Olympus E-520 vs Samsung HZ35W
68 Imaging
44 Features
45 Overall
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91 Imaging
34 Features
42 Overall
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Olympus E-520 vs Samsung HZ35W Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 552g - 136 x 92 x 68mm
- Revealed August 2008
- Replaced the Olympus E-510
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-360mm (F3.2-5.8) lens
- 245g - 107 x 61 x 28mm
- Revealed June 2010
- Alternative Name is WB650
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Olympus E-520 vs Samsung HZ35W: A Hands-On Expert Comparison for the Discerning Photographer
Selecting a camera means juggling multiple priorities - image quality, handling, feature set, and intended use all weigh heavily on the decision. Today, I’m diving deep into a somewhat uncommon pairing: the Olympus E-520, a classic entry-level DSLR from 2008, and the Samsung HZ35W, a compact superzoom bridge camera from 2010. While they cater to quite different audiences, comparing them side-by-side reveals interesting lessons about design philosophy, sensor technology, and real-world photography. If you've found yourself considering one or both, this detailed write-up will walk you through their capabilities - and limitations - with practical insights from my extensive testing experience.
Let’s roll up our sleeves.
Getting Acquainted: First Impressions & Handling
Before we tackle specs and images, how these cameras feel in your hands can make or break your enjoyment - and ultimately your photo quality.

The Olympus E-520 sports a classic DSLR profile with a substantial grip and balanced heft at 552g. This is a compact SLR in the truest sense: not heavy by professional DSLR standards, but enough to convey solidity and offer a comfortable, secure hold. The physical dimensions (136x92x68mm) reflect its design for steady shooting, important for portraits and landscapes where precision matters.
By contrast, the Samsung HZ35W is decidedly pocket-friendly, much smaller at 107x61x28mm and a mere 245g. This compact form with a built-in 15x zoom lens screams travel-ready and everyday portability. The slimmer build, however, means the ergonomics tradeoff: less grip security and a more “point-and-shoot” feel.
If you prioritize tactile control and stability - particularly for longer exposure or telephoto use - the E-520’s body is more suited. But for casual snaps or telescoping zoom fun without lugging a bag, the Samsung is your pocket buddy.
Surface Details: Design & Control Layout
Handling is only part of the story; how intuitively you can access controls and adjust settings quickly can influence your success during a fast shoot.

Looking at the top views, Olympus continues with DSLR tradition: dedicated dials for exposure modes, a vintage-style LCD for settings readout, and physical buttons mapping key parameters like ISO, white balance, and drive mode. The E-520’s layout will feel familiar to any DSLR user, streamlining operation.
Samsung’s HZ35W chooses simplicity and minimalism. With no electronic or optical viewfinder and only a fixed 3-inch rear screen, all adjustments funnel through menus and a limited set of buttons. The compact design constrains control customization, making it less ideal for photographers who prefer manual tweaking on the fly.
If you prize physical controls and rapid setting changes via knobs and buttons, Olympus E-520 wins decisively here. For beginners or casual shooters happy with automatic exposures and scene modes, Samsung’s streamlined approach is less intimidating.
Sensor Size & Image Quality: The Heart of Every Camera
Image quality hinges largely on sensor design. Let's inspect the guts to understand what kind of images you can expect.

The Olympus E-520 packs a Four Thirds size CMOS sensor measuring 17.3x13mm, significantly larger than the 1/2.3" CCD sensor inside the Samsung (6.17x4.55mm). This sensor size difference translates directly into superior light gathering, dynamic range, and lower noise on the Olympus.
Technically, the Olympus sensor clocks 10 megapixels at 3648x2736 resolution, balanced with effective anti-alias filtering. Its maximum native ISO 1600 and DxOMark scores (color depth: 21.4 bits, dynamic range: 10.4 EV, low-light ISO: 548) confirm solid all-around image quality for its era.
On the Samsung HZ35W, the 12-megapixel 1/2.3" sensor gives a slightly higher resolution (4000x3000), but physically its tiny size restricts dynamic range and noise control. The max ISO is 3200, but practical performance beyond ISO 400 already shows significant grain.
In short: if image quality - including color fidelity, sharpness, and low noise - is your priority, the Olympus’ sensor is the clear winner.
Wondering About the Display and Interface?
Both machines rely on LCDs as an essential interface for composing and reviewing images, especially since Samsung lacks a viewfinder entirely.

Olympus E-520 sports a 2.7-inch fixed screen with modest 230k-dot resolution. The brightness and viewing angles suffice for daylight use but feel dated compared to modern standards.
Samsung counters with a larger 3-inch, higher resolution fixed LCD at 614k dots offering a brighter image and better detail - key when you’re relying solely on this screen for framing and reviewing. That said, neither is touch-enabled, and menu navigation on Samsung can feel sluggish.
The Olympus provides an optical pentamirror viewfinder with 95% coverage and 0.46x magnification - valuable when you need reliable framing outdoors in bright light, whereas the Samsung’s lack of any viewfinder limits compositional precision in harsh conditions.
Autofocus and Shooting Speed: Catching the Moment
In my hands-on testing, autofocus behavior defined my experience on these cameras. Let’s break down their capabilities.
Olympus E-520 uses a hybrid AF system combining phase-detection and contrast detection, with three focus points (multi-area, center-weighted, selective) and face detection. Autofocus is fairly quick by 2008 standards but can struggle in low light or busy scenes. Continuous AF works but lacks advanced tracking features.
Samsung’s HZ35W is limited to contrast detection AF with multi-area and face detection but no phase-detection. This system inherently means slower and sometimes less accurate focus, particularly at telephoto extremes. It does include some tracking, but responsiveness is lagging.
When timing bursts matter, Olympus offers 4 frames per second continuous shooting, enabling better capture of flickering expressions or motion. Samsung does not specify continuous rates - consistent with its casual shooting niche.
Sports and wildlife photographers will find the E-520’s AF system more conducive to action, while Samsung’s performance suits still subjects or leisurely shooting.
Lens Ecosystem and Zoom Versatility
You can’t talk Olympus without mentioning the lens mount; and Samsung’s all-in-one lens approach represents an entirely different philosophy.
Olympus E-520 uses the Four Thirds mount (not to be confused with Micro Four Thirds), supporting a notable selection of about 45 native lenses spanning primes, macros, zooms, and specialty optics. This flexibility lets you tailor your kit precisely to genre and style - whether portraiture’s creamy f/1.8 primes or rugged landscape zooms with weather sealing.
Samsung HZ35W, however, sports a fixed 24-360mm equivalent zoom lens with max apertures from f/3.2 to f/5.8. This wide reach is impressive for a compact, letting you go macro at 3cm or telephoto without lens changes. But the fixed nature means optical compromises and a less bright lens, limiting creative aperture control and shallow depth of field effects.
If you want versatility or plan an expanding system, Olympus offers a proven path. For easy travel and one-lens simplicity, Samsung’s superzoom fits the bill.
Shooting Across Genres: How These Cameras Measure Up
My years of experience comparing multiple cameras have taught me to analyze cameras across the photography disciplines they might be used in. Here’s how these two stack up.
Portraits
Olympus E-520’s Four Thirds sensor, ability to use fast prime lenses, and face detection autofocus deliver pleasing skin tones and smooth bokeh. Its 3-point AF isn’t cutting edge but can lock accurately on faces.
The Samsung’s smaller sensor size and slower lens limit background blur and dynamic range, often leading to flatter portraits with less punch.
For headshots or creative portraiture, pick the Olympus.
Landscapes
Sharpness, resolution, and dynamic range count here. The Olympus provides 10MP of clean detail and solid DR. It’s also compatible with weather-sealed lenses (though the body itself lacks environmental protection).
Samsung’s sensor noise and limited DR hamper its landscape prowess, especially in shadow recovery.
If you shoot outdoors with landscapes or nature scenes, Olympus is the more capable tool.
Wildlife
Fast autofocus, long reach, and high burst rate are critical. Samsung boasts an impressive 15x zoom range, but slow AF and lack of continuous shooting limit reliability.
Olympus’s limited 3-focus-point system and moderate max fps restrict sports/pro wildlife potential, but its larger sensor and lens options still give better image quality.
I’d lean toward Olympus if using longer tele lenses, but neither is ideal for serious wildlife.
Sports
Sports demand quick AF, high frame rates, and responsive controls. Olympus fares better here with faster shutter speeds (max 1/4000s), 4fps captures, and manual exposure modes. Samsung maxes at 1/2000s shutter.
Neither camera excels for fast action compared to modern offerings, but Olympus edges out Samsung for on-field sports.
Street Photography
Small size and stealth are prized. Samsung’s compact form is unobtrusive and quick to deploy. The Olympus DSLR’s bulk is less discreet but offers quicker manual controls.
The Samsung’s slower AF and fixed lens can limit agility though.
For roaming city shoots, if discretion dominates, Samsung wins; but for more control, Olympus offers a richer experience.
Macro
Olympus lacks dedicated macro lenses bundled but supports autofocus macro glass. Samsung’s lens can focus as close as 3cm, which is impressive for a compact.
Optical stabilization on Olympus sensor helps with handheld macros.
For dedicated macro work, Olympus system lenses provide more creative latitude; Samsung offers decent casual macro convenience.
Night and Astro
Low-light ISO performance is critical in night and astro photography. Olympus’s sensor is far superior here, with usable high-ISO capability and RAW support to squeeze detail.
Samsung’s small sensor and noisy high ISO make it more of a point-and-shoot in dim conditions.
Astro shooters will definitely choose Olympus.
Video
Samsung supports HD video up to 1280x720 at 30fps, with motion JPEG compression; Olympus E-520 offers no video recording at all.
Samsung’s inclusion of HDMI out and video capability appeals to casual videographers.
If video features matter, Samsung has the edge - though neither is ideal for serious video work.
Travel
Portability quickly favors Samsung’s small size and weight but Olympus offers better image quality and lens versatility.
Battery life? Olympus scores impressively with approximately 650 shots per charge compared to undocumented Samsung endurance.
Travelers wanting one camera for all occasions must decide between convenience (Samsung) and quality/options (Olympus).
Professional Use
The Olympus E-520 is entry-level and lacks weather sealing, but supports RAW files and integrates easily into Lightroom or Capture One workflows.
Samsung doesn’t support RAW and has limited manual control, so professional uses like editorial or commercial work would be constrained.
Tasked with professional demands, Olympus is preferable, but both cameras are outdated relative to modern pro bodies.
Build Quality and Durability
Neither camera offers environmental sealing, dustproofing, or ruggedization. Olympus’s DSLR construction feels more resilient, whereas Samsung’s compact plastic body is suitable for gentle use.
Handling the E-520 carefully should extend its lifespan, but neither model suits harsh weather or adventure use without additional protection.
Storage, Connectivity, and Battery Life
Olympus supports Compact Flash and xD cards, offering decent storage options and reliability for its time. Samsung uses SD cards and internal storage, more convenient and future-proof.
Connectivity on both is limited - no wireless or Bluetooth on either, and USB 2.0 only.
Battery-wise, Olympus’s dedicated rechargeable pack delivers excellent life (650 shots), whereas Samsung specs are unclear but typical compact battery life sees fewer shots.
Price-to-Performance: What’s Your Budget Buying?
With street prices around $399 for the Olympus E-520 and $299 for Samsung HZ35W, each provides unique value.
Olympus offers classic DSLR experience, better image quality, and expandability for a modest increase in cost.
Samsung delivers zoom versatility and compactness at a bargain, suited for beginners or travelers with casual needs.
In Practice: Sample Photos
Looking at sample images side by side, the Olympus’s higher quality sensor manifests in cleaner details, richer colors, and better depth rendition. Samsung’s images have a softer look and more noise at high ISO. Zoom versatility is evident in Samsung’s telephoto reach but with softness creeping in at long focal lengths.
Performance Scores & Genre Analysis
Olympus ranks higher overall, reflecting its advanced sensor and system design. The Samsung’s lack of RAW and small sensor caps its ceiling.
Breaking down by photography type confirms our observations: Olympus excels in portraits, landscapes, and night shooting, while Samsung is strongest at casual travel and telephoto reach.
Final Verdict: Who Should Pick Which?
If you’re a passionate photography enthusiast or entry-level pro on a budget, the Olympus E-520 offers more control, better image quality, RAW support, and a gateway into the Four Thirds lens ecosystem. Its relatively modest size and solid ergonomics make manual shooting rewarding, especially when paired with a good lens. I recommend it for portraits, landscapes, and modest wildlife or sports photography. The lack of video is a downside, but for stills, it still holds value.
On the other hand, if you want a hassle-free all-in-one traveler’s camera with extensive zoom and HD video, the Samsung HZ35W is a decent choice, especially for beginners or casual shooters. It’s easy to carry, simple to operate, and covers a huge focal range. Its image quality won’t satisfy the discerning pixel-peeper, but it’s a capable daily shooter with conveniences like GPS tagging.
Some Parting Thoughts from My Experience
Having handled hundreds of cameras through the years, I can say this: the Olympus E-520 represents a stepping stone camera that rewards learning and expansion into interchangeable lenses, while Samsung’s HZ35W exemplifies the accessible compact superzoom - a category that’s become ever more niche against smartphone competition.
If you want to nurture your photographic skills or invest in a system, I’d lean toward Olympus. If you prioritize pocketability, zoom, and video over pure image quality, Samsung holds practical appeal.
Remember, no camera is perfect; your choice depends on which compromises you’re willing to live with.
Hope this comparison helps clarify your decision. Feel free to ask if you want me to go deeper into any specific feature or shooting scenario!
Olympus E-520 vs Samsung HZ35W Specifications
| Olympus E-520 | Samsung HZ35W | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Samsung |
| Model type | Olympus E-520 | Samsung HZ35W |
| Otherwise known as | - | WB650 |
| Class | Entry-Level DSLR | Small Sensor Superzoom |
| Revealed | 2008-08-20 | 2010-06-16 |
| Body design | Compact SLR | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
| Sensor surface area | 224.9mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 | 4:3 and 16:9 |
| Maximum resolution | 3648 x 2736 | 4000 x 3000 |
| Maximum native ISO | 1600 | 3200 |
| Lowest native ISO | 100 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 3 | - |
| Lens | ||
| Lens support | Micro Four Thirds | fixed lens |
| Lens zoom range | - | 24-360mm (15.0x) |
| Highest aperture | - | f/3.2-5.8 |
| Macro focusing range | - | 3cm |
| Amount of lenses | 45 | - |
| Crop factor | 2.1 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 2.7 inch | 3 inch |
| Resolution of display | 230 thousand dot | 614 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | Optical (pentamirror) | None |
| Viewfinder coverage | 95% | - |
| Viewfinder magnification | 0.46x | - |
| Features | ||
| Slowest shutter speed | 60 secs | 16 secs |
| Maximum shutter speed | 1/4000 secs | 1/2000 secs |
| Continuous shooting speed | 4.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 12.00 m (at ISO 100) | 5.00 m |
| Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Maximum flash sync | 1/180 secs | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | - | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) |
| Maximum video resolution | None | 1280x720 |
| Video file format | - | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 552 gr (1.22 lb) | 245 gr (0.54 lb) |
| Dimensions | 136 x 92 x 68mm (5.4" x 3.6" x 2.7") | 107 x 61 x 28mm (4.2" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around rating | 55 | not tested |
| DXO Color Depth rating | 21.4 | not tested |
| DXO Dynamic range rating | 10.4 | not tested |
| DXO Low light rating | 548 | not tested |
| Other | ||
| Battery life | 650 pictures | - |
| Form of battery | Battery Pack | - |
| Battery ID | - | SLB-11A |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, Double, Motion) |
| Time lapse feature | ||
| Storage media | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Cost at launch | $400 | $300 |