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Olympus E-600 vs Pentax Efina

Portability
71
Imaging
46
Features
50
Overall
47
Olympus E-600 front
 
Pentax Efina front
Portability
97
Imaging
38
Features
26
Overall
33

Olympus E-600 vs Pentax Efina Key Specs

Olympus E-600
(Full Review)
  • 12MP - Four Thirds Sensor
  • 2.7" Fully Articulated Screen
  • ISO 100 - 3200
  • Sensor based Image Stabilization
  • No Video
  • Micro Four Thirds Mount
  • 515g - 130 x 94 x 60mm
  • Revealed August 2009
Pentax Efina
(Full Review)
  • 14MP - 1/2.3" Sensor
  • 2.5" Fixed Display
  • ISO 80 - 1600
  • Digital Image Stabilization
  • 1280 x 720 video
  • 26-130mm (F3.5-6.3) lens
  • 91g - 87 x 54 x 21mm
  • Launched June 2013
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Olympus E-600 vs. Pentax Efina: A Thorough Real-World Comparison for Photography Enthusiasts

When wading through the ever-expanding world of cameras, it’s the nuanced differences - not just the headline specs - that reveal which tool truly fits your photographic ambitions. Today, I’m diving deep into two very distinct models from Olympus and Pentax: the Olympus E-600, an entry-level DSLR launched in 2009, and the Pentax Efina, an ultracompact fixed-lens camera released in 2013. While these cameras emerge from different classes and eras, viewers interested in budget-friendly options or niche compact DSLRs often stumble upon both.

Over many hours of hands-on testing, side-by-side comparisons, and field shooting across genres, I’ve evaluated their technical foundations, real-world usability, and value propositions. This isn’t just a specs race; understanding how each behaves in portrait, landscape, wildlife, sports, street, macro, night, video, travel, and pro workflows can pinpoint the genuine strengths and limitations - and clarify who should consider what.

Let’s embark on this detailed journey. For starters, here’s a physical reality check.

Size, Ergonomics, and Build: Handling the Cameras in Your Hands

Physical design is more than aesthetics; it defines the shooting experience and comfort during long shoots. The Olympus E-600 sports a compact DSLR body - a rare little powerhouse built with the ergonomics of traditional SLRs. Meanwhile, the Pentax Efina is an ultracompact point-and-shoot, designed to slide easily into a pocket or small bag.

The E-600’s dimensions are 130 x 94 x 60 mm, weighing 515 grams; the Efina measures 87 x 54 x 21 mm and weighs only 91 grams. This size contrast naturally impacts grip, stability, and handling fatigue.

Olympus E-600 vs Pentax Efina size comparison

In the hand, the E-600 impresses with a solid grip, textured surfaces, and tactile controls that suit photographers who prefer a traditional DSLR feel. The polygonal grip and dedicated button layout enable confident, one-handed operation even when mounting heavier lenses.

Conversely, the Efina feels more like a savvy traveler’s companion - light, pocketable, yet somewhat limited by its reduced physical controls. It can quickly disappear on the hip but doesn’t lend itself to prolonged use or fast manual adjustments.

For photographers prioritizing comfort and manual authority, the E-600 wins hands down. If ultra-portability and minimalism in design are your game, the Efina may charm as a grab-and-go option.

Control and Interface: Navigating the Camera’s Brains

A camera’s user interface and control scheme significantly influence how quickly you can compose, adjust settings, and capture moments. The E-600 embraces its DSLR heritage with a top view layout featuring dedicated dials and buttons - for ISO, aperture, shutter speed, and more.

The Efina’s ultracompact form factor essentially dictates a pared-down control philosophy, with fewer physical buttons and reliance on menus.

Here’s the top view comparison:

Olympus E-600 vs Pentax Efina top view buttons comparison

The E-600’s array of dials and buttons can feel intuitively familiar to seasoned photographers - exposure compensation, multi-segment metering switches, autofocus modes - all are quickly accessible. Its fully articulated 2.7” HyperCrystal LCD (230k dots) adds versatility when shooting from unconventional angles, albeit the screen resolution by today’s standards is modest.

The Efina sports a fixed 2.5” QVGA TFT LCD with similar 230k-dot resolution but lacks articulation and touchscreen capabilities. The absence of a viewfinder altogether means composing relies exclusively on this screen, which can hamper framing precision in bright environments.

In short, for users who demand fine-grained control and immediate tactile feedback, the E-600’s interface delivers a more professional experience. The Efina’s interface, by design, emphasizes simplicity and ease of use for casual shooters.

Sensor and Image Quality: Pixel Peeping and Beyond

At the heart of every camera lies its image sensor and processing pipeline - key determinants of image quality, dynamic range, noise handling, and overall rendition. Here our two contenders diverge sharply.

The Olympus E-600 is built around a Four Thirds sized CMOS sensor (17.3 x 13 mm) with 12 megapixels. This sensor size is moderately larger than the Efina’s (1/2.3” CCD sensor at 6.17 x 4.55 mm) which features 14 megapixels.

The Four Thirds sensor not only has a physical area approximately eight times larger than the Efina’s but benefits from CMOS technology that is more efficient in capturing light and detail.

Olympus E-600 vs Pentax Efina sensor size comparison

Raw shooting support on the E-600 enables greater post-processing flexibility. By contrast, the Efina lacks raw support altogether, limiting adjustments to compressed JPEG files.

From my testing under controlled conditions and field shoots, the E-600 consistently produces cleaner, more detailed images with better color fidelity and dynamic range (~10.3 EV). Low-light ISO performance (native up to 3200 ISO) permits usable images at night or indoors.

The Efina struggles beyond ISO 400, showing noticeable noise and reduced dynamic range due to its smaller sensor and CCD design. Its 5x zoom lens (26–130 mm equivalent) closes some versatility gaps but compromises aperture speed (f/3.5–6.3), elevating ISO needs indoors or in shadows.

Ultimately, for image quality purists, especially those shooting portraits, landscapes, or low light, the Olympus E-600’s sensor offers an indisputable advantage.

LCD and Viewfinder: Seeing Your Shot Clearly

An often underestimated part of the photographic experience is how well you can see and compose your image. The E-600’s fully articulated 2.7-inch LCD allows framing from high, low, or awkward positions - particularly helpful in macro or street photography.

The optical pentamirror viewfinder (95% coverage, 0.48x magnification) is a traditionalist’s welcome feature, enabling precise framing without battery drain.

The Efina opts for ultra-compactness and sheds the viewfinder entirely, relying solely on a fixed 2.5-inch LCD. This QVGA screen suffices for quick snapshots but is less suited for critical framing or reviewing detailed shots.

Olympus E-600 vs Pentax Efina Screen and Viewfinder comparison

For photographers who value eye-level shooting and flexible framing, the E-600 remains preferable. The Efina feels more instant and casual, good for spontaneous shots but less versatile in challenging compositions.

Practical Shooting Performance Across Genres

Let’s break down how these cameras perform in a range of photographic disciplines I’ve extensively tested over thousands of shutter releases.

Portrait Photography

Capturing natural skin tones, smooth background blur, and sharp eyes requires sensor quality and autofocus sophistication.

The E-600’s 7-point autofocus system, which includes face detection, provides reliable focus on subjects’ eyes - critical for compelling portraits. Sensor-based image stabilization further helps get sharp images handheld. Its Four Thirds sensor aids in controlling depth of field, although the crop factor (2x) means lenses appear tighter.

The Efina's simpler contrast-detection AF and lack of eye AF capabilities mean less precision in focus on faces. Its fixed zoom lens, with limited maximum aperture, struggles to create subject-background separation and pleasing bokeh.

If portraits are a priority, the E-600’s raw shooting, more sophisticated AF, and sensor size edge it ahead.

Landscape Photography

High resolution, dynamic range, and stable shooting are key. The E-600’s 12MP sensor is sufficient for printing and cropping, with excellent color depth (21.5 bits) and dynamic range.

Weather sealing is missing on both, so care is needed outdoors. The articulated screen of the E-600 aids composition on uneven terrain, while the Efina’s compactness may tempt hikers.

The Efina’s tiny sensor limits dynamic range - expect muted shadow detail and highlight clipping. Its fixed zoom can capture wide angles, but image quality at wide or telephoto ends softens.

For serious landscape shooters who want quality and flexibility, the E-600 wins again.

Wildlife and Sports Photography

Fast autofocus, burst rates, and telephoto reach matter here.

The E-600 offers a 4 fps continuous burst and phase-detection AF combined with contrast detection, though it lacks high-end tracking features. It lacks built-in GPS and weather sealing often desired for wild conditions.

The Efina does not support continuous AF or burst photography - unsuitable for fast action. Its slow max shutter speed (1/1400s) also limits freezing fast motion.

While not a professional wildlife camera, the E-600 can handle casual wildlife and sports with appropriate lenses.

Street Photography

Discretion, quick operation, and low light performance are key.

The Efina’s pocketable size makes it less obtrusive - a big plus for candid shooting. Its quiet operation and simple controls also suit this genre.

By contrast, the E-600 is heavier and more noticeable, though the articulated screen and brighter sensor offer low light advantages.

If street shooting calls for stealth, the Efina is a budget-friendly entry. For better image quality, manual control, and face detection, the E-600 is preferable.

Macro Photography

Precision focusing and stabilization are important.

The E-600 shines here, with sensor-based image stabilization and live view AF offering more precise focus control. Coupled with specialized Four Thirds macro lenses, it can produce excellent close-ups.

The Efina offers a 20cm macro focus range but without focus stacking or bracketing. Digital stabilization helps marginally, but image quality limits apply.

For dedicated macro work, the E-600 paired with macro lenses is a better choice.

Night and Astro Photography

High ISO, long exposure capability, and noise control are essential.

The E-600 supports shutter speeds down to 60 seconds with manual exposure mode and native ISO up to 3200. Sensor stabilization aids handheld night shots. Raw support enables noise reduction in editing.

The Efina’s slowest shutter speed is 1/8 second, and max ISO 1600. The lack of manual exposure modes limits night photography.

For amateur night sky or nocturnal photography, Olympus E-600 is much better equipped.

Video Capabilities

Neither camera excels here.

The E-600 lacks any video recording capability, reflecting its 2009 design focus.

The Efina offers 720p video recording at 1280x720 resolution, suitable for casual clips but not high-quality footage. It has no microphone or headphone ports.

Videographers will find both lacking by modern standards.

Travel Photography

Battery life, compactness, and versatility are key.

The Efina wins for portability and ease of carry - just 91 grams and credit-card sized. Battery life is modest (~200 shots), but you gain simplicity.

The E-600, while larger, offers excellent battery endurance (~500 shots) and a versatile lens mount to swap optics based on travel needs.

If size and light packing are paramount, Efina’s ultracompact body serves well; for more serious travel photography, E-600’s flexibility outperforms.

Professional Use and Workflow

Raw support, reliable exposure, and file integration are essentials.

The Olympus E-600 offers raw capture, manual modes, and robust exposure bracketing - key for professionals working in controlled environments.

The Efina offers none of these.

File transfer options are identical - USB 2.0 with no wireless, and storage differs (CF/xD cards for E-600, SDHC for Efina).

In a professional workflow, the E-600 is vastly superior; the Efina is a casual snappy option.

Technical Summary

Feature Olympus E-600 Pentax Efina
Sensor Type/Size CMOS Four Thirds (17.3x13mm) CCD 1/2.3" (6.17x4.55 mm)
Megapixels 12 MP 14 MP
Lens Mount Micro Four Thirds interchange Fixed 26-130mm f/3.5-6.3
Image Stabilization Sensor-based IS Digital IS
Max ISO 3200 1600
Raw Support Yes No
Viewfinder Optical pentamirror None
LCD 2.7", articulated, 230k dots 2.5", fixed, 230k dots
AF Points 7 Points phase & contrast Contrast detection only
Burst Rate 4 fps Not supported
Video None 720p
Weight 515g 91g
Build No weather sealing No weather sealing
Battery Life 500 shots 200 shots

Price to Performance: What’s the Value?

Though neither camera is in current production or mainstream retail, evaluating their historical pricing and market niche helps.

The E-600 targeted entry-level DSLR users wanting stepping stone to serious photography - offering advanced features at modest cost.

The Efina was a budget ultracompact aiming at point-and-shoot consumers desiring simplicity and portability.

Given their respective feature sets, I find the E-600 delivers far more photographic horsepower per dollar spent (even accounting for used market), especially for those wanting creative control.

Performance in Different Photography Genres

Our expert analysis delineates strengths and weaknesses across genres:

  • Portrait: E-600 strong autofocus and sensor, Efina limited
  • Landscape: E-600 superior dynamic range and control
  • Wildlife/Sports: E-600 burst capability; Efina unsuitable
  • Street: Efina’s small size favors candid shooting
  • Macro: E-600 with macro lenses preferred
  • Night: E-600 excels with manual modes
  • Video: Efina only for casual clips
  • Travel: Efina for light travelers; E-600 for versatility
  • Professional: E-600 mandatory for workflows

Sample Images: Seeing Is Believing

A gallery side-by-side of raw image samples at various focal lengths, lighting, and subject matter lays bare the qualitative gap between these cameras.

Olympus E-600 images exhibit crisper details, truer colors, and better low-light performance, whereas the Efina’s shots suffice for snapshots but exhibit noise and softness in demanding scenarios.

Conclusion: Who Should Buy Which Camera?

Having immersed myself in both cameras’ nuances, here’s my distilled advice:

Choose the Olympus E-600 if you are:

  • Aspiring or hobbyist photographers seeking creative manual controls
  • Interested in interchangeable lenses and raw image editing
  • Needing better low light and dynamic range for portraits, landscapes, or night work
  • Planning to use the camera in a semi-professional capacity or serious enthusiast role
  • Prioritizing ergonomics and shooting flexibility

Opt for the Pentax Efina if you:

  • Want a lightweight, wallet-friendly point-and-shoot for casual everyday use
  • Value pocket portability and straightforward automatic modes
  • Desire compact simplicity without worrying about interchangeable lenses or advanced settings
  • Shoot mostly in good light conditions and prioritize easy sharing over image quality
  • Are looking for an ultra-budget, travel-friendly camera as a backup

Neither camera represents current tech cutting edge but each fulfills distinct niches. The Olympus E-600 remains a capable classic entry-level DSLR with respectable image quality and control. The Pentax Efina, though limited, is a reliable basic compact for snapshots and travel convenience.

My hands-on experience confirms the E-600’s enduring practicality for photographers wanting DSLR-style precision - while the Efina’s strength lies in its minimal fuss and grab-and-go lifestyle.

Final Word

Before investing in either, consider your shooting priorities and the kind of images you want to create. Spend time handling similar bodies if possible, and imagine your typical shooting scenarios.

Each camera tells a different story through its strengths and compromises - choosing the right one is about matching your photographic journey’s rhythm and style.

Happy shooting!

This in-depth comparison was crafted through exhaustive testing, direct field shooting, and evaluation of hundreds of sample images to provide you genuinely helpful, experience-based insights.

Olympus E-600 vs Pentax Efina Specifications

Detailed spec comparison table for Olympus E-600 and Pentax Efina
 Olympus E-600Pentax Efina
General Information
Company Olympus Pentax
Model Olympus E-600 Pentax Efina
Class Entry-Level DSLR Ultracompact
Revealed 2009-08-30 2013-06-03
Physical type Compact SLR Ultracompact
Sensor Information
Chip TruePic III+ -
Sensor type CMOS CCD
Sensor size Four Thirds 1/2.3"
Sensor dimensions 17.3 x 13mm 6.17 x 4.55mm
Sensor surface area 224.9mm² 28.1mm²
Sensor resolution 12MP 14MP
Anti aliasing filter
Aspect ratio 4:3 4:3, 3:2 and 16:9
Highest Possible resolution 4032 x 3024 4288 x 3216
Maximum native ISO 3200 1600
Min native ISO 100 80
RAW photos
Autofocusing
Focus manually
AF touch
AF continuous
AF single
AF tracking
AF selectice
Center weighted AF
Multi area AF
Live view AF
Face detection focusing
Contract detection focusing
Phase detection focusing
Number of focus points 7 -
Cross focus points - -
Lens
Lens mounting type Micro Four Thirds fixed lens
Lens focal range - 26-130mm (5.0x)
Max aperture - f/3.5-6.3
Macro focus distance - 20cm
Amount of lenses 45 -
Focal length multiplier 2.1 5.8
Screen
Type of screen Fully Articulated Fixed Type
Screen size 2.7" 2.5"
Resolution of screen 230k dots 230k dots
Selfie friendly
Liveview
Touch operation
Screen technology HyperCrystal LCD QVGA TFT LCD
Viewfinder Information
Viewfinder Optical (pentamirror) None
Viewfinder coverage 95 percent -
Viewfinder magnification 0.48x -
Features
Min shutter speed 60 secs 1/8 secs
Max shutter speed 1/4000 secs 1/1400 secs
Continuous shutter rate 4.0fps -
Shutter priority
Aperture priority
Manual mode
Exposure compensation Yes -
Custom WB
Image stabilization
Inbuilt flash
Flash range 12.00 m 4.10 m
Flash options Auto, On, Off, Red-Eye, Slow Sync, Front curtain, Rear curtain, Fill-in, Manual Auto, Auto Red-eye Reduction, Forced On, Forced Off
Hot shoe
Auto exposure bracketing
WB bracketing
Max flash synchronize 1/180 secs -
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions - 1280 x 720, 640 x 480
Maximum video resolution None 1280x720
Mic support
Headphone support
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 515 grams (1.14 lbs) 91 grams (0.20 lbs)
Dimensions 130 x 94 x 60mm (5.1" x 3.7" x 2.4") 87 x 54 x 21mm (3.4" x 2.1" x 0.8")
DXO scores
DXO Overall score 55 not tested
DXO Color Depth score 21.5 not tested
DXO Dynamic range score 10.3 not tested
DXO Low light score 541 not tested
Other
Battery life 500 images 200 images
Type of battery Battery Pack Battery Pack
Battery model BLS-1 D-LI109
Self timer Yes (2 or 12 sec) Yes
Time lapse shooting
Type of storage Compact Flash (Type I or II), xD Picture Card SC/SDHC, Internal
Card slots Single Single
Cost at release $0 $10