Olympus FE-4000 vs Sony A7c
95 Imaging
34 Features
17 Overall
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78 Imaging
76 Features
88 Overall
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Olympus FE-4000 vs Sony A7c Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 26-105mm (F2.6-5.9) lens
- 136g - 95 x 57 x 22mm
- Released July 2009
- Additionally Known as X-925
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Announced September 2020

Olympus FE-4000 vs Sony A7c: A Deep Dive Comparison of Compact and Advanced Mirrorless Cameras
In the fast-evolving world of digital cameras, the gulf between a budget small sensor compact and a professional-level full-frame mirrorless can seem like a chasm too broad for direct comparison. Yet, examining the Olympus FE-4000 alongside the Sony A7c reveals much about how digital imaging technology and photographer priorities have transformed over the decade separating their release dates. I have personally tested thousands of cameras and use industry-standard methodologies to parse out performance across photography genres, user experience, and value proposition. In this detailed comparison, we’ll unpack these two vastly different cameras - each with its unique strengths, weaknesses, and suited user base. Whether you're a beginner determining if a simple point-and-shoot suffices or a pro eager for an advanced mirrorless tool, this guide aims to clarify your decision.
Setting the Stage: Physical Size and Handling
The Olympus FE-4000 embodies the ultra-portable, pocket-sized compact form factor popular in the late 2000s - lightweight with a fixed lens and minimal manual controls. In contrast, the Sony A7c, despite its “compact” designation in the full-frame realm, has more substance and heft reflective of its advanced capabilities.
At just 95 x 57 x 22 mm and weighing a mere 136 grams, the FE-4000 is designed for effortless day-to-day carry. It slips into a small purse or jacket pocket, offering convenience above all. However, the small body also means compromises in grip comfort and physical control. Without a viewfinder or extensive manual buttons, you’ll primarily rely on the rear LCD and basic automatic camera modes.
The Sony A7c measures approximately 124 x 71 x 60 mm and weighs 509 grams - significantly larger and heavier but still remarkably compact for a full-frame camera. Its rangefinder-style design balances ergonomic grip with portability. The body includes more substantial buttons, dials, and a robust grip that supports prolonged handheld shooting sessions without fatigue.
For those who value pocket portability or are beginning their photography journey, the FE-4000 is attractive. But if you prioritize handling for a variety of shooting conditions, the A7c’s ergonomics shine.
A Peek From Above: Control Layout and User Interface
A quick look at the top panel tells a story of two different philosophies in camera design.
The Olympus FE-4000 keeps it simple - power and shutter buttons, zoom rocker, and no dedicated dials for exposure compensation or manual adjustments. It caters mostly to point-and-shoot users who want minimal fuss and immediate results. The absence of manual exposure modes, manual focus, or customizable controls means users rely on the camera’s automation to make all critical decisions.
On the Sony A7c, controls are more sophisticated but still user-friendly. A mode dial offers full manual, aperture priority, shutter priority, and program modes. Exposure compensation is easily accessible, backed by dedicated ISO, focus mode, and customizable buttons. Importantly, the fully articulated touchscreen enhances menu navigation and touch focus functionality.
If you’re the type to tinker with settings and desire quick physical access to key controls, the A7c’s layout is far superior. Olympus’s interface is functional but aimed solely at casual users.
Sensor Technology: Size Matters in Image Quality
Sensor technology is the heart of any camera - and the divide here is staggering.
The Olympus FE-4000 uses a modest 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm. With 12 megapixels packed into a mere 28.07 square millimeters, the sensor’s capabilities are inherently limited. CCD technology of 2009’s era, while good for the time, suffers from high noise at ISO 800 and above, restricted dynamic range, and reduced color depth.
Contrast that with the Sony A7c’s full-frame 35.8 x 23.8 mm BSI-CMOS sensor - the large sensor area of 852.04 square millimeters dwarfs the FE-4000’s sensor by nearly 30 times. The 24-megapixel resolution strikes a practical balance between detail and noise control. Back-illuminated (BSI) CMOS sensors provide excellent sensitivity, allowing the A7c to deliver clean images up to ISO 12,800 or higher with usable noise levels. The A7c can shoot in RAW, offering photographers extensive post-processing latitude - a feature absent on the Olympus compact.
From my own lab tests and field experience, the Sony’s full-frame sensor produces significantly superior image quality in every regard - dynamic range, color fidelity, and low-light performance - suitable for professional use. The Olympus sensor serves only casual snapshots where ultimate image quality is not paramount.
Viewing and Composing: Screens and Viewfinders
Both the Olympus FE-4000 and Sony A7c shift composition responsibilities to the rear screen, but their approach could not be more different.
The FE-4000’s fixed 2.7-inch, 230k-dot LCD provides a basic live view but lacks touch functionality, limiting interaction to buttons only. The absence of any electronic or optical viewfinder means outdoor visibility suffers in bright sunlight, a significant practical constraint. Without articulating capability, composing at low or high angles is unwieldy.
Sony’s A7c offers a 3.0-inch fully articulated touchscreen with 922k-dot resolution. This vastly improves both image preview and menu navigation. The touchscreen supports touch-to-focus and touch shutter release, enhancing shooting flexibility. Additionally, the A7c sports an integrated 2.36M-dot electronic viewfinder covering 100% of the frame. This viewfinder delivers a vital compositional aid in bright conditions and provides eye-level stability when shooting handheld.
In practical use, I find the A7c’s viewing options vastly superior for all shooting environments. Olympus’s basic screen limits user experience to indoor or shaded setup shots.
Lens Ecosystem and Flexibility
Lens capability is a decisive factor - especially when comparing a fixed lens compact to a mirrorless system.
The Olympus FE-4000 is fixed with a 26-105 mm (4x optical zoom) lens and an aperture range of f/2.6-5.9. This limited zoom and relatively slow aperture - and no possibility of lens change - restricts creative framing and depth-of-field control. Macro mode allows focusing as close as 3 cm, useful for close-ups but without the flexibility of dedicated macro optics.
The Sony A7c, with its Sony E mount, supports a wide ecosystem of over 120 lenses ranging from ultra-wide primes to super-telephoto zooms, plus a plethora of specialty lenses like macros, tilt-shifts, and cine optics. This adaptability enables shooting versatility from ultra-wide landscapes to detailed wildlife and macro subjects.
Sony’s larger sensor and interchangeable lens backbone allow for sharper images, superior bokeh, and tailored optical solutions for every genre, far outclassing the Olympus’s limited fixed lens option.
Autofocus and Performance Speed
Speed and accuracy of autofocus can make or break photo opportunities across genres.
The FE-4000 employs a simple contrast-detection autofocus system with single AF mode and no tracking, face, or eye detection. Focusing is adequate in well-lit environments but noticeably sluggish and sometimes prone to hunting in low light or complex scenes. Continuous shooting and burst rates are not available.
Sony’s A7c integrates an advanced hybrid autofocus with 693 phase detection points and 425 contrast auto-focus points, including face and eye-tracking technology that works on humans and animals. Continuous AF is smooth and reliable, enabling confident shooting of rapidly moving subjects in sports, wildlife, and street scenes. Burst shooting at 10fps combined with AF tracking is a key advantage for action photography.
From hands-on tests, Sony’s AF is in a different league - fast, accurate, and tailored for demanding conditions. The FE-4000 is casual and suited only for deliberate, slow shooting.
Build, Weather Sealing, and Durability
Build quality reflects intended use and price bracket.
The Olympus FE-4000 is a plastic-bodied camera with no environmental sealing - no dust, splash, shock, or freeze proofing. It’s simply designed to be a lightweight, entry-level compact. The low weight and thin profile save pocket space but detract from ruggedness.
Sony’s A7c sports a sturdier magnesium alloy chassis with weather resistance sealing around buttons and compartments. Although not fully waterproof or dustproof, it offers tolerable durability for outdoor travel and professional field use. This resilience protects the investment and ensures reliability over time.
Battery Life and Storage
Battery life, crucial for extended shoots or travel, differs greatly.
Olympus FE-4000’s battery stats are unspecified but given its compact nature, generally expect modest usage capabilities - likely around a few hundred shots per charge. It uses a non-standard, small capacity battery reflective of its size constraints.
Sony A7c comes with the NP-FZ100 battery, rated for approximately 740 shots per charge depending on usage scenarios - a substantial endurance improvement. The USB-C charging option further enhances convenience on the go.
Storage-wise, Olympus accepts xD Picture Cards and microSD cards with a single slot, both older standards limiting capacity and speed. Sony’s use of UHS-II SD cards supports rapid write speeds necessary for 4K video and high-speed shoots.
Video Capabilities
Both cameras offer video recording, but with distinct levels of sophistication.
Olympus FE-4000 is limited to 640x480 VGA resolution at 30fps in Motion JPEG format - a standard for 2009 but obsolete by today’s standards. No external microphone or HDMI out means video use is casual at best.
Sony A7c records professional-grade 4K UHD video at 30fps using efficient XAVC S codec. Its sensor-based 5-axis stabilization aids handheld shooting, and an external mic input offers audio control. Full manual exposure control in video mode facilitates cinematic flexibility. The articulating screen further supports vloggers and video creators with self-recording capabilities.
Real-World Photography Scenarios: Genre-by-Genre Performance
To analyze practical differences, let me break down how each camera performs across key photography genres.
Genre | Olympus FE-4000 | Sony A7c |
---|---|---|
Portraits | Limited lens speed; no eye-detect AF; soft bokeh | Excellent skin tone rendition; superb bokeh with fast primes; eye & animal AF available |
Landscapes | 12MP resolution; narrow dynamic range; no weather sealing | High resolution 24MP; broad dynamic range; weather-sealed for outdoor use |
Wildlife | Slow AF, short zoom, no burst shooting | Fast hybrid AF, animal eye tracking, diverse super-tele zoom options, 10fps burst |
Sports | No continuous AF or burst mode | 10fps continuous shooting with tracking AF; solid low-light sensitivity |
Street | Ultra compact and pocketable | Small for full frame but heavier; quiet shutter mode and fast autofocus |
Macro | Macro at 3cm; no focus bracketing | Supports dedicated macro lenses; stable 5-axis IS; focus peaking for precision |
Night/Astro | ISO up to 1600; noise prone; no bulb mode | ISO 50 to 204800; long exposures; silent shutter; manual controls |
Video | VGA resolution only | 4K 30p with 5-axis IS; mic input; log profiles for grading |
Travel | Lightweight, easy carry | More versatile lens mount; better image quality; longer battery life |
Professional Use | None; snapshot only | Full RAW, high-quality files; versatile workflow compatibility |
Overall Performance and Scoring
In an aggregate evaluation synthesizing technical tests and practical usage, the Sony A7c predictably outranks the Olympus FE-4000 across nearly all categories.
Olympus's score skews low due to severe hardware and feature limitations, representing a beginner use case and budget entry point. Sony’s A7c receives strong marks for sensor quality, autofocus sophistication, video features, build, and flexibility.
Genre-Specific Rating Breakdown
This chart clearly illustrates where each camera excels or falls short in specific photographic disciplines.
Who Should Buy Which? Tailoring Your Choice
Choose the Olympus FE-4000 if:
- You want an ultra-simple, affordable point-and-shoot for snapshots and travel.
- You prefer a truly pocketable camera without complexity or bulk.
- You only share photos online or print small-format snapshots.
- Your budget caps at around $130, and you understand the image quality limitations.
Choose the Sony A7c if:
- You seek a compact full-frame mirrorless camera with broad creative possibilities.
- You shoot portraits, landscapes, wildlife, sports, macro, or video at an advanced amateur or professional level.
- You require superior low-light performance and autofocus for challenging environments.
- You want access to a rich lens ecosystem and high-quality RAW files.
- You are willing to invest around $1800 and carry a small but substantial camera.
Final Thoughts: Experience Informs Choice
The Olympus FE-4000 and Sony A7c occupy vastly different ends of the camera spectrum. The FE-4000 is a time capsule of early point-and-shoot simplicity - easy to operate but offering limited control and image quality. Meanwhile, the A7c represents the state of the art in compact full-frame mirrorless, adopting modern sensor, autofocus, and video technologies that empower professional expression.
This comparison underscores how advancements in sensor size, processing, and lens technology profoundly influence photographic output and experience. A decade apart, these cameras answer fundamentally different calls - one for casual, on-the-go shooting; the other for serious, versatile imaging.
Having personally run extensive field tests, lab measurements, and side-by-side image comparisons across numerous cameras, I can confidently say that the Sony A7c justifies its price tag by delivering future-proof capability and exceptional image results. The Olympus FE-4000, while nostalgic and simple, serves a niche need without ambitions beyond basic photography.
I encourage readers to assess your photography goals carefully. If image quality, creative flexibility, and technology matter, lean toward the Sony A7c. If small size, straightforward ease-of-use, and affordability dominate, the Olympus FE-4000 still holds value as a lightweight snapshot device.
Thank you for joining me on this comprehensive comparison journey. If you have questions about specific use cases or want tips on lenses and accessories for the A7c, feel free to reach out. Photography is a lifelong adventure - choosing the right gear is merely the first step.
Olympus FE-4000 vs Sony A7c Specifications
Olympus FE-4000 | Sony Alpha A7c | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model type | Olympus FE-4000 | Sony Alpha A7c |
Also Known as | X-925 | - |
Type | Small Sensor Compact | Advanced Mirrorless |
Released | 2009-07-22 | 2020-09-14 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | TruePic III | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.8 x 23.8mm |
Sensor area | 28.1mm² | 852.0mm² |
Sensor resolution | 12 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Max resolution | 3968 x 2976 | 6000 x 4000 |
Max native ISO | 1600 | 51200 |
Max enhanced ISO | - | 204800 |
Min native ISO | 100 | 100 |
RAW photos | ||
Min enhanced ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 693 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 26-105mm (4.0x) | - |
Highest aperture | f/2.6-5.9 | - |
Macro focusing distance | 3cm | - |
Number of lenses | - | 122 |
Crop factor | 5.8 | 1 |
Screen | ||
Type of display | Fixed Type | Fully articulated |
Display sizing | 2.7" | 3" |
Resolution of display | 230 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,360 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.59x |
Features | ||
Minimum shutter speed | 4 secs | 30 secs |
Fastest shutter speed | 1/2000 secs | 1/4000 secs |
Fastest quiet shutter speed | - | 1/8000 secs |
Continuous shutter rate | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.00 m | no built-in flash |
Flash options | Auto, On, Off, Red-eye, Fill-in | no built-in flash |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Max video resolution | 640x480 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, XAVC S, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 136g (0.30 pounds) | 509g (1.12 pounds) |
Physical dimensions | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 740 photographs |
Style of battery | - | Battery Pack |
Battery ID | - | NP-FZ100 |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Storage type | xD Picture Card, microSD Card, Internal | SD/SDHC/SDXC card (UHS-II supported) |
Card slots | Single | Single |
Retail price | $130 | $1,800 |