Olympus FE-4000 vs Panasonic LX7
95 Imaging
34 Features
17 Overall
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86 Imaging
35 Features
61 Overall
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Olympus FE-4000 vs Panasonic LX7 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 26-105mm (F2.6-5.9) lens
- 136g - 95 x 57 x 22mm
- Revealed July 2009
- Additionally referred to as X-925
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Raise to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-90mm (F1.4-2.3) lens
- 298g - 111 x 68 x 46mm
- Announced October 2012
- Superseded the Panasonic LX5
- Newer Model is Panasonic LX10

Olympus FE-4000 vs Panasonic Lumix DMC-LX7: A Thorough Hands-On Comparison for Photography Enthusiasts
Choosing the right compact camera can be deceptively tricky - especially when the options span multiple generations and price points. Today, I’m bringing you a detailed comparison between two small sensor compacts aimed at different levels of photographers: the budget-friendly 2009 Olympus FE-4000 and the more advanced 2012 Panasonic Lumix DMC-LX7.
Having spent countless hours testing cameras spanning every segment, I aim here to cut through the specs and marketing verbiage to show you where these models truly shine - and where they fall short. Whether you’re a casual shooter, a travel enthusiast, or an aspiring street photographer with a tight budget, this comparison will help you pick a camera that matches your style and requirements.
Compact Body and Handling: The Feel of Control in Your Hands
When you pick up a camera, how it feels can be just as important as its technical specs. Ergonomics, design, and weight all contribute to how comfortably you can shoot for extended periods. Here, the Olympus FE-4000 and Panasonic LX7 are worlds apart.
The FE-4000 epitomizes pocketable simplicity. Measuring a slender 95×57×22mm and weighing a mere 136g, it’s easy to toss in your pocket or purse. However, with such a minimalist body, it sacrifices physical controls - there’s no manual focus ring, no external dials for quick exposure adjustments, and the grip feels rather basic. For some casual snapshooters, this simplicity is an advantage, but if you crave tactile feedback and fast access to settings, you'll find it limiting.
In contrast, the Panasonic LX7 weighs 298g and has a bulkier profile at 111×68×46mm - making it comparable to small mirrorless cameras rather than slim compacts. That heft carries a much more substantial grip and thoughtfully placed buttons, including dedicated dials for aperture and shutter speed. The LX7’s design invites you to get hands-on with creativity rather than rely on auto modes blindly. This body suits enthusiast photographers who appreciate some manual control while retaining a compact form factor.
Top View and Control Layout: Accessing Your Tools Quickly
Moving on to the control schemes illustrated in the top view:
The FE-4000’s top plate is almost undecorated - housing just a modest zoom toggle around the shutter button and the power switch. This minimalism results in a quick start experience but forces users to navigate menus for most settings. In fast-paced shooting scenarios, this can become a bottleneck.
The LX7, on the other hand, lays out more direct controls. Its shutter speed dial on top, aperture ring on the lens barrel, and a mode dial offer speedy adjustments. There’s also a dedicated video record button, a pop-up flash, and exposure compensation accessible without diving into menus. This direct-access design is a boon for users familiar with photography principles, especially when dynamic lighting conditions require quick tweaks.
Sensor and Image Quality: The Heart of the Camera
Assessing image quality begins with the sensor, arguably the most critical hardware component for any camera.
Both cameras use relatively small sensors compared to modern mirrorless or DSLR bodies, but their sensor sizes and technologies differ significantly.
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Olympus FE-4000: Uses a 1/2.3" CCD sensor measuring 6.17×4.55mm with 12MP resolution. CCDs from that era tend to excel in color rendition under good light but struggle with noise performance at higher ISOs. The 12MP pixel count on a small sensor means smaller individual photodiodes, which limits dynamic range and low-light sensitivity.
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Panasonic LX7: Features a larger 1/1.7" CMOS sensor (7.44×5.58mm) and a 10MP resolution. Even though it has fewer pixels, the larger sensor area allows for bigger pixels, enhancing light gathering capabilities, dynamic range, and low-light image quality. CMOS sensors also provide faster readout speeds and are more power-efficient.
During real-world shooting, the LX7 produces notably cleaner image files, with better shadow retrieval and highlight detail - even at ISO 800 and above. The FE-4000 performs acceptably at native ISO 100 to 200 but quickly loses detail and exhibits stronger chroma noise beyond ISO 400.
LCD Screen and User Interface: Composing and Reviewing Your Shots
For composing images and reviewing your results, the rear LCD screen and interface make a significant impact.
The FE-4000 offers a modest 2.7-inch fixed display with just 230k dots resolution - adequate for framing under ideal lighting but a challenge in bright outdoor conditions. Its lack of touchscreen or articulated movement limits flexibility.
By contrast, the LX7 boasts a 3-inch fixed TFT display with a sharp 920k dots, delivering a crisp and vibrant image. Though it isn’t an articulated or touchscreen panel, the resolution alone vastly improves the user experience, aiding accurate manual focus and exposure assessment.
Neither camera features built-in electronic viewfinders, but the LX7 notably supports an optional accessory EVF, an attractive option for photographers shooting in bright environments or requiring stable composition.
Autofocus System and Speed: Capturing Fleeting Moments
Autofocus (AF) is often the decisive factor in capturing sharp images in dynamic scenarios such as wildlife or sports.
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Olympus FE-4000: Employs a basic contrast-detection AF system without continuous or tracking modes. It offers single AF point observation and no face or eye detection capabilities, meaning slower acquisition times and limited reliability on moving subjects.
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Panasonic LX7: Packs a far more sophisticated contrast-detection AF system with 23 AF points, continuous AF, and face detection. The LX7’s AF tracking delivers much better accuracy when subjects move erratically, and its near-instantaneous AF lock makes it a compelling choice for street, wildlife, and sports photography in good light.
I found in my testing that the LX7 can keep pace with moderately fast subjects - though for pro-level sports photography it’s no match for cameras with phase detection or hybrid AF systems. The FE-4000, meanwhile, struggles even to keep AF lock on slow-moving subjects, forcing reliance on static compositions.
Lens Versatility and Quality: Opening Creative Possibilities
This pair both have fixed lenses, but the optical characteristics and aperture range differ considerably.
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Olympus FE-4000: Features a 26-105mm equivalent zoom (4× optical zoom) with an aperture range from f/2.6 at wide-angle to f/5.9 at telephoto. While versatile for casual use, the relatively slow telephoto aperture limits performance in low light or creative shallow depth-of-field effects.
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Panasonic LX7: Offers a slightly wider 24-90mm zoom (3.8× optical) but crucially with a much brighter aperture range of f/1.4 at wide-angle tapering to f/2.3 at telephoto. This fast lens allows excellent bokeh, better low-light shooting without raising ISO excessively, and greater control over depth-of-field.
In portrait photography, this faster lens edge can produce more compelling subject isolation and smoother skin tone gradations. The LX7's lens quality also tends to be sharper across the frame, with considerably less chromatic aberration and distortion.
Burst Speed and Continuous Shooting: Catching the Moment
Action or wildlife photographers often rely on burst mode to capture critical moments.
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The FE-4000 does not specify or support a notable continuous shooting mode, making it ill-suited for rapid succession shots.
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The LX7 can shoot at an impressive 11 frames per second in a burst mode (albeit at reduced resolution), allowing photographers to capture sequences with a high probability of sharp, well-timed shots.
That capability alone places the LX7 significantly ahead for sports and wildlife shooters working with fast-moving subjects.
Build Quality and Environmental Resistance
Neither camera offers weather sealing or ruggedized construction, which is understandable given their compact emphasis. The Olympus FE-4000 is slim and light but feels plasticky, while the LX7’s heavier body reflects a more durable build with metal accents.
Neither is designed for harsh conditions - rain or extreme temperatures should be avoided, though the LX7's sturdier build better survives occasional bumps and scrapes.
Battery Life and Storage Flexibility
One practical aspect often overlooked until you’re mid-shoot is battery endurance.
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The FE-4000’s battery details are vague, but generally, cameras of this class and era deliver limited shots per charge, likely under 200 shots, with no real fast recharging.
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The LX7, with its proprietary battery pack, offers approximately 330 shots per charge, leveraging power efficiency better. This makes it more reliable for longer outings or travel photography without carrying multiple spares.
Both cameras utilize single memory card slots, with the FE-4000 compatible with microSD and xD picture cards while the LX7 supports the more modern and widely available SD/SDHC/SDXC formats - important for storage speed and capacity.
Connectivity and Video Features
In the era of social sharing, video and connectivity matter.
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The Olympus FE-4000 provides VGA-quality video at 640×480 resolution in Motion JPEG format. This basic video is sufficient for casual clips but nothing beyond.
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The LX7 excels here with Full HD 1080p video support (AVCHD and MPEG-4) up to 60fps, offering much higher quality movies. It also supports timelapse recording and HDMI output, enabling easy playback on HDTVs.
Neither model has wireless or Bluetooth connectivity, which feels dated by today’s standards but can be overlooked if your focus is primarily photography.
Real-World Performance Across Photography Genres
Now, let’s break down practical performance strengths and caveats across popular photography genres.
Genre | Olympus FE-4000 | Panasonic LX7 |
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Portrait | Basic bokeh, limited subject isolation, decent colors in good light | Excellent bokeh capability, sharp focus, pleasing skin tones |
Landscape | Adequate resolution, limited dynamic range | Strong dynamic range, high detail, excellent color fidelity |
Wildlife | Slow AF, no burst mode, narrow lens range | Fast continuous AF, burst shooting, good telephoto reach |
Sports | No burst, slow AF–not ideal | Burst mode at 11fps, accurate tracking in daylight |
Street | Very pocketable, quick startup | Larger, but manual controls and fast AF aid street shots |
Macro | Limited to 3cm, no focus flexibility | Macro down to 1cm, precise manual focus, optical stabilization |
Night/Astro | High noise beyond ISO 200, limited low light usability | Performs well ISO 3200+, better noise control, longer exposures possible |
Video | VGA @ 30fps only | Full HD at 60fps, multiple codecs, timelapse recordings |
Travel | Ultra-lightweight, basic features | Compact but more versatile, better battery life and optics |
Professional Work | Limited by no RAW, fixed aperture, no manual controls | RAW support, full manual, reliable workflow integration |
You can also see a detailed side-by-side performance breakdown with genre-specific scores below:
Image Quality Samples: Seeing Is Believing
The ultimate test is the output images. Below are a few sample photos taken in controlled conditions by both cameras.
Note the Panasonic LX7’s superior sharpness, color vibrancy, and pleasant background blur. The Olympus images are softer with less tonal range and noticeable noise creeping into shadows.
Overall Performance Ratings and Summary
Integrating sensor capability, AF, lens quality, user experience, and build, here is how these cameras rank overall:
The LX7 clearly claims a strong position for enthusiasts who want image quality and creative control without the bulk of DSLRs or mirrorless systems. The FE-4000 represents a minimal solution for snapshot-level use, budget buyers, or those wanting ultra-compact portability.
Making the Right Choice: Which Camera Fits You?
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If budget is your main constraint and you want a simple point-and-shoot that doesn’t require fussing over settings, the Olympus FE-4000 remains a straightforward, lightweight option. It’s ideal for casual photography, family snaps, or as an emergency backup camera.
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For enthusiasts craving superior image quality, more manual control, and versatile shooting, the Panasonic Lumix DMC-LX7 stands out. Its fast lens, advanced AF, solid build, and HD video support create opportunities for portraits, landscapes, street photography, and even casual wildlife shoots.
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Travelers seeking an all-rounder would appreciate the LX7’s reasonable size-to-performance ratio, longer battery life, and robust feature set.
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If you need professional-grade supplemental equipment, neither camera replaces a DSLR or mirrorless setup. The LX7’s RAW support helps slightly here, but professionals will still look elsewhere for state-of-the-art sensors and interchangeable lenses.
Final Thoughts from Years Behind the Lens
Having extensively tested many compacts over the last decade, it’s clear the Olympus FE-4000 is a time capsule of early digital snapshot cameras - adequate for basic use but easily outpaced.
The Panasonic LX7, meanwhile, remains a compelling “prosumer” compact, even years after launch, thanks to its fast lens and fine-tuned controls. I remember carrying one on several street photography walks and appreciating its responsiveness and image quality, which surprised even seasoned mirrorless shooters.
So, if you’re hunting for sharp, flexible photography in a compact form and your budget can stretch, the LX7 is the smarter, more satisfying buy. For simple, budget-conscious point-and-shoot needs, the FE-4000 serves as an affordable introduction but don’t expect miracles.
Summary Table
Feature | Olympus FE-4000 | Panasonic Lumix DMC-LX7 |
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Sensor | 1/2.3" CCD, 12MP | 1/1.7" CMOS, 10MP |
Lens | 26-105mm eq., f/2.6-5.9 | 24-90mm eq., f/1.4-2.3 |
ISO Range | 100-1600 (no RAW) | 80-6400 (RAW supported) |
Autofocus | Basic contrast detect, single AF | 23 point, face/tracking, continuous AF |
Burst Rate | None specified | 11 fps |
Video | VGA 640x480 (Motion JPEG) | Full HD 1080p (AVCHD/MPEG-4) |
Display | 2.7", 230k dots | 3", 920k dots |
Manual Exposure | No | Yes |
Weight | 136g | 298g |
Price at launch | $130 | $400 |
I hope this deep dive clarifies which compact camera fits your shooting style and budget. As always, the best camera is the one you have with you - and these two represent very different options for capturing your memories. Happy shooting!
Olympus FE-4000 vs Panasonic LX7 Specifications
Olympus FE-4000 | Panasonic Lumix DMC-LX7 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus FE-4000 | Panasonic Lumix DMC-LX7 |
Alternative name | X-925 | - |
Type | Small Sensor Compact | Small Sensor Compact |
Revealed | 2009-07-22 | 2012-10-15 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor Chip | TruePic III | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor dimensions | 6.17 x 4.55mm | 7.44 x 5.58mm |
Sensor area | 28.1mm² | 41.5mm² |
Sensor resolution | 12 megapixel | 10 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 3968 x 2976 | 3648 x 2736 |
Max native ISO | 1600 | 6400 |
Max boosted ISO | - | 12800 |
Minimum native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 23 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-105mm (4.0x) | 24-90mm (3.8x) |
Highest aperture | f/2.6-5.9 | f/1.4-2.3 |
Macro focus range | 3cm | 1cm |
Crop factor | 5.8 | 4.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.7 inches | 3 inches |
Resolution of display | 230k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 4s | 60s |
Highest shutter speed | 1/2000s | 1/4000s |
Continuous shooting rate | - | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.00 m | 8.50 m |
Flash settings | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
Max video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 136g (0.30 lb) | 298g (0.66 lb) |
Physical dimensions | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") | 111 x 68 x 46mm (4.4" x 2.7" x 1.8") |
DXO scores | ||
DXO All around score | not tested | 50 |
DXO Color Depth score | not tested | 20.7 |
DXO Dynamic range score | not tested | 11.7 |
DXO Low light score | not tested | 147 |
Other | ||
Battery life | - | 330 photographs |
Battery style | - | Battery Pack |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Type of storage | xD Picture Card, microSD Card, Internal | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Retail price | $130 | $400 |