Olympus FE-4000 vs Sony A350
95 Imaging
34 Features
17 Overall
27


62 Imaging
52 Features
47 Overall
50
Olympus FE-4000 vs Sony A350 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 26-105mm (F2.6-5.9) lens
- 136g - 95 x 57 x 22mm
- Revealed July 2009
- Alternate Name is X-925
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Tilting Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 674g - 131 x 99 x 75mm
- Launched June 2008
- Updated by Sony A380

Olympus FE-4000 vs Sony A350: A Hands-On Battle of Two Contrasting Cameras
In the diverse landscape of photographic tools, I’ve spent the better part of 15 years wrestling with hundreds of cameras - from compact point-and-shoots to high-end professional DSLRs. Today, I’m diving into a head-to-head comparison between two very different beasts: the compact Olympus FE-4000 and the entry-level DSLR Sony Alpha A350. This isn’t just about specs on paper. I’ve put both through their paces in various real-world scenarios covering everything from portraits and landscapes to wildlife and night photography.
Whether you're a casual enthusiast or a budding pro, this comprehensive evaluation will help you navigate which camera fits your style, needs, and budget best.
First Impressions: Size, Handling, and Design
One of the first aspects I noticed switching between these cameras is just how divergent they are physically and ergonomically. The Olympus FE-4000 is tiny, weighing only 136 grams and fitting comfortably in the palm of your hand, making it ideal for casual travel or quick street snaps.
In contrast, the Sony A350 feels substantial in hand at 674 grams - more than five times as heavy - reflecting its DSLR heritage with an optical pentamirror viewfinder and a deeper grip.
The difference in body size translates to very different handling experiences. The FE-4000 has a compact, minimalistic design - no articulated parts or complex controls. This makes it an almost grab-and-go camera but limits manual control and customization. Conversely, the Sony A350’s DSLR form factor offers dedicated dials, buttons, and a more substantial grip tailored for prolonged shooting sessions.
Speaking of controls:
The A350 boasts dedicated buttons for exposure modes, ISO, and autofocus options, while the FE-4000 keeps it simple with only basic exposure and flash toggles. If you appreciate tactile, fast-access controls, the Sony’s layout is a clear winner.
Sensor Technology: The Heart of Image Quality
Diving under the hood - the Olympus FE-4000 stashes a small 1/2.3" CCD sensor, measuring a mere 6.17 x 4.55 mm and offering 12 megapixels. The Sony A350, on the other hand, houses a much larger 23.6 x 15.8 mm APS-C sized CCD sensor with 14 megapixels.
Sensor size makes a monumental difference in image quality. In practical tests, the Sony's APS-C sensor yields more detail with cleaner images, better dynamic range, and significantly improved low-light performance. The Olympus’s small sensor struggles in dim environments and produces images with higher noise levels at ISO 800 and above.
For photographers who push image quality as a priority, particularly in portraits and landscapes where detail and tonal gradation matter, the A350’s sensor provides a palpable advantage.
LCD Screen and Interface: How You See Your Shot
Both cameras feature 2.7-inch LCD screens with 230k-dot resolutions, adequate for framing and image review but far from today’s HD standards.
The Olympus screen is a fixed type, simple and clean, but lacking any articulation. The Sony A350 offers a tilting screen which I found invaluable for shooting at awkward angles - particularly for macro work or low-angle street photography.
The A350’s interface, while dated by modern standards, offers more robust menu navigation and customization options, consistent with DSLR ergonomics.
Portrait Photography: Capturing Skin Tones and Expressions
Portrait shooting demands accurate skin tone rendition and effective subject separation. The Olympus FE-4000, with its small sensor and limited lens aperture range (F2.6–5.9), produces flat images lacking smooth bokeh and depth. It relies heavily on digital processing, which often results in plasticky skin textures.
The Sony A350, paired with fast lenses from the vast Sony/Minolta alpha lineup, enables creamy backgrounds and superior detail rendition. Its 9-point autofocus system, with center-weighted and multi-point modes, gives a decent hit rate on face-focused shots, even if it lacks eye detection.
For studio lighting or natural portraits, the A350’s manual exposure modes and white balance calibration provide crucial control over skin tone accuracy - something the Olympus cannot replicate.
Landscape Photography: Resolution, Dynamic Range, and Durability
Landscape photographers demand rich detail and wide dynamic range to capture shadows and highlights effectively. Here the Sony shines again thanks to its larger APS-C sensor and 14 MP resolution, capturing intricate textures from tree leaves to rocky outcrops.
The Olympus, constrained by its small sensor and basic TruePic III processor, renders landscapes with softer details and limited contrast jumping out of harsh midday light scenes.
Neither camera offers environmental sealing, which limits their use in adverse weather conditions. However, the DSLR body and interchangeable lens ecosystem of Sony opens more avenues to weather-resistant glass.
Wildlife and Sports Photography: Autofocus and Burst Performance
Fast and accurate autofocus (AF) systems are critical when shooting moving subjects like birds or athletes. The Olympus FE-4000 uses contrast-detection AF with a limited single-area mode and no continuous AF tracking - unsurprising for a compact camera of its era. It’s slow to lock focus and redetect moving subjects, making it unsuitable for anything but static or slow-moving subjects.
The Sony A350, despite being an entry-level DSLR, features a 9-point phase-detection AF system. Coupled with continuous AF and a respectable 3 frames per second burst rate, it performs well in capturing fleeting moments, though it may lag behind modern DSLR or mirrorless counterparts in speed.
Street and Travel Photography: Discreteness vs Versatility
In street shooting, a compact and discreet form factor is often preferred. The Olympus FE-4000’s tiny size and quiet operation make it an unobtrusive companion. Its 26-105 mm (35mm eq.) 4x zoom covers most everyday focal lengths, although its slow aperture hinders shooting in low light.
In contrast, the Sony A350, while versatile and capable, is bulkier and more notice-able. However, the ability to swap lenses and access faster primes gives it more creative reach for travel scenes ranging from sprawling cityscapes to tight market alleys.
Battery life is another consideration - while neither camera specifies exact longevity, smaller compacts generally last fewer shots than DSLRs with larger batteries.
Macro and Close-up: Precision and Magnification
For macro photography, the Olympus has a 3 cm minimum focusing distance, allowing decent close-ups with reasonable sharpness. Its in-built lens stabilization is non-existent, so handheld macro shots require steady hands or support.
The Sony A350 depends on the selected lens. Many Sony Alpha lenses offer superior close-focusing capabilities and image stabilization, essential for detailed macro work in natural light. The A350’s live view mode facilitates precise focusing critical when shooting at shallow depths of field.
Night and Astro Photography: High ISO and Long Exposure
Low-light and astrophotography challenge the sensor’s ISO performance and long exposure capabilities. The Olympus FE-4000 caps at ISO 1600 but exhibits heavy noise at such values. Its shutter speed tops around 1/2000 second but lacks long exposure modes or bulb settings, limiting creative control.
The Sony A350 offers ISO up to 3200 with comparatively cleaner output, and shutter speeds from 30 seconds to 1/4000 second. These features, combined with interchangeable lenses offering wide apertures, make it far more capable for night scenes and astrophotography enthusiasts.
Video Capabilities: Limited vs Basic
Video is a domain where the Olympus FE-4000 has minimal offerings: VGA (640x480) resolution at 30 fps in Motion JPEG format. It lacks any mic or headphone inputs, no high definition, and image stabilization.
The Sony A350 surprisingly lacks video recording capabilities altogether despite its DSLR design.
If video is a priority, neither camera excels by modern standards.
Professional Workflows: Reliability, File Formats, and Integration
Working professionals demand RAW file support and robust workflow compatibility. The Olympus FE-4000 records only JPEGs with no RAW option, rendering it unsuitable for situations demanding heavy post-processing or large prints.
The Sony A350 supports RAW files, opening up extensive flexibility for color grading, exposure adjustment, and noise reduction in programs like Adobe Lightroom or Capture One. Combined with its wide lens ecosystem, it can integrate well into a professional workflow.
Connectivity and Storage: Modern Necessities Missed
Both cameras lack wireless connectivity options such as Wi-Fi or Bluetooth, a notable disadvantage in today’s sharing-focused workflows.
Storage-wise, Olympus relies on xD Picture Cards or microSD, both now obsolete and hard to source. The Sony supports Compact Flash and Memory Stick Duo formats, more common in professional DSLRs of its generation.
Durability and Build Quality
Neither camera is weather-sealed or built for extreme conditions, limiting outdoor ruggedness.
The Sony A350, however, features a more robust DSLR chassis with durable plastics and metal reinforcements, enabling better longevity under regular use compared to the fragile compact plastic shell of the Olympus.
Summary of Strengths and Weaknesses
Feature | Olympus FE-4000 | Sony A350 |
---|---|---|
Sensor & Image Quality | Small sensor, noisy at high ISO | Larger APS-C sensor, superior quality |
Lens & Zoom | Fixed 26–105mm lens, limited aperture | Interchangeable lenses, wide range |
Autofocus | Basic contrast detection, single point | 9-point phase detection, continuous |
Manual Controls | None | Full manual exposure modes |
Viewfinder | None | Optical pentamirror, 95% coverage |
Video | VGA 30 fps MJPEG | None |
Build & Size | Compact, lightweight | Larger, more rugged |
Connectivity | None | None |
Storage | xD, microSD | Compact Flash, Memory Stick |
Price | ~$130 (budget-friendly) | ~$600 (entry-level DSLR) |
Looking at side-by-side sample images, the Sony A350’s shots are noticeably crisper with better tonal control. Skin tones on the Sony look more natural, while Olympus skin colors tend to oversaturate or flatten. Landscapes show better shadow depth and color richness on the Sony.
How These Cameras Score Overall and Across Photo Genres
Here’s a practical breakdown based on my hands-on tests and benchmarking aligned with DxOMark data where available:
- Portraits: Sony A350 takes a solid lead with enhanced depth and detail.
- Landscapes: Sony dominates due to sensor and lens quality.
- Wildlife & Sports: Sony’s autofocus and burst rate make it usable; Olympus falls short.
- Street: Olympus wins on discretion and portability.
- Macro: Sony’s lens choices provide better flexibility.
- Night/Astro: Sony’s longer exposure and ISO range give it the edge.
- Video: Neither impresses - Olympus offers minimal video, Sony none.
- Travel: Olympus is convenient; Sony offers versatility.
- Professional: Sony’s RAW support and controls align better.
Practical Takeaways and Who Should Buy Which Camera?
Buy the Olympus FE-4000 if:
- You want an ultra-affordable, pocket-sized camera for casual snaps.
- Portability and ease of use are paramount.
- You don’t care about advanced controls, RAW files, or video.
- You want a backup or quick camera to capture travel memories without fuss.
Buy the Sony A350 if:
- You are an enthusiast or beginner stepping up to DSLR capabilities.
- Image quality, sensor size, and manual controls matter.
- You plan to shoot portraits, landscapes, or fast-moving subjects.
- You want access to a broad lens lineup and editing flexibility with RAW.
- You value versatility over compactness.
Final Thoughts: Contrasting Cameras for Different Minds
Having extensively used these cameras in varied conditions ranging from street cafes in Paris to rugged forest trails and dim concert halls, I can say their design philosophies couldn’t be more different.
The Olympus FE-4000 is a testament to minimalist compact simplicity - quick to grab, modest results, and budget accessible. For beginners and travel photographers prioritizing convenience, it’s a viable tool.
The Sony A350 is a gateway to more serious photographic exploration. Its larger sensor, more sophisticated autofocus, and manual control make it a much more capable machine despite the outdated video features and bulk.
Both cameras leave footprints in their categories but cater to vastly different demands. Your choice hinges on whether you prioritize ultra-portability or image quality and creative control.
I hope this deep dive has illuminated the practical nuances between these two cameras and helps you make a confident, informed choice for your photographic journey.
Happy shooting!
Olympus FE-4000 vs Sony A350 Specifications
Olympus FE-4000 | Sony Alpha DSLR-A350 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus FE-4000 | Sony Alpha DSLR-A350 |
Alternative name | X-925 | - |
Category | Small Sensor Compact | Entry-Level DSLR |
Revealed | 2009-07-22 | 2008-06-06 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Powered by | TruePic III | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.6 x 15.8mm |
Sensor area | 28.1mm² | 372.9mm² |
Sensor resolution | 12MP | 14MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Maximum resolution | 3968 x 2976 | 4592 x 3056 |
Maximum native ISO | 1600 | 3200 |
Min native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 9 |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 26-105mm (4.0x) | - |
Highest aperture | f/2.6-5.9 | - |
Macro focusing distance | 3cm | - |
Number of lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display diagonal | 2.7" | 2.7" |
Display resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.49x |
Features | ||
Slowest shutter speed | 4s | 30s |
Maximum shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | - | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.00 m | 12.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-eye, Fill-in | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | - |
Maximum video resolution | 640x480 | None |
Video format | Motion JPEG | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 136 gr (0.30 lbs) | 674 gr (1.49 lbs) |
Physical dimensions | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") | 131 x 99 x 75mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO All around rating | not tested | 65 |
DXO Color Depth rating | not tested | 22.6 |
DXO Dynamic range rating | not tested | 11.5 |
DXO Low light rating | not tested | 595 |
Other | ||
Self timer | Yes (12 seconds) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | xD Picture Card, microSD Card, Internal | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
Storage slots | Single | Single |
Retail price | $130 | $600 |