Olympus E-620 vs Sony RX100 V
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Olympus E-620 vs Sony RX100 V Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 500g - 130 x 94 x 60mm
- Revealed July 2009
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 299g - 102 x 58 x 41mm
- Announced October 2016
- Old Model is Sony RX100 IV
- New Model is Sony RX100 VI

Olympus E-620 vs Sony RX100 V: A Hands-On Comparison by a Seasoned Camera Tester
When diving deep into the camera marketplace, it’s easy to get lost in a flood of specs, marketing jargon, and shiny promises. But after testing thousands of cameras over 15 years, I’ve learned that the devil’s in the details - and more importantly, how a camera performs when you’re out there chasing the shot. Today, I’m pitting two very different beasts against each other: the Olympus E-620, a classic entry-level DSLR from 2009, and the Sony RX100 V, a high-tech large sensor compact from 2016. Both aimed at enthusiasts, yet each with unique strengths and compromises shaped by their eras and designs.
Spoiler: If you want a quick capsule summary, the RX100 V is the more sophisticated performer and better suited to versatile, fast-paced shooting while traveling light, but the Olympus E-620 still holds charm with its DSLR ergonomics and classic lens interchangeability, especially for those on a budget or with MFT lenses already in their bag.
Let’s dig into why, and which camera might fit your style and needs.
Size and Handling: DSLR Feel Versus Pocketable Power
First impressions matter, especially when carrying your camera all day. Physically, these two cameras couldn’t be more different. The Olympus E-620 is a compact DSLR with a traditional SLR body, while the Sony RX100 V is a tiny fixed-lens powerhouse, built to fit almost anywhere.
At 130x94x60 mm and around 500 grams (with battery), the E-620 feels substantial yet manageable in hand - enough heft to steady your shots but not tire you. The grip is molded for comfort, and controls are placed for easy reach, especially if you’re used to DSLRs. Its articulated 2.7-inch screen folds out, a rare luxury at its time, aiding in creative compositions.
In contrast, the RX100 V is a marvel of miniaturization: measuring 102x58x41 mm and weighing only 299 grams, it slips into a jacket pocket or purse with zero fuss. Its tilting 3-inch screen boasts a far higher resolution (1229k dots vs. E-620’s 230k), making selfies and live-view framing an absolute pleasure - though the lack of touchscreen might feel a little nostalgic (or frustrating, if you’ve grown used to taps).
Top-down, usage-centric design reveals the E-620’s optical pentamirror with 95% viewfinder coverage versus the RX100 V’s sharp electronic viewfinder with 100% coverage and nearly double the magnification (0.59x vs. 0.48x). The optical viewfinder provides realism and zero lag, a classic DSLR joy, whereas the RX100 V’s EVF shines in low light and shows real-time exposure effects.
While the Sony shifts controls around a tiny body, the Olympus’s larger form allows for dedicated dials and buttons, making manual adjustments more tactile and immediate - a blessing in fast-shooting scenarios.
Sensor Technology and Image Quality: Four Thirds Meets 1-Inch BSI-CMOS
Now, the heart of any camera - the sensor. These models showcase dramatic technological leaps and design philosophies.
Olympus E-620 sports a 12-megapixel Four Thirds CMOS sensor (17.3x13 mm, 224.9 mm² sensor area), complemented by Olympus’s TruePic III+ processor. This sensor is relatively large among DSLRs from 2009, providing decent dynamic range (10.3 EV measured) and color depth (21.3 bits). Maximum native ISO tops at 3200 - stingy by modern standards but adequate then. Image size peaks at 4032x3024 pixels.
Sony RX100 V features a notably smaller 1-inch BSI-CMOS sensor (13.2x8.8 mm, 116.16 mm²), but with a higher 20.1 MP resolution (5472x3648 pixels), powered by Sony’s Bionz X processor. Backside illumination (BSI) significantly improves low light sensitivity, resulting in excellent dynamic range (12.4 EV) and color depth (22.8 bits). ISO goes all the way up to 12800 natively, expandable to 25600 - staking a clear claim to better low-light prowess.
Here’s a direct sensor spec comparison:
In practice, I found the Olympus images lean toward punchier color rendition with smoother tonal gradations - excellent for skin tones in portraits without heavy post-processing. Landscapes exhibit decent detail but limited dynamic range occasionally clips highlights, especially under harsh mid-day sun.
Sony’s RX100 V dazzles with sharpness and fine detail, aided by its higher megapixel count and latest sensor tech by 2016. Its low noise at high ISOs lets you capture night scenes or indoor action with confidence. The dynamic range improvement means you can recover more shadows and highlights, great for landscape and event work.
Autofocus: Classic 7-Point vs. 315-Point Phase-Detect Hybrid
Moving onto focusing - the area where technology progressed tremendously between these two cameras.
Olympus offers 7 autofocus points, with both phase-detection and contrast-detection AF, face detection, and multi-area focusing. Unfortunately, it lacks continuous tracking autofocus, which hampers its ability to capture moving subjects reliably. Manual focus is available but can feel fiddly without focus peaking.
Sony’s RX100 V crushes this with a staggering 315 phase-detection points combined with contrast detection, enabling fast hybrid AF capable of real-time tracking, eye detection on humans, and reliable face detection. The AF is lightning-quick, clocking 0.05 seconds and maintaining lock even on erratic movement.
This makes the RX100 V a go-to camera for wildlife, sports, and street photography where capturing fleeting moments is paramount. Olympus’s AF system suits portraits and landscapes better, where subjects are still or slow-moving.
Build, Weather Sealing, and Durability
Neither camera offers robust weather sealing - a bit disappointing but understandable given their entry-level / compact positioning. Both require care in humid or dusty environments.
The E-620 is plastic-heavy but generally sturdy with solid ergonomics. Sony RX100 V’s metal body is surprisingly tough for such a small machine, with a magnesium alloy chassis delivering reasonable resilience.
Neither is marketed for rough professional field use or harsh conditions, so if you’re planning adventures in extreme climates, look elsewhere or invest in protective housings.
User Interface and Controls: Hands-On With Menus and Buttons
Olympus’s fully articulated HyperCrystal LCD may be “only” 2.7 inches and 230k resolution, but it pivots at all angles - excellent for awkward compositions or low-angle shots. The viewfinder doesn’t have electronic overlay, which some miss, but its optical nature is reliable.
Sony’s RX100 V offers a higher-res, 3-inch tilting screen and an EVF that’s bright and colorful. Its menus are deep but well-organized, with custom buttons allowing quick access to modes and settings. Still, the smaller size demands nimble fingers to avoid accidental taps or button jabs. Neither has touchscreen focus or settings (a curious omission on a 2016 model).
In terms of controls, Olympus embraces traditional DSLR ergonomics: dedicated mode dial, front/rear dials for shutter/aperture, easy switch between metering modes, and custom function buttons. Sony’s compact form forces compromises - fewer direct controls but clever use of menus and a control ring around the lens.
Lens Ecosystem: Interchangeable MFT vs. Fixed Zoom
A fundamental difference lies in lens strategy. Olympus E-620’s Micro Four Thirds mount opens a vast universe of lenses - over 45 options at last count - from fast primes to specialized macros and long telephotos. This system flexibility is priceless for photographers who want creative control, changing glass to suit their vision.
Sony RX100 V, meanwhile, has a fixed 24-70mm f/1.8-2.8 lens, a versatile everyday zoom that covers wide-angle to short telephoto with good brightness. It’s sharp and boasts close focusing down to 5 cm, helpful for macros. But you’re locked in - no swapping lenses. For many, this is a fair tradeoff given pocketability and autofocus tech.
Battery Life and Storage
Olympus E-620 shines here with roughly 500 shots per charge on a BLS-1 battery - impressive for a DSLR of its vintage. It uses dual-format storage via CompactFlash or xD Picture cards, offering flexibility but somewhat dated compared to modern SD cards.
Sony RX100 V is more modest, with around 220 shots on its NP-BX1 battery. Storage uses SD/SDHC/SDXC or Memory Stick cards - more current, compatible with most modern accessories.
Connectivity and Video Capabilities
Connectivity is a weak spot on Olympus - no wireless, no HDMI, no USB beyond version 2.0 tethering. Video recording is nonexistent on the E-620, which is a showstopper today for some users.
Sony RX100 V delivers 4K video recording at 30p with HDR, 100 Mbps bit rate, and advanced codecs like XAVC S. It also provides slow-motion modes, good audio input options (though no mic jack), and flexible timelapse via an app. Built-in WiFi and NFC make sharing a breeze, although no Bluetooth is a curious omission.
How They Stack Up Across Photography Genres
Let’s put these cameras to the test, figuratively speaking, by genre:
Genre | Olympus E-620 | Sony RX100 V |
---|---|---|
Portraits | Accurate skin tones, smooth bokeh with MFT lenses, but slower AF | Fast eye detection AF, sharper images, but more clinical color rendition |
Landscapes | Sufficient resolution, moderate dynamic range | Superior DR, higher resolution, compact for travel |
Wildlife | Limited AF tracking, needs long MFT zooms | Superb AF speed and tracking, quick burst modes, decent zoom range |
Sports | 4 fps burst, AF is too slow for fast sports | 24 fps burst, excellent AF tracking, better low light performance |
Street | Larger, less discreet | Pocketable, excellent focusing, quick startup |
Macro | Requires dedicated MFT macro lens | Good close focus on fixed lens, stabilized |
Night/Astro | Moderate ISO range, some noise | Excellent high ISO, clean files, great for astrophotography |
Video | No video capability | 4K UHD video, slow-motion, timelapse |
Travel | Bulkier, longer battery life | Ultra-compact, quick access, sharing-friendly |
Professional | Limited file sizes, no weather sealing | Full raw, fast buffer, reliable files, no weather sealing |
Performance in Real World: Experienced Photographer's Take
In my hands, the Olympus E-620 feels like a reliable, if modest, DSLR that encourages learning fundamentals: manual modes, exposure compensation, and selective AF area. The physical controls feel good, and sensor stabilization aids handheld low-light shooting with appropriate lenses.
The RX100 V, however, embodies the versatility and speed enthusiasts and pros crave in a compact form. AF speed is a revelation, and in fast-paced scenarios, it significantly improves keeper rate. The dynamic range and high-ISO capabilities mean you worry less about ideal lighting.
That said, the small sensor and fixed lens limit creative depth compared to DSLRs or mirrorless with interchangeable lenses. You may miss the tactile joy and control of prime lenses and the creative bokeh from larger apertures.
Price-to-Performance and Value
Neither camera is new, but priced around $800 for Olympus E-620 (used market) and approximately $1000 for RX100 V (used or discounted), the RX100 V commands more expense, justified by its advanced tech and feature set.
For budget-conscious shooters wanting solid image quality with the potential to experiment via lenses, Olympus is a value proposition still worth considering. For those prioritizing speed, portability, video, and low-light performance, the Sony comes ahead, although the cost is steeper.
Final Recommendations: Who Should Buy Which?
Choose Olympus E-620 if you:
- Are new to DSLR photography and want to learn manual controls with a classic design
- Already own Micro Four Thirds lenses or want access to affordable lens options
- Prefer optical viewfinder experience over EVF
- Prioritize battery life and physical handling over compactness
- Don’t need video capabilities
Choose Sony RX100 V if you:
- Need a highly portable camera with superior autofocus and high-speed shooting
- Want 4K video and advanced video features in a pocketable body
- Shoot diverse subjects: street, wildlife, sports, and travel photography
- Are okay with a fixed lens but desire excellent image quality and low-light performance
- Value connectivity and modern sensor technology
Wrapping It Up: Cameras Bridging Different Eras and Styles
These two cameras tell us a story of technological evolution - the Olympus E-620 rooted in DSLR tradition and the Sony RX100 V blazing a trail for small-sensor compacts delivering astonishing versatility.
Neither is perfect, but each impresses in its domain. My advice: match your camera choice to your shooting style, favorite genres, and what really matters on your photo outings - be it optical charm and lens swapping or autofocus speed and 4K video.
Happy shooting! Remember, the best camera is the one you carry - and know how to use.
Appendix: Technical Specs Summary
Feature | Olympus E-620 | Sony RX100 V |
---|---|---|
Sensor | 12 MP Four Thirds CMOS | 20.1 MP 1" BSI-CMOS |
Processor | TruePic III+ | Bionz X |
Max ISO | 3200 | 12800 (25600 boosted) |
Lens | Interchangeable MFT | Fixed 24-70mm f/1.8-2.8 |
Autofocus Points | 7 | 315 (Hybrid AF) |
Continuous Shooting | 4 fps | 24 fps |
Viewfinder | Optical Pentamirror 95% | Electronic 100% |
Screen | 2.7" articulated (230k) | 3" tilting (1229k) |
Video | No | 4K UHD @ 30p |
Weight | 500g | 299g |
Battery Life | 500 shots | 220 shots |
Price (when new) | Around $799 | Around $998 |
If you’d like, I can also suggest lens selections for the Olympus or accessories that amplify the RX100 V’s capabilities. Just ask!
Olympus E-620 vs Sony RX100 V Specifications
Olympus E-620 | Sony Cyber-shot DSC-RX100 V | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model | Olympus E-620 | Sony Cyber-shot DSC-RX100 V |
Category | Entry-Level DSLR | Large Sensor Compact |
Revealed | 2009-07-06 | 2016-10-06 |
Body design | Compact SLR | Large Sensor Compact |
Sensor Information | ||
Processor Chip | TruePic III+ | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.3 x 13mm | 13.2 x 8.8mm |
Sensor area | 224.9mm² | 116.2mm² |
Sensor resolution | 12 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4032 x 3024 | 5472 x 3648 |
Maximum native ISO | 3200 | 12800 |
Maximum enhanced ISO | - | 25600 |
Min native ISO | 100 | 125 |
RAW files | ||
Min enhanced ISO | - | 80 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 7 | 315 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-70mm (2.9x) |
Highest aperture | - | f/1.8-2.8 |
Macro focus distance | - | 5cm |
Total lenses | 45 | - |
Focal length multiplier | 2.1 | 2.7 |
Screen | ||
Range of screen | Fully Articulated | Tilting |
Screen sizing | 2.7 inches | 3 inches |
Resolution of screen | 230k dot | 1,229k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | HyperCrystal LCD | - |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.48x | 0.59x |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/4000s | 1/2000s |
Fastest silent shutter speed | - | 1/32000s |
Continuous shutter speed | 4.0 frames per sec | 24.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 12.00 m | 10.20 m (at Auto ISO) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Front curtain, Rear curtain, Fill-in, Manual | - |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/180s | 1/2000s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | - | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | None | 3840x2160 |
Video file format | - | MPEG-4, AVCHD, XAVC S |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 500 grams (1.10 lbs) | 299 grams (0.66 lbs) |
Dimensions | 130 x 94 x 60mm (5.1" x 3.7" x 2.4") | 102 x 58 x 41mm (4.0" x 2.3" x 1.6") |
DXO scores | ||
DXO Overall score | 55 | 70 |
DXO Color Depth score | 21.3 | 22.8 |
DXO Dynamic range score | 10.3 | 12.4 |
DXO Low light score | 536 | 586 |
Other | ||
Battery life | 500 images | 220 images |
Form of battery | Battery Pack | Battery Pack |
Battery model | BLS-1 | NP-BX1 |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse feature | With downloadable app | |
Storage media | Compact Flash (Type I or II), xD Picture Card | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Launch pricing | $799 | $998 |