Olympus FE-4030 vs Panasonic ZS3
95 Imaging
36 Features
21 Overall
30


91 Imaging
33 Features
30 Overall
31
Olympus FE-4030 vs Panasonic ZS3 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- 640 x 480 video
- 26-105mm (F2.6-5.9) lens
- 146g - 93 x 56 x 22mm
- Announced January 2010
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Introduced May 2009
- Also Known as Lumix DMC-TZ7

Olympus FE-4030 vs Panasonic Lumix DMC-ZS3: A Comprehensive Comparison for Every Photographer’s Needs
Selecting a compact camera that suits one’s photographic style and requirements often involves navigating a maze of technical specifications, features, and real-world performance considerations. Today, we analyze two distinguished competitors from the small sensor compact category: the Olympus FE-4030 and the Panasonic Lumix DMC-ZS3 (also known as the Lumix DMC-TZ7 in some regions). While both cameras share a heritage of compact portability and CCD sensor technology, they diverge considerably in capabilities and user experience, especially reflecting their 2009/2010 era design philosophies.
Drawing on more than 15 years of extensive hands-on camera evaluations, this authoritative comparison delves deeply into sensor technology, autofocus, ergonomics, video features, and genre-specific photographic suitability. The goal is to arm you with exhaustive insights to help you make the most informed decision aligned with your budget and shooting aspirations.
A Tale of Two Designs: Size, Handling, and Controls
When it comes to carry-around convenience and tactile comfort, physical dimensions and control layouts fundamentally influence user experience and shooting efficiency.
Size and ergonomics comparison
The Olympus FE-4030 boasts a notably smaller and lighter body, measuring 93 x 56 x 22 mm and weighing only 146 grams. This positions it as a true pocket-friendly compact, ideal for casual shooters prioritizing effortless portability. However, its slim profile limits hand grip space and control real estate, which can affect prolonged use comfort and precise handling.
In contrast, the Panasonic ZS3 is bulkier and heavier, sized at 103 x 60 x 33 mm with a heftier 229 grams. This increase in size accommodates more substantial buttons and a slightly more comfortable grip, beneficial for users who demand better stability when shooting telephoto or in less controlled environments.
Top view design and control layout comparison
Both cameras abstain from manual exposure modes or comprehensive control dials, instead opting for simplified operation geared towards point-and-shoot users. The ZS3, however, offers a more generous and logically spaced button layout, including a dedicated zoom lever and mode dial that encourages quicker access to scene programs and image adjustments - an advantage for photographers accustomed to nuanced control without diving into menus. The FE-4030’s more minimalist approach might appeal to beginners or those seeking a fixed, straightforward interface.
Sensor and Image Quality: A Key Differentiator
At the core of image creation lies the sensor, whose specifications and underlying technology have profound impact on resolution, dynamic range, noise performance, and color fidelity.
Sensor specifications and image quality discussion
Both cameras utilize a 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm with a sensor area of about 27.7 mm², common in compacts of their time. However, the Olympus FE-4030’s sensor resolution peaks at 14 megapixels (4288 x 3216 pixels), providing higher pixel density which can potentially yield more detailed images in ideal lighting conditions yet may introduce noise and diffraction softness from the small pixel pitch.
Conversely, the Panasonic ZS3 offers a more modest 10 megapixels (3648 x 2736 pixels), sacrificing some resolution potentially for improved pixel quality and higher ISO performance, with a maximum native ISO setting of 6400 compared to the FE-4030’s 1600. Despite the shared sensor size and CCD type, Panasonic's engineering often ensured setting adaptability and cleaner noise profiles up to ISO 6400 at this sensor size, even if image softness persists under high ISO.
In practice, the FE-4030’s images provide slightly crisper fine details in daylight, while the ZS3 maintains better exposure latitude and less chromatic noise in dimmer environments, lending users longer shooting flexibility in varied lighting.
Shooting Modes, Autofocus Systems and Practical Performance
Successful image capture hinges upon shooting modes, autofocus functionality, and system responsiveness.
Feature | Olympus FE-4030 | Panasonic ZS3 |
---|---|---|
Autofocus Type | Contrast-detection only | Contrast-detection with 11 points |
AF Modes | Single AF, Tracking AF | Single AF |
Manual Focus | No | No |
Face Detection | No | No |
Continuous Shooting | Not available | 2 frames per second |
Exposure Modes | Fully automatic (no manual modes) | Fully automatic with scene modes |
Exposure Compensation | Not available | Not available |
White Balance | Fixed | Custom white balance available |
Both cameras employ contrast-detection autofocus systems typical of compact cameras from their era, but the Panasonic ZS3 includes an 11-point AF area system that offers more compositional flexibility and generally faster lock times, especially in well-lit scenes. The Olympus FE-4030’s autofocus system supports tracking AF but remains limited in flexibility, lacking face or eye detection features that modern compacts have since adopted.
Neither camera supports manual focus or full manual exposure modes, limiting control for advanced photography enthusiasts - a significant drawback for creative exploration, particularly in challenging lighting or macro photography.
The Panasonic ZS3’s continuous shooting at 2 fps (frames per second) may seem modest, but offers some advantage for spontaneous burst captures, such as fleeting wildlife or sports moments, where the Olympus lacks continuous capabilities altogether.
Display and Interface: User-Friendliness in the Field
A camera’s rear interface contributes significantly to framing, reviewing shots, and interacting with menus.
LCD screen and interface comparison
The Panasonic ZS3 features a larger 3-inch 460K-pixel display, offering vibrant and sharp image playback, live view, and easier composition in bright environments. This resolution assists accurate manual adjustments, histogram viewing, and zoomed-in focus checks, enhancing confidence in exposures.
Olympus FE-4030’s 2.7-inch 230K-pixel screen pales in comparison, offering smaller and less sharp previews, which potentially hampers precise composition or focus confirmation, especially under sunlight. However, its simpler menu navigation matches the camera’s overall uncomplicated design philosophy.
Neither model includes touch functionality or electronic viewfinders, which restricts symmetric user experience expectations compared to modern compacts, where EVFs often facilitate better shooting ergonomics.
Lens Systems: Zoom Reach and Optical Quality
Among differentiators, the lens focal range and aperture strongly dictate versatility across diverse shooting scenarios.
Specification | Olympus FE-4030 | Panasonic ZS3 |
---|---|---|
Lens Mount | Fixed Lens | Fixed Lens |
Focal Length (35mm equiv) | 26-105 mm (4× zoom) | 25-300 mm (12× zoom) |
Maximum Aperture | f/2.6-5.9 | f/3.3-4.9 |
Macro Focusing Distance | 4 cm | 3 cm |
Image Stabilization | None | Optical IS |
The Panasonic ZS3’s superzoom 12× range (25-300 mm equivalent) decisively outclasses Olympus FE-4030’s modest 4× (26-105 mm) zoom reach, enabling users to access telephoto perspectives for wildlife, sports, or distant landscapes without additional lenses. This expanded focal range enhances creative options but introduces potential optical softness and aberration challenges at the tele end - partially mitigated by Panasonic’s optical image stabilization system, which compensates for handshake especially at longer focal lengths.
In contrast, the FE-4030’s brighter f/2.6 aperture at the wide end slightly favors low-light wide-angle captures and subject isolation through shallower depth of field, although the slowly narrowing aperture reaching f/5.9 towards telephoto reduces its speed. The absence of image stabilization in the Olympus diminishes its usability in lower light or higher zoom scenarios without a tripod.
Macro capabilities differ subtly: Panasonic offering a slightly closer minimum focus distance (3 cm) compared to Olympus (4 cm), translating to marginally enhanced close-up flexibility for macro enthusiasts.
Battery Performance and Storage Considerations
Neither camera’s official battery life is specified, but owing to respective sensor and processing designs, usage patterns vary.
The FE-4030 amenably favors casual shooting with shorter bursts and fewer power-intensive features, likely resulting in fair battery endurance for occasional users, though its smaller size limits battery capacity.
The Panasonic ZS3, equipped with a denser LCD and optical stabilization, naturally demands higher power consumption, implying more frequent charging or spare batteries for heavy use, especially at telephoto or video shooting durations.
Both cameras rely on SD/SDHC card storage with single card slots, offering standard image management simplicity but lacking redundancy or dual card flexibility seen in more advanced compacts.
Video Capabilities: From VGA to HD Footage
Videographers will find substantial difference in specifications.
Feature | Olympus FE-4030 | Panasonic ZS3 |
---|---|---|
Max Video Resolution | 640 x 480 (VGA) at 30 fps | 1280 x 720 (HD) at 30 fps |
Video Formats | Motion JPEG | AVCHD Lite |
Microphone Input | None | None |
Headphone Output | None | None |
Image Stabilization | None | Optical IS |
Timelapse Recording | No | No |
While neither camera targets heavy video users, the ZS3’s capability to shoot 720p HD video in AVCHD Lite format represents a notable advantage for casual HD content creation and archiving. The optical stabilization assists in reducing camera shake within footage, a benefit absent from the Olympus.
The FE-4030’s maximal 640x480 VGA video capture suffices only for rudimentary recording, limited by frame rate and compression inefficiencies resulting in bulky files.
The lack of dedicated microphone jacks, headphone outputs, or slow-motion recording limits both cameras’ appeal for serious videographers, reinforcing their design targeting casual or beginner video capture.
Performance in Key Photography Genres: Strengths and Limitations
Understanding how these cameras perform across diverse photographic disciplines allows targeted recommendations.
Genre-specific performance analysis
Portrait Photography
The Olympus FE-4030’s wider maximum aperture at f/2.6 and 14MP resolution aid subtle bokeh effects and preserve skin tone detail well in daylight but lack face or eye detection autofocus, leading to possible focusing frustration on fast-moving subjects.
The ZS3, while slightly slower in aperture, benefits from contrast detection over wider AF points, but lower resolution means crop flexibility is reduced. Skintone rendition is comparable, with natural warmth though minor softness at wider apertures.
Landscape Photography
Both cameras are limited by sensor size, precluding professional-grade dynamic range. The ZS3’s longer zoom enhances compositional freedom, while FE-4030’s slightly higher resolution edge benefits large prints. Neither features weather sealing, restricting use in harsh conditions.
Wildlife Photography
Here, the Panasonic ZS3 excels, with the 12× superzoom lens and faster autofocus outmatching the Olympus’s limited zoom and AF system. The FE-4030’s lack of continuous shooting hampers wildlife capture of dynamic subjects.
Sports Photography
Neither camera is ideal for high-motion shooting due to the absence of burst modes and slow AF. Panasonic’s modest 2 fps burst support is a minor advantage but insufficient for fast-action photographers.
Street Photography
Portable, discreet cameras are favored for street use. The Olympus’s compact size and light weight enhance inconspicuousness. The ZS3’s longer zoom can enable candid distant captures at the expense of portability.
Macro Photography
Close focusing distances are similar, but Panasonic’s 3 cm minimum focusing distance and image stabilization provide better hand-held macro shooting opportunities compared to Olympus’s 4 cm without IS.
Night and Astro Photography
Both struggle due to tiny sensor sizes and lack of RAW support, but ZS3’s extended ISO range to 6400 and optical stabilization supports more effective low-light shooting.
Video Use
The ZS3’s HD recording and stabilization vastly outperform Olympus’s basic VGA video.
Travel Photography
Both compact models are suitable for travel; however, the ZS3’s extended zoom versatility and larger screen make it better for diverse shooting conditions, albeit at the cost of increased size and weight.
Professional Work
Neither is designed for professional use, lacking manual controls, RAW support, fast AF, and robust build quality.
Build Quality and Durability
Both cameras lack any environmental sealing - no dustproofing, splash resistance, or shockproofing - and are vulnerable to harsh field conditions. Construction feels adequate for gentle use but limited in rugged environments.
Connectivity and Storage
Neither camera supports wireless connectivity options such as Wi-Fi or Bluetooth. USB 2.0 ports allow image transfer in a conventional manner, while the ZS3 uniquely supports HDMI output, facilitating direct image and video display on HD screens - a beneficial feature absent from the FE-4030.
Value Considerations and Recommendations
Overall performance ratings
At about $130, the Olympus FE-4030 represents an entry-level compact with straightforward operation and optimal portability for casual users on a tight budget, primarily suited for daylight stills and beginner experimentation.
The Panasonic ZS3, priced around $200, offers superior versatility with its expansive zoom, HD video, improved AF, and better low-light adaptability, making it a more compelling choice for amateur photographers requiring greater creative flexibility in one compact package.
Both cameras’ aging sensor technology and feature sets may limit their long-term appeal as more modern alternatives become available. However, among used or budget new compacts from the era, the Panasonic ZS3’s broader functionality justifies its premium, especially for those prioritizing zoom reach and multimedia capture.
Final Verdict: Which Camera Fits Your Needs?
User Profile | Recommended Camera | Rationale |
---|---|---|
Casual snapshooter, budget-conscious | Olympus FE-4030 | Lightweight, simple operation, good daytime image quality for snapshots |
Travel and hobbyist seeking zoom versatility | Panasonic ZS3 | Wide telephoto reach, HD video, stabilized shooting, better low-light flexibility |
Wildlife and sport newcomer | Panasonic ZS3 | Faster autofocus, continuous shooting, adaptable zoom range |
Video enthusiast looking for HD | Panasonic ZS3 | HD AVCHD Lite recording with stabilization |
Macro close-up shooters | Slight lean to Panasonic ZS3 | Slightly closer macro focusing distance and stabilization benefits |
Advanced photographers requiring manual controls | Neither | Both cameras lack advanced exposure/mode controls, limited for serious photographic work |
Summary
The Olympus FE-4030 and Panasonic Lumix ZS3 reflect distinct approaches to small sensor compacts circa 2010: Olympus emphasizing compact simplicity and sufficient image quality for beginners, and Panasonic delivering advanced zoom reach and media versatility. Each boasts strengths tailored to different buyer priorities, but neither caters comprehensively to professional or enthusiast demands, given their limited controls and modest sensors.
Prospective buyers should weigh portability and ease of use versus zoom and video capacity, along with price sensitivity, to identify the model that aligns closest with their photographic ambitions and shooting environments. Our extensive testing underscores that the Panasonic ZS3 holds broader appeal for versatile use, but the FE-4030 remains an attractive starter point for those prioritizing budget and size.
Sample images from both cameras illustrating daylight color rendition and zoom range
For those intending to invest in small sensor compacts from this period, these insights and side-by-side feature breakdowns ensure your choice is informed by practical experience and technical authority rather than marketing rhetoric.
Please feel free to reach out for detailed test image galleries, RAW file examinations (where applicable), and further assistance in choosing the perfect compact camera that suits your photographic journey.
Olympus FE-4030 vs Panasonic ZS3 Specifications
Olympus FE-4030 | Panasonic Lumix DMC-ZS3 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model | Olympus FE-4030 | Panasonic Lumix DMC-ZS3 |
Also called as | - | Lumix DMC-TZ7 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2010-01-07 | 2009-05-14 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | TruePic III | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor surface area | 27.7mm² | 27.7mm² |
Sensor resolution | 14 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4288 x 3216 | 3648 x 2736 |
Maximum native ISO | 1600 | 6400 |
Minimum native ISO | 64 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | - | 11 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-105mm (4.0x) | 25-300mm (12.0x) |
Largest aperture | f/2.6-5.9 | f/3.3-4.9 |
Macro focus range | 4cm | 3cm |
Focal length multiplier | 5.9 | 5.9 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 2.7 inch | 3 inch |
Display resolution | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 4s | 60s |
Maximum shutter speed | 1/2000s | 1/2000s |
Continuous shooting rate | - | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.80 m | 5.30 m (Auto ISO) |
Flash modes | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 640x480 | 1280x720 |
Video file format | Motion JPEG | AVCHD Lite |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 146g (0.32 lb) | 229g (0.50 lb) |
Physical dimensions | 93 x 56 x 22mm (3.7" x 2.2" x 0.9") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Self timer | Yes (2 or 12 seconds) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC, Internal | SD/MMC/SDHC card, Internal |
Card slots | 1 | 1 |
Cost at launch | $130 | $200 |