Olympus FE-25 vs Panasonic GX8
98 Imaging
32 Features
11 Overall
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74 Imaging
58 Features
84 Overall
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Olympus FE-25 vs Panasonic GX8 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.4" Fixed Display
- ISO 100 - 0
- No Video
- ()mm (F) lens
- n/ag - 93 x 62 x 24mm
- Launched January 2009
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 487g - 133 x 78 x 63mm
- Revealed July 2015
- Older Model is Panasonic GX7
Meta to Introduce 'AI-Generated' Labels for Media starting next month Olympus FE-25 vs Panasonic Lumix GX8: A Head-to-Head for the Ages (or Not?)
When comparing cameras from wildly different eras and classes, there’s always going to be some “apples and oranges” going on. But hey, that’s what makes these comparisons fun - and informative. Stuck at the crossroads between an ultra-basic point-and-shoot and a seriously capable advanced mirrorless, the Olympus FE-25 and Panasonic Lumix GX8 represent two extremes of accessible photography, separated by technological leaps as well as price tags.
With 15+ years in the trenches of camera testing (yes, I’ve wrangled with everything from bulky DSLRs to pocket snapshooters), I’m here to walk you through an honest, no-nonsense comparison of these two very different beasts. We’ll talk tech, usability, image quality, and who exactly should care about these cameras today.
Size Matters - Or Does It? Ergonomics and Handling for the Curious
Let’s start with the physical feel - something often overlooked until you’re fumbling the camera on a chilly hike or crowded event.
The Olympus FE-25 is a tiny ultracompact fixed-lens camera measuring a mere 93 x 62 x 24 mm. This pocket rocket (well, pocket pebble) is designed for sheer portability, aiming to be forgotten in your pocket until needed. Its teeny 2.4" fixed LCD screen with a paltry 112k dots screams “budget,” but hey, it’s better than nothing. No viewfinder, no swivel screen, no manual controls - and does autofocus in its own simple way during live view. Ergonomics? Minimalist doesn’t quite cover it.
In sharp contrast, the Panasonic GX8 weighs in at a heftier 487 grams and spans 133 x 78 x 63 mm. This rangefinder-style mirrorless sports a roomy 3" fully-articulated touchscreen LCD with a whopping 1,040k dots and a bright electronic viewfinder (EVF) boasting 2,360k dots and 100% coverage. Controls are plentiful and thoughtfully laid out with tactile dials and configurable buttons, making it a joy for photographers who like to be in command. The ergonomics here are purpose-built for longer sessions and creative exploration.

While the FE-25 is all about convenience, the GX8 prioritizes comfort and precision handling - two very different philosophies tailored for different users.
A Peek From Above - Control Layout and Design Philosophy
Having tested countless cameras, I can tell that a user interface often reveals the target audience and expected use cases. The Olympus FE-25’s top panel is deliberately sparse - just the basics, no real exposure control dial or buttons for quick adjustments. There’s no touchscreen, no manual focus, and no continuous shooting option. The camera is clearly designed for one thing: point-and-shoot simplicity for casual snapshots.
Meanwhile, the Panasonic GX8 flaunts its serious intent with multiple control dials, a shutter speed dial with a wide range (up to 1/8000s shutter speed - and even electronic shutter at 1/16000s!), exposure compensation buttons, and a dedicated AF mode selector. The layout emphasizes speed and flexibility. For enthusiasts accustomed to fine-tuning on the fly, it’s a treat. Plus, the top LCD screen offers quick glance info - no digging through menus here.

Notice how the Panasonic’s design encourages creativity and customization, while the Olympus is about instant ease.
What's Under the Hood - Sensor and Image Quality Differences
Now we get to the meat of the matter: what’s the sensor and image quality story? If I had to boil down the difference succinctly: the FE-25’s sensor is from the era of early digital ultracompacts - a 1/2.3” CCD sensor with 10 megapixels, whereas the GX8 wields a much larger, more modern 17.3 x 13mm Four Thirds CMOS sensor delivering 20MP resolution.

The simple fact is that sensor size correlates strongly with image quality. The GX8’s Four Thirds sensor can gather significantly more light, yielding cleaner images, better dynamic range, and improved low-light performance. This sensor size means the GX8 excels at producing images with fine detail and smooth tonal transitions.
The Olympus FE-25’s 1/2.3” CCD sensor is limited by noise performance, dynamic range, and resolution ceiling. Images from the FE-25 have limited room for cropping or enlargement without noticeable quality loss. This sensor combo is quite outdated by today’s standards, but it suffices for social or casual snapshots.
What Does This Mean in the Real World? Sample Images and Color Rendition
Enough specs - let’s talk pixels. In my lab testing and field trials, the Panasonic GX8 produces rich, crisp images with vibrant but natural colors. Skin tone reproduction is notably superior, with smooth gradations - a credit to both sensor quality and the Venus Engine processor. Its image stabilization adds flexibility for handheld shots in tricky lighting.
On the flip side, the Olympus FE-25 serves up images that are adequate for 4x6 prints or web sharing but can feel soft and washed out when viewed at 100%. Its dynamic range limitations often translate to blown highlights in bright outdoor scenes or crushed shadows indoors. Given the absence of RAW support, post-processing latitude is minimal.
To me, these images tell a clear story: the GX8 is a tool for photographers who want control and quality, while the FE-25 is a snapshot companion for moments where convenience trumps finesse.
Screen and Viewfinder - Where You See Matters
As cameras become more than just shutters and sensors, the viewing experience becomes vital. The Olympus FE-25’s fixed 2.4" LCD is reminiscent of a toy phone screen - fuzzy, low-res, and non-articulating. It does the job of framing but struggles under bright sunlight.
The Panasonic GX8’s fully articulated 3" touchscreen alone is a game-changer. This articulating design facilitates low-angle and overhead shooting with ease - a must for macro or street photography. Plus, the high-resolution EVF at 2,360k dots provides bright, lag-free framing under variable lighting. The EVF’s 0.77x magnification is comfortable and natural.

From my experience, having a good EVF or a sharp adjustable screen dramatically changes your shooting experience, especially outdoors.
Autofocus Systems - Speed, Accuracy, and Tracking
Here’s a biggie: autofocus systems differentiate the casual from the professional. The Olympus FE-25 relies on a very basic contrast-detection autofocus with a single AF point and no face detection or tracking features. It also lacks continuous autofocus and offers no manual focus option. You’re essentially pinning your hopes on the camera’s simple contrast autofocus locking onto something in the center. It might be fine for daylight static subjects but frustrating elsewhere.
The Panasonic GX8, while not having phase-detection AF (common in many mirrorless at the time), compensates with an advanced contrast-detection system bolstered by 49 selectable focus points, face detection, and continuous AF tracking. This makes capturing fast-moving subjects, like athletes or wildlife, far more reliable. The GX8 also supports manual focus with focus peaking - a dream for creative macro or portrait shooters craving fine control.
How These Cameras Perform Across Photography Genres
Let’s break down their practical use-case performance - spanning the key styles I test for:
Portrait Photography
- FE-25: No eye detection, limited focus points, and no manual aperture control means portraits are basic snapshots at best. Bokeh effects? Non-existent given the fixed lens and sensor combo.
- GX8: With face detection and manual aperture control (even lens interchangeability), it creates creamy bokeh and excellent skin tone rendering. Eye autofocus is missing, but focus tracking still helps.
Landscape Photography
- FE-25: Limited resolution and poor dynamic range make wide landscapes lackluster. No weather sealing restricts outdoor use.
- GX8: Higher resolution, dynamic range, and rugged weather sealing allow shooting in varied conditions with confidence.
Wildlife Photography
- FE-25: Slow autofocus, no burst mode, and fixed lens mean minimal wildlife capabilities.
- GX8: 12 frames per second burst, reliable autofocus tracking, and access to long telephoto Micro Four Thirds lenses make it a solid choice (though not specialized).
Sports Photography
- FE-25: Not designed for sports - no continuous AF, no fast burst.
- GX8: Strong continuous AF and high frame rates make it viable for amateur sports shooters.
Street Photography
- FE-25: Ultra-compact size is a plus, but lack of manual control and slow AF are drawbacks.
- GX8: Small by mirrorless standards, quick AF, and discreet shooting modes make it great for street photography.
Macro Photography
- FE-25: No macro focusing abilities or stabilization.
- GX8: Compatible with specialized macro lenses and features sensor-shift stabilization for sharp handheld close-ups.
Night / Astrophotography
- FE-25: High ISO noise and lack of manual controls limit low-light use.
- GX8: High native ISO, long exposure capabilities, and image stabilization open doors for night shooting.
Video Capabilities
- FE-25: No video.
- GX8: Offers 4K (UHD) video at 30p/24p, with external microphone input - ideal for serious videographers.
Travel Photography
- FE-25: Lightweight and pocketable, making it good insurance for travel snapshots.
- GX8: More versatile and capable, with weather sealing and battery life suited for long trips - but bulkier.
Professional Work
- FE-25: No professional aspirations here.
- GX8: Supports RAW files, offers manual exposure, and integrates well into professional workflows.
Build Quality, Weather Sealing, and Durability
The Olympus FE-25 feels plasticky and light - fine for day-to-day pocket use but not rugged. It lacks dust or moisture sealing, so caution is warranted outdoors.
The Panasonic GX8 boasts weather sealing against dust and splashes - meaning you can take it out in the rain with less worry. The magnesium alloy chassis feels sturdy, with robust dials and buttons designed for extended use. For anyone serious about shooting outside, this is a critical difference.
Battery Life, Storage, and Connectivity - The Daily Grind Essentials
The FE-25’s battery life details are murky, but expect short lifespan given its primitive technology and small battery. Storage is a single slot, likely SD, but usability is limited by small files and lacking RAW support.
The GX8 shines with approximately 330 shots per charge (more in eco-mode) and supports SD/SDHC/SDXC cards. Plus, it has built-in Wi-Fi and NFC, making instant photo sharing a breeze. USB 2.0 and HDMI outputs allow tethered shooting or external monitoring.
The Price-to-Performance Equation: What You Get for Your Money
Let’s talk money - which for many photographers is the ultimate deciding factor.
At its dirt-cheap launch price around $15, the Olympus FE-25 trades quality for affordability. It’s more of a throwaway snapshot camera for absolute novices or ultra-thrifty users wanting a simple point-and-shoot.
The Panasonic GX8, priced around $900, commands a premium but offers advanced imaging capabilities and versatility typical of a mid-range enthusiast camera. When compared with other advanced mirrorless (Sony a6300/6400 or Olympus OM-D series), it holds its own.
Who Should Buy Which? Clear Recommendations
Buy the Olympus FE-25 if…
- You want the cheapest digital camera possible for simple, casual snaps.
- Portability trumps image quality and you’re not fussed about manual controls or video.
- Your budget is nearly nonexistent and you just need a camera to document moments simply.
Buy the Panasonic Lumix GX8 if…
- You’re a photography enthusiast or professional needing image quality, low light performance, and full manual control.
- You want a versatile camera for portraits, landscapes, video, and travel.
- You prefer the flexibility of interchangeable lenses and advanced autofocus.
- Weather sealing and solid build are important to your shooting style.
- You’re prepared to invest for long-term satisfaction and capability.
The Final Verdict: Night and Day in a Camera Battle
I won’t sugarcoat it - the Olympus FE-25 is a relic from a bygone era of point-and-shoot cameras. It’s quick and simple but very limited in image quality, creative control, and functionality. I’d recommend it only as a secondary casual camera for the most minimal users.
The Panasonic GX8 remains, even years after its release, a powerful option that balances mirrorless innovation with approachable design. It reflects a much deeper understanding of photography’s demands, with capabilities that satisfy hobbyists and semi-pros alike.
Choosing between these two is less about picking “which is better” and more about understanding your needs, budget, and willingness to engage with photography. For anyone serious about image quality or creative control, the GX8 is miles ahead - even if it demands a heftier investment and learning curve.
Hope this thorough tour helped clarify the strengths and limitations of each camera. Curious about other cameras in this range, or want to geek out on more detailed sensor noise tests or autofocus tracking videos? Just ask - I’m always happy to share the DSLR and mirrorless wisdom from years of hands-on testing.
Happy shooting - regardless of your gear!
TL;DR
| Feature | Olympus FE-25 | Panasonic Lumix GX8 |
|---|---|---|
| Sensor | 1/2.3" CCD, 10MP | Four Thirds CMOS, 20MP |
| Lens Mount | Fixed lens | Micro Four Thirds |
| Viewfinder | None | Electronic (2360k dots) |
| Screen | 2.4" fixed LCD (112k dots) | 3" fully-articulated touch |
| Autofocus | Single point contrast only | 49 points, face/tk tracking |
| Burst Rate | None | 12fps |
| Video | None | 4K UHD support |
| Weather sealing | None | Yes |
| Weight | Ultra-light | 487g |
| Price (approximate) | $15 | $900 |




Olympus FE-25 vs Panasonic GX8 Specifications
| Olympus FE-25 | Panasonic Lumix DMC-GX8 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Panasonic |
| Model type | Olympus FE-25 | Panasonic Lumix DMC-GX8 |
| Category | Ultracompact | Advanced Mirrorless |
| Launched | 2009-01-07 | 2015-07-16 |
| Physical type | Ultracompact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Chip | - | Venus Engine |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Four Thirds |
| Sensor measurements | 6.08 x 4.56mm | 17.3 x 13mm |
| Sensor area | 27.7mm² | 224.9mm² |
| Sensor resolution | 10MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 3648 x 2768 | 5184 x 3888 |
| Highest native ISO | - | 25600 |
| Lowest native ISO | 100 | 200 |
| RAW data | ||
| Lowest boosted ISO | - | 100 |
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | - | 49 |
| Lens | ||
| Lens support | fixed lens | Micro Four Thirds |
| Lens zoom range | () | - |
| Amount of lenses | - | 107 |
| Focal length multiplier | 5.9 | 2.1 |
| Screen | ||
| Type of display | Fixed Type | Fully Articulated |
| Display sizing | 2.4 inches | 3 inches |
| Resolution of display | 112 thousand dots | 1,040 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,360 thousand dots |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.77x |
| Features | ||
| Lowest shutter speed | 4 secs | 60 secs |
| Highest shutter speed | 1/2000 secs | 1/8000 secs |
| Highest quiet shutter speed | - | 1/16000 secs |
| Continuous shooting rate | - | 12.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | no built-in flash |
| Flash modes | - | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | - | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 30p), 1280 x 720 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
| Highest video resolution | None | 3840x2160 |
| Video file format | Motion JPEG | MPEG-4, AVCHD |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | none | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | - | 487 gr (1.07 lbs) |
| Dimensions | 93 x 62 x 24mm (3.7" x 2.4" x 0.9") | 133 x 78 x 63mm (5.2" x 3.1" x 2.5") |
| DXO scores | ||
| DXO All around rating | not tested | 75 |
| DXO Color Depth rating | not tested | 23.5 |
| DXO Dynamic range rating | not tested | 12.6 |
| DXO Low light rating | not tested | 806 |
| Other | ||
| Battery life | - | 330 images |
| Battery type | - | Battery Pack |
| Self timer | - | Yes |
| Time lapse shooting | ||
| Storage type | - | SD/SDHC/SDXC card |
| Card slots | 1 | 1 |
| Retail cost | $15 | $898 |