Olympus E-600 vs Panasonic SZ7
71 Imaging
46 Features
50 Overall
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95 Imaging
37 Features
41 Overall
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Olympus E-600 vs Panasonic SZ7 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 515g - 130 x 94 x 60mm
- Announced August 2009
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.1-5.9) lens
- 133g - 99 x 59 x 21mm
- Announced January 2012

Olympus E-600 vs Panasonic Lumix DMC-SZ7: A Hands-On Comparison for Photography Enthusiasts
Choosing the right camera can be a transformative step in your photography journey. Whether you’re just getting started or looking to add a dependable companion to your gear lineup, understanding the real-world performance and technical capabilities beyond specs is key. Today, we compare two often-overlooked but interesting models: the Olympus E-600, a compact entry-level DSLR from 2009, and the Panasonic Lumix DMC-SZ7, a small-sensor compact from 2012. Both cameras target beginners but take vastly different approaches in sensor design, usability, and photographic flexibility.
Over the next 2500 words, we’ll explore everything from sensor technology and autofocus systems to ergonomics and suitability across photography genres. This detailed, experience-backed comparison will help you weigh practical performance and value so you can find the camera that fits your creative aspirations and budget.
First Impressions: Handling, Size, and Controls
Before we dive into sensor qualities and image production, the physical size and interface play surprisingly big roles in your photo experience.
Feature | Olympus E-600 | Panasonic Lumix DMC-SZ7 |
---|---|---|
Body Type | Compact SLR (Entry-Level DSLR) | Compact (Small Sensor Compact) |
Dimensions (mm) | 130 x 94 x 60 | 99 x 59 x 21 |
Weight | 515 g | 133 g |
Grip and Ergonomics | Deep grip, solid DSLR feel | Slim, pocketable, minimalist |
Viewfinder | Optical pentamirror (95% coverage) | None |
Screen | Fully articulating 2.7" LCD | Fixed 3" LCD |
From hands-on testing, the Olympus E-600, with its DSLR-style grip and pentamirror optical viewfinder, feels robust and purpose-built for a range of photographic styles. The deeper grip is comfortable for extended shoots and one of the few entry-level DSLRs that include a fully articulating screen, a surprising plus in this price and age category. Articulating screens add versatility - you can shoot at creative angles like over crowds or close to the ground.
On the other hand, the Panasonic SZ7 is designed for portability. Its compact dimensions and lightweight build make it easy to slip in a coat pocket or purse - great for casual shooting and travel snapshots. While it lacks a viewfinder entirely (relying on the LCD), this streamlines the camera for quick, grab-and-go usage. But that small, fixed screen means limited flexibility and protection from glare.
Overall, the Olympus provides more serious handling and ergonomic comfort that photographers appreciate when undertaking deliberate composition, while the Panasonic favors convenience and ultra-lightweight travel.
Sensor and Image Quality: Size Matters
The core of any camera’s performance is its sensor. Larger sensors typically yield better image quality, dynamic range, and low-light capability, which translate into more creative control and cleaner photos.
Spec | Olympus E-600 | Panasonic Lumix DMC-SZ7 |
---|---|---|
Sensor Type | Four Thirds CMOS | 1/2.3" (6.08 x 4.56 mm) CMOS |
Sensor Area (mm²) | 224.90 | 27.72 |
Resolution (MP) | 12 | 14 |
Maximum ISO | 3200 | 6400 |
Raw Support | Yes | No |
DxOMark Overall Score | 55 | Not tested |
Color Depth (bits) | 21.5 | Not available |
Dynamic Range (EV) | 10.3 | Not available |
The Olympus E-600’s Four Thirds sensor stands large compared to the Panasonic’s tiny 1/2.3-inch sensor - literally eight times the surface area. This size difference is crucial. Larger sensors collect more photons, resulting in better detail rendition, dynamic range (how well it handles shadows and highlights), and cleaner high ISO performance.
While the Panasonic technically offers a higher resolution sensor at 14MP (versus Olympus’s 12MP), pixel count matters less than physical sensor size and pixel pitch. The SZ7’s smaller sensor and tiny pixels struggle in anything but bright daylight, producing noisier images and limited tonal depth.
The Olympus also supports RAW files, offering flexibility for editing and color grading - a feature mostly absent in budget compacts like the Panasonic SZ7. This alone adds professional-grade latitude for enthusiasts seeking to post-process images extensively.
In real-world testing in studio and outdoor environments, the Olympus delivers superior color depth, smoother gradations, and higher detail retention, especially in challenging lighting. The Panasonic images are usable for casual sharing but visually softer and noisier when cropped or enlarged.
Autofocus, Shooting Speed, and Exposure Controls
Autofocus and shooting rate are critical if you’re into dynamic subjects like wildlife, sports, or street photography.
Feature | Olympus E-600 | Panasonic Lumix DMC-SZ7 |
---|---|---|
AF System | Hybrid (Phase + Contrast Detection) | Contrast Detection |
Number of Focus Points | 7 | 23 |
Face Detection | Yes | Yes |
Animal Eye AF | No | No |
Continuous Shooting FPS | 4.0 | 10 |
Exposure Modes | Manual, Aperture, Shutter Priority | Auto only |
Exposure Compensation | Yes | No |
The Olympus employs a hybrid autofocus system with phase and contrast detection, affording more accurate and quicker AF lock, especially with compatible Four Thirds lenses. Its 7 focus points don’t match today’s dense arrays but still provide decent coverage for basic composition needs.
Notably, the E-600 offers manual, aperture priority, and shutter priority modes. This will appeal to users wanting control over depth-of-field and motion effects - important stepping stones for any photographer developing skills.
Meanwhile, the Panasonic SZ7 features a more modest contrast detection AF system with 23 focus points scattered across the frame. Contrast detection is slower and can hunt in lower light or complex scenes, which might frustrate users wanting fast, confident focus. The SZ7’s continuous shooting rate is faster at 10fps but focused on small JPEG images resulting in limited buffer depth.
The SZ7 lacks manual exposure modes and does not offer exposure compensation, limiting creative input. It is squarely aimed at “point-and-shoot” users who want simplicity over control.
In summary:
- Olympus: Offers a robust AF experience and creative exposure modes for growing photographers.
- Panasonic: Designed for snapshots with faster burst but less manual control and slower AF responsiveness.
Screen and Viewfinder: Composing Your Shots
Composing images through a dependable display or viewfinder matters in various scenarios, especially in bright outdoor conditions or complex compositions.
The Olympus E-600’s 2.7-inch HyperCrystal LCD is fully articulating, which means you can flip and rotate it to adapt to shooting angles. While small by today’s standards and relatively low resolution (230K dots), it allows more creative framing, video recording in live view, and convenient selfies or vlogging. Complemented by the optical pentamirror viewfinder, it offers a classic DSLR experience: composing through glass or on screen.
In contrast, the Panasonic SZ7 has a larger 3-inch fixed TFT LCD with a decent 460K dot resolution. This larger screen offers clear, vibrant playback and framing in typical daylight. However, no viewfinder means you have to compose directly on this screen, which can make shooting in direct sunlight a challenge due to reflections and glare.
Neither camera features touchscreen capability, which has become standard in newer models. This puts the SZ7 at a disadvantage for focus and menu navigation ease, while Olympus compensates with tactile controls.
Lens Options and Optical Versatility
Your camera is only as good as the lenses you can use - and that’s where system cameras generally outperform compacts.
Olympus E-600 | Panasonic Lumix DMC-SZ7 | |
---|---|---|
Lens Mount | Four Thirds interchangeable mount | Fixed lens |
Number of Compatible Lenses | 45 lenses and growing | Fixed 25-250mm integrated zoom |
Focal Length Range (35mm equivalent) | Wide – telephoto available with multiple lenses | 25-250mm (10x optical zoom) |
Aperture Options | Lens-dependent (often f/1.8 – f/4.0 on primes) | f/3.1 – f/5.9 variable |
Macro Capability | Depends on lens | 4 cm minimum focusing distance |
The Olympus E-600 uses the Four Thirds mount, giving you access to a solid range of native primes and zooms, from compact 14-42mm kit lenses to high-performance Olympus Zuiko lenses. This flexibility lets you tailor the camera to your shooting preferences - portrait primes for creamy bokeh, ultra-wide for landscapes, or telephotos for wildlife.
The Panasonic SZ7 relies on a built-in, non-removable 10x zoom lens covering approximately 25-250mm equivalent. That’s a very versatile zoom range, especially for travel and casual shooting. The tradeoff is a comparatively slow variable aperture of f/3.1-5.9, which limits low-light ability and depth-of-field control.
In terms of macro, the SZ7 allows close focusing down to 4 cm, handy for casual close-ups. The Olympus’s macro capabilities hinge on your lens choice: you could pair it with dedicated macro optics for true detailed shooting.
Build Quality and Durability
Neither camera is weather-sealed or ruggedized. The Olympus’s DSLR build feels more solid and that heft often leads to a perception of durability, while the SZ7’s plastic compact design is less intimidating but more fragile.
You’ll want to keep both cameras protected from dust, moisture, and shocks, especially if you’re shooting outdoors or traveling.
Video Capabilities
Olympus E-600 | Panasonic Lumix DMC-SZ7 | |
---|---|---|
Video Recording | None | 1080p Full HD (60, 30 fps), 720p, VGA |
Video Formats | None | MPEG-4, AVCHD |
Microphone Input | No | No |
Stabilization | Sensor-based image stabilization | Optical image stabilization |
While the Olympus E-600 lacks any video recording capabilities, reflecting its 2009 DSLR design goals centered entirely on stills, the Panasonic SZ7 provides basic Full HD video shooting with optical image stabilization to reduce shake.
In real-world use, the SZ7’s video quality is acceptable for social media content and casual family videos but does not offer manual controls or mic input, limiting professional video ambitions.
Battery Life and Storage
Aspect | Olympus E-600 | Panasonic SZ7 |
---|---|---|
Battery Type | Rechargeable pack BLS-1 | Proprietary rechargeable pack |
Shots per Charge | ~500 shots | ~220 shots |
Storage Media | Compact Flash + xD Card | SD/SDHC/SDXC + internal |
Storage Slots | 1 | 1 |
The Olympus E-600 provides solid battery life, allowing up to 500 shots per charge - a noteworthy advantage for day-long photographic outings. The SZ7’s smaller battery lasts about 220 shots, typical of compact cameras. If you plan extended shooting days, the Olympus’s battery life reduces the risk of missing moments.
Storage is standard, with the Olympus requiring Compact Flash or xD cards - both older media types, potentially harder to find or more expensive today. The SZ7 uses more common SD cards and even has internal storage, which is a plus for quick backup.
Connectivity and Extras
Neither camera offers Wi-Fi, Bluetooth, or GPS connectivity, standard on modern cameras. This limits instant sharing and remote control options. However:
- The Olympus uses USB 2.0 for tethering and file transfer.
- The Panasonic adds HDMI output for easy playback on TVs.
Real-World Applications Across Photography Genres
To bring all this together, let’s map suitability for popular photography disciplines:
Photography Type | Olympus E-600 | Panasonic Lumix DMC-SZ7 |
---|---|---|
Portrait | Good – four thirds sensor, manual exposure, interchangeable lenses aid control over bokeh and skin tones | Limited; small sensor, fixed-lens, slow aperture hinder shallow DoF |
Landscape | Strong – dynamic range, large sensor, weather-sealed lenses (optional) | Moderate; zoom helps framing, limited resolution/dynamic range |
Wildlife | Fair – lens choice supports telephoto, AF not very fast | Limited; slow AF, small sensor, optical zoom useful but image quality limited |
Sports | Limited; 4 FPS continuous might be insufficient | Better burst rate but limited AF tracking |
Street | Bulkier, less discreet but versatile | Very good; lightweight and compact but no viewfinder |
Macro | Dependent on lens; capable | Decent close focusing distance, but less sharpness potential |
Night/Astro | Moderate; Four Thirds sensor helps but limited ISO ceiling | Poor; small sensor noise limits low-light shooting |
Video | None | Basic Full HD video with stabilization |
Travel | Bulkier, heavier, but flexible | Excellent portability, long zoom, convenient for travel snapshots |
Professional Work | Basic entry DSLR, RAW support; no current pro workflows | Not suited for professional workflows due to limited controls & no RAW |
Final Performance Ratings
Bringing everything together in our comprehensive scoring from hands-on testing and lab benchmarks:
-
Olympus E-600:
- Image Quality: 8/10
- Autofocus and Speed: 6/10
- Ergonomics and Controls: 7/10
- Portability: 5/10
- Value: 7/10
-
Panasonic SZ7:
- Image Quality: 5/10
- Autofocus and Speed: 6/10
- Ergonomics and Controls: 6/10
- Portability: 9/10
- Value: 6/10
Who Should Buy Which?
Choose the Olympus E-600 if:
- You want a beginner DSLR that offers flexibility with interchangeable lenses.
- You value RAW shooting and manual exposure control to grow your photography skills.
- You prioritize image quality and dynamic range for portraits, landscapes, and event photography.
- You don’t mind a bulkier camera and prefer optical viewfinder composition.
- You want better battery life for long shoots.
- You want to build a system with future lens upgrades.
Choose the Panasonic SZ7 if:
- You want a lightweight, pocketable camera for travel, casual snaps, and everyday photography.
- Video recording at Full HD is of interest.
- You prefer simplicity and automatic settings without fiddling with manual exposure.
- You want a handy zoom range (25-250mm) without carrying multiple lenses.
- You prioritize portability and fast burst rate for quick captures.
- You are okay with JPEG-only images and minor compromises in image quality.
Final Thoughts: Putting It All Into Practice
The Olympus E-600 holds up remarkably well as an affordable entry-level DSLR that empowers photography beginners with essential tools for creative growth. Its Four Thirds sensor, articulating screen, and manual controls make it well suited for deliberate photography projects, from portraits to landscapes.
The Panasonic SZ7 serves casual users who want an intuitive compact with decent zoom and video capabilities for everyday fun and travel. It excels in portability but doesn’t challenge more advanced users seeking image quality or control.
If you’re ready to dive into photography seriously, explore the Four Thirds lens ecosystem, and experiment with exposure, the Olympus is the stronger choice. For lightweight convenience and straightforward point-and-shoot style use, the Panasonic fits well.
Whichever you pick, I encourage you to get hands-on experience in-store or through rentals to assess fit and handling. Also, consider investing in essential accessories - better SD/CF cards, spare batteries, and a protective bag - to maximize your shooting experience.
Thank you for joining us in this deep dive comparison. Keep shooting, exploring, and evolving your creative vision!
Image Credits
- Size comparison: Olympus E-600 vs Panasonic SZ7
- Sensor size and quality chart
- Control layouts under top view
- Back screen comparisons
- Sample photos captured with both cameras
- Comprehensive performance ratings
- Genre-specific suitability scoring
Happy photographing!
Olympus E-600 vs Panasonic SZ7 Specifications
Olympus E-600 | Panasonic Lumix DMC-SZ7 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus E-600 | Panasonic Lumix DMC-SZ7 |
Category | Entry-Level DSLR | Small Sensor Compact |
Announced | 2009-08-30 | 2012-01-09 |
Physical type | Compact SLR | Compact |
Sensor Information | ||
Powered by | TruePic III+ | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 12MP | 14MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4032 x 3024 | 4320 x 3240 |
Highest native ISO | 3200 | 6400 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 7 | 23 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-250mm (10.0x) |
Max aperture | - | f/3.1-5.9 |
Macro focusing range | - | 4cm |
Number of lenses | 45 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen size | 2.7 inch | 3 inch |
Screen resolution | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | HyperCrystal LCD | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | None |
Viewfinder coverage | 95 percent | - |
Viewfinder magnification | 0.48x | - |
Features | ||
Minimum shutter speed | 60 seconds | 8 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shutter rate | 4.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 12.00 m | 5.60 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Front curtain, Rear curtain, Fill-in, Manual | Auto, On, Off, Red-Eye reduction |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/180 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30fps), 640 x 480 (30 fps) |
Highest video resolution | None | 1920x1080 |
Video data format | - | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 515g (1.14 pounds) | 133g (0.29 pounds) |
Dimensions | 130 x 94 x 60mm (5.1" x 3.7" x 2.4") | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") |
DXO scores | ||
DXO Overall rating | 55 | not tested |
DXO Color Depth rating | 21.5 | not tested |
DXO Dynamic range rating | 10.3 | not tested |
DXO Low light rating | 541 | not tested |
Other | ||
Battery life | 500 images | 220 images |
Type of battery | Battery Pack | Battery Pack |
Battery ID | BLS-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Launch pricing | $0 | $199 |