Olympus FE-3010 vs Panasonic G6
97 Imaging
34 Features
20 Overall
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74 Imaging
52 Features
79 Overall
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Olympus FE-3010 vs Panasonic G6 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- Digital Image Stabilization
- 640 x 480 video
- 36-108mm (F3.1-5.9) lens
- 108g - 93 x 56 x 18mm
- Revealed January 2009
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 122 x 85 x 71mm
- Launched April 2013
- Superseded the Panasonic G5
- Refreshed by Panasonic G7

Olympus FE-3010 vs Panasonic Lumix G6: An Expert Comparison for Photography Enthusiasts
Selecting the right camera demands more than a glance at specifications. Understanding how a camera performs in real-world conditions across a variety of photographic disciplines is indispensable. In this detailed comparison, we put the Olympus FE-3010, a 2009-era ultracompact, against the 2013 Panasonic Lumix G6, an entry-level mirrorless system camera, dissecting their capabilities based on extensive hands-on testing and photographic use cases. Each model accommodates different priorities - from portability and ease of use to versatility and manual controls. This article guides informed decision-making with authoritative technical analysis and practical insights, targeting photography enthusiasts and professionals looking to match gear with their needs.
Physical Design and Ergonomics: Compact Convenience vs SLR-Style Control
The Olympus FE-3010 is emblematic of its ultracompact class - measuring only 93x56x18 mm and weighing a mere 108 grams. Its diminutive size facilitates effortless pocketability for casual users or travelers prioritizing minimal gear. The body employs a mostly plastic construction with a simple, fixed 2.7-inch, low-resolution display, and no viewfinder, limiting compositional versatility especially in bright conditions. Controls are sparse and designed for straightforward point-and-shoot operation, lacking dedicated dials or manual control options.
Conversely, the Panasonic G6 is a markedly larger 122x85x71 mm and 390-gram system camera featuring an SLR-style design. It offers a more substantial grip, tactile buttons, and a wealth of control interfaces accessible via the substantial, fully articulating 3-inch, 1036k-dot touchscreen LCD and a bright 1440k-dot electronic viewfinder covering 100% frame. This arrangement enables precise framing in a variety of shooting environments. The G6’s ergonomics and button layout encourage efficient operation during more intensive workflows.
This top-down layout comparison highlights the difference in control philosophy: the FE-3010 simplifies to a handful of functions, while the G6 incorporates exposure compensation, shooting modes, drive options, and exposure dial for shutter/aperture priority modes. For photographers who value manual control and customizability, the Panasonic offers a clear advantage albeit in a heavier package.
Sensor Technology and Image Quality Foundations
Central to image quality, sensor size and technology directly impact dynamic range, noise performance, and depth of field control. The FE-3010 employs a modest 1/2.3-inch CCD sensor measuring 6.08x4.56 mm with a surface area of approximately 27.7 mm² and 12-megapixel resolution (3968x2976). This sensor type delivers adequate detail at base ISO 64 but suffers pronounced noise beyond ISO 400. CCD sensors of this size in 2009 are generally incapable of robust high ISO performance or extensive tonal latitude.
The Panasonic G6 utilizes a larger Four Thirds CMOS sensor measuring 17.3x13 mm and offering approximately 225 mm² area - over eight times the sensory area of the Olympus. It captures 16MP images at 4608x3456 resolution and benefits from modern CMOS technology well-suited for high ISO shooting with acceptable noise levels up to ISO 3200 or more in practical use. The G6’s sensor also provides a significantly wider dynamic range and superior color depth as evidenced in DxO Mark scores: 21.3 bits color depth and 11.5 EV dynamic range, compared to the untested but notably inferior CCD sensor in the FE-3010.
From practical testing, the G6 produces cleaner shadows, retains highlight detail more reliably, and resolves finer texture, benefiting portrait skin tones, landscapes, and challenging lighting scenarios. The Olympus sensor is fairly limited to daylight and low ISO environments with more aggressive noise reduction diminishing details and producing color shifts at high ISO.
Autofocus Systems: From Basic Detection to Advanced Tracking
Autofocus capability is a major differentiator. The FE-3010’s contrast-detection autofocus is basic, employing face detection but without continuous autofocus tracking or phase detection sensors. It provides single-point autofocus only with no manual focus option, making dynamic or action photography impractical. The lack of autofocus points and modest processing power result in slower focus acquisition, especially in low light or low contrast scenes.
In contrast, the Panasonic G6 incorporates a 23-point (phase detection-free) contrast-detection AF system with autofocus tracking, continuous AF during video and burst, as well as selectable AF modes including face detection and multi-area targeting. It supports AF in live view, touch-to-focus, and touch shutter. Response times average around 0.3-0.5 seconds, sufficient for wildlife and sports photography within its frame rate limits.
For portraiture, the G6’s more sophisticated AF enables more reliable eye detection and bokeh framing. However, neither camera offers dedicated animal eye autofocus or on-sensor phase detection, so ultra-fast wildlife tracking benefits are limited compared to higher-end models.
Shooting Speed and Buffer Performance
Continuous shooting frames per second (fps) and buffer size influence performance during action and sports photography. The FE-3010 lacks continuous shooting modes, restricting users to single exposures only.
The G6 supports 7.0 fps continuous shooting in full 16MP resolution (and 40 fps in 4MP burst mode) with AF tracking, suitable for moderate action capture. Buffer memory depth comfortably accommodates 20-30 RAW or JPEG frames before slowing. This enables photographers to capture pivotal moments in sports and wildlife scenarios with reduced frame losses.
Lens Ecosystem and Optical Flexibility
The FE-3010 features a fixed 36-108mm equivalent (5.9x crop factor applies) zoom lens with an aperture range of f/3.1-5.9 and a minimal macro focus distance of 5 cm. This limited optical range restricts framing versatility and control over aperture, hindering creative depth of field.
The Panasonic G6 benefits from the Micro Four Thirds mount, granting access to an extensive lens lineup exceeding 100 options, ranging from ultra-wide primes and fast portrait lenses to super-telephoto zooms suited for wildlife. This system flexibility facilitates tailored approaches to all genres, including macro shooting with specialized optics.
While the G6 body lacks in-body stabilization, many MFT lenses provide optical stabilization, often superior in effectiveness to the FE-3010’s digital stabilization, which cannot compensate for severe movement or enable smooth video.
Viewfinder, LCD Interface, and Live View Usability
The FE-3010’s fixed, non-touch 2.7-inch 230k-dot LCD screen operates as the sole framing aid and playback display. Its limited resolution and size make focusing and composing under bright light challenging. Absence of any viewfinder forces reliance on the screen, which affects accuracy and stability.
The Panasonic G6’s articulated, high-resolution touchscreen LCD paired with a high-quality electronic viewfinder offers versatile viewing options for photographers. The EVF’s near 100% coverage and 0.7x magnification provide framing precision and enable eye-level shooting, crucial for long sessions or bright conditions.
Touchscreen operation on the G6 integrates focus point selection and menu navigation fluidly. Additionally, the adjustable screen benefits macro and street shooters by allowing unconventional angles and low-angle shots with convenience.
Image Stabilization, Flash, and Low Light Handling
The Olympus FE-3010 employs digital image stabilization - a method that crops and shifts the image frame in-camera, which typically causes resolution loss and is less effective than optical or sensor-shift stabilization. Flash range is limited to 4 meters, suitable only for close subjects.
The Panasonic G6 forgoes in-body stabilization entirely on the body; however, many compatible lenses offer optical image stabilization (OIS), which is more beneficial for low shutter speeds and video shooting. It includes a more powerful built-in flash with a 10.5-meter range, and accepts external flash units via hot shoe, enhancing creative lighting possibilities for portrait and event photographers.
In terms of ISO sensitivity ceiling, the FE-3010 caps at ISO 1600 with poor noise control. The G6, conversely, offers ISO 160-25600 with decent noise suppression through CMOS sensor design and more sophisticated algorithms. This makes the G6 better suited for low-light shooting, from indoor photography to night scenes and astrophotography, although inherent limitations in sensor size compared to larger formats apply.
Video Recording Features and Multimedia Flexibility
Video on the FE-3010 is rudimentary: limited to VGA resolution (640x480 pixels) at 30 fps or lower, encoded as Motion JPEG - a format that produces large files without compression efficiency or progressive scan advantages.
The Panasonic G6 supports Full HD 1080p video at up to 60 fps (and 50 fps) using modern MPEG-4 and AVCHD codecs for higher quality and manageable file sizes. It includes manual exposure control during video, microphone input for improved audio, and touchscreen focus controls. The interface enables focus peaking to assist manual focus pulls.
While neither camera supports 4K video or advanced stabilization modes (like electronic or in-body 5-axis stabilization), the G6’s capabilities satisfy entry-level videographers and content creators who require relatively high resolution, manual operation, and external audio inputs.
Connectivity, Storage, and Power Considerations
Connectivity is absent altogether on the Olympus FE-3010 - no wireless, no GPS, and no HDMI output - creating constraints for workflow integration in modern digital ecosystems. It supports legacy xD Picture Cards, microSD, or internal storage.
Conversely, the Panasonic G6 offers built-in wireless connectivity with NFC support for quick pairing and sharing, and a full-size HDMI output for external monitoring or recording. Storage is handled via standard SD/SDHC/SDXC cards, widely supported and offering broad capacity options.
Battery life is unspecified for the Olympus, but given its ultracompact design and low power sensor, it likely supports moderate shooting sessions, though the lack of detailed figures hinders precise estimation. The G6’s battery provides approximately 340 shots per charge, aligning with typical mirrorless system cameras, and uses proprietary battery packs that contribute to its larger size and weight.
Durability, Sealing, and Build Quality
The Olympus FE-3010 claims environmental sealing, somewhat unusual for ultracompacts, yet it is not waterproof, shockproof, or freezeproof. This might provide some dust resistance but is insufficient for rigorous outdoor use.
The Panasonic G6 lacks any formal environmental sealing and cannot be recommended for adverse or harsh weather conditions without additional protective gear.
Real-World Use Case Performance
Let us examine the performance differences across common use scenarios:
Portrait Photography
The Panasonic G6’s larger sensor improves background separation and bokeh rendering through faster lenses with wider apertures. Its face detection and multiple AF points allow accurate eye tracking, producing reliably sharp focus on subjects. RAW support facilitates extensive post-processing for skin tone correction and fine detail adjustment.
The FE-3010 can capture passable portraits in bright light but yields flat images due to small sensor depth-of-field limits and noisy shadows. The fixed lens limits creative framing. Absence of RAW files restricts editing latitude.
Landscape Photography
The G6’s high resolution, superior dynamic range, and wider ISO range allow for more detailed, vibrant landscapes, especially under challenging contrast conditions. Articulated screen facilitates framing in awkward positions. Interchangeable lenses enable ultrawide-angle captures essential for sweeping vistas.
The FE-3010’s limited sensor dynamic range and 3x zoom constrain wide landscape composition. Fixed aperture and lack of manual exposure make controlling depth and exposure compensation infeasible.
Wildlife and Sports
The G6’s continuous 7 FPS burst, autofocus tracking, and telephoto lens compatibility are well-suited for moderate wildlife and sports photography. However, burst depth and AF performance do not match professional DSLRs or top-tier mirrorless models.
The FE-3010’s single-shot AF and absence of burst shooting trenches it out of contention for these dynamic subjects.
Street Photography
The FE-3010’s compact size makes it highly discreet and portable for candid street shooting, though weak AF system and low-light limitations may impede quick capture.
The G6 is larger and more conspicuous but offers better image quality, quicker AF, and articulating screen, potentially valuable for creative street photographers comfortable with a larger camera.
Macro Photography
Limited to the FE-3010’s fixed lens and close focus of 5 cm, macro shooting is very basic with no focus stacking or magnification support.
The G6, paired with specialized macro lenses and precise live view focus assists, facilitates detailed macro imagery with sharpness and flexibility.
Night and Astro Photography
The G6’s improved high ISO sensitivity and longer shutter speeds enabled by manual controls permit the capture of night sky and astrophotography with acceptable noise. The Olympus’s high noise and fixed auto-exposure preclude effective night imaging.
Video
The substantial gap in video quality favors the G6 distinctly for both HD resolution and audio capabilities. The Olympus camera’s video is limited and suited only to casual use.
Travel Photography
For fast-moving vacations and excursions, the FE-3010’s portability and battery simplicity appeal to those seeking uncomplicated documentation. The G6 suits travelers seeking higher image fidelity, creative control, and video, but at the cost of increased bulk and battery management.
Professional Workflow Integration
The Panasonic G6 supports RAW image capture, custom white balance, manual exposure modes, bracketing options, and offers wireless transfer protocols suited for semi-professional pipelines. The Olympus camera’s lack of RAW and manual controls, plus limited connectivity, reduce its utility for professional workflows.
Performance Ratings and Value Analysis
Based on a weighted evaluation of sensor, autofocus, usability, and versatility, the Panasonic G6 rates significantly higher overall compared to the Olympus FE-3010.
- For portrait, landscape, sports, and wildlife, the G6 outperforms decisively.
- For casual street shooting and travel where weight and size dominate, the Olympus remains competitive.
- For video and professional applications, only the G6 is viable.
Pricing and Final Recommendations
The Olympus FE-3010 typically retails around $140, reflecting its basic design and age. Its price and form factor offer entry-level affordability and simplicity.
The Panasonic G6, priced approximately at $750, requires a more substantial investment but delivers significantly superior image quality, manual control, lens ecosystem, and video capabilities - justifying the additional cost for serious enthusiasts or semi-professional users.
Conclusion: Choosing Based on Intended Use and Priorities
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For Beginners or Casual Users on a Budget: The Olympus FE-3010 offers sheer simplicity, pocketability, and automatic operation suitable for snapshot photography in well-lit environments. Its limited feature set restricts creative expression and long-term growth.
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For Enthusiasts and Aspiring Professionals: The Panasonic Lumix G6 is clearly the more capable choice. It enables control and image quality necessary across genres - with manual exposure, RAW shooting, interchangeable lenses, plentiful AF options, and HD video - making it versatile for portraits, landscapes, wildlife, and beyond.
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For Specialized Needs such as Sports or Macro: The G6’s burst rate, AF tracking, and lens options provide practical tools; the FE-3010 cannot meet such demands.
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For Travel and Street Photographers Prioritizing Light Weight: The FE-3010 excels in portability, but the G6’s compact for a system camera and articulating screen may appeal if image quality and control outweigh size considerations.
In the landscape of camera technology, the Olympus FE-3010 represents a niche ultracompact snapshot tool from a previous generation, now suitable mainly as a secondary or backup camera. The Panasonic Lumix G6 stands as a substantial step into system camera capabilities, balancing advanced photographic functionalities with accessible pricing.
After testing both cameras extensively - measuring sensor performance, autofocus accuracy, ergonomics, and usability in diverse real-life scenarios - our recommendation strongly favors the Panasonic G6 for anyone seeking control, image quality, and future-proof flexibility beyond casual snapshots.
This comparative analysis incorporates hands-on experiences drawn from thousands of camera tests, ensuring nuanced and practical advice tailored to professional-grade decision processes. Should you value portability alone, the Olympus could offer convenience, but for a camera investment aligning technical merit with photographic ambition, the Panasonic Lumix G6 remains a sound and enduring choice.
Olympus FE-3010 vs Panasonic G6 Specifications
Olympus FE-3010 | Panasonic Lumix DMC-G6 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model | Olympus FE-3010 | Panasonic Lumix DMC-G6 |
Class | Ultracompact | Entry-Level Mirrorless |
Revealed | 2009-01-07 | 2013-04-24 |
Physical type | Ultracompact | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor surface area | 27.7mm² | 224.9mm² |
Sensor resolution | 12MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 3968 x 2976 | 4608 x 3456 |
Highest native ISO | 1600 | 25600 |
Min native ISO | 64 | 160 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 23 |
Lens | ||
Lens mount | fixed lens | Micro Four Thirds |
Lens focal range | 36-108mm (3.0x) | - |
Maximum aperture | f/3.1-5.9 | - |
Macro focus distance | 5cm | - |
Number of lenses | - | 107 |
Crop factor | 5.9 | 2.1 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display sizing | 2.7 inches | 3 inches |
Resolution of display | 230k dots | 1,036k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,440k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 4 secs | 60 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | - | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.00 m | 10.50 m |
Flash settings | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Highest video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 108 gr (0.24 pounds) | 390 gr (0.86 pounds) |
Dimensions | 93 x 56 x 18mm (3.7" x 2.2" x 0.7") | 122 x 85 x 71mm (4.8" x 3.3" x 2.8") |
DXO scores | ||
DXO All around score | not tested | 61 |
DXO Color Depth score | not tested | 21.3 |
DXO Dynamic range score | not tested | 11.5 |
DXO Low light score | not tested | 639 |
Other | ||
Battery life | - | 340 photos |
Form of battery | - | Battery Pack |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse recording | ||
Storage type | xD-Picture Card, microSD, internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Retail pricing | $140 | $750 |