (5.0x) |
Largest aperture | - | f/3.5-5.5 |
Macro focusing range | - | 1cm |
Number of lenses | 45 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 2.5" | 2.7" |
Resolution of screen | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | None |
Viewfinder coverage | 95% | - |
Viewfinder magnification | 0.46x | - |
Features | ||
Minimum shutter speed | 60 secs | 4 secs |
Fastest shutter speed | 1/4000 secs | 1/1500 secs |
Continuous shutter rate | 3.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | 3.90 m |
Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye, Soft |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Max video resolution | None | 1280x720 |
Video file format | - | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 490 gr (1.08 pounds) | 164 gr (0.36 pounds) |
Physical dimensions | 136 x 92 x 68mm (5.4" x 3.6" x 2.7") | 108 x 59 x 25mm (4.3" x 2.3" x 1.0") |
DXO scores | ||
DXO Overall rating | 52 | not tested |
DXO Color Depth rating | 21.2 | not tested |
DXO Dynamic range rating | 10.0 | not tested |
DXO Low light rating | 442 | not tested |
Other | ||
Battery ID | - | D-LI68 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC card, Internal |
Card slots | Single | Single |
Price at release | $550 | $120 |